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A Burmantofts blue glazed jardinière stand, 60 cm high x 33 cm wideimpressed marks

An artists wooden articulated/lay horse, on a stand, 36 cm wide

A late 19th/early 20th century Continental brass bound barrel on stand, 33 cm wide

An Arts and Crafts style copper kettle on a stand, 35 cm

A carved wood Pitcairn Islands type fish, John Christian, 40 cm wide Some small knocks, losses and surface wear. Stand is not present

A Liberty's style carved octagonal table, 70 cm wide, and a corner cabinet on stand (2)

A brass telescope, with a stand, a brass candelabrum, and three swords

An Art Deco sandwich set, on a silver plated stand, a carriage clock, and assorted silver plate (box)

A vintage shop cotton reel display stand, with applied motto, Sew with Pure Silk, Perivale, Sewing Silks, 160 cm high x 36 cm wide

A Berkshire Constabulary silver medal & another 'Stand Fast' by RHUMLYON

A FINE JAPANESE MEIJI PERIOD BLACK AND GILT LACQUERED CABINET, raised on stand, the two doors opening to reveal eight drawers, with further large drawer beneath the doors, finely decorated with a scene of gilded figures and foliate motifs, 7cm high (on stand), 55cm wide, 40cm deep.

A CHINESE CARVED HARDWOOD STAND, raised on five stretchered legs, the central circular carving designed to fit a base measuring 13.5cm diameter, (in two pieces - top detached).

A CHINESE PORCELAIN BOWL ON A CARVED HARDWOOD STAND, the bowl painted with butterflies and bearing six character mark to base, 9.5cm diameter.

A CHINESE PORCELAIN BOWL AND HARDWOOD STAND, (af), 19cm diameter.

A GOOD COLLECTION OF CLOISONNE ENAMELLED VASES, including a fine pair of vases (one af), and a floral jar with hardwood stand, (4 +stand).

Printing blocks;   dominos;   cribbage board;  trinket boxes;  Victorian hardwood pocket watch stand, c.1870;    a Victorian papier mache rounded rectangular snuff box, 7.5cm wide, c.1870;    a bronze corpus Christie; Parkinson Original Royal Doncaster Butter-Scotch tin, 19cm long;  other tins;  a rectangular mirror, with Stickers for Simple Minds, Japan, Heaven 17

A Royal Doulton Tonlin pattern dinner, coffee and tea service, for twelve, comprising tureen and cover, gravy boat and stand, soup bowls and stands, dinner, dessert and side plates, coffee cups and saucers, teacups and saucers, bowls, serving plates, milk jugs, etc

A pair of E.P.N.S. mounted spreading cylindrical moulded glass claret jugs, 37cm high;  a similar slender ewer;  a large lead crystal cake dome and stand

Royal Worcester Evesham dinner ware - two tureens and covers;  another,  serving dishes;   gravy boat and stand;  etc

A contemporary Doric column plinth / jardiniere stand, painted white, 97cm high

BRASS STICK STAND WITH BRONZED CHERUB STYLE TABLE LAMP, 2 AFRICAN STYLE ORNAMENTS, DOG ORNAMENT, COBRA SNAKE ORNAMENT, EGYPTIAN ORNAMENT

ORIENTAL STYLE STICK STAND & MATHMOS MODERN LAVA LAMP

2 JARDINIERE'S, PLANTER, ROSE PATTERNED CHINA BUCKET, ORIENTAL STYLE STICK STAND

NOVELTY BUTLERS STAND

4 VARIOUS TABLE LAMPS & SHADES, LIDDED ORIENTAL GINGER JAR ON STAND

Ca. 600 - 400 BC. A chalcedony octagonal domed seal, pierced lengthways below the top. The design, which was achieved with a drill and cutting wheel alone, shows a standing worshipper on the right in a long robe. He is bearded and is raising one hand toward the spade of Marduk and the styluses of Nabu on a stand. Size: 17.1mm x 22.8mm; Weight: 6.91g Provenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s.

Late Period, Ca. 664 - 30 BC. A pair of faience ushabtis covered in layers of reflective pale green-hued glaze. The figures stand in mummiform with fused legs and feet; a long Nemes surround the head and a stylised false beard hangs from the chin. For similar see: MET Museum Accession Number: 30.8.193., Christie's, Live Auction 6060, Antiquities, lot. 305. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 125.7-126.9mm x 34.4-36mm; Weight: 141.3g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Late Period, Ca. 664 - 30 BC. A collection of 10 faience ushabtis covered in layers of reflective pale green-hued glaze. The figures stand in mummiform with fused legs and feet; a long Nemes surround the head and a stylised false beard hangs from the chin. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 61.9-73.1mm x 20.7-20.7mm; Weight: 102.7g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Ca. 2600 - 2200 BC. A pair of copper cups with conical body. The first cup on the left is decorated with protomes of birds of prey with spread wings that envelop the body. The cup on the right features bull protomes under the rim, alternating with rosettes. Both cups stand on high feet. Size: 70-90mm x 65-70mm; Weight: 430g Provenance: Prince collection, 1990s-2014, acquired in 2010 from a UK private collection formed 1970s to 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 100 BC - AD 100. A blue glass pointed unguentarium. The elongated pyriform body shrinks downward to close at a point at the bottom. Elongated unguentaria, with their pointed, solid toes, were completely unable to stand. In this case, they must have functioned not only to keep but to "carry" unguents as well. For similar see: Marmarais Muzesi, inv. 9.10.99. Size: 280mm x 75mm; Weight: 75g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Dvaravati Period, Ca. 6th-11th Century AD. A gold linga in the shape of a single shaft incised with phallic markings, mounted on a blue stone stand. For similar see: Ibbitson Jessup, H. and Zephir, T.; Sculpture of Angkor and Ancient Cambodia; Millennium of Glory, New York, 1997, pp. 176-177, fig. 23. Size: 80mm x 20mm; Weight: 515g Provenance: Prince collection, 1990s-2014; Ex. Francesca Galloway, 2008, Ex. Sotheby's, 23 March, 2007. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 9th - 10th century AD; Ca. 9th - 10th century AD; Ca. 12th - 13th century AD; Ca. 17th century AD; Ca. 17th - 18th century AD; Ca. 18th century AD. A large group of metalwork, including an Indian brass bottle with a screw top, two Fatimid bronze sprinkler bottles of footed globular form, the neck decorated with six knobs, one with an inner base missing, a Khorassan spouted jug with copper inlay, of bottle form, with a lamp-shaped spout with a lion-faced hinged lid, complete with its handle. The jug has incised decoration with two panels engraved with animals, two rounded with birds, and three panels of calligraphy, one inlaid with copper, with a bell or mihrab-shaped lozenge surrounded by a copper inlay. Also included are two bronze candlestick tops, two shallow bronze dishes, one of which is decorated with four panels of calligraphy, four silver-inlaid crescent moons, and a central arabesque knot with six floral panels on the rim. The outer edge is adorned with six panels of calligraphy and has an old collection label marked 'R.s 21'. The second dish is engraved with a central roundel showing a winged horse against floral arabesques, surrounded by four panels of calligraphy and four roundels, with the edge separated by six panels of calligraphy and six roundels, and the side with five panels of calligraphy and five roundels. A shallow bronze dish stands on three feet, with the upper rim decorated with nine circular stamps and traces of calligraphy, now illegible, and the outer rim decorated with six panels engraved with animals, some retaining traces of inlaid silver wire. Additionally, there is an Islamic brass bottle with oxidised silver inlay, decorated with horizontal bands and vertical stripes of inlaid floral decoration. A Seljuk brass dish of scalloped form, decorated with engraved Kufic inscriptions and arabesque panels around a central geometric knot with eight lobes, is also included. This type of scalloped dish is evidence of the origin of the shapes of later Chinese celadon ware. An Islamic brass stand of octagonal form stands on eight attached feet, decorated with repoussé ovals between the feet, four with calligraphy and four with floral and geometric decoration above. The size is 30 cm in width, including feet, by 6.5 cm in height, with a diameter of 16.5 cm. Finally, an early Islamic cup, made of brass with high copper content, is circular with a lead-shaped handle engraved with a bird, and the outer rim is engraved with a rope pattern, with the base curiously ‘scratched’ with a spiralling ‘movement’ of hatching. Size: 490-560mm x 375-450mm; Weight: 9.2kg Provenance: Previous property of an Islamic art professional, previously apart of the Henri René d’Allemagne Collection, 1979. Acquired by Ahuan U.K Ltd. from M. Roderick d’Allemagne, grandson of Henri René d’Allemagne (1836 - 1950.) This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

12th Century CE - 13th Century CE. A superb cast bronze Khorasan oil lamp with large pedestal and stand. The lamp with octagonal pedestal base, broad bowl with finger holds at sides, bird final lid, loop handle with zoomorphic final as thumb rest. Incised decorative designs throughout. Composed of four removable pieces: base, column or stem, tray and lamp.

Ming Dynasty, Ca. AD 1368-1644. A pair of terracotta warriors dressed in full armour. The soldiers stand in a commanding pose, asserting authority. Such items were likely used in burial practices for the deceased. Size: 230-230mm x 90-90mm; Weight: 1kg Provenance: UK private collection; formerly acquired in the early 1990s in Hong Kong.

Ca. AD 200 - 300. A schist relief panel with the seated Buddha attended by Brahma and Indra, as well as two Bodhisattvas. It is an exquisite ensemble of sculptures that emanates an aura of spiritual significance and artistic brilliance. The central figure of the triad portrays the Buddha Shakyamuni, the historical Buddha who attained enlightenment. Sitting in the meditative lotus position, Shakyamuni Buddha exudes an aura of tranquility. The facial features are expertly sculpted, with almond-shaped eyes that convey a profound sense of compassion and wisdom. The finely chiseled nose, gently curved lips, and hair pulled up into a topknot further add to the figure's harmonious countenance. Flanking the central Buddha is Brahma and Indra and two attendant Bodhisattvas, emanating an aura of reverence and devotion. All of these figures are embodying the compassionate ideal of Buddhism, and stand in a poised posture. Adorned in ornate robes that drape gracefully over their bodies, the Buddha figures in the triad are resplendent with richly detailed patterns and textures. The folds and drapery of the garments are skillfully rendered, capturing the subtle movements and fluidity of the fabric. This Triad panel exemplifies the spiritual devotion and artistic mastery of its creator. The harmonious composition and the delicate balance of forms evoke a sense of awe and reverence, inviting contemplation and deepening one's connection to the Buddhist teachings. This triad stands as a testament to the enduring influence of Buddhism and the remarkable artistic legacy it has left behind. Size: 580mm x 540mm; Weight: 78.35kg Provenance: From the collection of a London gentleman; formerly acquired in early 2000s in Japan; previously in 1970s Japanese collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Republican period, Ca. AD 1912-1949. A carved wooden brush stand, depicting "Shuang Long Xi Zhu", two dragons playing with a pearl. A typical scholars item for their study. Size: 175mm x 50mm; Weight: 50g Provenance: Private French collection; previously acquired on the UK art market.

Patriotic piece on a stand, likely inspired by the eagle of the Congress Kingdom / November Uprising 4th Line Infantry Regiment, known as the "Czwartaks". Handmade craftsmanship, condition as shown in the photos. 20th century.Dimensions: 12 x 16 cm.Condition as shown in the photos.

Collection of continental figures, including a ceramic bust, soldier, etc, together with a clock stand

19th century Meissen porcelain double salts with ring handles, together with Meissen cake stand with pierced edge and Ridgway comport, H18cm

Vinyl - Over 100 12" singles featuring Rock, Pop, Soul, RnB, Hip Hop to include Cameo, Mantronix, Heavy D & The Boyz, Television, Keith Sweat, Maze, Grandmaster Flash, Rebel MC, Marvin Gaye, Prince, Soul II Soul, Brandy, Levert, Public Enemy, TLC, Salt N Peppa, The Family Stand, Jazzy Jeff & The Fresh Prince, James Brown and more. Vg+ overall

A Chinese Blue and White Porcelain Bowl, of shaped square form painted in panels with figures within wriggle work ground, character mark, hardwood stand, 26cm wide; a Vung Tau Cargo Bowl and a small Chinese blue and white bowl, painted with a landscape design, 11.5cm diameter. (3)

A XVII Century and Later Oak Cabinet on Stand, with carved frieze, central panel, twin panelled cupboard doors on a later base with square supports, 90cm high, 123cm wide.

A Mid/Late XX Century Jadeite Carving of a Fruiting Tree, hardwood stand, 16cm high.

An Early XX Century Mahogany Stick/Umbrella Stand, with a turned carrying handle, turned finials on turned and block supports with drip tray, 30cm wide and three walking sticks.

A Chinese Carved Rose Quartz Figure of a Bird, 19cm long on a hardwood stand.

A Royal Albert Porcelain Tea and Coffee Service, decorated in the 'Colleen' pattern with floral sprigs, printed marks, comprising:- two vegetable tureens and covers, fifteen dinner plates, four serving/cake plates, five dessert plates, eighteen side plates (two sizes), gravy boat and stand, eleven bowls, two teapots and covers, coffee pot and cover, three milk jugs, three sugar bowls (one with cover), six mugs, friut bowl, eighteen cups (two sizes), eighteen saucers (two sizes), five two-handled cups and four saucers, five saucers with cup recesses. (113)

A Bacon's Excelsior Globe, early XX Century on a turned wood stand, 42cm high.

A Mid/Late XX Century Jadeite Carving of a Dragon Surmounting Gourds and Foliage, hardwood stand, 32cm high.

A Silhouette of a Young Lady, mounted in a turned treen box, 8.5cm diameter; a daguerreotype of a gentleman, in a leather case, a circular miniature of a Pekingese dog, a miniature of a lady with black dress and large lace stand-up collar, other miniatures, silhouettes, cards, etc.Miniature of Native American is signed 'B. Smith'. Pekingese dog and native american both oil paintings, dog in copper frame and Amercian in gilt plaster frame. No we wouldn't be able to post in house.

An Early XX Century Oak Iron Bound Butter Churn on Stand, labelled "The Imperial Butter Churn" and metal plate "The Separators Sales, Bristol Class Size 0", 70cm wide.

A Late XIX Century Copper Spirit Kettle on Stand, with opaque glass handles and finial, 35cm high.

A Mid/Late XX Century Jadeite Carving of Gourds, hardwood stand, 19cmm high.

A Garniture of German Late XIX Century Porcelain Centrepiece Bowls, each decorated and encrusted with flowers and modelled with cherubs, comprising: a two-handled pierced bowl on stand and a pair of circular pierced bowls, 23 and 35cm high. (3)MOST PETALS WITH CHIPS, RUB TO GILT, PAIR OF CIRCULAR PIERCED BOWLS WTH FRITTING WHERE IT MEETS STAND, STAND FOR BOWL – ONE CHERUB WITH GLUE REPAIR TO HEAD.

Raleigh Chopper Mk1 bicycle in ‘ Horizon Blue’. 3-speed Sturmey Archer gears with AWT shifter. Rear hub date stamped 71 2 (February 1971). Frame No. 1105523? Looks to be in very original condition and complete.LOT 1335 – some rust and wear to chrome and metal throughout, tyres deflated, seat worn but no breakages, brakes function, gearshift functions, bell works, kick stand works, wear commensurate with age.

A Lock and Co. Worcester Porcelain Jug and Sugar Caster, the blush ivory ground painted with peacocks, in a plated stand and a circular bowl decorated with a dessert scene, in a plated stand. (2)

A Losol Ware Pottery Hexagonal Spill Vase, decorated in the 'Magnolia' pattern, 28cm high, a similar smaller vase, 23cm high, two chamber pots, two circular bowls and a teapot stand, all in the same pattern. (7)

CELTIC F.C., COLLECTION OF SIGNED COVERS, comprising Scottish Cup winners 2001, League Champions 2000/01, vs. Feyenoord 22nd Jan 2004, Rangers 3rd Jan 2004, Teplice 26th Feb 2004, Paul McStay Testimonial, Jock Stein Stand 8th Aug 1998, and 50th Anniversary of the Festival of Britain St. Mungo CupProvenance: The Jack Murray Collection. Qty: 8

A set of three salt cellarsSilver 925/000(filled stand, wear)Height: 5,5 cm

A Chryselephantine female dancer figureArt Deco bronze sculpture Ivory feet, arms, head and rose Alabaster stand France, 20th century (foot, arm and hand broken and glued, minor loss to finger)Height: 37 cm*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10976C

A chryselephantine reclining female figureBronze and ivory sculpture with two gold rings Unmarked Hardstone stand France, 19th / 20th century (missing part of smaller ring)9x18,5x13 cm*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10974C