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Linlithgow Palace 19th Century Graphite Study Titled, blindstamped with Turnbull Superfine London Board, possible follower of J.M.W Turner, signed 'Mary Boyd, now Mrs Hawks', 22cm x 27.5cm.

Ken Turner (British) 'Mallards and Teal', a peaceful river scene with ducks, oil on board, signed lower right 'K Turner', in a gilt frame, inscribed verso 'Mallards and Teal oil on board by Ken Turner £4,500', 120 x 89.5cm.

A pair of Victorian salt cellars, hallmarked H&T possibly Hammond and Turner, 1879, 102g

Vinyl - Over 120 Rock & Pop 7" singles to include Prince, The Shamen, Spin Doctors, Ike & Tina Turner, Aztec Camera, Soul II Soul, Madonna, Tears For Fears, Fat Boys, Eddy Grant, Pet Shop Boys, Eagles, Azymuth, Michael Jackson and many more. Vg overall

Vinyl - 40 Rock & Pop 7" singles to include Jimmy Cliff, Melodiance, Dennis Brown, Steel Pulse, The Specials, Aretha Franklin, Thin Lizzy, David Bowie, Elvis Costello, Madness, Jonathan Richman & The Modern Lovers, Led Zeppelin, Ike & Tina Turner, The Tourists, Under Two Flags, Leadbelly (EP), Charlie Parker (EP), Brownie McGhee & Sonny Terry (EP) and more. Vg overall

Vinyl - Over 95 Rock & Pop LPs to include The Beatles (Sgt Pepper pc disc), David Bowie (40th anniversary reissue), Amy Winehouse x 2, The Undertones, U2, The Sound Of The Suburbs compilation, Marianne Faithful, Faces, Thank Your Lucky Stars comp (unboxed Decca), Def Leppard, Madonna (pic disc 12"), Dogs D'Amour (double pic disc 12"), Bob Marley, Ian Dury, Bon Dylan (private pressing), Ike & Tina Turner, Four Tops, Jimi Hendrix, Buddy Holly, Steve Hackett, Elvis Presley x 6, The Supremes, Eagles, The Kinks, Gladys Knights & The Pips, ELP, Yes, Jimmy Ruffin, Roy Orbison and more. Vg overall

Vinyl - 50 mainly soul LPs to include Doris Duke, Sam Cooke x 2, Otis Redding x 10, Aretha Franklin x 6, The Staple Singers x 2, Norma Jenkins, Lamont Dozier, Ben E King, Ike & Tina Turner, various compilations, Camel x 2, Eric Clapton x 2, Roxy Music and others, along with over 30 7" singles. Vg overall

Vinyl - 21 Soul / Motown LPs to include Phil Spector (comp), Ike & Tina Turner, Four Tops x 2, The Temptations, Smokey Robinson x 6, Marvin Gaye, Rodney Franklin, Stevie Wonder x 3 and others. Vg overall

Vinyl - Over 55 Northern Soul / Soul / Funk US pressing 7” singles including demo promos to include: James Brown x 17 (including many on King Records and one promo), Fred Wesley, Rufus Thomas, Sam & Dave, Percy Sledge, Fontella Bass, Williams Bell, Bootsy’s Rubber Band, Bob & Earl, Sam Cooke, Clarence Carter, James Carr, Wilson Pickett, Ike & Tina Turner, Ben E. King and others. Condition VG overall.

Vinyl - Over 80 Rock & Pop LPs to include Black Sabbath, The Beatles, Fleetwood Mac, ZZ Top, Deep Purple, Ashra, Eric Clapton x 2, Free, John Martyn x 2, Dire Straits x 3, Ry Cooder, Gary Numan x 3, Canned Heat, Elvis Presley, Bill Haley, Bill Blacks Combo, Maggie Bell, Ray Charles x 5, The Coasters x 2, Roxy Music x 2, Ike & Tina Turner and more. At least Vg overall

Vinyl - Over 80 Rock & Pop LPs to include David Bowie, Ivor Cutler, Tina Turner (pic disc), Grace Jones, Tracy Chapman, Michael Jackson, Diamanda Galas, Pink Floyd, The Universals, Renaissance, Lou Reed, Bob Dylan, Paul McCartney, Cat Stevens, Elvis Presley, Rain, Joan Armatrading, John Lee Hooker, Manfred Mann, John Mayall, Eagles and more. Vg overall

Vinyl - Over 100 Northern Soul / Soul / Funk / Disco UK pressing 7” singles to include: James Brown, Ike And Tina Turner, Phil Upchurch Combo, Mary Wells, Johnny Guitar Watson, Bob & Earl, Edwin Starr, Geno Washington & The Ram Jam Band, Lee Dorsey, Robert Knight, Millie, Laura Lee, The Toys, Timmy Thomas, Curtis Mayfield, Quincy Jones, Rufus Thomas, The Tams, Sly & The Family Stone, Percy Sledge, The Show Stoppers, Gil Scott Heron, The Sharonettes, Erma Franklin and others. Condition VG overall

Vinyl - Over 60 Northern Soul / Soul / Funk / Disco 1960’s and 1970’s demo promo 7" singles to include: The Duprees, Joe Tex, Marlena Shaw, Howard Tate, Johnnie Taylor, Diana Ross & The Supremes (Motown), Joe Turner, Tymes, The Soul Makers, Barbara Lynn, Travis Wammack, The Mob, The Flirtations, Bobby Byrd, Ruth Brown, Leon Lee, The Courtship, Brotherly Love (test pressing) and many others. Condition VG overall.

Vinyl - 60 Rock ’N’ Roll / Rockabilly / R&B UK 1950’s and 1960’s 7" singles including small labels, to include: Shirley And Lee, The Shields, Gene & Eunice, (Groove) Joe Poovey, Chuck Willis, The Jarmels, Jack Scott, Billy Ward And The Dominos, The Valiants, The Blackwells, Johnny Bond, Tittus Turner, Phil Phillips And The Twilights, The Spartans, The Crests, Danny & The Juniors. Link Wray and many others. Condition VG overall

A pair of basketsSilver 925/000Pierced decoration of garlands and foliage motifsLondon assay warrantee mark for 1896 and goldsmith's mark Thomas Bradbury & Sons (Turner Bradbury)14x35x26 cm1423,7 g

A Victorian travel writing chestSolid and veneered rosewood of mother-of-pearl inlaysPart walnut interior with compartments Tooled and gilt green leather writing topLock marked "G & T Turner"England, 19th century(wear, minor losses)15x40,5x23,5 xm (closed)11,5x40,5x47,5 cm (open)

LOUIS BOSWORTH HURT (BRITISH 1856 - 1929), STUDY OF A HIGHLAND COW oil on board, signedmounted (oval), framed and under glassimage size 17cm x 21cm (oval), overall size 34cm x 38cmNote: inscribed verso 'to my old friend Bert, a remembrance of July 1922 + of old times, Louis'.Note 2: Born in Ashbourne, Derbyshire, Louis Bosworth Hurt became known for and achieved great success with his paintings of the Scottish Highlands and his portrayal of Highland cattle. Some of Hurt’s early training was as the pupil of another well-known Derbyshire artist, George Turner of Barrow-on-Trent. Most of Hurt’s work was carried out at his home in Ivonbrook, where he lived with his wife Harriet and where they kept their own herd of Highland cattle which feature in his paintings. Hurt also made frequent visits to Scotland. Hurt had a cottage in Bettwys, North Wales, where he would retreat to in the autumn and it was here that he would paint small landscapes of Snowdonia and the surrounding areas. Occasionally he also painted views in the Southern Counties, especially at Burnham Beeches and a documented list of his sales suggests that he visited France as well. Hurt exhibited at the Royal Academy from 1881. Amongst the many titles that he exhibited there were ‘In a Northern Glen’, ‘The Silence of the Woods’ and ‘By Peaceful Loch and Mist-Wreathed Hill’. He also exhibited at the Royal Society of British Artists and at Suffolk Street. The Bournemouth Art Gallery holds a collection of Hurt’s paintings as it was founded by one of his patrons. He also has paintings in the South African National collection, in the Reading Museum and in Manchester. Twenty-three of his paintings are held in UK public collections including a similar "Study of a Highland Cow" (H 13.5 x W 19 cm) oval oil on board at Russell-Cotes Art Gallery & Museum, Bournemouth.

R G Reeve, after F C Turner, Hawking, a set of four: Disgorging, The Departure, The Rendezvous and The Fatal Stoop, hand-coloured engravings, 52.5 x 41cm and a set of three prints, to include: after Charles John Smith (1803 - 1838), John Felton's assassin - statement of reasons for stabbing the Duke of Buckingham to death in 1628, engraving, 26.5 x 20cm and two other engravings, all gilt framed and glazed (7)

After Francis Calcraft Turner (British 1746-1846): 'Hawking' - 'Departure' 'Rendezvous' 'Fatal Stoop' and 'Disgorging', set four 19th century hand-coloured engravings by R G Reeve, pub. by I W Laird, London 1837-1839, 52cm x 43cm (4)

* GERARD BURNS (SCOTTISH b. 1961), RED COAT IN WINTER oil on canvas, signed framedimage size 39cm x 60cm, overall size 59cm x 79cmNote: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow, portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.

British War Medal 1914-20 (6) (37716 W.O. Cl.2. F. Warren. R.A.; 242793 Gnr. G. Edington. R.A.; 118153 Gnr. T. Kay. R.A.; 180910 Gnr. G. P. Osborne. R.A.; 151072 Gnr. G. S. Ridgway. R.A.; 11078 Dvr. E. G. Winstanley. R.A.); Victory Medal 1914-19 (2) (915972 Gnr. H. J. Perkins. R.A.; 120349 Gnr. R. Turner. R.A.) edge bruising, the first heavily polished and worn, this fair; the rest generally nearly very fine (8) £90-£120 --- Frederick Warren attested for the Royal Field Artillery and served with them during the Great War in the Balkan theatre of War from 24 October 1915. He later transferred to the Labour Corps as Company Sergeant Major. Henry John Perkins was born in Hackney, London, and attested for the Royal Field Artillery (Territorial Force). He served with ‘D’ Battery, 291st Brigade during the Great War on the Western Front, and was killed in action on 5 October 1917. he is buried in Bard Cottage Cemetery, Belgium.

William Turner (British, 1920-2013), The Refuge Tower, titled verso, oxide drawing, 22 by 19cm, framed. Provenance: with Pitcairn Galleries, Nutsford, Cheshire. Note: Artist Resale Rights apply

Autographed SOUTHAMPTON 1976 FA CUP WINNERS 16 x 12 Photo showing a wonderful image of the players walking out onto the Wembley turf prior to kick-off against hot-favourites Manchester United, a memorable Bobby Stokes goal secured a narrow win for the Saints, signed by MIKE CHANNON, PETER RODRIGUES, JIM STEELE, IAN TURNER, PAUL GILCHRIST, JIM McCALLIOG, MEL BLYTH, DAVID PEACH, HUGH FISHER and manager LAWRIE McMENEMY in black marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Kathleen Turner signed 10x8 inch black and white photo. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

A collection of 19th-century engravings after famous works of art by Turner, Reynolds, Gainsborough, and others, approximately 100, most sheets measuring 47cm x 58cm, dampstaining in various degrees, some only marginally, others into engraved area, housed loosely within a modern portfolio case, sold as a collection of plates with all faults

MISCELLANY - [LOCH, C. G. (1854-1904)]. The Foreign Tour of the Misses Brown and Jones and Robinson Being the History of What They Saw & Did at Biarritz & The Pyrenees, London, [c.1880], 4to, illustrations, boards. With 9 other works in 10 vols. (11)MISCELLANY - [LOCH, Catharine Grace (1854-1904)].  The Foreign Tour of the Misses Brown and Jones and Robinson Being the History of What They Saw & Did at Biarritz & The Pyrenees by Mrs Brown. London: Bickers & Son & Ipswich: Cowell's Anastatic Press, [c.1880]. 4to (310 x 245mm). Title and leaves numbered 1 - 49, illustrations printed by the "anastatic" process (lacks all before title [i.e. ?blanks], some light mainly marginal spotting and staining, a few darker larger spots). Original blue cloth-backed printed paper boards (edges rubbed, a little faded and stained, stain to lower cover). Written in imitation of Richard Doyle's The Foreign Tour of Messrs. Brown, Jones and Robinson (London, 1855), this is a reprint of the 1877 original, with the addition of London and Bickers & Son to the imprint. With 9 other miscellaneous works in 10 volumes, namely Richard Wotton's Reliquiæ Wottonianæ ... The Fourth Edition (London, 1685, 8vo, engraved frontispiece and plate, very defective, lacks all after p.202, contemporary calf, lacking lower cover), Joseph Addison's The Free-Holder or Political Essays (London, 1761, 8vo, contemporary calf, worn, originally published in periodical form between 1715 and 1716), [Henry Mackenzie's] The Man of Feeling. A New Edition (London, 1781, 8vo, engraved frontispiece, contemporary calf, worn, upper cover detached), [Oliver Goldsmith's] The Citizen of the World: or, Letters from a Chinese Philosopher Residing in London, to his Friends in the East (London, 1790, 2 vols., 19th-century half calf, a reprint of a collection which was first published in 1762), The Guardian. Volume the Second (London, 1797, vol. II only, 8vo, engraved illustration, contemporary calf, rubbed), [Laurent Bordelon's] Hints on Conversation, &c. &c. Translated from the French, By a Lady (London, 1819, 8vo, contemporary diced calf, rubbed, with some loss to head of spine, FIRST ENGLISH EDITION of a work that was first published in France in 1694), Thomas Moore's The Loves of the Angels. A Poem ... Third Edition (London, 1823, 8vo, contemporary calf with elaborate gilt borders, rebacked), Thomas Gray's An Elegy Written in a Country Churchyard (London, 1869, 4to, 16 lithographed plates by various artists printed in colours, some staining, original green cloth elaborately decorated in gilt and black, gilt edges) and John Pye & John Lewis Roget's Notes and Memoranda Respecting the Liber Studiorum of J. M. W. Turner (London, 1879, 8vo, etched frontispiece, original cloth, top edges gilt, others uncut, spine lacking, rubbed, FIRST EDITION). The lot sold as a quantity, not subject to return. (11)

SUSSEX. – William Nathan STEDMAN (editor). The Sussex Primrose… Society’s Topical Themes, Literary Gossip, Wit, Humour, Satire, Poetry, Philosophy, Art, Science, Progress, Music, Drama, Ancient and Modern Times, Men, Women, &c. Brighton: Herbert Levett & William Nathan Stedman, 1888. Vol. 1, No. 1, February 11th- No. 23, 21st July, signed by the editor verso the title-page, 4to (275 x 203mm.) Folding plates, a leaf of ‘Selected Press Opinions on the Poetical Works of Mr. W.N. Stedman’ bound-in, 2pp. ‘Index’. (Toning.) Later red cloth, gilt lettering to spine. Note: scarce. Provenance: F. Turner (stamp to title-page); West Sussex County Council (label to rear pastedown). – And a further twenty-six volumes related to Sussex (including, published by the Reigate Press, William Camden’s ‘Surrey and Sussex: From a Chorographical Description of the Most Flourishing Kingdomes of England, Scotland, Ireland…’, 1905, 4to, and several volumes of street directories) (27).

TURNER, Sharon. The History of the Anglo-Saxons, from Their First Appearance Above the Elbe, to the Death of Egbert. London: for T. Cadell, Jun., 1799-1805. 4 vols., first edition, 8vo (210 x 126mm.) 1 large folding hand-coloured engraved map, half-titles to vols. 2 and 3. (Offsetting of map to first text leaf, toning, marginal loss and crease to front blank of vol. 3.) Contemporary tree calf, green and black morocco lettering pieces to the spines (upper joint splitting to vol.1, extremities rubbed). Provenance: James Kinsopp (ink name to titles and bookplates to front pastedowns) (4).

A FINE AND IMPORTANT NORTH ITALIAN ENGRAVED THREE-QUARTER CUIRASSIER ARMOUR, CIRCA 1620-30, PROBABLY BRESCIAcomprising Zischagge with one-piece skull rising to a low comb of inverted V-section, fitted at its nape with a plume-holder and at its apex with a bulbous finial on a large quatrefoil washer, projecting forward at the brow to an obtusely-pointed peak with a rectangular staple above it carrying a nasal with elaborately shaped finial and secured by a thumb-screw, and fitted at its rear with a pronounced flared neck-guard of four lames, the lowest of pointed ogee profile (disarticulated at right end), and at each side with a two-piece pendant cheek-piece, fitted at its centre with a domed rivet enclosed by eight radiating rectangular slots within a frame of circular ventilation-holes and stepped at the front top to accommodate the peak; collar of a single plate front and rear, fastened at the right by a stud and key-hole slot; heavy breastplate formed in one piece with a low medial ridge, struck with the proof mark of a bullet at the right of the chest, fitted at each side with a stud to receive a shoulder-strap and a further stud at its centre, a pierced stud at each side to receive a swivel-hook from the back-plate, flanged outward at its base to receive a pair of tassets each of fifteen lames divisible at the eighth; poleyns of four lames the second in each case fitted with a large centrally-puckered wing; backplate matching the breastplate, struck with the proof mark of a bullet, fitted at each shoulder with a leather strap reinforced with four iron scales, at the base with a hook at each side to engage the breastplate, and at its base with a broad culet of seven lames; a pair of full arm-defences comprising a pair of symmetrical pauldrons each of seven lames overlapping outwards from the third, connected by a turner to a pair of vambraces each formed of a tubular upper and lower cannon linked by a couter of four lames with a centrally puckered oval wing at the front, and enclosed at the inside of the elbow by ten lames overlapping inwards from the sixth, the lower cannon fastened at the front by a sprung stud; a pair of gauntlets each with a flared cuff closed at the inside, articulated by a wrist-plate to three metacarpal plates, a shaped knuckle-plate, a hinged thumb-defence and finger-lames (with small restorations); the principle borders of the armour formed with plain inward-turned edges, those of the base of the cullet roped, the whole decorated throughout with engraved trophies-of-arms within elaborate strapwork frames filled with pointié foliage, the turners and gauntlets each with trophies incorporating cannon and artillery tools, a running border of flowers at the principle edges, the secondary borders with a frieze-work of blind arcading, the breastplate with a Patriarchal Cross in the centre at the neck; the inside of the skull and the backplate painted with a white inventory number ‘45’, in clean, stable condition throughout (the bottom edge of the left poleyn with light pitting and small chips, the decoration of the culet with areas of wear, minor disarticulations, expertly releathered, some buckles restored): on a wooden stand with leather boots ProvenancePerhaps one of the group of armours purchased by Lord Somers in 1853, stated (incorrectly) to be of Emperor Charles V’s bodyguard and preserved in Milan for many years.Charles Somers-Cocks, 3rd Earl Somers (1819-83), Eastnor Castle, thence by descent LiteratureLady Henry Somerset, Eastnor Castle, London 1889, p. 22: ‘A three-quarter suit of Plate Armour, engraved with trophies of arms and fleur-de-lys’. A helmet of very similar form, decorated in the same style, is preserved in the former collection of the Dukes of Este at Konopiště, Czech Republic (inv. no. I.c.D-114, and illustrated Šáda 1986, p. 37, no. 18.t.) The specific inclusion of cannon and artillery tools such as ladles and sponges on the turners and gauntlets may suggest that this was intended for a senior officer of artillery. The Patriarchal Cross, also called the Cross of Lorraine, is probably a reference to the venerated relic of the True Cross in the cathedral at Brescia that is housed within a cross of the same form. Two morions of circa 1570-80, decorated with a similar cross along with the rampant lion of Brescia and attributed to the that town’s guard are respectively preserved in the Metropolitan Museum of Art, New York (acc. no. 14.25.532) and the Museo Civico L. Marzoli, Brescia (inv. no. 330). See Rossi and Di Carpegna 1969, p. 55 cat. no. 120. Another armour of this type, formerly in the collection of Tosio Martinengo, and now in the Museo Civico L. Marzoli, Brescia, is illustrated Rossi, p. 77, cat. No B67. The armour in Brescia has a close helmet in place of Zischagge, a matching stud in the centre of the chest, divisible tassets, enclosed elbows, and similar decoration throughout including the rampant lion of Brescia on the breastplate. A cuirass decorated in a similar manner and attributed to the ownership of one of the Counts Martinengo, is preserved in the Armeria Reale, Turin. See Boccia and Coelho, p. 526, nos. 445, 446 and 448. A slightly later cuirass in the Victoria and Albert Museum (inv. no. 5778-1859), is decorated in a related manner, with the conjoined initials ‘AM’, and a Count’s coronet above a Patriarchal Cross and Orb in the centre. The initials are similar to those on the ricasso of a left-hand dagger attributed to Pietro Antonio Martinengo, Count of Brescia (recorded 1644-1671), now preserved in the Art Institute of Chicago (ref. no. 1982.2150).

A FINE AND WELL MATCHED COMPOSITE NORTH ITALIAN THREE-QUARTER ARMOUR WITH ETCHED DECORATION, CIRCA 1590comprising close helmet with rounded one-piece skull rising to a high roped medial comb (pierced at its apex for attachment of a plume, and showing a small patched repair) pierced with nine holes in rosette-formation at each side at the base, fitted at its nape with plume-holder, visor, upper bevor and lower bevor attached to it by common fluted pivots, the visor sloping forward to a centrally-divided vision-slit (lacking lifting-peg), the prow-shaped upper bevor pierced at its right with nine ventilation-holes and secured to the lower bevor at the same side by a pierced stud and swivel-hook (the latter replaced), and three gorget-plates front and rear (the lowest front lame cracked through and repaired); collar formed of a single deep plate front and rear, each struck with a small octopus-like mark and secured at the right by a stud and key-hole slot (small chips on the left); breastplate formed of a main plate of deep 'peascod' fashion, embossed with a pair of adorsed volutes beneath the neck-opening, fitted at its arm-openings with originally movable gussets, pierced with two holes at its right for a lance-rest, and flanged outwards at its lower edge to receive a fauld of one lame, fitted at each side with three straps supporting a pendent tasset of six lames (the fifth at the left with a small chip); one-piece backplate formed at its lower edge with a short biliobate flange, fitted at either side of the neck with a buckle (replaced) for a shoulder strap and at its waist with a belt (replaced); two pauldrons of asymmetrical design (not a pair), each embossed front and rear with a volute and formed of seven and eight lames respectively; vambraces of fully articulated tubular design, each fitted at its upper end with a turner of two lames, and at its elbow with a winged bracelet couter of three lames; two gauntlets (not a pair) each formed of a flared and pointed tubular cuff closed at the inside of the wrist by an overlapped join, four and five metacarpal-plates respectively, a knuckle-plate, the left decorated with a roped transverse rib, (thumb-and finger-scales missing); upper leg-defences each formed of a cuisse with a short gutter-shaped main plate fitted at its lower edge with a poleyn of four lames of which the second is formed at its outside with a large medially-puckered oval side-wing; the main edges of the armour formed with file-roped inward turns and recessed borders accompanied by narrow bands of cabling, and its surfaces decorated with etched designs including classical portrait rondels on the volutes of the breastplate, backplate and pauldrons, the latter each accompanied by a large cartouche front and back enclosing scenes from the Labours of Hercules, bands and borders of ornament consisting of trophies of arms within ropework borders all on a blackened and stippled ground and enclosed between narrower bands of guilloche, a number of secondary borders with slender frames of beadwork, and the principle elements painted with the early inventory number ‘29’ (small areas of pitting, the cuisses attached by rivets to the tassets, releathered) Stand not included ProvenanceOne of the group of armours purchased by Lord Somers in 1853, stated (incorrectly) to be of Emperor Charles V’s bodyguard and preserved in Milan for many years.Charles Somers Somers-Cocks, 3rd Earl Somers (1819-83), Eastnor Castle, thence by descent LiteratureLady Henry Somerset, Eastnor Castle, London 1889, p. 21: ‘On stands round the Hall are ranged thirty-three three-quarter suits of plate armour, each consisting of helmet, back and breast plates, lobster cuisses and knee-pieces, pauldrons, arm-pieces and gauntlets. This was the armour of the body-guard of the Emperor Charles V, and was preserved in Milan for many years, where it was purchased by Lord Somers in the year 1853.’ This armour would have been intended for use without greaves. The decoration is very well matched throughout, perhaps assembled from two, or a small number of armours from a series. A further pair of cuisses from this series are preserved in the Wallace Collection (inv. no. A293 & A294).

Antique Victorian silver snuff box of Masonic interest, the box with serpentine edge, decorated all over with engine turned field and scroll borders, the interior inscribed 'A Mark of Esteem from the Waterloo Lodge to Brother J Turner June 6 1853', by Francis Clark, Birmingham 1849, 6.6cm long, 42.7g.

Tina Turner signed postcard 6.5x4.5 inch in size. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Turner,L.M. u. E.W.Nelson.: Contributions to the Natural History of Alaska (Und:) Report upon Natural History Collections made in Alaska in 1877-1881. Zus. 2 Bde. Washington, Government Printing Office 1886-87. 4°. Mit 47 tls. farb. Taf. 226; 337 S. Olwdbde. (Etw. berieb. u. best.). - (= Signal Service U.S. Army, Arctic Series II-III). - Taf. tls. lose.

Mezzotinti.: 7 Bl. Portraits in Schabkunst von S.W.Reynolds u. C.Turner, 19. Jh. Zw. 13 x 10 u. 44,5 x 35 cm. Meist breitrandig, 2 Bl. auf bzw. innerhalb d. Plattenkante beschnitten, 1 Bl. aufgezogen. Von Samuel William I Reynolds (1773-1835): ╔John Earl of Westmorland╗ n. Thomas Lawrence (1807),1825. - ╔James Northcote RA╗ bei J.Jeffryes, Ldn. 1802. - ╔Edward Vaux Esq.╗ n. M.A.Shee. - ╔John Mitchell╗ n. J.G.Gilbert bei J.McClure, Ldn. 1847. - ╔Charles Lord Southampton╗ n.J.Reynolds bei Hodgson & Graves, Ldn. 1838. - ╔Miss Reynolds╗ (Sister of Sir J.Reynolds) n. J.Reynolds bei Hodgson & Grave, Ldn. 1836. - Von Charles Turner (1773-1857): ╔James Stewart Esq. MP╗ County of Tyrone n. M.Cregan. - Alter-s u. Gebrauchssp. D

Mallord Turner ( 1775-1851)- circle, Venice , oil on canvas, 62 x 78 cm , framed

Walker-Turner company SB150303 pillar drill. Not available for in-house P&P

9.6 Graded Witchblade #10 Comic. Graded by CGC. Witchblade #10, Michael Turner Artwork. First appearance of Jackie Estacado.

9.8 Graded Signed Fathom Comic. Graded by CGC. A signed by Michael Turner, Fathom V2 #1 comic.

A FAMILY GROUP OF MEDALS TO THE TURNER FAMILY (QTY)See in descriptionFive awards, comprising; The Queen's South Africa Medal with five bars, Cape Colony, Orange Free State, Johannesburg, Diamond Hill and Belfast with engraved naming to 4439 CPL: W.H.TURNER. 7/DN GDS., The King's South Africa Medal with two bars, South Africa 1901 and South Africa 1902, with impressed naming 4439 SERGT: W.H.TURNER. 7TH DRGN. GDS:, The 1914 Star with bar to 3853 SQ.Q.M.SJT W.H.TURNER. 4/D.GDS., The 1914-18 British War Medal to D-3853 SQ.Q.M.SJT.W.H.TURNER. 4-D.GDS.,(Please note Victory medal is missing), The Army Long Service and Good Conduct Medal, George V issue to 3853 SQ:Q.M.SJT:W.H.TURNER. 4/D.GDS: and The Delhi Durbar 1911, un-named, with a brooch pin fitting, also a 1935 Silver Jubilee Medal, lady's issue, with a bow ribbon and box, with a photograph of the recipient wearing the award, with accompanying paperwork, confirming The Silver Jubilee Medal to Mrs R Turner, Queen's Army School Mistress and National Registration Identity card

DAVID SHEPHERD, HIGHLAND MISTsigned print, no.538/975, with Michael Turner, Goodwood Trophy Race 1948, signed print no.234/500, and a collection of other prints, some unframed

Alexandra Churchill  - British Contemporary artist "Equus" A Classical rearing horse reminiscent of Greek Mythology. Large Oil on Panel signed lower right 'A Churchill' 89cm x 89cm frame inclusive Alexandra is a Cotswold artist with an International reputation. She paints exclusively in oils and has been highly influenced by the great Masters of the past such as Turner, Van Gogh, Stubbs, and Monet, florals inspired by Georgia O'Keffe. Alex loves to paint the flowers she grows in her studio garden, and the landscapes and animals from the beautiful surrounding Cotswold hills.  Her work is highly collectible for its timeless quality and can be found in two Royal Households. Her works retail for over £2000

FIRST DAY COVER WITH 500TH ANNIVERSARY SILVER COIN,TURNER BICENTONARY COIN, MALTA BANK COIN COLLECTION WITH BRITISH 1ST DECIMAL COINAGE

Stuart Models - A well finished Stewart Turner 'Rotative Half-Beam' Engine with vertical cylinder connected to end-mounted 'floating' beam, with 7" diameter polished flywheel, with outside drive pulley and a dynamo fitted to a custom alloy stand. Approximately 27 cm high x 30 x 15 and appears in Excellent condition. (This does not constitute a guarantee) [ba]

A .451 PERCUSSION SPORTING MATCH RIFLE SIGNED THOMAS TURNER, BIRMINGHAM, serial no. 2251, circa 1865, a later registration number 'N18807' to left side of the octagonal 33 1/4in. Turner Patent rifled barrel, adjustable globe fore-sight, elevating ladder rear-sight with additional 'V' notch, the top-flat of barrel signed 'TURNER'S PATENT. MADE EXPRESSLY FOR C.G. BALES DURBAN NATAL', engraved squared patent breech and top-tang, border engraved colour hardened lock with additional scroll engraved accents and signed on the bar 'THOMAS TURNER, 8 FISHER STREET BIRMINGHAM' (colour faded), refinished figured chequered walnut pistol-grip half-stock with iron furniture including patchbox engraved with an elephant and trigger guard bow with serial number, plain ramrod thimbles with period ramrod and eyelets for a sling. * Please note this item is subject to 5% VAT on the hammer price (UK Buyers only).

An Art Deco silver and enamel cigarette case, Turner & Simpson, Birmingham, 1936, 85mm. Condition - fair

Fifteen vintage Rock & Pop LP's by artists such as Vangellis, Jethro Tull, Bachmann Turner, Rick Wakeman. See photos.

Fifteen Vintage Vinyl LP's by David Bowie, Bachman Turner Overdrive,Free. See photos.

Japanese carved wooden page turner, oak and brass mantle clock, brass gong on elephant hook, electronic candlestick lamps etc.

Vintage Entertainment collection 10, signature pieces includes names such as Elsie Gilbert, Fred Terry, Charles Groves, Joseph Fisher White, Bernard Miles, Basil Gil, Ralph Reader, Joan Turner, Joan Savage, Dodie West and Cuthbert Clarke. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

H. Percy Thomas Etching, William Frandison signed golfing print, pair W. Eaton oils. JMW Turner prints, Cash's woven picture, etc:- One Box.

The Art of Florence - Andre, Hunisak and Turner, pub. Artebras, two linen bound volumes in slipcase'; 'The Cistine Chapel - Michaelangelo Rediscovered' and five Folio Society books related.

A early 20th century West Mercia Constabulary police helmet, size 7, together with a constable Turner Virr dress tunic, with royal crowned buttons, 84cm, with a pair of West Mercia police trousers, 109cm and a Granibal police coat, numbered 901, 95cm.

Another Time, Another Place (1958), insert movie poster, 14" x 36", a British melodrama starring Lana Turner, Barry Sullivan and Sean Connery. Inserts: Inserts were used to advertise the movie throughout the cinema lobby in dedicated smaller display frames.

A silver and light blue guilloche enamel compact, by Turner & Simpson Ltd, Birmingham 1947, with engine turned base, diameter 7.2cm. (gross weight 86.9g) 

A collection of titles by or relating to William Morris, including William Morris designed Kelmscott Press [4]pp booklet loosely inserted titled 'When Adam Delved and Eve Span...', Kelmscott Press, 1894, one of 250 copies, wood engraved frontis by Burne-Jones, and extracts from Tennyson and Ruskin, wood-engraved initials, borders & press device designed by William Morris, plus 3 titles printed at The Chiswick Press for Longmans & Co, all first editions, all original cloth backed printed paper covered boards: 'Some Hints on Pattern Designing', 1899, with publisher's printed slip loosely inserted, 'Art and the Beauty of the Earth', 1898, 'An Address Delivered at the Distribution of Prizes to Students of the Birmingham Municipal School of Art on Feb 21, 1894', 1898, plus William Morris: 'The Defence of Guenevere', Shakespeare Head Press for Basil Blackwell, 1925, original patterned paper wraps, 'Poems by the Way', London, Reeves & Turner, 1891, 1st edition, orig. cloth gilt, Duncan Robinson: 'William Morris, Edward Burne-Jones and the Kelmscott Chaucer', L, Gordon Fraser, 1982, 1st edition, b/w ills. throughout, folio, original quarter cloth, glassine dust wrapper, 'The Typographical Adventure of William Morris', Printed at the Chiswick Press, 1957, foreword by Sydney Cockerell, oblong 4to, original wraps, plus 2 others (10)

(Beverley, Yorkshire.) George Poulson: 'Beverlac; Or, The History and Antiquities of the Town of Beverley', Beverley, George Scaum, 1829, 1st edition, 2 volumes in 1, numerous engraved plates, pedigrees etc, list of subscribers, contemporary full calf gilt; together with another 1829 edition of the same work, 2 volumes, plates, pedigrees etc, contemporary half calf gilt; plus George Oliver: 'The History and Antiquities of the Town and Minster of Beverley in the County of York', Beverley, M. Turner, 1829, 52 vignette illustrations, plates, pedigrees, tables etc complete, 4to, rebound quarter calf gilt (4)

Various Artists/Genres - An assorted collection of LPs, artists to include Bob Dylan, Tina Turner, Simon & Garfunkel, Neil Young, James Taylor, The Beach Boys and more. (qty)

Various Artist/Genres - A large collection of assorted LPs, artists to include Roxy Music, The Moody Blues, Duran Duran, Wings, Rod Stewart, Cat Stevens, Status Quo, Steve Miller Band, Meat Loaf, Argent, The Human League, Tina Turner, 10CC, Diana Ross and more. (approximately 180)

Lt-Col Victor Buller Turner VC (17 January 1900–72) leather & canvas cartridge case with brass fittings t/w empty binoculars case (dated 1940), officers belt & tan leather carry case ~ the binocular case was purchased in Ditchingham Parish fete c.1959 for 1/- & the cartridge case was purchased in 1964 for £5 by the same man

1953 silver set of 6 pickle forks with enamel pub signs finials by Turner & Simpson Ltd & in original case - 8.5cm long & 46g total weight (no box) with no obvious damage