We found 419674 price guide item(s) matching your search

A set of six composite stone planters (6)

A composite stone rectangular planter, with carved lion decoration, on composite stone stands

A composite stone circular planter, and another similar (2)

A granite stone, carved with a crossage unknown, came from a house clearance, 45 cm x 36 cm

A composite stone planter, with carved decoration

A pair of composite stone planters, in the form of swans, 57 cm wide (2)One of the necks is broken

A Chinese pale green stone plaque, 7 x 5 cm

A Chinese hardstone snuff bottle on stand, 10 cm high, three carved red stone figures, and assorted brass figures (8)

A Chinese carved green stone plaque, decorated dragon, 8 cm wide, and another, 6 cm wide (2)

A Chinese carved pale stone figure of an ox and a man, 9 cm wide

A Chinese pale green stone carving, 9 cm wide

A Chinese carved pale green stone plaque, 6 x 5 cm

A Chinese pale green stone carved plaque, 8 x 4 cm

A Chinese mottled stone belt hook, 10 cm

A Chinese carved green stone figure of a man with a fish, 8 cm wide

A Chinese mottled stone figure of a horse, 9 cm wide

A Chinese carved pale hardstone pendant, 5 cm, and a Chinese carved green stone pendant, 4 cm (2)

A Chinese carved green stone plaque, decorated dragon, 8 cm wide, and another, decorated mask, 8 cm wide (2)

Novo-Hispanic school. Mexico. Late 17th century. Nicolás De Correa (1660-1720)‘Adoration of the Ecce Homo, Man of Sorrows, Lord of the Green Reed, Holy Christ of Humility and Patience, or Most Holy Christ of the Cold Stone’. Oil on canvas.118 x 188 cm. A perfect scene enclosed in a painting of large dimensions, which looks like the passage of a suffering and serene Christ in Easter week in any corner of Spanish geography. The large scene, framed in period gilded cane, is completely filled by the central, mystical figure. Seated and serene, resigned and with all the acceptance of the divine will on his face, bearing our sins, he is silent and mute in the face of the executioners who mock, spit on him and insult him, as the Gospels narrate. Seated on a pilaster, or ‘cold stone’, as the text of John 3. 16 reads on its front:‘In hoc apparuit charitas Dei in nobis, qvoniam filivm svvm vnigenitvm misit Devs in mvndvm. Vt vivamvs per tvm.’(For this is why the Love of God appeared in us, because God sent His only begotten Son into the world, so that we might live through Him.)Above Christ, two angels, flying and weeping, carry a wide, almost mournful phylactery, like a banner, with some verses from the Song of Songs 3, 11: ‘EGREDIMINI ET VIDETE FILIAE SION REGEN SALOMONEM/ IN DUADEMATE...., [QUI CORONAVIT ILLUM MATER SUA].... (Go forth, ye daughters of Zion, and behold King Solomon with the crown [with which his mother].... and so ends the verse, though he is not.... [his mother] crowned him on his wedding day, on the day of his heart's joy).The procession is opened by two angels, standing like ceremonial candle holders to the right and left of the central cross, which is Christ himself. One carries the cross which he will be nailed to and die on; the other, the pillar of his scourging and sufferings, with the cock that crowed at Peter's betrayal.On the right and left, all around the crowd that fills the back, are the angels of the Passion, sacredly carrying symbols and instruments of the Lord's Passion, ‘a great cloud of spectators surrounds us’ (Heb 12:1-4; Ps 21; Mk 14).  In the box, on the left, are Mary Magdalene, Mary his mother, and his mother's sister, Mary of Clopas, the mother of James and Joseph; all with the beloved disciple John.  On the right is Mark the Evangelist with the lion, whose gospel described this scene so heartbreakingly, amidst an audience of praying and worshipping saints.  A picture for meditation and contemplation, ‘eyes fixed on Him who endured pain and the cross, who tasted death on behalf of all, tested by what He suffered, and who, suffering, learned obedience’. All perfectly described by the evangelist present in the picture.For all of us who approach this scene, it is a great spectacle in which we take part ‘as if we were present’. As the psalm says, ‘all who seek you, O Lord, and behold you, all who behold you, who behold in us also that wondrous spectacle of your own salvation’.Sadly, on the back of the canvas there is an illegible text, due to the use of bad ink, or the use of very watery watercolours, which the humidity and the passage of time have gradually erased.

Collection of vintage tile and stone polish tins and Rentokil wood worm fluid and polish.

NuTool wet stone bench grinder on wooden stand.

Vintage Black & Decker Vibro-Centric grinder 240v in box with accessories and Black & Decker stone dressing stand.

Record no75 bullnose rabbet plane, no78 fillister plane, Record no0220 block plane, Mathieson coffin plane, unbranded block plane and wet stone.

Vintage Rapier 500 jack plane, vintage Stanley Bailey no41/2 smoothing plane, Vintage Stanley Bailey no4 smoothing plane,. Record no4 plane and wet stone.

Three wet stones and a handled sharpening stone.

Vintage Record n07 jointer plane, vintage Record no6 fore plane, vintage Record no5 smoothing plane and wet stone in wooden box.

Vintage Stanley no45 combination plane with wet stone.

Nineteen British Quad film posters – includes: Harry Potter and the Philosopher Stone, Bend It Like Beckham, The Eternal Sunshine of the Spotless Mind, McFarland, Beauty and the Beast (IMAX style), Atlantis, Just Visiting, Howls Moving Castle, Santa Clause 2, Doctor Who: The Day of The Doctor (x3), Lord of The Rings: Return of the King, Lord of the Rings: Two Towers, Chicago, High Heels and Low Lives, Sweet Home Alabama, K-Pax, and Late Night Shopping, all rolled, 30 x 40 inches. (19) From 2000-2020, the vendor's late husband worked for a company that printed film posters. Their main clients were Buena Vista, 20th Century-Fox, Warner Bros., and other small independent film companies.

An 18ct gold and diamond three stone ring, ring size J

A yellow coloured metal and multi-coloured stone bracelet

A diamond and enamel broochone of the bars with pearls slightly bent out of alignment, losses to edge of table facet on central stone only visible under 10x lens, enamel on one of the red enamel bows is a bit thin

A late 19th/early 20th century Indian yellow coloured metal, old cut diamond and green stone snake bracelet, the head and tail inset with diamonds, testing as high carat gold, 91.7 g (all in)Overall condition good, body of the bracelet has slight wear, but no noticeable kinks or creases, diamonds are old cut, some variation of colour, most bright white, no visible repairs

A 9ct gold and pink stone baguette cut ring, ring size O

A 9ct gold, blue and white stone cluster ring

A silver, orange and white stone ring, ring size M, and a pair of matching earrings (3)

An early 20th century yellow coloured metal, red and white stone bangle, in a vintage jewellery boxAll in 9.4 ginner diameter, hinge to clasp, 5.8 cmsmall crease to the base of the bangle only visable on the inside, clasp in good working order

A 14ct gold and blue hardstone ring, ring size P, and a silver and blue and white stone ring, ring size P (2)

A platinum and diamond three stone ring, ring size M

A pink quartz plaque ring, ring size K, and a 10ct gold and green stone ring, ring size J (2)

A 9ct gold and blue stone cluster ring, ring size I, and a 9ct gold and pink stone ring, ring size R (2)

A silver coloured metal and red stone necklace, a similar green stone necklace and pendant, and three bracelets (5)

An 18ct white gold and three stone diamond ring, ring size P

A 10ct gold and red stone ring, ring size G, and a silver and purple stone ring, ring size K (2)

A pale blue and pearl pendant, in a vintage jewellery box, and a pair of red stone earrings, in a vintage jewellery box (3)earrings gross weight approx 4.6g, approx 2.0cm drop lengthpendant gross weight approx 2.7g, 4.2cm in lengthpendant, no damage foundearrings, overall condition good, light ware

A yellow coloured metal and multi-coloured stone harem ring, in a vintage jewellery boxring size I 1/2untested, probably gold

A 9ct gold and white stone ring, ring size S

A late 19th century yellow coloured metal and red stone brooch, in a vintage jewellery box

An 18ct gold, sapphire and diamond three stone ring, ring size P

A red stone full eternity ring, some losses, ring size M

A 9ct gold and cameo ring, ring size K, and a 10ct gold, white and blue stone ring, ring size P (2)

A Bernard Instone silver coloured metal and peach coloured stone ring

A yellow metal, red and white stone gypsy set ring, a gilt metal and turquoise brooch, and a vintage jewellery box (3)

An 18ct gold five stone diamond ring, ring size O

A yellow metal, red stone and seed pearl floral brooch, on a chain

An antique silver ring, and a yellow metal and green stone fan brooch, lacking two stones (2)

A pair of multi-coloured stone stud earrings, and a pair of yellow coloured metal, blue and white stone stud earrings, and a matching pendant (3)

A 9ct gold and diamond five stone ring, ring size N

A 9ct gold and diamond half hoop ring, ring size L, and a 9ct gold, blue and white stone ring, ring size M (2)

A 9ct gold ring, in the form of a theatrical mask, ring size C, 2 g, and a 9ct and green stone ring, ring size L (2)

A platinum and five stone diamond ring, ring size Ocentral diamond 0.5ct approxdiamonds white and brightno visible inclusions to naked eyevarious inclusions under 10x lens