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Click here to subscribeA French oval marble-topped low table with a painted open wrought iron base with a flowering shrub detail to the cross stretcher 61 cm x 41 cm x 58 cm overall height. together with a decorative patinated and parcel gilt pineapple table lamp. and a pair of gilt brass and white marble urn table lamps.
A George III figured satinwood wine table with tulipwood banded octagonal top, on a slender turned urn column, over an inverted sabre-legged tripod base., 39.5 cm wide x 65.5 cm overall height, together with a similar mahogany wine table, an Edwardian cartouch topped occasional table and an Edwardian tripod kettle stand. Qty: 4
A Chinese Canton-style enamel wine cup of urn form, painted with Famille Verte scenes of a pair of red bats in a landscape of bamboo, persimmon, and peony, bearing a four-character mark for Qianlong to the base, 5.5 cm high x 5 cm diameter, together with a Canton style enamel snuff flask, of flattened elliptical form painted in the 18th-century European taste with a mother and child, in own fitted case,Loss of enamel to the interior of the cup (as shown). No apparent damage to either item. Minor enamel loss visible on close inspection to the exterior of both.
A George III satinwood and marquetry demi-lune commode in the manner of Ince & Mayhew, the top inlaid with a sand-shaded half fan tied ribbons and swags of Hare bells within a rosewood crossbanded border with further harebells, fitted three shaped doors with tied laurel wreath and triumphal urn inlay on a quartered ground, supported by inlaid tapering square supports, 126 cm wide x 56 cm deep x 88 cm overall height. The commode has had some later sub-divisions to the interior, the top has had a dark watermark (pan ring) removed locally that has caused the outline to have sunken slightly.,Update, the feet look to have been cut off at some point, you can see where the saw has stalled in its kerf on one foot perhaps the commode had small block feet, the detail continues from the pilasters to the feet suggesting that the legs are correct but cut downThe shelves are later additions with signs of Vandyk crystals staining to the shelves and shelf supports, maybe this carcass interior was not partitioned for shelves or perhaps one long shelf.The top of the commode has had a dark cup ring taken out but this has left a slightly depressed ring to the surface. the top is free from cracks or splits.The two end cupboards are free from splits but do have some slightly lifting sections of marquetry, the central door shows some transmission of the boarded ground in the form of a subtle undulation to the surface, but it remains intact without splits.The commode has had some restoration over the years using outdated processes and has also had something done to the interior, possibly to make three compartments from a large single space with a single shelf but is basically period.Please see the extra images supplied .
A Capodimonte white bisque porcelain centrepiece, late 19th century, Naples, the centre urn, surrounded by four muses, to a plinth base, 40cm highProvenance: The property of the late Baron John Mauger Langin. Condition ReportWith minor nibbles possible restoration to the limbs of the muses. Some discolouration. Would benefit from a clean.
A Wedgwood Black Basalt vase, late 19th century, of urn form, twin handled, with lion head masks to the sides, decorated with putti, to a square foot, 30cm high Provenance: The property of the late Baron John Mauger Langin Condition Reportmissing cover. Chip to the top of one of the handles, the base of the vase, with residue to the interior and the foot fixing with rust. Tiny nibbles to the base,
A French ormolu and alabaster clock garniture, late 19th to early 20th century, the clock with bell strike movement, Roman numerals and urn surmount, the candelabra with twin scroll branches,36cm highCondition ReportThe whole lot in good order, with minor surface scratches and blemishes commensurate with age.
A Humphrey Palmer creamware urn circa 1770, the motled black and white glaze with relief swags and applied rosettes, fitted mask handles, 22.5cm highProvenance: The property of the late Baron John Mauger Langin Condition ReportA few scuffs and nibbles. Possibly previously on a base, old glue residue.
A set of four ormolu wall appliqués, late 19th century, French, each with a tapering fluted backplate, with oak-leaf garland decoration surmounted by an urn, two scrolling leaf-cast branches with circular drip trays and leaf-cast nozzles, and a ribbon surmount,27.5cm wide13cm deep 49cms high (4)Provenance: The property of a gentleman.Condition ReportGeneral light knocks, surface wear and rubbing. A few small cracks. Some dirt and patina. Overall in fair order.
A grey marble and gilt-metal cassolette the domed cover with an acorn finial the body set with pans mask handle to either side united by floral swags, raised on a shaped gilt metal base22cm wide16cm wide46cm high together with an aesthetic style slate and brass mounted urn and cover28cm high (2)Condition Reportboth in good order with no obvious major damages, with some knocks and light surface marks
A pair of terracotta garden pots, 20th century,50cm hightogether with two further garden pots,of urn form,47cm higha pair of doves,45cm widean amphora,75cm higha pedestal urn25cm highand a reconstituted boss,50cm wideCondition ReportPedestal urn) Large loss to the top.Amphora) Cracked.Doves) One example with a detached head.Wear and weathering throughout commensurate with being stored outside. Please see the additional images.
A Royal Worcester porcelain figural candlestick 19th century, modelled as a young boy, printed and impressed marks, 20cm hightogether with a Wedgwood drabware pastille burner, c.1820, impressed marks, modelled as an urn, supported by three dolphins, to a triform base,14cm highProvenance: The property of the late Baron John Mauger LanginCondition ReportCandlestick) No apparent chips or cracks.Pastille burner) Chips to the base. Scuffs to the urn.
A Turner Jasperware urn, late 19th century, relief moulded with classical figures beneath a Greek key border, with blue and black on a white ground, impressed marks 18cm highProvenance: The property of the late Baron John Mauger Langin Condition ReportWith chip to the rim. Firing crack to the handles. Nibbles and scratches to the base. Lacking lid. Please see the additional images.
A Wedgwood 'Dancing Hours' jasperware urn 20th century, the upper section decorated with a single band of neoclassical maidens in white to a black basalt ground, rising from a square plinth decorated with foliate motifs, complete with cover capped by an acorn finial, stamped 'Wedgwood Made in England',11.5cm wide25cm highCondition ReportThe acorn finial to the cover has been restored. Otherwise all in good order.
A gilt bronze and milk glass table lamp, with a pink tinted and etched shade, 46cm high;together with a gilt bronze urn-shaped lamp, with a marble plinth, no shade, 38cm high;and a pair of candlesticks, stamped 'F.L.V, 2019', 26.5cm high (4)Condition ReportFair overall. One missing the shade.PAT failed 13.9.24.
A Wedgwood black basalt potpourri vase and cover 19th century, of footed urn form, with a pierced cover with acorn finial over a further internal cover, with chrysanthemums and birds in polychrome enamel decoration,31cm highProvenance: The property of the late Baron John Mauger LanginCondition ReportWear and rubbing to the decoration, otherwise in good order.
A REGENCY MAHOGANY ARCHITECTURAL CLOCK STAND the superstructure with ivory urn finials and broken arch pediment over inlaid fenestrations, the hinged central panel mounted with a Swiss-made timepiece, the base with three short drawers on bracket feet, 56cm high x 61cm wide x 27cm deepIvory Submission Reference: XBK4WTBEProvenance: The Les Watts Collection.
A LARGE SET OF BRASS SCALES BY BARTLETT & SON OF BRISTOL the swing arm stamped with the maker's name and 'Patent Agate Balance', further stamped 'Class B' and 'To Weigh 4lb', with five urn finials, on a turned columnar support fixed to a heavy wooden base, 70cm high, the base 58cm wide x 28cm deepProvenance: The Les Watts Collection.
AN EDWARDIAN WALNUT AND MARQUETRY CYLINDER BUREAU the upper section with an arched pediment over cupboard doors opening to a shelved interior, bevelled oval mirrors either side and four short drawers beneath, the lifting front inlaid with an urn issuing leafy tendrils and opening to reveal short satinwood drawers and pigeon holes, the sliding surface inset with gilt tooled leather writing panels that open to vacant compartment, five short drawers beneath, on tapered square legs terminating in brass caps and castors, 179cm high x 102cm wide x 52cm deepProvenance: The Les Watts Collection.
DANIEL GARDNER (1750-1805) A portrait of Mrs Ann Barnston, nee Egerton circa 1778, depicted full-length, wearing a white dress with fur-trimmed blue long wrap, standing by an urn on a pedestal, in a classical interior, with crimson drapery, pastel and bodycolour, 84cm x 59cmProvenance: The Grey-Egerton Family, formerly of Oulton Hall.Note: Ann was the daughter of John Egerton of Broxton, Cheshire (d. 1770). She married the Rev. Roger Barnston, Prebend of Chester. Literature: Sir Philip de Malpas, The descriptive catalogue of the pictures and other works of art at Oulton Park, Cheshire', published 1864, page 48.
ATTRIBUTED TO THE WORKSHOP OF DESIDERIO DA FIRENZE (active 1532-1545) AN ITALIAN BRONZE FIGURE OF A FAUN circa 1530-1550, probably Padua, figured in stride holding a cornucopia in both hands, with fur covered legs and cloven feet, on a triangular base with a frieze decorated with floral motifs, on grotesque mask feet, 18cm highNote: Desiderio de Firenze (active 1532-1545) was a close associate to Andrea Riccio (1470-1532), a widely respected Paduan master of the small bronze. His name and aspects of his style indicate Tuscan origins. In 1532 and 1533 he was employed by the city of Padua for the creation of a bronze Voting Urn, which is now held in the Museo Civico in Padua. He was also commissioned, with another Paduan sculptor Tiziano Minio, to cast and model a bronze font cover for the Baptistry of San Marco in Venice.
A DUTCH WALNUT AND MARQUETRY SERPENTINE CHEST 19th century, the shaped top inlaid with a central urn issuing flowers and leafy tendrils, conforming inlay decoration to the sides and facade, with four graduated drawers, on scroll feet, 84.5cm high x 107cm wide x 56.5cm deepProvenance: The Les Watts Collection.
John Pearson (1859-1930), a Newlyn School polished copper urn, dated 1895, of globular form, decorated with flowers in relief to a planished ground, signed 'J. Pearson 1895. 2203',22cm diameter19.5cm highCondition ReportMinor knocks and wear commensurate with wear. Some very minor splitting to the top half on the raised decoration, showing small amounts of light coming through.
A Maria I coffee potSilver 833/000Segmented and engraved garlands and cartouches decorationSwan neck spout of beaded frieze, urn shaped finial and rosewood handleOporto assay-mark (1792-1803) and goldsmith's mark Tomé Gomes da Silva (1774-1799)(signs of wear)Alt.: 33 cm1348 gLiterature: ALMEIDA, Fernando Moitinho de; CARLOS, Rita - "Inventário de Marcas de Pratas Portuguesas e Brasileiras - Século XV a 1887". Lisboa: IN-CM, 2018, P-17.0 e P-223.0; SOUSA, Gonçalo de Vasconcelos e - "Dicionário de ourives e lavrantes da prata do Porto, 1750-1825", Civilização Editora, 2005, pp. 506 a 508
Edwardian Adam Revival green-painted and parcel gilt kneehole desk or dressing table, kidney shaped form with foliate carved edge, fitted with three drawers painted with urn and fruiting laurel wreaths with ribbon ties, on acanthus leaf and draped festoon decorated turned supports Dimensions: Height: 79cm Length/Width: 114cm Depth/Diameter: 53cm
19th century walnut dough bin, shaped and moulded hinged lid enclosing vacant interior, tapering rectangular form carved with central urn and extending leafy branches with flower heads, on trestle base with turned supports terminating to cabriole feet, united by shaped stretchers carved with floral decoration Dimensions: Height: 97cm Length/Width: 127cm Depth/Diameter: 60cm
Edwardian Adam Revival green-painted and parcel gilt kidney-shaped dressing table, raised triple mirror back with shaped cresting, leather inset top within a trailing floral painted band and foliate carved edge, fitted with five drawers decorated with urn and floral bouquets, on turned supports painted with acanthus leaves and draped festoons; together with matching stool with cane seat Dimensions: Height: 152cm Length/Width: 113cm Depth/Diameter: 53cmCondition Report:Stool - W53cm.
Elizabethan design oak 5' Kingsize four-poster bed, the canopy with projecting moulded and gadrooned cornice over applied strapwork frieze, Ionic capital over tapering fluted posts with cup and cover balusters carved with gadroons and acanthus leaves, terminating to square supports with applied strapwork and split turnings, the panelled headboard carved with a coat of arms and inscribed 'WJR' dated '1857', possibly for the Rawson Family who rebuilt Nidd Hall in 1825, with motto 'Reddens Laudes Domino', decorated with arcades and further applied strapwork, with floral and urn pattern chintz curtains and matching bedspread Provenance: Nidd Hall: acquired by Guy Reed from Richard Butler, 17th Viscount Mountgarret, in 1968Dimensions: Height: 232cm Length/Width: 183cm Depth/Diameter: 223cmCondition Report: The head and posts are connected by VONO bars, later side and end rails. The side rails do not close up completely and may need attention. Mattress is not included.
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