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A rare figure modeled as a boy with this arms outstretched, wearing a blue suit and red and white scarf. Florence Ceramics backstamp. Issued: 20th centuryDimensions: 4"L x 3"W x 6.25"HManufacturer: Florence Ceramics Co. Country of Origin: California, United StatesCondition: Age related wear. As is, as found. Small chip on toe.
Raven (Simon) [The First-Born of Egypt series], 7 vol., first editions, original boards, dust-jackets, light fading on spines, very fractional bumping, otherwise excellent or fine, 1984-1992; and 16 other by Raven, all first editions, 8vo (23) *** An excellent collection of Simon Raven's works, with Alms for Oblivion series listed in the previous lot. This includes 'Is There Anybody There?' Said the Traveller, a rare work, withdrawn after the first impression following a libel suit.
DOUGLAS LENNOX, PARKHOUSE FARM oil on board, signed and dated '24, titled versoframedimage size 57cm x 77cm, overall size 72cm x 92cm Note: Douglas Lennox was born in 1948 and was educated in Kilmarnock. He attended Glasgow School of Art 1966-70 and Jordanhill College of Education 1970-71. Early retirement from being Principal Teacher of Art and Design in Grange Academy in Kilmarnock means he can now concentrate full-time on painting. He now lives in Darvel in the Irvine Valley which has been the inspiration for much of his work. His work is predominantly made up of landscapes and seascapes in Ayrshire. The seascapes feature the marinas and harbours of the Scottish coast. The basis of his work is simply a continual fascination with what he sees. He works directly in front of the subject throughout the year as he feels that there is no substitute to being out there responding to changing light and seasons. His work is in a variety of media to suit conditions and subject - oil, watercolour, gouache and pastels. Duncan Shanks, who was one of his teachers at art school, was an early influence. The work of the Impressionists, The Glasgow Boys and the Scottish Colourists are all constant influences.
DOUGLAS LENNOX, SALEM YACHT CLUB oil on board, signed and dated '14framedimage size 41cm x 51cm, overall size 57cm x 67cm Note: Douglas Lennox was born in 1948 and was educated in Kilmarnock. He attended Glasgow School of Art 1966-70 and Jordanhill College of Education 1970-71. Early retirement from being Principal Teacher of Art and Design in Grange Academy in Kilmarnock means he can now concentrate full-time on painting. He now lives in Darvel in the Irvine Valley which has been the inspiration for much of his work. His work is predominantly made up of landscapes and seascapes in Ayrshire. The seascapes feature the marinas and harbours of the Scottish coast. The basis of his work is simply a continual fascination with what he sees. He works directly in front of the subject throughout the year as he feels that there is no substitute to being out there responding to changing light and seasons. His work is in a variety of media to suit conditions and subject - oil, watercolour, gouache and pastels. Duncan Shanks, who was one of his teachers at art school, was an early influence. The work of the Impressionists, The Glasgow Boys and the Scottish Colourists are all constant influences.
DOUGLAS LENNOX, ROAD TO BLOOMSHOLM oil on board, signed and dated '23, titled versoframedimage size 56cm x 66cm, overall size 72cm x 82cm Note: Douglas Lennox was born in 1948 and was educated in Kilmarnock. He attended Glasgow School of Art 1966-70 and Jordanhill College of Education 1970-71. Early retirement from being Principal Teacher of Art and Design in Grange Academy in Kilmarnock means he can now concentrate full-time on painting. He now lives in Darvel in the Irvine Valley which has been the inspiration for much of his work. His work is predominantly made up of landscapes and seascapes in Ayrshire. The seascapes feature the marinas and harbours of the Scottish coast. The basis of his work is simply a continual fascination with what he sees. He works directly in front of the subject throughout the year as he feels that there is no substitute to being out there responding to changing light and seasons. His work is in a variety of media to suit conditions and subject - oil, watercolour, gouache and pastels. Duncan Shanks, who was one of his teachers at art school, was an early influence. The work of the Impressionists, The Glasgow Boys and the Scottish Colourists are all constant influences.
Five boxed diecast model motorcycles to include 3 x Matchbox Choppers (38 Stingeroo in purple, 49 Chop Suey in metallic pink and 71 Jumbo Jet in blue), and 2 x Britains (Motorcycles 9683 Drag Racer and a variant 9683 Drag Racer - discolouring and crack to box lid), diecast ex, boxes vg unless stated, plus a Corgi Whizzwheels 681 Stunt Motorcycle complete with driver in light blue racing suit, model ex, reproduction box (6 items)
[GRIMALDI, Stacey.] A Suit of Armour for Youth. London: by the Proprietor [R. Ackermann], 1824. First edition, 12mo (179 x 100mm.) Engraved hand-coloured frontispiece by Cosmo Armstrong after William Grimaldi, 11 hand-coloured engraved plates with movable flap overlays showing a symbolic illustration of armour. (Offsetting to text, mild toning, blanks replaced.) Near contemporary Spanish calf bound by Root & Son with two black morocco pieces to the spine, gilt fillet borders, g.e. (rebacked, endpapers replaced, crease to covers).
A FINE AND IMPORTANT NORTH ITALIAN ENGRAVED THREE-QUARTER CUIRASSIER ARMOUR, CIRCA 1620-30, PROBABLY BRESCIAcomprising Zischagge with one-piece skull rising to a low comb of inverted V-section, fitted at its nape with a plume-holder and at its apex with a bulbous finial on a large quatrefoil washer, projecting forward at the brow to an obtusely-pointed peak with a rectangular staple above it carrying a nasal with elaborately shaped finial and secured by a thumb-screw, and fitted at its rear with a pronounced flared neck-guard of four lames, the lowest of pointed ogee profile (disarticulated at right end), and at each side with a two-piece pendant cheek-piece, fitted at its centre with a domed rivet enclosed by eight radiating rectangular slots within a frame of circular ventilation-holes and stepped at the front top to accommodate the peak; collar of a single plate front and rear, fastened at the right by a stud and key-hole slot; heavy breastplate formed in one piece with a low medial ridge, struck with the proof mark of a bullet at the right of the chest, fitted at each side with a stud to receive a shoulder-strap and a further stud at its centre, a pierced stud at each side to receive a swivel-hook from the back-plate, flanged outward at its base to receive a pair of tassets each of fifteen lames divisible at the eighth; poleyns of four lames the second in each case fitted with a large centrally-puckered wing; backplate matching the breastplate, struck with the proof mark of a bullet, fitted at each shoulder with a leather strap reinforced with four iron scales, at the base with a hook at each side to engage the breastplate, and at its base with a broad culet of seven lames; a pair of full arm-defences comprising a pair of symmetrical pauldrons each of seven lames overlapping outwards from the third, connected by a turner to a pair of vambraces each formed of a tubular upper and lower cannon linked by a couter of four lames with a centrally puckered oval wing at the front, and enclosed at the inside of the elbow by ten lames overlapping inwards from the sixth, the lower cannon fastened at the front by a sprung stud; a pair of gauntlets each with a flared cuff closed at the inside, articulated by a wrist-plate to three metacarpal plates, a shaped knuckle-plate, a hinged thumb-defence and finger-lames (with small restorations); the principle borders of the armour formed with plain inward-turned edges, those of the base of the cullet roped, the whole decorated throughout with engraved trophies-of-arms within elaborate strapwork frames filled with pointié foliage, the turners and gauntlets each with trophies incorporating cannon and artillery tools, a running border of flowers at the principle edges, the secondary borders with a frieze-work of blind arcading, the breastplate with a Patriarchal Cross in the centre at the neck; the inside of the skull and the backplate painted with a white inventory number ‘45’, in clean, stable condition throughout (the bottom edge of the left poleyn with light pitting and small chips, the decoration of the culet with areas of wear, minor disarticulations, expertly releathered, some buckles restored): on a wooden stand with leather boots ProvenancePerhaps one of the group of armours purchased by Lord Somers in 1853, stated (incorrectly) to be of Emperor Charles V’s bodyguard and preserved in Milan for many years.Charles Somers-Cocks, 3rd Earl Somers (1819-83), Eastnor Castle, thence by descent LiteratureLady Henry Somerset, Eastnor Castle, London 1889, p. 22: ‘A three-quarter suit of Plate Armour, engraved with trophies of arms and fleur-de-lys’. A helmet of very similar form, decorated in the same style, is preserved in the former collection of the Dukes of Este at Konopiště, Czech Republic (inv. no. I.c.D-114, and illustrated Šáda 1986, p. 37, no. 18.t.) The specific inclusion of cannon and artillery tools such as ladles and sponges on the turners and gauntlets may suggest that this was intended for a senior officer of artillery. The Patriarchal Cross, also called the Cross of Lorraine, is probably a reference to the venerated relic of the True Cross in the cathedral at Brescia that is housed within a cross of the same form. Two morions of circa 1570-80, decorated with a similar cross along with the rampant lion of Brescia and attributed to the that town’s guard are respectively preserved in the Metropolitan Museum of Art, New York (acc. no. 14.25.532) and the Museo Civico L. Marzoli, Brescia (inv. no. 330). See Rossi and Di Carpegna 1969, p. 55 cat. no. 120. Another armour of this type, formerly in the collection of Tosio Martinengo, and now in the Museo Civico L. Marzoli, Brescia, is illustrated Rossi, p. 77, cat. No B67. The armour in Brescia has a close helmet in place of Zischagge, a matching stud in the centre of the chest, divisible tassets, enclosed elbows, and similar decoration throughout including the rampant lion of Brescia on the breastplate. A cuirass decorated in a similar manner and attributed to the ownership of one of the Counts Martinengo, is preserved in the Armeria Reale, Turin. See Boccia and Coelho, p. 526, nos. 445, 446 and 448. A slightly later cuirass in the Victoria and Albert Museum (inv. no. 5778-1859), is decorated in a related manner, with the conjoined initials ‘AM’, and a Count’s coronet above a Patriarchal Cross and Orb in the centre. The initials are similar to those on the ricasso of a left-hand dagger attributed to Pietro Antonio Martinengo, Count of Brescia (recorded 1644-1671), now preserved in the Art Institute of Chicago (ref. no. 1982.2150).
Pair of Edward VIII hallmarked silver peppers, London 1936, maker Daniel & John Wellby, height 9.5cm, together with a pair of mustards with blue glass liners, London 1933, maker J B Chatterley & Sons Ltd and Victorian hallmarked silver spoons to suit, weight of all items excluding liners 308g
A GEORGE III MAHOGANY SERPENTINE FRONTED BACHELOR'S CHEST OF DRAWERS CIRCA 1770 With a brushing slide 86cm high, 106cm wide, 55cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use Some old chips, splits and losses Some old repaired splits to the to with filler use in places Baize inset to the slide is a later replacement, it has wears, marks and some small losses Handles and escutcheons appear to be later 19th century replacements, however they are in period taste and suit the piece well One lock plate appears to be a period replacement, all others appear original No key present but all locks open Various old repairs (see images) Some expected evidence of old worm to backboards, underside and interior of the carcass Some old repairs and later elements to the feet Some colour variation to timbers throughout Please see all images as a visual reference to condition.Condition Report Disclaimer
A SMALL REGENCY MAHOGANY BOWFRONT CHEST OF DRAWERS CIRCA 1820 84.5cm high, 77cm wide, 47cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old minor chips and splits All metalware is likely later replaced. The replacement handles suit the piece well. A key is present and operates all locks The top with some minor fading and additional minor scratches and marks The drawers run smoothly, of solid stable structure overall Of pleasing size and proportion.Please see all additional images as a visual reference to condition. Condition Report Disclaimer
A QUEEN ANNE BLACK LACQUER AND GILT JAPANNED CHEST ON STAND IN THE MANNER OF STALKER & PARKER, CIRCA 1710 Finely decorated with subtle tones of green and ochre, finely detailed and outlined throughout in gilt, depicting houses within a naturalistic setting and groups of flowers 125.5cm high 102cm wide, 58.5cm deepJohn Stalker and George Parker first published their Treatise on Japanning and Varnishing in 1688. It was used as a pattern book, throughout the late 17th Century and early 18th Century while there was continuing interest in Chinese and Japanese lacquered furniture. For a related chest on stand, see Christie's London, The David Style Collection (5748), 13th January 2005, Lot 398 (£8,400 incl. BP). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use Some old chips, splits and repairs. The surface appears original, it bears the expected wear, chips, minor losses and fading The handles and escutcheons are later replacements but are in period style and suit the piece well Lock plates vary from each other, but all have good age. One lock plate with later securing screws, no keys present but all locks are open Some later runners to the bottoms of the drawers The drawer linings with the expected openings and splits - some later tape and hessian applied to the underside of some drawers Some minor evidence of old worm to some places, as to be expected (see images). Some minor areas of worm to the surface have been disguised. The legs, stretchers and feet are later replacements but are in period style and suit the piece well Some small supporting blocks to the interior of the carcass One backboard likely an old replacement Some later securing pins and nails to mounts Please see all additional images as a visual reference to condition. Condition Report Disclaimer
Group of men's summer weight blazers and suits including Gant cream suit size 54, Dunhill silk and linen cream suit size 54, Ede & Ravenscroft Cream cotton blazer size 46R, Greives & Hawkes linen blazer 46 R and others (6).Overall condition is, no moth holes seen, no bobbling or other damage. They all have some crumpling from storage and wrinkling from wearing.Gant trousers waist 36 1/2"inseam 35".Dunhill photograph taken of measurements (Made in Spain)Daks no size given, measures 18" flat across waistband.
Vintage Burberrys' Stockwood Grey wool 2 piece suit size 44L, Hackett grey pinstripe wool suit size 42L, both double breasted. Plus a black Crombie coat with velvet collar.Overall condition is good. No moth holes noted, no damage or repairs, except the Burberry suit has bobbling to the inside pockets of the trousers. The Crombie coat has an area of surface damage near the back vent, it doesn't seem to be moth more like tiny pucks. See photograph.
Ede & Ravenscroft pinstripe suit, Italian men's clothing by Luigi Crea including grey suit, grey jacket and two navy blue jackets.The grey suit has a tear beside the back pocket. See photograph.Otherwise all items are in good condition, no moth holes seen, no bobbling or other damage. They all have some crumpling from storage and wrinkling from wearing.
Rare 1921 Third Test cricket ball presented to the England Captain and sporting hero Mr John William Henry Tyler 'Jonny' Douglas (1882-1930). The leather cricket ball with applied silver Australia-shaped plaque inscribed 'First ball bowled-Third Test- Adelaide 1921'. The ball mounted on a turned walnut plinth with octagonal base raised on bun feet, further mounted with four silver plaques engraved 'To Mr J.W.H.T. Douglas, as a Souvenir of his visit to Australia as Captain of M.C.C. Team. 1920-1921 and as a memento of the Third Test Match in which so many New Records were established', the other plaques listing the other England and Australia team members, 22cm high. Sold with a fine watercolour portrait by Walter Hester of John 'Jonny' Douglas probably an illustration for Vanity Fair of the debonair sportsman wearing a lounge suit and smoking a cigar, in glazed frame 54.5 x 35.5cm overall. Also sold with a wooden cut of John Douglas's father judging a boxing match entitled 'Time and Judgement at the National Sporting Club. Mr Douglas and Mr Zerega' 24.5 x 19cmProvenance: By family descent.Mr John William Henry Tyler 'Jonny' Douglas (1882-1930) was a true English sporting hero and excellent all round sportsman. He represented England at the 1908 Olympics where he competed as a middleweight boxer and subsequently won a gold medal having beaten the Australian boxer Reginald 'Snowy' Baker. The Times described the match 'as one of the most brilliant exhibitions of skilful boxing allied to tremendous hitting ever seen'. If that wasn't enough he exhibited great prowess as a cricketer playing for Essex from 1901-1928, and amazingly Captaining the team from 1911-1928. Not surprisingly he also played for England Captaining the Team eighteen times. He was named Wisden Cricketer of the year 1915. This sporting legend sadly died in 1930 when the ship he was sailing in with his father sank after a collision. It is said he died trying to save his father who also lost his life. This lot represents a rare glimpse into the life of a forgotten British sporting hero.
Bloomingdale's seersucker pastel suits including a trouser suit, two pairs of long shorts with matching jackets and a dress with a matching jacket, sizes US 8 and 10, together with similar style Sutton Studio shorts with matching jacket, Pendleton shorts with matching jacket and a Talbots dress, plus a Lafayette 148 linen trouser suit, size US 10 (15 items)
Burberrys' Vintage Linwood two piece grey check wool suit size 40 L Burberry black wool with cashmere two piece suit size 44 L plus a charcoal grey overcoat (possibly cashmere).Overall condition is good, no bobbling or other damage. They all have some crumpling from storage and wrinkling from wearing. The only moth damage found is on the coat, see photograph.
Holland & Sherry Saville Row three piece black evening suit plus similar Gieves and Hawkes evening suit, both with grosgrain lapels and stripe and button fly trousers. Plus two pairs of grey serge button fly turn-up trousers.Evening suits , no sizes given however both measured flat across waistband and flat across underarm to underarm Both 18"and 20".Grey trousers no size given, both measure 20" approximately, flat across the waistband
Graham Browne, Bespoke Tailors, Bow Lane, London, tweed check three piece suit plus spare pair of trousers with turn ups.No size given however jacket laid flat measures 21 1/2" underarm to underarm. trousers laid flat measure 19 cm across the waistband, there are adjusters each side , see photo
Aquascutum men's grey wool suit 42 L, Dunhill navy pinstripe wool suit size 52 L, two 1990s grey wool Italian suits by Luigi Crea and a pair of grey wool Italian trousers by R, Saverio Rome.Overall condition is, no moth holes seen, no bobbling or other damage. They all have some crumpling from storage and wrinkling from wearing.
Midcentury fashion to include a 1950s wool blazer by Handmacher original, a 1950s pleated chiffon cocktail dress with petersham ribbon bands by Rocha, with the C in the label mimicking the CC41 symbol, a light teal and black damask wiggle dress with Watteau train, a 1950s grosgrain cocktail dress with sweetheart bodice and an early 60s cream damask dress suit, possibly wedding suit, with couched motifs plus a 50s/60s Chinese brocade cheongsam (6)
A 1960s black wool tunic and trousers in the Style of Paco Rabanne by Peter Barron a summer weight tunic suit in turquoise, taupe and white by D L Barron, a Dolly Rockers psychedelic maxi dress, and a 1970s electric blue maxi dress with empire line waist in a polyester jersey, Polly Peck by Sybil Zelker (4)
French, likely Lambert ,19thC working Automata Antique gentleman doll , working, 24” tall including figure and plynth , and hands work to strum the guitar whilst heads turns, in original attire with velvet suit, guitar tasseled slippers and stockings. The structure is weighted painted composition white painted face and card symbols painted and the nose-a red tongue and hooded lids are static , and has original paperweight eyes. The figure is attached to the original musical key wind bases with 2 airs , including Polka Des Clowns-see label image ,and a stop start function all Working , with the paper label shown. The velvet carpet cover below his feet has been recovered likely later with braid. A remarkable detailed intriguing automata . The tune, mechanism and delicacy are this is a fine interesting piece. ( figure on base with Key wind; working) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Two vintage Laura Ashley maxi skirts, sz 16 label, in printed velvet, size 16, a Laura Ashley velvet jerkin in printed velvet and a Laura Ashley velvet skirt suit with maxi skirt and a longer length jacket with double breast effect fastenings, shoulder pads and deep lapels, size 14 (4) all in good, clean condition
A post war 1940s dinner plate / double elevens label dress in a mossy green moss crepe the dress having piecrust pleat detail to the edges of the short sleeves and around the neck and fastening neck, mirrored by pleated trumpet hem and the jacket having rouleau coils in place of buttons with a hook and eye behind and heavily padded shoulders (1 suit)
A group of 1970s and 1980s women's fashion to include a Maggie carol tapestry jacket, an Art Deco inspired velour jacket, a Maggie white cardigan, a lightly quilted HMC jacket, a snakeskin print, gold and black batwing jacket, a 1970s Wallis carpet jacket a Susan Backhouse suit with Indian style tambour embroidery, Jean Muir culottes and other items (14) all pieces show some wear commensurate with age and use
Vintage womenswear to include a striped late 70s knit dress, ‘Julia boutique’ label, a Louis Feraud houndstooth jacket and red wool gaberdine wrap skirt C1980s, a vibrant plaid wool suit by Betty Barclay, a red Escada blouse and multicoloured textured cardigan (s/d) and an Irish wool tweed jacket (7)
Antique dolls house miniature dolls to include a Parian bisque shoulder head 5” doll with bisque arms and legs with black painted boots and curled centre part hair -neat doll in cotton attire, a small 4” German bisque head dolls house antique doll and an all bisque pinned limb toddler kewpie style with pinned limb attachment and wide googly eyes and open mouth. , a skin covered toy cow model and some later mid C Dol toi dolls house bathroom etc furniture and a child’s christening gown in white lawn to suit a large antique or vintage baby doll toy ( good childhood collection )
Laura Ashley fashions to include a jacket with leg o'mutton style sleeves, very much in the 1930s style, an open front swagger jacket with dolman effect sleeves in black velvet, a 1930s inspired velvet dress with tiered skirt in a mauve velvet with a flower brooch attached and a two piece suit in purple velvet, ****please note, the purple velvet jacket with quilted effect in the first photo has been removed from the lot***** (qty, 1 dress bag) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
mixed era vintage fashion to include a 1930s skirt in bottle green rayon jersey, a 40s suit skirt with monochrome print, a 50s/60s blue, boucle jacket with mink trim two lurex knits with deep, fitted waists, a blue, short sleeved rayon jumper and a rayon cotton popover with short, dolman sleeves and a tie waist (7)
1980s and later womenswear to include a striped Louis Feraud blouse with matching jacket with striped lining, a striped double breasted shirtwaist dress by Elinette, a chevron striped Lucia cardigan, a Louis Civit jacket and blouse in silk voile, a Betty Barclay vest top with blouse, a Dean & White kimono jacket, an Oscar by Oscar de la Renta evening cape, a striped mat de missing sweater dress (needs cleaning), a pomodoro cardigan and a Renato Nucci embroidered shantung dress suit. All sizes M and L (11)
A group of 1940s fashion to include 1940s shirtwaist dress in a floral rayon crepe, looks to be unworn, a 1940s striped cotton dress with button back, a 1940s dress in navy blue cotton with a white polka dot print and red decorative buttons, a 40s 50d coverall with rose print and a 40s/50s two piece dress suit in a polka dot rayon (5) All pieces in good condition commensurate with age and wear
A selection of mens vintage suits and jackets to include a grey woollen pinstripe suit by Leo International, a tweed shooting jacket by John Dee, a woollen houndstooth jacket by DAKS London with original swing tag, a forest green Pingvin suit jacket, a 'Tailored by Karl Geis' navy pin-stripe suit and a suit by 'Boss' with silk tie. All in good vintage condition, dry cleaned with minimal signs of wear and no sign of moth damage. (6)
AN EDWARDIAN LADIES' TWO PIECE SUIT DRESS, the bodice jacket and skirt in a pale brown fabric with contrasting ruffled trim, the bodice jacket having a high collar, lace cuffs, boning and bow detail at the back, the layered pleated skirt with a gathered fabric bustle and hook and eye fastening, small size especially the jacket (size 6?), together with a pair of vintage black ladies' heeled shoes with beaded details, small and narrow size (generally ok, silk upper is coming away from the sole in places, wear and losses to fabric lining), and a black embroidered fan (fair to poor condition, some tears in the fabric) (2 piece outfit + shoes + fan + box) (Condition Report: suit dress appears ok overall, some rust like staining in places, no obvious rips or tears, one button a little frayed, one eye missing at waist band)
A SMALL SELECTION OF LADIES' AND GENT'S CLOTHING, to include suits, jackets and coats, ladies' coats include Barbour, Laura Ashley, The North Face, Berghaus and Gap, size range from small to 18, gent's Reiss grey 3 piece suit size 38, Alexander Dobell grey 2 piece size 40, Jan Kowalski jacket size unknown, Hettlage double breasted jacket size unknown, leather jacket size 46, North Face coat size L, Adidas Jeremy Scott top size M, with other tops by Prada, Boss, Pretty Green etc PLEASE NOTE RAIL IS FOR DISPLAY PURPOSES ONLY AND IS NOT INCLUDED IN THE SALE
FOUR BOXES OF MISCELLANEOUS ITEMS, to include a selection of rucksacks, names include Cotton Traders, Karrimor, Kipling, Leicester Tigers sports bag, Compass hand luggage, children's Smiggle back pack, UK 2 Nike Max Advantage 2 pink girls trainers, UK children's 10 UGG ankle boots with bow detail, Nike jackets age 10-12, Ben Sherman coat age 4-5, Aston Villa football tops age 4, 5, and small and an Aston Villa knitted scarf, a Jasper Conran 0-3 months fluffy snow suit, Mothercare baby towel and baby bedding covers, two Emirate children's activity bags, etc. a large dress up Minnie Mouse head, (4 boxes), (sd/af)
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20817 item(s)/page