We found 5030 price guide item(s) matching your search

A 19th century glass tumbler, one side decorated Sunderland Bridge, the other a rose and a Scottish thistle, and named E H Harvey, 9.5 cm high, a pair of glass rummers, one chipped, and another glass rummer (4)

A Russian silver and enamel set stamped 84, comprising a tumbler, 7.5cm high, and two beakers, 5cm high, each painted with figures,together with a spoon and napkin ring, both unmarked5.5m diameter (5)Condition ReportAll have some scratches and wear. Some losses to the enamel. Please see the additional images.

Trinkglas-Garnitur für 6-10 Pers.,St. Louis 2. Hälfte 20. Jh. Modell "Thistle". Rand umlaufend m. gold- gehöhtem Ätzdekor m. Blattspiralen. Goldrand, Wandung fein facettiert. Teils am Boden m. geätztem Rundstempel "St. Louis France", teils ungemarkt. Best. aus: 6 Whisky-Tumbler, 6 kl. Weingläser, 10 Sektflöten, rd. Platte, kl. Schälchen, Weinkanne (Modell "Callot" m. Efeuranken), zus. 25 Teile.Callot, Frankreich, geätzt, Golddekor, Thistle

λ CHARLES FREDERICK TUNNICLIFFE (BRITISH 1901-1979) BERLIN SHORT-FACED TUMBLER Gouache, pencil and pastel Titled and inscribed T. Forshaw (lower right) 24 x 25cm (9¼ x 9¾ in.)Tunnicliffe moved to Anglesey in 1947, it was at this point that he met chairman and president of Burtonwood Brewery Company and keen ornithologist Thomas Forshaw. The pair's friendship blossomed with shared interests in a love of ale and ornithology and Forshaw decided to commission Tunnicliffe to his collection of Fancy Pigeons. At one point, Forshaw held 400 birds in his aviary, an avid pigeon fancier. Tunnicliffe produced three large folios of drawings, the majority of illustrations made direct from life. Two of these folios are now held in the Tunnicliffe Museum, Anglesey and it is most likely that this present work was taken from the third folio.

Émile Gallé (French, 1846-1904), a cameo glass vase, early 20th century, of tumbler form, cased and cut with butterflies amongst foliage, engraved 'Gallé' signature,11.1cm highCondition ReportSurface wear commensurate with age. Appears to be all in good order. Please see additional photos.

Two boxes of glassware - teardrop lead crystal champagne glasses and tumbler

A small group of 19th century glass - comprising a uranium glass bowl with frilled rim and moulded foliate feet, probably Thomas Webb, 10.3cm high; a tumbler with moulded star base and etched birds and nest decoration, 10.9cm high; a mixing tumbler with single spout, basal panel cutting and polished base, 11cm high; a pair of cut glass square decanters (no stoppers); a pair of cranberry souvenir glasses; and a slag glass lemonade glass. (8)

A mid-19th century ship engraved oversized glass tumbler - wheel engraved with a portrait of a two-masted merchant ship, inscribed above 'Sir Robert Peel of Lancaster', the reverse inscribed '1855 EG Rocklocke' within a foliate cartouche, the heavy base with ground pontil, 12.9cm high.

A GROUP OF 20TH CENTURY CONTINENTAL GLASS (13)Comprising; a pair of Daum crystal three-light candelabra, etched marks, 17cm high; a Baccarat flower vase, 24cm high; four Baccarat small Napoleon cognac glasses, 9cm high; six Sevres crystal glasses, 14.5cm high and an unmarked glass tumbler, possibly Sevres, 10cm highDaum candelabra- one with small shallow chip to underside of base.Baccarat vase-some limescale to the inside, but should be able to be removedFour Napoleon glasses- good conditionSevres crystal glasses- good conditionSingle tumbler- good condition

Collection of tumbler glasses, possibly Niederer, in sets of eight, comprising high ball, whisky and rocks

A group of matching Stuart Crystal drinking glasses comprising five stem glasses (h- 14.5cm), five smaller stem glasses, a whisky/drinking glass or tumbler, and a pitcher (h- 15.5cm) (variously marked verso)

Set of six Stuart Crystal Beaconsfield pattern tumbler glasses

SCOTCH: THE STORIES BEHIND SCOTLAND'S ICONIC SPIRIT BOOK Signed by both Horst Friedrichs and Stuart Husband.As satisfying as a tumbler of single malt on a rainy afternoon, this spectacular tour across the Scottish landscape shows how the country's premier whisky-makers are creating exquisite beverages using new models of responsible stewardship for their five-hundred-year-old industry.

TWO BOXES AND LOOSE GLASS WARE, BOOKS AND SUNDRY ITEMS, to include a cut crystal ice bucket, two ships decanters, a round decanter engraved 'The Saints, Northampton Football Club 1880-1980', a Chinese vase decorated with children playing, height 30cm, a boxed set of six Thomas Webb champagne flutes, a cut crystal bowl and comport, two modern decanter and tumbler sets: one decanter in the form of the earth containing a glass ship, a Hermle mantel clock, a Capodimonte table lamp, books by authors including HG Wells, Charles Dickens, Winston S Churchill and Lewis Carroll, etc (2 boxes + loose) (sd, lamp untested)

A rare 1950s glass Donald Duck tumbler, a Washington Pottery Joe 90 cup and a pair of novelty Sooty egg cups

A Kosta Boda green swirl glass tumbler. With a collection of other colourful retro glassware including an ashtray, decanter and bowls (12).

SET OF THREE CERAMIC CANISTERS WITH TEAK LIDS, AND OTHER ITEMS the canisters by Anita Nylund for Jie of Sweden, along with glassware including a smoked glass jug and tumbler setcanisters 13cm high

Collection of glassware comprising a John Lloyd etched glass jug, with Greek key and floral engraving, signed to the side, 17.5cm high, an Art Nouveau etched carafe with accompanying tumbler, 20cm high, unsigned, a Stuart Crystal glass with facet cut stem, 15cm high, three Stuart Crystal glasses with Art Deco style chevron or zig-zag patterns and four Webb Corbett glasses (11) With inclusions as expected. With signs of wear consistent with age and use. With chips.

A Victorian silver novelty tumbler or stirrup cup, as a sewing thimble,  inscribed Just A Thimble Full, 6cm high, Birmingham 1877, 40g, 1.3toz

A TIPPERARY CRYSTAL PUNCH BOWLtwo other Tipperary crystal items, a Bohemia cut glass tumbler (one in box for six) and other glass ware

ITEM: Key ringMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 19 mm x 28 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. Ex English private collection, acquired in the late 1960s-early 1970sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman keys were essential tools in ancient Roman society, used for securing doors, chests, and other locked items, reflecting both practical utility and social status. Typically made from materials like bronze or iron, Roman keys were often small and intricately designed to fit into complex locks, which were a common feature in Roman homes, shops, and public buildings. The locks they operated were generally made of wood or metal and could be quite sophisticated, incorporating pin-and-tumbler mechanisms similar to modern locks. Keys were often carried on a person, and their design sometimes included a ring-shaped handle, allowing them to double as finger rings, a practical solution that made them easy to carry and also a display of wealth or status.Keys held symbolic value in Roman society as well. For wealthy Romans, owning and using keys was a marker of personal security and control over valuable goods, such as money, jewelry, and important documents. The presence of keys signified that someone had possessions worth safeguarding, and they could also represent authority and independence, particularly for Roman women. A key ring given to a bride on her wedding day, for example, symbolized her new role as the manager of the household and its resources. Keys thus became more than functional objects—they were symbols of trust and responsibility in both personal and public life.In addition to their daily use in homes and businesses, Roman keys have been found in tombs and burial sites, signifying their importance even in death. Keys placed in graves could represent the deceased's continued guardianship over their possessions or symbolize their journey to the afterlife, unlocking the gates of the underworld. The craftsmanship and materials used in Roman keys provide insight into the technological advancements of the time, as well as the social and economic conditions in which they were created. These small but significant objects tell us much about Roman security practices, social norms, and the values attached to ownership and authority.

ITEM: KeyMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 30 mm x 80 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. From old European collection, acquired in Múnich in the 1970sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman keys were essential tools in ancient Roman society, used for securing doors, chests, and other locked items, reflecting both practical utility and social status. Typically made from materials like bronze or iron, Roman keys were often small and intricately designed to fit into complex locks, which were a common feature in Roman homes, shops, and public buildings. The locks they operated were generally made of wood or metal and could be quite sophisticated, incorporating pin-and-tumbler mechanisms similar to modern locks. Keys were often carried on a person, and their design sometimes included a ring-shaped handle, allowing them to double as finger rings, a practical solution that made them easy to carry and also a display of wealth or status.Keys held symbolic value in Roman society as well. For wealthy Romans, owning and using keys was a marker of personal security and control over valuable goods, such as money, jewelry, and important documents. The presence of keys signified that someone had possessions worth safeguarding, and they could also represent authority and independence, particularly for Roman women. A key ring given to a bride on her wedding day, for example, symbolized her new role as the manager of the household and its resources. Keys thus became more than functional objects—they were symbols of trust and responsibility in both personal and public life.In addition to their daily use in homes and businesses, Roman keys have been found in tombs and burial sites, signifying their importance even in death. Keys placed in graves could represent the deceased's continued guardianship over their possessions or symbolize their journey to the afterlife, unlocking the gates of the underworld. The craftsmanship and materials used in Roman keys provide insight into the technological advancements of the time, as well as the social and economic conditions in which they were created. These small but significant objects tell us much about Roman security practices, social norms, and the values attached to ownership and authority.

ITEM: KeyMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 20 mm x 51 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. From old European collection, acquired in Múnich in the 1970sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman keys were essential tools in ancient Roman society, used for securing doors, chests, and other locked items, reflecting both practical utility and social status. Typically made from materials like bronze or iron, Roman keys were often small and intricately designed to fit into complex locks, which were a common feature in Roman homes, shops, and public buildings. The locks they operated were generally made of wood or metal and could be quite sophisticated, incorporating pin-and-tumbler mechanisms similar to modern locks. Keys were often carried on a person, and their design sometimes included a ring-shaped handle, allowing them to double as finger rings, a practical solution that made them easy to carry and also a display of wealth or status.Keys held symbolic value in Roman society as well. For wealthy Romans, owning and using keys was a marker of personal security and control over valuable goods, such as money, jewelry, and important documents. The presence of keys signified that someone had possessions worth safeguarding, and they could also represent authority and independence, particularly for Roman women. A key ring given to a bride on her wedding day, for example, symbolized her new role as the manager of the household and its resources. Keys thus became more than functional objects—they were symbols of trust and responsibility in both personal and public life.In addition to their daily use in homes and businesses, Roman keys have been found in tombs and burial sites, signifying their importance even in death. Keys placed in graves could represent the deceased's continued guardianship over their possessions or symbolize their journey to the afterlife, unlocking the gates of the underworld. The craftsmanship and materials used in Roman keys provide insight into the technological advancements of the time, as well as the social and economic conditions in which they were created. These small but significant objects tell us much about Roman security practices, social norms, and the values attached to ownership and authority.

ITEM: Key ringMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 22 mm x 20 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. Ex English private collection, acquired in the late 1960s-early 1970sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman keys were essential tools in ancient Roman society, used for securing doors, chests, and other locked items, reflecting both practical utility and social status. Typically made from materials like bronze or iron, Roman keys were often small and intricately designed to fit into complex locks, which were a common feature in Roman homes, shops, and public buildings. The locks they operated were generally made of wood or metal and could be quite sophisticated, incorporating pin-and-tumbler mechanisms similar to modern locks. Keys were often carried on a person, and their design sometimes included a ring-shaped handle, allowing them to double as finger rings, a practical solution that made them easy to carry and also a display of wealth or status.Keys held symbolic value in Roman society as well. For wealthy Romans, owning and using keys was a marker of personal security and control over valuable goods, such as money, jewelry, and important documents. The presence of keys signified that someone had possessions worth safeguarding, and they could also represent authority and independence, particularly for Roman women. A key ring given to a bride on her wedding day, for example, symbolized her new role as the manager of the household and its resources. Keys thus became more than functional objects—they were symbols of trust and responsibility in both personal and public life.In addition to their daily use in homes and businesses, Roman keys have been found in tombs and burial sites, signifying their importance even in death. Keys placed in graves could represent the deceased's continued guardianship over their possessions or symbolize their journey to the afterlife, unlocking the gates of the underworld. The craftsmanship and materials used in Roman keys provide insight into the technological advancements of the time, as well as the social and economic conditions in which they were created. These small but significant objects tell us much about Roman security practices, social norms, and the values attached to ownership and authority.

ITEM: Key ringMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 21 mm x 30 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. Ex English private collection, acquired in the late 1960s-early 1970sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman keys were essential tools in ancient Roman society, used for securing doors, chests, and other locked items, reflecting both practical utility and social status. Typically made from materials like bronze or iron, Roman keys were often small and intricately designed to fit into complex locks, which were a common feature in Roman homes, shops, and public buildings. The locks they operated were generally made of wood or metal and could be quite sophisticated, incorporating pin-and-tumbler mechanisms similar to modern locks. Keys were often carried on a person, and their design sometimes included a ring-shaped handle, allowing them to double as finger rings, a practical solution that made them easy to carry and also a display of wealth or status.Keys held symbolic value in Roman society as well. For wealthy Romans, owning and using keys was a marker of personal security and control over valuable goods, such as money, jewelry, and important documents. The presence of keys signified that someone had possessions worth safeguarding, and they could also represent authority and independence, particularly for Roman women. A key ring given to a bride on her wedding day, for example, symbolized her new role as the manager of the household and its resources. Keys thus became more than functional objects—they were symbols of trust and responsibility in both personal and public life.In addition to their daily use in homes and businesses, Roman keys have been found in tombs and burial sites, signifying their importance even in death. Keys placed in graves could represent the deceased's continued guardianship over their possessions or symbolize their journey to the afterlife, unlocking the gates of the underworld. The craftsmanship and materials used in Roman keys provide insight into the technological advancements of the time, as well as the social and economic conditions in which they were created. These small but significant objects tell us much about Roman security practices, social norms, and the values attached to ownership and authority.

ITEM: KeyMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 25 mm x 50 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. From old European collection, acquired in Múnich in the 1970sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman keys were essential tools in ancient Roman society, used for securing doors, chests, and other locked items, reflecting both practical utility and social status. Typically made from materials like bronze or iron, Roman keys were often small and intricately designed to fit into complex locks, which were a common feature in Roman homes, shops, and public buildings. The locks they operated were generally made of wood or metal and could be quite sophisticated, incorporating pin-and-tumbler mechanisms similar to modern locks. Keys were often carried on a person, and their design sometimes included a ring-shaped handle, allowing them to double as finger rings, a practical solution that made them easy to carry and also a display of wealth or status.Keys held symbolic value in Roman society as well. For wealthy Romans, owning and using keys was a marker of personal security and control over valuable goods, such as money, jewelry, and important documents. The presence of keys signified that someone had possessions worth safeguarding, and they could also represent authority and independence, particularly for Roman women. A key ring given to a bride on her wedding day, for example, symbolized her new role as the manager of the household and its resources. Keys thus became more than functional objects—they were symbols of trust and responsibility in both personal and public life.In addition to their daily use in homes and businesses, Roman keys have been found in tombs and burial sites, signifying their importance even in death. Keys placed in graves could represent the deceased's continued guardianship over their possessions or symbolize their journey to the afterlife, unlocking the gates of the underworld. The craftsmanship and materials used in Roman keys provide insight into the technological advancements of the time, as well as the social and economic conditions in which they were created. These small but significant objects tell us much about Roman security practices, social norms, and the values attached to ownership and authority.

A Collection of Quality Crystal Decanters, Wordsley Biscuit Barrel, Tumbler etc. (1 Tray)

A large Georgian glass tumbler, inscribed 'God Speed The Plough', two monograms and 1811, 14cm

Edinburgh Crystal, a set of ten and two cut crystal tumbler drinking glasses (variously marked verso, h- 8.5cm), together with a set of five smaller tumblers (17)

RANGERS F.C., SCOTTISH CUP WINNERS COMMEMORATIVE GLASS TUMBLER, 1927/28 the cylindrical tumbler with transfer printed inscription GOOD OLD RANGERS WINNERS OF THE SCOTTISH CUP 1927-28 CROCKET & SON 2 BUCHANAN ST. GLASGOWNote: Rangers trounced Celtic 4-0 to lift this Scottish Cup. 11.8cm high

IAN DURRANT OF RANGERS F.C., TESTIMONIAL DINNER TUMBLER, 12TH APRIL 1998 the cut glass Edinburgh crystal tumbler engraved IAN DURRANT TESTIMONIAL DINNER GLASGOW THISTLE HOTEL 12TH APRIL 1998, in boxNote: Durrant's testimonial was played vs. Sheffield Wednesday and ended a 2-2 draw. This tumbler was gifted to guests at the dinner. 8.5cm high

An Antique drinking glass, with etched decoration, on a square lemon squeezer base, together with a glass tumbler with etched decoration

Various items in the 'Thistle' design, including a decanter and stopper (30.5cms high), set of six wine glasses (14cms high), 6 brandy glasses (13cms high), 5 whisky tumblers (10cms high), and 6 liqueur glasses (two different sizes) (24). *CR Decanter, good condition - some residue from drink inside at the base and needs a little clean out. Whisky, tumbler has a small chip to the rim, one with a flea bite to the rim Liqueur, one with a small nick underneath to the base, one with a small chip to the rim.

Charles II silver tumbler of plain circular form, the base with the initials T:H I:M, marks rubbed circa 1681, 8.75cm dia,3.6ozt 114gm Condition Report: Overall condition is consistent with age and use, marks are rubbed. See detailed images which form part of the condition report

William and Mary silver tumbler of plain circular form, marks rubbed circa 1690, 7cm dia,1.8ozt 56gmCondition Report: Overall condition is consistent with age and use, marks are rubbed, there is a 1cm scratch below the rim. See detailed images which form part of the condition report

Fluted silver tea pot on pedestal foot, Birmingham 1929, engraved with monogram,cased set of six trefid coffee spoons engraved with initial, sauce ladle, sugar tongs, continental 835 silver souvenir tumbler and a presentation silver cigarette box, weighable silver gross ( excluding the cigarette box ) 22ozt 687gm

A stylish silver and silver gilt tumbler with floral decoration. London. By H&M. Approx. 292 grams. Est. £150 - £200

LEGO 76240 BATMAN BATMOBILE TUMBLER, no boxes, instructions or mini figures

LEGO BATMOBILE TUMBLER, boxed

The Incredible DFC, DFM group of 5 awarded to Flight Lieutenant Wiiliam James Simpson, who as a Rear Gunner in Whitley’s, Halifax’s and Lancaster’s as a Pathfinder flew 102 Operational Sorties for Bomber Command between the 25th of June 1942 and the 24th of April 1945 Damaging at least one German Night fighter in Combat over Berlin. Comprising Distinguished Flying Cross (1944), Distinguished Flying Medal, (999298 F/Sgt. W.J. Simpson. R.A.F.)1939-45 Star, Air Crew Europe Star with France and Germany Clasp, 1939-45 War Medal, all unnamed as issued, extremely fine (5)DFM London Gazette 15th October 1943999298 Flight Sergeant Willaim James Simpson Royal Air Force Volunteer Reserve No 35 SquadronDFC London Gazette 13 October 1944William James Simpson D.F.M. (155187) R.A.F.V.R. 35 Sqn.Extract From Air Gunner Flying Log BookNo 10 OUT Whitley25 June 1942 No 1 Bremen“B” Flight 78 Squadron Halifax 20 September 1942 No 3 Saarbrucken Heavy FLAK French Coast1 October 1942 No 4 Flensburg 1 Search Light Put Out16 November 1942 No 6 Slight FLAK Damage to aircraft14 January 1943 No 13 Lorient Landed at Ford 1-1,000 Bomb Hung Up27 January 1943 No 14 Dusseldorf Coned in Searchlights 1-1,000 bomb hung up3 February 1943 No 17 Hamburg Temperature 40degrees below Zero28 February 1943 No 24 St Nazaire Target left burning fiercely 35 Pathfinder Squadron Lancaster13 May 1943 No 29 Pilsen Aircraft Damaged by FLAK16 June 1943 No 33 Cologne Aircraft Shot up by FLAK22 June 1946 No 35 Le Creusot – Lost an Engine24 July 1943 No 36 Hamburg Aircraft Damaged by FLAK27 July 1943 No 37 Hamburg Target Well Alight29 July 1943 No 38 Hamburg Its Still Burning2 August 1943 No 39 Hamburg Aircraft Damaged By FLAK Severe Thunderstorm17 August 1943 No 43 Peenemunde (See Print by Frank Wooton)14 September 1943 No 44 Montlucon Bombed at 5,000 feet Aircraft blown upwards by heat from fires22 September 1943 No 45 Hanover – Good Show18 March 1944 No 47 Frankfurt Bombs Jettisoned Port Outer on Fire24 March 1943 No 49 Berlin Attacked by FW90 Claimed as  Probable (See Combat Report)30 March 1944 No 50 Nuremburg Damaged by Fighter landed at Ford (See Combat Report)27 April 1944 No 54 Friedrichshafen Numerous attacks by Fighters30 April 1944 No 55 Achers Marshalling Yards – Master Bomber12 August 1944 No 70 Falaise Troop Concentrations14 March 1945 No 96 Essen14 April 1945 No 100 Berlin Master Bomber24 April 1945 No 102 Neubrandenburg Dropping Medical Supplies.10 May 1945  Lubeck – Ferrying POWs.Flying Hours 306.59 Day 457.18 Night Combat Report24/25 March 1943        Target BerlinLancaster III “B” Serial ND.648 35 PFF SquadronCaptain S/l CreswellA/Bomber S/L AllportNavigator F/O Miller H.W/Operator F/O MillerM/Gunner Sgt RhodesR/Gunner F/O SimpsonF/ Engineer Sgt WhiteAt 2332 hours on the night of the 24/25 March 1944 Lancaster III (ND.648) “B” of 35 Squadron was just about to turn off its bombing run of 222 degs M at 18,000 feet with an I.A of 190 knots when the M/U Gunner saw a F.W. 90 at 300 yards dead astern closing in rapidly in a steep dive.  The M/U Gunner gave “Corkscrew Go” and as the Lancaster commenced to corkscrew to port the E/A opened fire at 100 yards with cannon and M.G using red and green trace and hitting the starboard tail plane of the bomber before breaking away port quarter up.As the fighter broke away both gunners opened fire and claim hits on the underside of the E.A..The Lancaster was now loosing height rapidly and the F.W. 90 appeared to the gunners to climb before rolling over and diving away on the port beam.At the time of the combat there was 9/10th cloud below, illuminated by Search Lights and target fire glow.The Rear Gunner fired 300 rounds and had one No1 stoppage in the L.H. outer gun and the L.H. inner ran away.  The Mid Upper fired 150 rounds.Mid Upper Sgt RhodesRear Gunner F/O Simpson Combat ReportNight 30/31st March 1944        Target NuremburgLancaster III “B” ND.648 35 SquadronCaptain S/l CreswellA/Bomber S/L AllportNavigator F/O Miller H.W/Operator F/O MillerM/Gunner Sgt RhodesR/Gunner F/O SimpsonF/ Engineer Sgt WhiteOn the night of the 30.31st March 1944 Lancaster III “B” ND.648 of 35 Squadron was returning from attacking Nuremberg.  At 03.20hrs height 17,000 feet I.A.S. 169 knots 279 degs True 4908N 0316E Weather cloudy with dark patches, no moon.The R/Gunner saw a single engine fighter, later identified as 109F approximately 700 yards on the fine port quarter up. He ordered Pilot to corkscrew port and immediately lost the fighter.  Pilot resumed course.At 03.28hrs height 15,000ft I.A.S. 175knots 302 degs true W/Op reported A/C on fishpond closing in astern about ½ mile distant. He then said he had lost him and almost immediately R. Gunner observed a burst of cannon fire from about 500 yards range dead astern.  He immediately told pilot to corkscrew starboard and returned enemy fire with a short bursts of 50 rounds.Owing to a faulty inter-com tumbler switch mounted in turret Pilot did not receive directions immediately and explosive shells struck the Lancaster Port and Starboard rudder tail plane, also ports and starboard wing. Enemy aircraft broke off starboard down and R/Gunner fired a burst of about 100 rounds.  Enemy aircraft was last seen diving down into cloud.Mid Upper Gunner Sgt RhodesRear Gunner F/O Simpson.Sold with Observers and Air Gunners Flying Log Book, Airman’s Pay Book, Flying Clothing Card No 35 Squadron Pathfinder Reunion Association Membership Card, Original photograph of the crew of “B” for Beer in front of aircraft, original photographs of Simpson in and around Lancaster and a photograph of his turret damaged by FLAK.  1943 Dated Battle Dress Blouse with ribbons for DFC, DFM and Air Gunners Brevet as worn on Operations.  Flying Officer’s  Uniform with Trousers and Side Hat with Air Gunners Brevet, Medal Ribbons and his Pathfinder Badge.  One large Painting of a Lancaster by Coulson, Oil on Board unglazed 83cm x 64cm, One Print of a Lancaster – “Peenemunde” by Frank Wootton August 17-18 1943 German Fighters and English Bombers Battel above the research station at Peenemunde to decide the fate of the Nazi “V” Weapons, signed by 8 airman who took part in the battle. (NB This was Simpson’s 43 Operational Sortie) Limited Edition No. 81/100 framed and glazed 96cm x 84cm.Medals framed and glazed for display.

Contemporary silver tumbler cup of small proportions (London 1973) Payne & Son Ltd, together with another, larger, with the millennium mark, same maker. All at approximately 6ozs. Larger cup 7.5cm diameter. (2)

circular form, with a domed centre, incised borders, engraved with two sets of initials and indistinctly marked to the centre, probably Dutch or German, together with a Dutch spoon (A/F), with import marks for Theodore Hartmann, London 1902; the tumbler cup 2.8" (7.3cm) diameter; 2.6ozt. *CR Both quite worn & with issues, the cup with dents & the spoon with a repaired stem (where it meets the bowl). Please contact Connor for further information connor.swanwick@lawrences.co.uk.

A group of four Qing dynasty/Republic period cloisonne pieces. The lot comprising one Qing dynasty tumbler decorated with flowers and ruyi clouds, one tea cup decorated with two four-claw dragon chasing flaming pearl, a miniature jar decorated with, two four-claw dragon chasing flaming pearl and one early Republic period floral miniature vase. Largest measures approx. 11cm tall. 

Three boxed Scalextric slot car sets to include C3333A Batman - The Tumbler The Dark Knight Series, C2928A Ferrari 375 F1 Tinplate Car and C3083 Pro Performance Chevrolet Impala, all ex and two contained within original trade boxes

Whiskey-Dekanter "Chaine d'Ancre" mit Stopfen und Tumbler, Hermès. Farbloses Kristallglas. Konische Formen, matt ausgeschliffene Ausparungen "d'Ancre". Ätzmarke HERMÈS PARIS. H. 9 bzw. 24 cm.

Ruby Glass Jug, Carafe and 6 Goblets and a Tumbler

Six Decanters and a Tumbler

A Hot Toys 1:6 Scale Batman The Dark Knight Trilogy Batmobile Tumbler, MMS596, sealed in original shipping box, assumed E, shipping box VG

ROCK/ PROG/ PSYCH - LP PACK (INC RARITIES). A smashing selection of 10 rock LPs. Artists/ titles include Nirvana - All Of Us (STL 230, UK Fontana. Record VG/ sleeve G+), King Crimson - Islands (ILPS 9175, pink-rim labels. VG+/ VG+), Queen - Sheetkeeckers (private release. G+/ G+), David Bowie - Dollars In Drag (private release. VG/ G+). John Martyn - The Tumbler (STL 235, VG/ G) Savoy Brown - Looking In (SKL 5066, no sleeve. Record G), Jethro Tull - This Was (ILP 985, pink/ bullseye labels. G+/ VG), The Velvet Underground (2353022, Ex/ VG), The Strawbs - The Best Of (AMLM 6600, white label with release sheet. VG+) and Unknown white label (Matrix: ARG 01, VG+).

A COLLECTION OF CERAMICS, mainly red earthenware pieces, to include continental and art pottery, slipware including a covered vase by John Christie, KMK jugs, vase, bowl and trinket box, an SMF Schramberg jug and tumbler set, five steins, etc (qty) (Condition Report: most pieces appear in good condition, sd)

MARIO LUCA GIUSTI TUMBLER MILLY TURQUOISE (SET OF 5) / APPEARS TO BE NEW WITH AN OPEN BOX / RRP: £174 / G11

STANLEY QUENCHR H2.0 FLOWST TUMBLER / MINIMAL SIGNS OF USE / RRP: £44.95 / G11

STANLEY QUENCHR H2.0 FLOWST TUMBLER / APPEARS TO BE NEW / RRP: £44.95 / G11

A Nailsea Amethyst and White glass tumbler. Height: 10cm Diameter: 9cm

A COLLECTION OF PERTHSHIRE MILLIEFIORI GLASS including two scent bottles, a jug, a tumbler, a shot glass, and five dishes, along with a flower decorated dish and a paperweight (12) Condition Report:All are in nice condition, no chips, cracks or bruising

A late 18th to early 19th Century continental pedestal vase of spherical form with collar neck and applied twin handles, decorated with fine garland engraving and raised to a shallow circular spread foot, height 15cm, together with a large 18th Century tumbler with upper foliate engraved band above a deep basal moulded band, height 16cm. (2)

A Stephen Rickard for Stuart Crystal "Rampan Lion" Heraldic etched tumbler, signed and dated 1975 to base

A Stephen Rickard for Stuart Crystal "Royal Lion" Heraldic etched tumbler, signed and dated 1974 to base

A Stephen Rickard for Stuart Crystal glass "Welch Dragon" Heraldic etched tumbler, signed and dated 1975 to base

A Stephen Rickard for Stuart Crystal "Unicorn" Heraldic etched tumbler, signed and dated 1974 to base