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Click here to subscribeA rare Ersari Turkmen kejebe pattern torba, south Turkmenistan, mid 19th century, pile area 1ft.1in. x 3ft.10in. 0.33m. x 1.17m. Losses to base and right side, left side kink cut out and joined, small hole. A comparison with the very similar torba illustrated by Loges, Turkoman Tribal Rugs, no. 96, suggests that this example is missing about 10 centimetres on the right; this and the Loges example appear to have very similar palettes.
Part cotton ghileem by the Kashkuli taifeh of the Qashqa’i Confederation, Fars province, south west Persia, second half 19th century, 9ft.9in. x 4ft.10in. 2.97m. x 1.47m. Slight uneven wear, one side stained in several places, probably remains of glue. The white areas of design are worked in bleached cotton. One of the best known, albeit rarest, of the major Qashqa’i ghileem designs; the distinctive palette found on all published examples, as well as the medachyl and zigzag borders also seen on all examples (usually in this chromatic arrangement), the ‘running dog’ pattern found between each wide horizontal band on most examples and the characteristic end panels, with their series of polychrome plainweave stripes interspersed with three narrow bands in white and tan or blue and tan containing a simple repeat pattern in extra weft wrapping, all suggest an attribution specifically to the Kashkuli taifeh; such an attribution is enforced by the fine weave shared by all examples. For three closely related rugs, see Black & Loveless, The Undiscovered Kilim, pl. 46 (and Petsopoulos, Kilim, pl. 400 for same piece) Housego, Tribal Rugs, pl. 72 and Opie, Tribal Rugs of Southern Persia, pp. 52-3; according to Opie, the principal motif in each band is called the shamey or comb.
A good and unusual rug by the Haybatlu tireh (?) of the Shishboluki taifeh of the Qashqa’i Confederation, Fars province, south west Persia second half 19th century, 7ft.6in. x 4ft.6in. 2.29m. x 1.37m. Very slight overall wear, very slight losses both ends. The attribution to the Haybatlu is speculative; it is based on the appearance of a particular medallion, which in its full form, as it appears in the centre, has four pendant cypress trees, and in its curtailed form is seen in the four corners. This is known traditionally as the Haybatlu medallion and is assumed to be an emblem of this sub-tribe of the Shishboluki. However, it is found on at least one published Kashkuli rug, the extraordinarily beautiful example illustrated by Schurmann in Oriental Carpets, p.129 and thus may not ever have been tribe specific, especially as the central part of the medallion is made up of four pairs of opposed botehs, a non-Persian motif; this medallion is now most often found on town workshop rugs, frequently in association with Persepolis horses’ heads (see, for instance, our sale of 7 July, 2005, lot 1040). The present rug would seem to be a much more characteristic example of 19th century Qashqa’i tribal weaving and as such is of some rarity.
Shahsavan pish sineh-e shotor and qashoqdan (camel chest band and spoon bags), the bags in extra-weft wrapping on plainweave grounds, the band in wool and the netting in plaited goat-hair, north west Persia early 20th century, the smaller bags each 7in. x 8in. 0.175m. x 0.20m., the larger bag 1ft.2in. 0.36m. sq. The wool band and some of the netting broken with small missing pieces. Complete with striped plainweave back. For an example of this type, see Tanavoli, Horse & Camel Trappings from Tribal Iran, pl. 90.
An interesting Jaf Kurd fragmented long rug, north west Persia, first half 19th century or earlier, overall 9ft.9in. x 3ft.4in. 2.97m. x 1.02m. Overall uneven wear, sides cut, slight loss lower end; now in two pieces, the remains of minor motifs at the side of field indicating that at least two Memling guls are missing. The brilliant colour and archaic ‘drawing’ of this fragmentary long rug indicate that it is a comparatively early example of Kurdish tribal weaving; both the palette and the blue ground guard with its repeated octagons strongly indicate that this is the work of the Jaf Kurds specifically and it is interesting that the form of the ‘leaf and calyx’ border is also seen on the Jaf Kurd rug illustrated in Burns, Antique Rugs of Kurdistan’, which the author dates to the first half of the 19th century. There is no reason to suppose that the present rug is any younger than the Burns piece and, in our opinion, could be considerably older.
Southeast Asia & Africa. Two watercolour views in Syriam, Burma, early 20th century, one of figures on elephants pulling logs, the other of a woman and child under a parasol, indistinctly signed 'U. Ba San', each approx. 245. x 350. mm, together with other watercolour views and portraits of African native peoples, and a watercolour album entitled 'Tribes of the Shan States' containing 36. gouche full length portraits of figures in tribal dress (13)
An attractive Afshar rug, south central Persia second half 19th century, 5ft.8in. x 4ft.1in. 1.73m. x 1.25m. Overall wear, slightly heavier in centre with small area of damage; remains of flatwoven ends in extra-weft wrapping arranged in a chevron pattern. As with many tribal and village rugs from both Iran and Central Asia, the field abrashes from dark blue to dark brown. This is one of a very specific sub-group of Afshar weavings, all the published examples of which seem to be of exceptional quality. Two of these, published by Opie, Tribal Rugs of Southern Persia, pp. 176-9, have most of the characteristics common to the group including two shoots of wool weft dyed an orange-red, fine symmetric knotting pulled slightly to the right, a main border of the same design as the one seen on the present rug and chevron pattern ends in extra-weft wrapping. Most such rugs also share a remarkably wide range of colours. Opie counts 16 in his p. 177 rug while the present example has at least 14.
A Collection of Tribal Artifacts, from the Chama Indians of the Peruvian Rainforest on the River Ucayali in the Amazon basin, including monkey teeth bracelets, nose ornaments, rings, combs, a counting stick, beadwork necklaces, hand woven and printed poncho, bags, pottery dishes and knives, circa 1920's/30's; together with a number of scanned photographs of the Chama Indian people
A Pair of Chinese cloisonnŽ enamelled squat vases, early 20th century. Each with dragon and pearl decoration, blue enamelled interiors, both 12cm high. Also a Tang style model of a Horse, with iron red and noir glaze decoration, 20cm high. Also a Kuba carved wooden tribal mask, 20th century. (4)