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Click here to subscribeA crystal flag along with an Excelsior display box lamp. The flag is meant to sit on top of the box lamp for an illuminating display. Etched Steuben. Flag measures 6.25"L x 3.75"W x 2.25"H. Display box lamp measures 9"L x 5.5"W x 3.25"H. Dimensions: See DescriptionManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear. As is. Minor scratches. Functionality not guaranteed.
Crystal and Glass Assortment (8) items including a Lalique Hirondelles bird bookend, an Ermenonville vase and a frosted sparrow, all having engraved marks, an eagle and an owl clear paperweights having engraved Steuben marks underside, sitting and recumbent cats in black crystal having etched Baccarat marks underside and an iridescent glass vase having an indistinct engraved signature underside Property from: an Estate, Chicago (Near North), Illinois Height: 6 1/4 inches, Width: 4 1/4 inches, Depth: 3 1/2 inches (tallest) Condition: overall light wear consistent with normal use Category: Decorative Arts > Fine Glass Estimated Sale Time: 1:09 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1
John Northwood II for Stevens and Williams, a Silveria iridescent glass vase, circa 1900, twisted organic form, pinched and flared to the rim, encased silver foil within pink, blue and amber shot shell, overlaid with random green web trailing, incised mark to the polished pontil SW, 15cm highNote: probably a collaborative effort with designer Frederick Carder, who later developed a range of iridescent and foil-cased glass at Steuben in America, the technique was difficult to perfect at the Stourbridge factory making the production short lived and the pieces quite scarce.
Gustave Courbet, “Wildbach”In Motiv, Colorit und Malweise für das Œuvre Courbets typische Bachlandschaft der 1860er Jahre, tosender Wildbach in zerklüfteter, felsiger Waldlandschaft, möglicher Weise Vorstudie zu Courbets wiederholt verbildlichten “Entrance of the Puits-Noir Valley, Douvs, Evening Effect” von 1865, 1860 richtete sich Courbet ein Atelier an der Straße von Ornans nach Besançon in seiner Heimat Franche-Comté ein, wie für Courbets Flusslandschaften dieser Jahre charakteristisch, schichtet er Farbflächen über dunklem Grund aufeinander, hierzu bemerkt er selbst: “Die Natur ist ohne die Sonne schwarz und dunkel, ich tue, was die Sonne tut, ich setze die wichtigen Punkte ins Licht, und fertig ist das Bild.”, stark pastose Malerei in Spachteltechnik, Öl auf Malkarton, Mitte der 1850er bis frühe 1870er Jahre, links unten signiert “G. Courbet”, rückseitig Etikettfragment der Salzburger Landesgalerie mit Bezeichnung und Titel, die Inventarnummer und die Rahmeninventarnummer stimmen mit den Angaben des Inventarbuchs der Landesgalerie Salzburg überein (vgl.: Fritz Koller, Das Inventarbuch der Landesgalerie Salzburg (1942-1944), Salzburg 2000, S. 216f.), wir danken diesbezüglich auch Susanne Greimel vom Museum der Moderne Salzburg für freundliche Hinweise, rückseitig Etikett des Malgrundherstellers “GENUINE FLEMISH GROUNDS [...] BY C. DAVY [...] LONDON”, auf späterem Etikett nochmals bezeichnet “Courbet”, kleinere Fehlstellen am Bildrand, sonst guter unrestaurierter Originalzustand, ungerahmt, Falzmaße ca. 24 x 32,6 cm.Provenienz: der Nachkriegs-Inventarliste der US-Armee von 1947 zufolge vom Salzburger Galeristen Friedrich Welz am 9. Oktober 1940 beim Pariser Kunsthändler Rudolf Holzapfel legal für die Salzburger Landesgalerie erworben, dort in der Ausstellung “Französische Kunst im 20. Jahrhundert” ausgestellt, das Gemälde stammt laut Vorbesitzerangaben aus dem Nachlass des Malers Paul Matthias Padua, der einige Werke aus der Salzburger Landesgalerie erwarb, weder das "Art Loss Register" noch die "Lost Art Datenbank" führen das Gemälde als vermisst. Quelle: “Französische Kunst im 20. Jahrhundert” , Galerie Welz (Hsg.), 1941, Abb. S 8.Künstlerinfo: eigentlich Jean Désiré Gustave Courbet, frz. Maler, Lithograph (1819 Ornans bis 1877 La Tour de Peilz), ab 1837 Gymnasium in Besançon, hier künstlerische Förderung durch Pére Baud aus Ornans und Schüler der privaten Zeichenschule von Charles-Antoine Flajoulot, ab 1840 Studium der Rechtswissenschaften in Paris, parallel autodidaktische künstlerische Ausbildung im Louvre und gefördert von Carl von Steuben und Nicolas-Auguste Hesse, in den 1840ern erste Ausstellungen im Pariser Salon, 1844 gänzliche Hinwendung zur Malerei, hielt Kontakt zu Charles Baudelaire, Pierre-Joseph Proudhon und Max Buchon, Anfang der 1850er Jahre gefördert von Alfred Bruyas Errichtung des Pavillons du Réalisme, neben seiner provokanten Malerei war Courbet politisch aktiv und vertrat demokratische bzw. anarchistische Positionen, unternahm Studienreisen durch Deutschland mit längeren Aufenthalten in Frankfurt am Main und München und nach Österreich (Wien), zeitweise in Trouville-sur-Mer, hier Freundschaft mit James Mc Neill Whistler, später in Étretat Bekanntschaft mit Claude Monet, befreundet mit Jean-Jacques Henner und Puvis de Chavannes, 1871 Mitglied des Stadtrates der Pariser Commune, verantwortete die Zerstörung der Colonne Vendôme weswegen er nach der Zerschlagung der Commune 1872 zu sechs Monaten Gefängnis und 500 Francs Geldstrafe sowie 1875 zum Wiederaufbau der Säule für 335.000 Francs verurteilt wurde, floh nach Klinikaufenthalt in Neuilly-sur-Seine 1875 vor seinen Gläubigern in die Schweiz nach La Tour-de-Peilz am Genfersee und verbrachte dort seine letzten Lebensjahre verschuldet im Exil, gilt als einer der Hauptvertreter der realistischen Malerei in Frankreich, Quelle: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Bénézit und Wikipedia.
Unique design of conical gold aurene vase with black threaded rim and rosaline ring at base set in a silver toned base. Steuben etched mark along bottom edge of vase. Vase: 4.25"W x 9.5"H. Base: 4.5"W x 4.5"H. Issued: 20th centuryDimensions: See description. Manufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
Mink crystal sculpture with eyes of Diamond, believed to be by Lloyd Atkins in the 1970's. The Steuben mark is on the front base. There are no visible scratches or chips in the crystal. Measures 8 x 3 x 4 in. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
Signed Steuben Crystal Mink with diamond eyes in standing position. Mark is on the base and is believed to be by Lloyd Atkins in the 1970's. There are no scratches or chips. It measures 5 x 2.5 x 7 in. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
Mother and baby Beaver Steuben crystal with garnet eyes. There are no scratches or chips. Measures 9.5 x 3 x 4 in An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
The Steuben Crystal prism has an inscription of a quote on the face. It is signed on the opposite face. There is a chip The Czech glass is a square shape with a sphere in the center. There is a chip. Measures 5 x 5 x 2.5 in An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
Reign in those loose papers wandering in the wind with this sturdy steed. Would appeal to both chess and equestrian enthusiasts. Steuben etched backstamp. Artist: Sidney WaughIssued: 20th CenturyDimensions: 3"L x 1.75"W x 5"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
Britains - The American Revolution Series, comprising: 2 x Set 18009 - The Marquis de Lafayette,2 x Set 18010 - General George Washington, Museum Collection: 2010, - Model No' 10003 - Black Watch Grenadier, 1758 & Set 10066 - Baron Von Steuben, 1776. Mint overall, contained in near Mint set boxes. [6]
Clear glass figurine featuring a heart with another smaller heart cared withing. Inspired by historical hand-cooling practices where young ladies used glass to cool their hands at dances. Signed Steuben. Artist: Eric HiltonIssued: 1989Dimensions: 2.75"L x 2.5"W x 1.5"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
This clear glass figurine of a compact rabbit symbolizes fleetness, diligence, and fertility. Inspired by historical hand-cooling practices where young ladies used glass to cool their hands at dances. Signed Steuben. Artist: Lloyd AtkinsIssued: 1988Dimensions: 3"L x 1.75"W x 1.75"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
John Northwood II for Stevens and Williams, a Silveria iridescent glass vase, circa 1900, twisted organic form, pinched and flared to the rim, encased silver foil within pink, blue and amber shot shell, overlaid with random green web trailing, incised mark to the polished pontil SW, 15cm highNote: probably a collaborative effort with designer Frederick Carder, who later developed a range of iridescent and foil-cased glass at Steuben in America, the technique was difficult to perfect at the Stourbridge factory making the production short lived and the pieces quite scarce.
Presenting a clear glass figurine featuring two snuggling puppies, reflecting the cozy comfort of a shared life. Inspired by historical hand-cooling practices where young ladies used glass to cool their hands at dances. Signed Steuben. Artist: Lloyd AtkinsIssued: 1986Dimensions: 3"L x 1.75"W x 1.75"HManufacturer: SteubenCountry of Origin: United StatesAge related wear.
Two adorable puppies snuggled up together. Perfect for any dog lover. Craft not only to display but also designed to rest in your palm. Steuben etched signature. Artist: Llody AtkinsIssued: 1986Dimensions: 2.75"L x 1.75"W x 1.75"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
3 Schalen und 1 Kelchglas. 3x "Myra WMF", um 1930, bernsteinfarbenes, irisiertes Glas: Kraterschale (H 5,5 cm), Schälchen mit drei Kugelfüßen (H 3 cm), Kelchglas (H 10 cm). / 1x Steuben "Aurene", signiert, um 1915: bauchige Vase aus farblosem Glas mit vom Stand her koblatblau verlaufendem Innenfang, irisiert (H 8 cm). 1x mit Randchip. Aufrufzeit 13. | Juni 2024 | voraussichtlich 18:21 Uhr (CET)3 bowls and 1 goblet. 3x "Myra WMF", c. 1930, amber, iridescent glass: crater bowl (h 5.5 cm), bowl with three spherical fillings (h 3 cm), goblet glass (h 10 cm). / 1x Steuben "Aurene", signed, around 1915: bulbous vase made of clear glass with cobalt blue inner rim, iridescent (h 8 cm). 1x with rim chip. Call time 13 | June 2024 | presumably 18:21 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Crafted from clear crystal, this pair of geese, symbolizing fidelity, represents one of nature's most contented couples. Together, they make a romantic gift for those celebrating an engagement, wedding, or special anniversary. Signed Steuben. Gander measures 3.5"L x 2"W x 5.25"H. Goose measures 3.75"L x 2"W x 3.75"H. Artist: Lloyd AtkinsIssued: 20th centuryManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
Lack-Teekasten mit Peter dem Großen, Ostaschkowo, Werkstatt Osip F. Wischnjakow mit Söhnen, 1873 - 1888 Papiermaché, Schwarzlack, innen Silberfolie. Auf dem Scharnierdeckel polychrome Ölmalerei nach Johannes Alexander Rudolph Best, ursprünglich von Carl von Steuben. Darstellung von Peter dem Großen (1682 - 1721 Zar und Großfürst von Russland und 1721 -1725 der erste Kaiser des Russischen Reichs), der zwei Menschen aus dem Fluss Newa rettet. Deckelinnenseite mit Ausstellungsmedaillen. Lack und Silberfolie mit kleinen Fehlstellen. Maße 11,2 x 10 cm.Keywords: Ladogasee A Russian papier mâché and lacquer tea caddy showing Peter the Great crossing the Neva River, Ostashkovo, Osip Vishyakov and Sons factory, 1873 - 1888 A Russian papier mâché and lacquer tea caddy showing Peter the Great crossing the Neva River, Ostashkovo, Osip Vishyakov and Sons factory, 1873 - 1888Papiermaché, Schwarzlack, innen Silberfolie. Auf dem Scharnierdeckel polychrome Ölmalerei nach Johannes Alexander Rudolph Best, ursprünglich von Carl von Steuben. Darstellung von Peter dem Großen (1682 - 1721 Zar und Großfürst von Russland und 1721 -1725 der erste Kaiser des Russischen Reichs), der zwei Menschen aus dem Fluss Newa rettet. Deckelinnenseite mit Ausstellungsmedaillen. Lack und Silberfolie mit kleinen Fehlstellen. Maße 11,2 x 10 cm.Condition: IIKeywords: Ladogasee
THREE ITEMS OF GLASS VARIOUS DATES 20TH CENTURY Comprising: a Steuben clear-glass olive-dish with cochleate handle, indistinctly signed, 15.5cm in length; an olive-green glass jug of George Sand Portieux type with turquoise handle, 19cm high; and a lime-green and clear cased pitcher of Opalina Fiorelina type, 29.5cm high Condition Report: Olive-green jug with body crack at handle Condition Report Disclaimer
Modern American clear glass figurine depicting a bushy-tailed squirrel. Inspired by historical hand-cooling practices of the where young ladies used glass to cool their hands at dances. Signed Steuben. Dimensions: 2.25"L x 1.25"W x 3"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
A clear glass figurine showcasing a bull, symbolizing strength and perseverance as a powerful optimist. Inspired by historical hand-cooling practices where young ladies used glass to cool their hands at dances. Signed Steuben. Artist: Lloyd AtkinsIssued: 1985Dimensions: 2"L x 1.75"W x 3"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
Crystal figurine showcasing a dolphin, symbolizing insight, intelligence, and speed with its unique abilities to navigate. Inspired by historical hand-cooling practices where young ladies used glass to cool their hands at dances. Signed Steuben. Artist: Lloyd AtkinsIssued: 1996Dimensions: 2.5"L x 1.25"W x 2.75"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
A Steuben crystal figurine rests on a clear crystal foundation, portraying a compact, perfectly holdable dragon curled into a captivating shape. Inspired by historical hand-cooling practices where young ladies used glass to cool their hands at dances. Signed Steuben. Dimensions: 2.25"L x 1.75"W x 2.5"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
A clear glass figurine depicting a majestic standing rooster. Inspired by historical hand-cooling practices where young ladies used glass to cool their hands at dances. Signed Steuben. Dimensions: 2.25"L x 1.5"W x 3.25"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
Clear crystal compact figurine showcasing a tortoise. Inspired by historical hand-cooling practices where young ladies used glass to cool their hands at dances. Signed Steuben. Artist: Lloyd AtkinsIssued: 1980Dimensions: 2.75"L x 2"W x 1.5"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
A clear glass figurine showcasing two interlocking fish. Inspired by historical hand-cooling practices where young ladies used glass to cool their hands at dances. Signed Steuben. Artist: Lloyd AtkinsIssued: 1991Dimensions: 2.5"L x 1.5"W x 3"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
A group of four Steuben glass rummers, mid-20th century, American, with a large funnel bowl over an air twist, engraved signatures,14.5cm hightogether with three Anthony Stern studio glass flutes,each with a pearlescent finish, engraved signatures,20cm high (7)Condition ReportNo chips or cracks. General surface wear commensurate with age and use.
Clear glass figurine featuring a compact stylized ram. Inspired by historical hand-cooling practices where young ladies used glass to cool their hands at dances. Signed Steuben. Artist: Lloyd AtkinsDimensions: 2.5"L x 1.5"W x 2"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
Modern American clear glass figurine depicting a big-eyed frog. Inspired by historical hand-cooling practices of the 18th and 19th centuries, where young ladies used glass eggs at dances to keep their palms cool. Signed Steuben. Dimensions: 2.5"L x 2"W x 1.75"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
Hand-blown clear glass figurine featuring a pelican in a resting pose, showcasing its distinctive long bill. Inspired by historical hand-cooling practices where young ladies used glass to cool their hands at dances. Signed Steuben. Artist: Lloyd AtkinsDimensions: 3"L x 2"W x 2.5"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
The dignified and self-sufficient elephant symbolizes strength, power, loyalty, and, of course, good luck. This piece is inspired by historical hand-cooling practices where young ladies used glass to cool their hands at dances. Signed Steuben. Artist: Lloyd AtkinsIssued: 1995Dimensions: 3"L x 1.5"W x 3.25"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
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