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A pair of Chamberlains Worcester porcelain plates, circa 1800, painted in sepia with a central landscape view within a rim of gilt ovals edged in gilding, red painted factory mark, diameter 22cm, together with a Tournai porcelain plate, painted in blue with flowers Décor au Ronda, beneath a moulded rim, diameter 21cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A Caughley dessert plate circa 1782-92 of lobed form, painted in underglaze blue with the 'Bright Sprigs' pattern, painted S mark, 20cm diameter Provenance: Ex. Wychwood Collection. Notes: The Bright Sprigs pattern is derived from an unknown European source, perhaps inspired by the Tournai porcelain factory in Belgium. Caughley tableware therefore also often appears in the Continental form with rococo style moulding.

AN EARLY 19TH BLOOR DERBY PORCELAIN FIGURE, a young woman symbolising Autumn, painted and gilded decoration, printed factory mark and incised no.123 to base, 20.5cm high, c.1820, (in the manner of the French Four Seasons modelled by N.J.F. Gauran at Tournai late 18th century)

A PAIR OF TOURNAI WHITE GROUPS, CIRCA 1765 'Les Mangeurs des Raisins' and 'Les Flûteurs' (or 'L'agréable leçon'), modelled seated on rocks as the amorous characters The Little Shepherd feeding the shepherdess Lisette grapes or teaching her the flute 15.5cm and 16.5cm high These models were first produced at the Vincennes factory in the early 1750s, directly inspired by François Boucher's (1703-70) set designs for the Comic Opera 'Les Vendanges de Tempé' written by Charles-Simon Favart (1710-1792). First performed in 1745, the production was revised in 1752 at the Théâtre Italien in Paris. The plot revolves around the complicated romance of the porcelain groups' subjects, The Little Shepherd and the shepherdess, Lisette. Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.

A reeded Caughley coffee pot and cover painted with the Bright Sprigs pattern, circa 1780-86, unmarked, 20.6cm high (repaired cover)The Bright Sprigs pattern is derived from an unknown European source, perhaps inspired by the Tournai porcelain factory in Belgium. As such, Caughley tableware in this pattern can also be found in Continental form with rococo style moulding.Provenance: Wright Collection no. 567, purchased in 1998 from N. Gent.Literature: Ironbridge 1999 no.489 and Newsletter August 2009 No.39 p.5.