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A Hancock & Sons Titian ware bowl, decorated with fruit; a set of three Royal Doulton miniature vases, Under the Greenwood series, including Robin Hood, Maid Marion and Little John; sundry ceramics etc, Dia 18cm

AFTER SIR DAVID WILKIE, RA (1785-1841) THE MAID OF SARAGOSSA Mixed method engraving, by S. Cousins, published by Thomas Boys, 1853, in a maple veneered frame 48 x 71.5cm.; with an engraving of "Charles V in the Studio of Titian", by W. Fisk after S. Bellin, published 1843, 48 x 60cm., similarly framed (2) ++ The former with a printer's crease within the image; some damp marks and foxing; the latter discoloured and with minor graze in image

AFTER TITIAN (c.1488-1576), 19th CENTURY THE DEATH OF ST PETER MARTYR Oil on cradled pine panel 56.5 x 32.5cm. * A copy of Titian's lost original of 1530, destroyed by fire in the 1890's. There are four wax seals verso, including one for "Ducato di Lucca" ++ Old splits; some paint losses and associated retouching

*Old Master prints & engravings. Dunkarton (Robert, 1744-1811?). Mary, Queen of Scots and Henry Stuart, Lord Darnley, pub. Samuel Woodburn, 1816, fine uncol. mezzotint by Dunkarton after Elstracke (1570-c.1625), trimmed to margins, approx. 300 x 235 mm, together with other 18th and early 19th c. engravings and mezzotints, including Raphael's Mistress, by Thomas Chambars, after Earlom, after Raphael, pub. Boydell, November 2nd 1765, Noli Me Tangere, by Nicolas Tardieu after Titian, Children Spouting Comedy, mezzotint by C. H. Hodges after R. M. Paye, pub. J. R. Smith, August 29th 1786, The Storm, by W. Ward after G. Morland, pub. J. R. Smith, August 30 1796, Love in Bondage, mezzotint by Earlom after Reni, pub. Boydell, 1767, plus two hand-col. engs. after Pietro Cortona by Gerardin & Bloemart, pub. Giacomo Giovanni de Rossi entitled Eodem Poculo Masinissa fidei in Romanos, libertati Sophonisba litavit, & Hostium corpora Scipio Ferro vincere voluit, Animos continenta vincere maluit, probably late 18th or early 19th c. reprints, image size approx. 220 x 310 mm, wide margins to each, Hogarth-style frames, glazed (14)

AFTER TITIAN, ENGRAVED BY J MURPHY, ANTIQUE BLACK AND WHITE MEZZOTINT, dated 1778, ‘Titian’s Son and Nurse’, 18" x 14"; Together with a further selection of 18th/19th Century Mezzotints and Figure Engravings

Three Hancocks Rubens Ware vases and a similar Titian Ware small octagonal jug (4)

Five pieces of Adams Titian Ware (4. x plate and 1. x jug)

After Titian Portrait of a gentleman wearing a gold chain with a pendant pearl and wearing a glove on his left hand Oil on canvas Inscribed lower right Tician 104cm x 89cm

After Titian Portrait of a bearded man Oil on board Oval Unframed 21cm x 18cm

Robert Walker Macbeth RA RWS RE (1848-1910), after Titian, 'The Worship of Venus', etching, signed in pencil, published 1889 by Robert Dunthorne, 69 x 69cm (27 x 27in), reeded mahogany frame with oak slip

Four Adams Titian ware plates

Vitesse - VCC99034, Austin Vanden Plas 1300, titian beige; VCC99018, Morris 1100, ivory white; VCC99060, Wolseley 1100, beige and green; VCC99068, M.G. 1100, colorado red; and VCC99049, Riley Kestrel, dark red, each mint or near mint and boxed; with another four boxed Vitesse models and six assorted others, four of them also boxed, (15).

RICHARD GAYWOOD after TITIAN, A chamber organist entertaining a nude female and her dog in a palatial setting, etching, 10 1/4" x 14 1/2".

THE YOUNG ENGLISHWOMAN, A Volume of Pure Literature, New Fashions and Pretty Needlework Patterns, 12 hand-col. plates of fashions, 3 (half pp. & folding) of needlework patterns, contemp. half morocco, sl. worn, 1869--LARDNER (DIONYSUS), Ed., The Museum of Science & Art, Vols 1-XII in 6, illustrations, contemp. half calf, spines rubbed, 1 label missing, 1854-56--CLARKE (HEWSON) & DOUGALL (JOHN) The Cabinet of Arts, or General Instructor, frontis, title vignette, plates, contemp. calf, worn, spine split, sprung, some browning {1825} --THE PORTFOLIO, MONOGRAPHS ON ARTISTIC SUBJECTS...Durer, John Crome and John Sell Cotman, Armour in England, Titian, plates, orig. pict. cl. gilt, 1897 (9) LOCATION T

AFTER TITIAN, OIL 'Danae', 13" x 18"

ART REFERENCE A collection of art reference works, to include: TOYNBEE A., ed. Cities of destiny, Publisher's cloth, folio. London: Thames & Hudson, 1967; HAYWARD H., ed. World furniture. Publisher's cloth, folio. London: Hamyln, 1971; CHARLESTON R. J., ed. World ceramics. Publisher's cloth, dustwrappers, folio. London: Hamyln, 1971; PALLAS GALLERY. Fine art reproductions of old & modern masters, a comprehensive illustrated cataloge of art through the ages. Publisher's cloth, folio. New York: Graphic Society, 1980; CLAY J. Romanticism. Publisher's cloth, dustwrappers, 4to, New York: Vendome, 1981; NICOLSON N. Great houses of the Western world. Publisher's cloth, dustwrappers, folio. London: Hamyln, 1972; TITIAN. Paintings and drawings. Publisher's cloth, 4to. Vienna: Phaidon, 1937; VELAZQUEZ. The paintings and drawings of. Publisher's cloth, dustwrappers, folio. London: Phaidon,1943; and approximatly 220 others [qty.]

ITALIAN SCHOOL After Titian, a half length study of a lady holding a rose, oil on canvas in an ornate gilt plaster frame, 23 1/2" x 30"

VALENTIN LEFEBVRE (c.1642-c.1680), AFTER TITIAN (c.1488-1576) THE DEATH OF ST. PETER MARTYR Etching, probably published c.1682, published by J. Van Campen, on thin laid paper, unframed Plate 55 x 34cm.; with an engraving of Henri de Lorraine, Comte d'Harcourt, by A. Masson after P. Mignard; and a portrait engraving after Nanteuil, unframed. (3) Each a little worn and foxed.

* Italian School. The Penitent Magdalene, after Titian, a 19th c. copy after Titian, oil on canvas, approx. 61 x 50 cm, modern gilt frame. (1)

Venetian School, 16th Century The Emperor Charles V on horseback, after Titian black chalk, pen and brown and grey ink, brown wash, heightened with white, on grey-blue paper, the corners cut, losses 8 x 8? in. (203 x 210 mm.) "After the picture of Charles V at M?hlberg now in the Prado, Madrid.

Bolognese School, 17th Century Head of a bearded man looking down red chalk on light brown paper, watermark encircled fleur-de-lys 12 7/8 x 8? in. (327 x 222 mm.); and seven drawings by, attributed to or after Pietro da Cortona, Titian, Raphael, Guercino and others (8)

A set of six 19th Century Italian lava oval miniature profiles depicting Italian Renaissance artists - 'Raphael', 'Michelangelo', 'Leonardo da Vinci', 'Correggio', 'Albani' and 'Titian', each 1.25ins x 1.125ins (unmounted)

A Portmeiron bowl decorated in the Botanic Garden pattern, Adams Titian ware cheese dish and cover and an oval meat dish.

A Hancock & Sons Titian ware hand painted cylindrical vase, height 32cm (cracked) and a Trogon ware moulded vase signed R Dean (af)

Henry Bone, RA (1755-1834) after Titian 'Montmorency, Constable of Bourbon' - half-length portrait Enamel on copper Signed, dated and fully inscribed to the counter-enamel 'Montmorency, Constable of Bourbon/from a Copy after Titian in the/possession of Lord Howard/of Effingham-/London/May-1824/Painted by Henry Bone RA/Enamel painter to His Majesty/& To His R.H. the Duke of York'. 14cm x 12.7cm.

George Frederick Watts O.M., R.A., 1817-1904 A COLLECTION OF EARLY WORKS, INCLUDING: PORTRAIT OF ADMIRAL LORD LYONS; A BOY ON HORSEBACK (AFTER STUBBS); THE DEATH OF THE STAG (VERSO, STUDY OF A CLASSICAL HERO); STUDIES OF A GREYHOUND; TWO VARIANT STUDIES FOR THE GOOD SAMARITAN; LUCRETIA; APPROXIMATELY TWENTY-THREE COPIES AFTER OLD MASTERS (INCLUDING TITIAN, DEL SARTO, VAN DYCK, TINTORETTO); STUDY FOR JACOB AND ESAU; A RECLINING LADY, one inscribed l.r.: Admiral Lord Lyons; another signed and dated l.l.: Geo. F. Watts Del. Sep. 1831.; bears an inscription on an old label pasted to the reverse: A copy from a drawing/ by Stubbs made by Signor/ aged thirteen/ He remembered copying the print/ stroke for stroke, two pen and ink; another pen and ink with wash; one pencil and white chalk; approximately 26 watercolours; one oil on canvas; one pencil, sold with eight watercolour landscapes by Mary Watts, largest 14x33cm.; 5Ix13in. (39) Exhibited Laing Art Gallery, Newcastle-Upon-Tyne, George Frederick Watts Memorial Exhibition, August 1905 no.205 (Portrait of Admiral Lord Lyons 1850)

AFTER TITIAN: Sacred and profane love, oil on board, 22 x 55cm (8.75 x 21.5in)

Adam’s Titian Ware part Teaset, comprising four cups, saucers and plates, bread plate, milk jug and teapot and cover, each piece moulded and decorated with a band of fruits.

Northern Follower of Titian, 17th Century. A Reclining Venus with a Satyr, oil on canvas, 118 by 190 cm.; 46.5 by 74.625 in.

After Titian. Jupiter amoureux d'Antiope se Transforme en Satire, engraving by Bernard Baron, the margins trimmed on two sides, with some creasing, foxing and other defects, pl. 13.5 x 24.5in.

Attributed to Edward Clifford. A detail from Bacchus and Ariadne (after Titian), watercolour, 20 x 12.5in.

Manner of Titian. Venus being disturbed by a Satyr, Cupid in Attendance, oil on panel, 9.5 x 12.5in, mounted within a larger carved wood frame.

Binding. The New Testament of Our Lord and Saviour Jesus Christ. With Engravings on Wood from Designs of Fra Angelico, Pietro Perugino, Francesco Francia, Lorenzo di Credi, Fra Bartolommeo, Titian, Raphael, Gaudenzio Ferrari, Daniel di Volterra, and Others, 1865, num. b & w illusts. and border decs., illuminated presentation inscription to fep, prelims some browned and spotted, a.e.g., orig. gilt dec. and blind?stamped crimson morocco by Riviere, slightly rubbed at extrems., 4to (1)

An Italian maiolica bowl, base lacking, of fluted form painted roundels after Titian, serpents and exotic birds.

Quantity of assorted ceramics, includes Wedgwood turquoise rim meatplate, impressed 'Pearl'; Swinnertons meatplate; two pieces Titian ware rectangular plates; Villeroy and Boch Mettlach cup and saucer, impressed 'S'; miniature cups and saucers, Spode and Coalport; Stanley teacups; and Clews and Co teapot (quantity).

After Tiziano Vecellio, called Titian Danae, oil on canvas, 115 by 166 cm.; 45.25 by 65.25 in.

Follower of Tiziano Vecellio, called Titian, 17th Century, Christ Carrying the Cross, oil on canvas, 106 by 150.5 cm.; 41.75 by 59.25 in.

After Tiziano Vecellio, called Titian. The Penitent Magdalene, oil on canvas, in elaborate 19th century tabernacle frame, 116 by 96.5 cm.; 45.5 by 38 in.

An Adams titian ware fruit set, early 20th Century, decorated flowers, comprising; one large bowl and six small bowls.

A 17TH CENTURY PORTRAIT ENGRAVING 'Catherine de Medices', 7 1/2" x 5"; and two other 17th and 18th century engravings 'Clemens XI' and 'Phillip II King of Spain' after Titian. (3)

After Titian A LADY HOLDING A BOWL OF FRUIT Oil on canvas, 76 x 63cm

A Bild Lily type hard plastic doll, 1950s/60s, embossed made in Hong Kong, black hooded painted, side glancing eyes with white highlight to eye, red lips, Saran brown hair, with kiss curl glued to forehead, painted earrings, fully jointed, red nail varnish, painted black high-heel shoes, neck is chipped, 11.5"/29cm; together with a dark titian haired Patch doll (hair has been trimmed). (2)

A maiolica charger, decorated with the Triumph of Bacchus after Titian, 19th century, 47cm. Two small re-glued sections.

Follower of Andrea Del Sarto A SELF PORTRAIT Follower of Titian A SELF PORTRAIT both after originals in the Uffizi, Florence, oval oils on board, labels verso each in an ornately carved giltwood frame, 22 x 18cm

Morghen (Raphael) Lorenzo de' Medici; La Poesia; La Fornarini, and other portrait plates by Morghen and others, after Titian, Raphael, Vasari and others, including a portrait of Antonio Canova by Joseph Saunders, engravings, each c.320 x 220mm., with wide margins, occasional spotting and light creasing, Florence, Luigi Bardi, c.1820; with 10 other plates of portraits, religious scenes, ecclesiastical architecture and an etching of a venerable Welsh oak tree by George Cuitt (18).

A 19th century Italian alabaster bust of Titian, on a circular base (cemented diagonal break running under the neck). 21cm high

After Titian (1474/82-1576), Madonna and Child, oil on canvas, 67 x 48.5 cm This picture is a detail from Titian's The Holy Family and a Shepherd, held at the National Gallery, London

Lefebvre (Valentin) (Tobias and the Angel), after Titian, engraving, 325 x 290mm., trimmed within platemark but outside border line of image and title, light surface dirt and creasing, Venice, Van Campen, c.1682 ~ (Cabel, (Adriaen van der)) (Mythological Scene in a woodland landscape setting), engraving, 200 x 290mm., trimmed to just outside border line, mounted at top edge, one small hole within the image, c.1680; with a small group of others, by or after Bloemaert, Durer, Jonas Umbach and others, engravings, various sizes and conditions, including later issues, 17th and 18th centuries (small qty).

AFTER TITIAN (c.1488-1576), 19th CENTURY PORTRAIT OF A KNIGHT OF MALTA Oil on canvas 39.5 x 29cm. ++ Relined and restretched. Retouching. Needs a clean. * After the original in The Uffizi, c.1515

A 20th century Hancocks Titian ware bowl decorated with fruit, 12.5ins

After TITIAN, oil on canvas of winged cherubs eating grapes beside a pool in landscape setting, in pine frame - 21ins x 28.5ins.