There are 24925 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA Mixed Selection of Cameras, to include a Fujifilm Instax 100, powers up, lens extends, body G, a Polaroid One-Step Flash, body VG, in maker's box, a Polaroid Super Colour Swinger, body G, three Kodak Instamatics, an Ensign folding camera, a Bantam Colorsnap, working, and two Kodak Extralite 600's in cases, and a box camera.
A collection of gem-set jewels, comprising: a three-stone diamond ring in 9ct gold, size N, British hallmarks; a blue zircon ring in 9ct gold, British hallmarks; a triangular aquamarine and simulant diamond ring in 9ct gold, British hallmarks; a step-cut blue topaz and diamond ring in 9ct gold, British hallmarks; a pink Malaya garnet ring mounted in 9ct gold, British hallmarks; a ring set with three rows of circular-cut sphenes in 9ct gold, British hallmarks; a ring set with blue topaz cabochons in gilt silver; and a pendant set with triangular orange sapphires, mounted in 9ct white gold, British hallmarks
An emerald, ruby, pearl and enamel plaque, late 19th/early 20th century, designed in the Renaissance Revival style, centring on a cluster of step-cut emeralds and cushion-shaped rubies, to an elongated plaque composed of abstract scroll work and foliate motifs applied with multicoloured enamel accented with pearls, mounted in silver gilt, length 9.6cm
A brown diamond and enamel ring, rubover-set with a step-cut diamond of brown tint weighing 1.56 carats, within a gold mount in the Renaissance Revival style, the shoulders carved with scrollwork accented with black enamel, size MAccompanied by report number 5221589152 dated August 30th 2022 from GIA stating that the diamond weighing 1.56cts is Natural Fancy Brown-Yellow, VS1 clarity, no fluorescence
No Reserve, a collection of loose stones, comprising: a pair of heart-shaped blue topazes totalling 11.82 carats; a pair of pear-shaped blue topazes totalling 20.07 carats; a pear-shaped cabochon opal weighing 5.08 carats; a pair of step-cut blue topazes totalling 19.29 carats; and a pear-shaped amethyst weighing 15.49 caratsAccompanied by five AIG reports stating that the stones are natural.
A collection of jewels, late 19th and 20th century, comprising: a pair of brilliant-cut diamond stud earrings totalling approximately 0.40 carats, mounted in 18ct white gold, post fittings, British hallmarks; a diamond ring, stamped 18CT; a synthetic blue spinel and diamond cluster ring in 18ct gold, British hallmarks; a step-cut emerald and baguette diamond ring in white gold, stamped 14K; an oval amethyst brooch; a pair of amethyst and diamond cluster stud earrings mounted in gold, stamped 9K; a cultured pearl necklace with a cultured pearl and diamond clasp modelled as a bow, stamped 14K; an amethyst and white chalcedony-handled desk seal mounted in gold, length 5.2cm; a horseshoe stick pin set with half pearls; a rose quartz and diamond pendant, stamped 375; a portrait miniature brooch in 18ct gold, British hallmarks; a gold brooch designed as a Rococo scroll frame; four gold lockets; a fox head bar brooch; a lady's gold Rotary watch with gilt metal bracelet; and a collection of jewels in gold, silver and gilt metal, in a wooden jewellery box
A green tourmaline and diamond pendant, set with a mixed step-cut green tourmaline weighing approximately 30.00 carats, to a border and surmount of brilliant-cut and tapered baguette diamonds, on a fine link chain, mounted in white gold, pendant length 4.2cm, pendant stamped UCG 14K 585, chain length 66cm, chain with British hallmarks for 9ct gold, case and facsimile of valuation document
An aquamarine, ruby and diamond brooch, mid 20th century, designed as a stylised exotic bird, its head and tail plumage set with brilliant-cut diamonds, its eye set with a marquise-shaped ruby, its body set with a trapezoid step-cut aquamarine and pear-shaped rubies, mounted in textured gold, length 9.2cm
A gem-set, pearl and diamond brooch, early 20th century, designed as a dragonfly, set with rose-cut diamonds, step-cut emeralds, oval and circular-cut rubies and sapphires and step-cut emeralds, centring on a pearl, mounted in silver and gold, wingspan 7.6cm, French assay marks for silver and gold, pearl untested
A mixed group of gemstones and jewellery components, comprising: a group of loose diamonds of brownish and yellowish tints, totalling approximately 7.00 carats; together with a large collection of variously shaped loose stones including Oregon sunstone, amethyst, garnets, aquamarine, labradorite, blue topaz, scapolite, and synthetic sapphire, cubic zirconia and paste; four silver links set with synthetic rubies; a step-cut brown tourmaline in a gold pendant mount; and two jewel components pavé-set with brilliant-cut diamonds
A rock crystal and enamel 'Stuart Crystal' mourning ring, circa 1766, centring on a step-cut rock crystal in a closed setting enclosing hairwork forming the initials WS, to openwork foliate shoulders and a band applied with black enamel, the commemorative inscription 'W STUBBS OB 15 JULY 1766 AE 33', the interior inscribed 'Vale Charissime' ('Goodbye, my dear'), mounted in gold, size M1/2
Gübelin, an emerald, natural pearl and diamond brooch, mid 20th century, centring on a step-cut emerald measuring approximately 10.3 x 8.9 x 4.5mm, within a surround designed as an abstract starburst, set with brilliant-cut and baguette diamonds, and pearls, mounted in platinum, length 8.3cmAccompanied by report number 25045 from GPL London dated 30th August 24 stating that the three largest pearls are natural saltwater, the largest measuring 6.6mm diameter, the remaining pearls untested
A fine late Georgian gold longchain and pendant, 1830s, the chain composed of intricately woven gold wire, to a barrel-shaped clasp decorated with a band of roses in varicoloured gold and set with lines of turquoise cabochons, threaded with a gold jump ring suspending two fobs of floral design in varicoloured gold with grainti and cannetille decoration, set with a step-cut amethyst and citrine respectively, and a watch key of scrolled design, chain length 123cm, pendant length 5cm including jump ring, gross weight 53 grams, jump ring later
An emerald and diamond cluster ring, set with a step-cut emerald weighing approximately 2.20 carats, within a surround of round brilliant-cut diamonds, mounted in platinum, size NAccompanied by GCS report no. 5784-2148, dated 22nd April 2024, stating that the emerald is Colombian, with evidence of moderate clarity enhancement.
Three rings, comprising: a gold ring set with a step-cut emerald within a rectangular border, size O1/2, stamped 18CT, reverse partially engraved; a ring of wishbone design channel-set with brilliant-cut diamonds, mounted in 18ct gold, size N1/2, British hallmarks; and a citrine and diamond cluster ring mounted in gold, size K, stamped D&W
Paula Rego RA (1935-2022, British/Portuguese) Lithograph "Jane Eyre", woman seated on step, signed in pencil lower right and numbered 65/75, 37cm x 25cm, framed and glazed From the collection of the late Maurice Costley Condition ReportThe picture appears to be in very good condition, with no apparent issues. There is some slight buckling to the paper at the sides. Floating mount.
§ Simon Palmer (1956-) The argument over Bob Major signed 'Simon Palmer' (lower right) watercolour 29 x 32cm South Yorkshire-born artist Simon Palmer is widely celebrated as one of England's leading contemporary landscape artists. His profound and abiding connection to rural England, particularly the Yorkshire Dales, forms the bedrock of his artistic inspiration and output.Palmer synthesises meticulous attention to detail, vibrant colours, and oblique perspectives in his quintessentially English scenes—rolling hills, winding paths, stone walls, and quaint villages—that are at once eerily dreamlike and reassuringly familiar. His working practice reflects this blend, as he creates preparatory sketches en plein air before later translating them in watercolour through memory and feeling. Palmer captures not just the visual aspects of these landscapes but also the sensory experiences they evoke: the crackle of brittle leaves, the scent of fresh earth, and the interplay of light and shadow.Following in the tradition of artists like John and Paul Nash, Eric Ravilious, and Graham Sutherland, Palmer's work is distinguished by his ability to convey the atmosphere and mood of a place. His landscapes are imbued with a sense of timelessness, inviting viewers to step into a world where the beauty of nature remains unspoiled. This capacity to create a strong sense of place has made his work particularly resonant with those who cherish the English countryside.
λ GLUCK (BRITISH 1895-1976) SULKY SPRING, SOUTHEASE Oil on board Signed (lower left) 26 x 36.5cm (10 x 14¼ in.) Presented in artist's three tier painted frame. Provenance: The Fine Art Society Ltd., London (by December 1937) Exhibited: London, The Fine Art Society Ltd., 1937, no. 23 London, The Fine Art Society Ltd., Memorial Exhibition, 1980-81, no. 33Literature: Diana Souhami, Gluck, Her Biography, London,1988, p.175 In February 1937 Gluck and Nesta Obermer visited Southease, a village in East Sussex in the valley of the river Ouse. The pair had a picnic from the car as Gluck began painting the vast landscape. Gluck captured the point at which the river changes its course and flows onwards to the sea. Gluck designed and painted many of her frames including the one used in the present lot. Gluck's distinctive 3 stepped symmetrical painted panels were designed to match the colour of the wall on which they were hung. It was also encouraged that the outer step could be covered in the same wallpaper to match the walls. This effect was patented in 1932 and used in all of her subsequent exhibitions. The concept became known as 'The Gluck Room'. Condition Report: There is a light surface scuff to the upper edge at the left hand side and a small spot of paint loss to the extreme edge at the centre of the lower edge. Otherwise the work appears to be in good original condition. No evidence of retouching visible under ultraviolet light. There are some dirt marks, small losses and fine cracks to the artist's painted frame. Condition Report Disclaimer
A SYNTHETIC BLUE SPINEL, RUBY AND DIAMOND DRESS RING The step cut synthetic blue spinel between tapered baguette cut ruby and pavé set brilliant cut diamond shoulders, approximately 0.50 carats total, to a tapered broad shank, unmarked Size/dimensions: ring size L Gross weight: 12.2 grams Condition Report: There is rubbing and abrasion to the blue synthetic spinel and the ruby, the diamonds are all present and correct, bright and lively, the ruby and the synthetic spinels settings are replaced Condition Report Disclaimer
AN EMERALD SET FANCY LINK BRACELET Composed of eight tapered textured panels with collet set step cut emerald accents, stamped 18K and GK Size/dimensions: 19.8cm long Gross weight: 39 grams Condition Report: Two stones are missing, some general wear commensurate with use, the clasp in good useable order. Condition Report Disclaimer
A SAPPHIRE AND DIAMOND CLUSTER RING SHEFFIELD 1994 IMPORT MARK The step cut sapphire within a surround of brilliant cut diamonds, to a tapering 18 carat gold polished shank, diamonds approximately 0.95 carats total Size/dimensions: ring size S 1/2 Gross weight: 9.6 grams Condition Report: Some light wear commensurate with use, some light scuffs, the diamonds all present and correct, bright and lively, the sapphire has some abrasion to some crown facet edges. The shank numbered 164, partial Italian control marks. Condition Report Disclaimer
BERKSHIRE, Bradfield College, a silver award medal by Bracher & Sydenham, named (Fives Handicap Doubles 1917 C.L.D. Fawcus J.E.A. Whealler. -5), hallmarked Birmingham 1916, 38mm, 26.00g; Clewer House School, Windsor, a silver award cross, unsigned, rev. named (Hop Step & Jump J. Whitehorn Junr 30’ 10” 1876), 42mm, 27.30g; BUCKINGHAMSHIRE, Licenensed Victuallers’ School, Slough, silver award medals (3), by Vaughtons (2), named (Thomas Frederick Sanson), 38mm, 30.10g, for the Silver Jubilee, 1935, named (Herbert Musgrave), hallmarked Birmingham 1935, 32mm, 31.00g, in silver-gilt, by J. Moore (?), named (Arthur Spear), 28mm, 14.00g [5]. Very fine to extremely fine; last three with suspension loops £90-£120
Reggae- A collection of twenty-nine 7" single reissues on the Black Art Label, originally recorded at Lee "Scratch" Perry's legendary Black Ark studio, reissues produced by his son, Omar Perry. To include The Heptones / The Upsetters- 'Crying Over You / Crying Dub' (TTS005), The Upsetters- 'Enter The Dragon / Black Belt Jones' (ART01), Lee Perry / Jah Lloyd- 'White Belly Rat / Judas De White Belly Rat' (ART2), Junior Byles / King Medious- 'Fever / This World' (ART3), The Mystic / The Upsetters- 'Forward With Jah Orthodox / Orthodox Dub' (ART4), Devon Irons /The Upsetters- 'When Jah Come / Iron Dub' (ART5), Bunny & Ricky /The Upsetters- 'Freedom Fighter / Iron Wolf' (ART6, x2 copies), Augustus Pablo / Pablo & Jah T- 'Hot & Cold Version 1 / Lick The Pipe Peter' (ART07), Junior Byles / The Upsetters- 'The Long Way / Dub Side' (ART08), Peter & Paul Lewis- 'Ethiopian Land / Ethiopian Dub' (ART9), Junior Ainsworth / The Upsetters- 'Thanks & Praise / Dub Side' (ART11), Dillinger / Prince Django- 'Middle East Rock / Hot Tip' (ART12) Lee & Junior / The Upsetters- 'Dreader Locks / Militant Rock' (ART13), Max Romeo / The Upsetters- 'One Step Forward / One Step Dub' (ART14), The Heptones / The Upsetters- 'Mistry Babylon / Mistry Dub' (ART16), The Black Notes / The Upsetters- 'African Style / African Dub' (ART18), Augustus Pablo / The Upsetters- 'Vibrate Onn / Vibrate Dub' (ART20), Brent Dowe / The Upsetters- 'Down Here In Babylon / Dub Side' (ART21), Lee Perry / The Upsetters- 'Bathroom Skank / Washroom Skank' (ART22), Jah Lion- 'Columbia Collie / Dread Ina Jamdong' (ART23), Junior Murvin / The Upsetters- 'Philistines On The Land / Bingo Kid' (ART26, x2 copies), The Hurricanes / The Upsetters- 'You Can Run / You Can Dub' (ART27), The Gladiators / The Upsetters- 'Time / Dub In Time' (ART28), Juks Dread & Big Youth / The Upsetters- '23rd Psalm / 23rd Dub' (ART29), Augustus Pablo & Lloyd Young / The Groovers- 'Our Man Flint / Pi-A-Ring' (ART030), CLive Hylton / The Upsetters- 'Judgement Day / Well Judged Dub' (ART 31, x2 copies), Max Romeo / Jah Lion- 'Fire Fe The Vatican / Leggo!' (ART 32) (29, vinyl generally VG+)
Loading...
