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Y TWO 19TH CENTURY POCKET TELESCOPES The first by Dollond, the gilt metal telescope with an ivory collar, the eyepiece stamped Dollond London; Together with a lacquered gilt metal telescope within a red leather casePlease note: Dreweatts have applied for a de minimis exemption for this lot. Ref: HYJUXDUV Condition Report: Condition Report Disclaimer
A box of various metal and treenware to include two table bells, glass beakers, small telescope, salt bottle, ebony pestle, faux crocodile skin calf leather desk tidy, brass candlesticks, brass and glass chamberstick etc together with an iron handled brass jam pan, brass jardiniere, copper bucket, three wooden boxes, Carron cast iron boot scraper, a rectangular mahogany framed glass bottom two handled tray, a bag of various prints and Chinese pictures in relief depicting cranes amongst branches, a draining board and a walnut coal box etc
TWO BOXES OF SUNDRIES AND FRAMED PRINTS, to include an Aynsley Mastercraft figure of a robin, Royal Worcester 'Evesham' pattern tea ware, three cut glass claret jugs/decanters, a Joseph Elliot & Sons stainless steel canteen of cutlery, pewter tankards, a retro style compact disc player and turntable, a Chinon CM-4 camera and Super-Paragon auto tele zoom lens 80-200mm, an Astral 450 telescope and tripod, etc. (s.d) (2 boxes + loose)
3in Astronomical Telescope By Dollond, English, c.1900, engraved to the back plate 'DOLLOND LONDON 7643' with a presentation engraving to the barrel for 'PRESENTED TO MR JAMES WILLIAMSBY THE CHURCH PEOPLE OF YSTALYFERA, ON HIS RETIREMENT FROM THE POST OF ORGANIST AFTER 34 YEARS SERVICE SEPTR - 1903', the telescope with rack and pinion focusing, star finder, trussions to mount on large mahogany floor standing tripod, with extension tube and 3 RAS threaded eyepieces, all in fitted pine case, case width 112cm
An Irish Spectroscope, Yeates Dublin, Irish, c.1880, engraved along on of the arms 'YEATES & SON DUBLIN', standing on a cast iron base with brass pillar support, prism housing in the center under a cover, with fixed collimator telescope, viewing telescope on a micrometer scale for angular adjustment, 27cm tall. Yeates & Son, Dublin - Stephen Mitchell Yeates, born in 1832, was the son of George Mitchell Yeates, an instrument maker in Dublin. Upon his father’s death in 1865, Stephen took over the family business, which had been established as "Instrument Makers and Opticians" in 1790. The shop, originally located at another site, was moved to 2 Grafton Street in 1827, strategically positioned across from Trinity College. This location proved to be advantageous, as the close proximity to the university facilitated a steady stream of business, particularly in the sale and manufacture of scientific instruments used in academia. In 1865, the business was officially renamed Yeates & Son. The company advertised itself as "Instrument Makers to the University," underscoring its relationship with Trinity College. This connection was pivotal, as many of the instruments built by Yeates & Son were utilized by the college for various scientific purposes. Stephen Mitchell Yeates managed the business until his death in 1901. The firm remained a prominent supplier of scientific instruments in Dublin throughout the 19th century. Many of the instruments by Yeates & Son are still housed at Trinity College,
Stereoview Tenerife Charles Piazzi Smyth 3 stereoviews from images made by Charles Piazzi Smyth in 1856, at the temporary observatory on a peak in Tenerife. The views are on light blue, card mounts, 2 containing labels reading, ' Temporary Astronomical Observatory at Alta Vista 10 710ft on the peak of Teneriffe'. 1 view shows Piazzi Smyth himself, sitting at the foot of the telescope's equatorial mount. This is included in Piazzi Smyth's book, 'Tenerife, An Astronomer's Experiment', published in 1858 by Lovell Reeve and is captioned,'Sheepshank's telescope, first erected on Mount Guajara, the peak of Tenerife in the distance'. Charles Piazzi Smyth was a professor of astronomy at Edinburgh University, he was appointed Astronomer Royal in 1845. For the trip to Tenerife in 1856, he furnished himself with some portable photographic equipment, to produce wet plate collodion images. With this equipment, he produced high-quality images for making stereoviews and is believed to have made 200, in the course of his stay. The book he produced was the first to feature stereoviews. Handling wear to mounts. Images show a degree of fading.
Astronomical Transit Instrument, Schmalcalder, London, English, c. 1840, signed in script along the vernier arm ‘Schmalcalder 82 Strand, London’, standing on a delicate brass frame with fine height adjustment via geared wheel, tall uprights with lamp mounts (lamp missing) to both sides, telescope with a 6inch scale with 2 vernier scales, clamp with fine screw adjustment, spirit level, telescope with 90degree eyepiece with cross hairs in place, rack and pinion focus, achromatic cell to front behind lens cap, telescope length 60cm, with original spirit level with engraved scales to read the bubble position, height 48cm, width 34cm, circle 14cm, telescope focuses, lenses dusty, image inverted
4in Reflecting Table Telescope, Tulley, English, c.1800, engraved to the back plate ‘TULLEY’ , secondary mirror also marked ‘C. Tully’ the telescope on a table top folding tripod with cabriole legs, compass joint to the top with 2 threaded wing nuts to hold the telescope body, with threaded focus screw acting on the secondary mirror, star finder mounted to the side, with 2 eyepieces and the dust cover, all in the original fitted French polished mahogany case with folding handles and catches case 67cm wide
4in Reflecting Table Telescope, Bate, London, English, c.1800, engraved to the back plate ‘BATE London’ and to the trade label in the lid ‘Mathematical Instrument Maker to the honourabel board of excise Hydrometer maker for the Revenue of the United Kingdom R. B. Bate Mathematical, Optical & Philosophical Instruments…. 17 Poultry Lane London’ the telescope on a table top folding tripod with cabriole legs, compass joint to the top with 2 threaded nuts to hold the telescope body, with threaded focus screw acting on the secondary mirror, star finder mounted to the side, with 2 eyepieces and the dust cover, all in the original fitted French polished mahogany case with folding handles and catches case 71cm wide Provenance: paperwork relating to a valuation of £3-£5000 on the BBC Antiques Roadshow in 2000; paperwork relating to a repair to the eyepiece when it was owned by Negretti & Zambra in 1950
THOMAS BEACH (BRITISH 1737-1806) PORTRAIT OF EDWARD HELYAR, AGED EIGHTEEN; AND PORTRAIT OF BRIDGET, AGED THIRTEEN. TWO OF THE CHILDREN OF WILLIAM AND ELIZABETH HELYAR OF COKER COURT, SOMERSET Oil on canvas, a pair Each 76.2 x 64.8cm (30 x 25½ in.) (2) Provenance: Commissioned by William Helyar (1720-1783), at Coker Court until the 1970s, then by family descent to a private collection, UKLiterature: `Coker Court, Somerset, the seat of Major GW Heneage', Country Life, 2nd January 1909, p.25This charming pair of paintings was commissioned circa.1768 by William Helyar (1720-1883) to adorn the new Georgian wing of his house, Coker Court, East Coker, near Yeovil in Somerset. Thomas Beach was a Dorset man born and bred who trained with Sir Joshua Reynolds and had a flourishing career painting West Country gentry families. William Helyar had ten children with his wife Elizabeth, née Weston. Edward was their fourth child and was eighteen when this portrait was painted. He is shown on the seashore with a telescope and shipping in the distance. The Helyars, like many West Country landed families, had mercantile interests and, as a younger son, Edward would probably have been brought up for involvement in one of these.Bridget is thirteen in a park landscape with a statue and a distant sunrise, which echoes her elegant, shell-pink dress. With her blonde hair wreathed with pearls and a rose in her hand, she epitomizes youthful beauty and modesty. Beach is emulating his master Joshua Reynolds, who uses 'theatrical' clothing to give a timeless quality to his sitters. . The Helyar family had lived at East Coker since 1616, when the manor was bought by William Helyar (1559-1645), Archdeacon of Barnstaple and Chaplain to Queen Elizabeth I. Staunch Royalists, the Helyars suffered under Cromwell's regime but flourished with the Restoration. The children's father William (1720-1783) married Elizabeth Weston in 1744. In 1766 he commissioned from William Chambers the elegant neoclassical addition to the fifteenth and sixteenth century buildings of Coker Court. Fourteen family portraits were commissioned from Thomas Beach to hang in the new wing, remaining there until the 1970s. Condition Report: Edward Helyar: The canvas has been lined, cleaned and re-varnished. There is craquelure throughout, some of which has been in-filled and this is visible in natural light, although largely contained to the background areas. There is a small horizontal area of possible repair above the sitter's head (approx. 10cm) which can also be seen in natural light. Stretcher marks visible. Rubbing and abrasions to the framing edges. Overall the work is in well restored condition and ready to hang.Bridget: The canvas has been lined, cleaned and re-varnished. Craquelure and paint-shrinkage throughout. Some of this has been in-filled and is partially visible in a natural light. Upper and lower stretcher marks visible. Inspection under UV light reveals scattered retouching and in-filling throughout. Overall the work is in well restored condition and ready to hang. Condition Report Disclaimer
Cased Zeiss Ikon Nettar 510 folding camera in original leather case, Broadhurst Clarkson three draw telescope, Zenith 12x50 binoculars in original case, Leitz Microsix, Zeiss Ikophot and Weston Master III light meters, Leitz slide projector, Koroll 24S camera, Paterson pistol grip and two slide viewers
Dollond of London: A brass 4 inch reflecting telescope and tripod19th century, the 25.5 inch body tube signed Dollond, London to the eyepiece end plate, with external finderscope, screw focus adjustment for the secondary mirror, two brass and turned wood adjusters for inclination and yaw, mounted via a bracket to a column-turned upright, over an ogee moulded disc issuing three hinged scroll supports, with spare secondary mirror and eyepiece.52.5m (20.5in) high with the tube horizontal, 77cm (30.25in) long including eyepiece tube.
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24585 item(s)/page