We found 18121 price guide item(s) matching your search

VICTORIAN STAINED GLASS PANEL, 19TH CENTURY of shaped circular form, depicting an 18th century tavern scene24cm wideIn fair condition. Age related wear. Many dents to the frame. Surface scratches. Some small white patches to the frame. Would benefit from a clean. Additional images now available.

TWO VICTORIAN STAINED GLASS PANELS, 19TH CENTURY one depicting The Tron Kirk, the other depicting The Old College29.5cm long

DAVID GAULD RSA (SCOTTISH 1865 - 1936), TWO CALVES oil on canvas, signedframed and under glassimage size 39cm x 60cm, overall size 48cm x 68cm Note: David Gauld (7 November 1865 - 18 June 1936) was an important Scottish artist who worked in both oils and stained glass and was regarded as being one of the innovators within the Glasgow Boys group. Some of his works, such as St Agnes and Music are seen as precursors of the Art Nouveau movement. His works were seen as having both a Japanese and Pre-Raphaelite influence. Gauld was born in Glasgow and served an apprenticeship as a lithographer and then attended Glasgow School of Art from 1882 to 1885. He came to public notice in the 1880s when he supplied a series of Japanese-influenced pen and ink drawings for the Glasgow Weekly Citizen. Gauld shared the Castlemains Studio in Kirkcudbright with William Stewart MacGeorge and then in later life shared a studio with Harrington Mann at 31 St Vincent Street in Glasgow from 1891 to 1894. During this time he designed stained glass windows for Guthrie and Wells. Gauld then took new premises at 138 West George Street in Glasgow. He also lived at various locations in Kirkcudbright, Glasgow and North Berwick. In 1889 he returned to the Glasgow School of Art and also studied in Paris for a period that year. Like other artists from Glasgow, Gauld spent time at the artist's colony at Grez-sur-Loing in France. Forty-three examples of David Gauld's work are held in the collections of various UK public galleries including Glasgow Museums, The Hunterian, The Scottish National Gallery, Kelvingrove, Gracefield, Paisley, Kirkcaldy and The Fleming Collection (London).

IN THE MANNER OF SIR EDWARD BURNE-JONES (BRITISH 1833 - 1898), STAINED GLASS PREPARATORY STUDY mixed media on paper, inscribed 'St Lukes Church, West Hampstead' mounted, framed and under glassimage size 84cm x 52cm, overall size 121cm x 89cm

A reclaimed pine framed casement window with stained glass panel 65 cm square (overall frame size) (af)

A pair of reclaimed stained glass window panels with foliate detail, mounted in later simple pine frames, 70 cm square (overall size) together with a further casement window (3) (af)

A pair of leaded light Art Deco style stained glass casement windows of arched form with hardwood frames 82 cm high x 56 cm wide (overall frame size)

A 19th century shaped lead stained glass panel 66cm w x 56cm h, together with a diamond shaped lead stained glass panel, with the face of Jesus to the centre, 63cm x 32cm

A pair of modern circular occasional tables by Andrew Martin, plate glass tops, on stained wood X-framed bases70cm diameter60cm high (2)Condition ReportMinor knocks to the bases, but very clean overall

A Signare Tapestry Design 'WH Louis Tiffany Oyster Bay' machine made tapestry wall hanging - 100% cotton, depicting a stained glass window design, 140 x 140cm, excellent condition with maker's tags attached.

Tiffany style stained glass dragonfly table lamp Height - 50cm

English, ceiling light, Circa 1920, stained leaded and opalescent glass [39x18x75cm]

Circle of Edward Coley Burne-Jones, a Saintly figure, design for stained glass, watercolour, 24 by 19.5cm, framed

A Pre Raphaelite stained glass panel, circa 1890, painted with an allegorical figure of music playing the harp, within a circular border, 24cm diameter

An Arts and Crafts stained glass shield form panel, painted with the coat of arms of Buckingham Town, a Bohun Swan on a bisected ground of black and red, painted with Damask foliate scrolls, 30cm long

Denny, Thomas, Glory, Azure & Gold - Twelve Stained-Glass Windows, 2015, No.38/125, Reed Contemporary Books, in a slip-case with a signed etching, No.38/120

TALL VASE WITH A MOUNTAIN LANDSCAPE | Johann Loetz Witwe (Czech / Bohemian / Austrian 1920s) | 1920s | orange cameo glass, layered with ruby, etched mountain landscape decor | 45 cm | marked: "Richard" | Lot description | The Loetz firm produced cameo glass under the "Richard" brand in the 1920s to meet the demand for cameo glass in the Paris market | Art Nouveau work by Richard Burgsthal (1884 - 1944) for the Loetz glassworks between 1920 and 1929. Richard Burgsthal (Rene Billa) was a musician, painter and glass artist. He produced stained glass windows that can be seen in Fonfroide Abbey and Carcassonne Cathedral. | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

VASE | Johann Loetz Witwe (Czech / Bohemian / Austrian 1st half of the 20th century) | 1st half of the 20th century | opal cameo glass, layered with beige glass, etched lake landscape decor with lock | 30 cm | marked: "Richard"| Lot description |The Loetz firm produced cameo glass under the "Richard" brand in the 1920s to meet the demand for cameo glass in the Paris market | Art Nouveau work by Richard Burgsthal (1884 - 1944) for the Loetz glassworks between 1920 and 1929. Richard Burgsthal (Rene Billa) was a musician, painter and glass artist. He produced stained glass windows that can be seen in Fonfroide Abbey and Carcassonne Cathedral. | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

TALL VASE WITH CASTLE AND LAKE | Johann Loetz Witwe (Czech / Bohemian / Austrian 1920s) | 1920s | orange cameo glass, layered with black, etched lake landscape decor | 45 cm | marked: "Richard" | Lot description | The Loetz firm produced cameo glass under the "Richard" brand in the 1920s to meet the demand for cameo glass in the Paris market | Art Nouveau work by Richard Burgsthal (1884 - 1944) for the Loetz glassworks between 1920 and 1929. Richard Burgsthal (Rene Billa) was a musician, painter and glass artist. He produced stained glass windows that can be seen in Fonfroide Abbey and Carcassonne Cathedral. | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

Circle of William de Morgan (English, 1839-1917). A pair of 19th-century Arts & Crafts cartoons for a stained-glass window, designs depicting a crane [the presence of a log and the eating of a frog suggesting Aesop's fable of The Frogs Who Desired a King], unsigned, possibly Clement Heaton for Heaton, Butler and Bayne, watercolour, on heavy wove paper with no evidence of a manufacturer's watermark, 48 x 59.5cm, some closed tears, some pasted paper verso, tape residue at top edges verso [c. 1875] (2)

Elizabeth Bonté. A pressed stained horn pendant necklace, modelled as a palm tree on braided cord necklace with graduated glass bead spacers, the pendant signed E.Bonté, length of pendant 9cm, length of cord approximately 80cmProvenance: a private London collection

Dark Beauty Detail in Harry Clarke’s Stained Glass by Costigan and Cullen; Irish Country Furniture and Furnishings 1700-2000 by Kinmonth. Profusely illustrated. The definitive study on the furniture crafted locally and found in Irish farmhouses and The Different Worlds of Jack B. Yeats. His Cartoons and Illustrations by Hilary Pyle in dj. 3 lovely books in djs.

An early 20thC domestic stained glass window, wooden framed, frame 106cm x 58cm.

Two glass domes fitted into golden walnut stained wooden bases. Each measures 7.75"H x 5.25"dia. Issued: 21st centuryDimensions: See DescriptionCondition: Age related wear.

Handcrafted ornament with a stained glass design that forms a beautiful heart, featuring a geometric pattern with vibrant colors, carefully outlined with a shining gold border. It is tied with a green ribbon bearing the Waterford name and is part of a Christmas collection that brings the elegance of Waterford Crystal to your festive celebrations. This item has its original box. Box measures 6.75"L x 4.25"W x 3.25"H. Dimensions: 5.5"L x 4"W x 2.75"HManufacturer: WaterfordCountry of Origin: IrelandCondition: Age related wear.

An arts and crafts dresser with raised cupboards, green stained glass, brass fittings. Dimensions 52x120x184cm

A collection of three stained-glass panels, 19th century, mounted in lead, one example with The City of London coat of arms, largest 33cm diameter (3)

A Modern Stained Pine Cheval Glass with Lifting Lid to Base Box, 57cms Wide

Tiffany Manner - A vintage 20th century Tifanny Manner stained glass Art Noueave style base on curved support on with a hexagonal lead polychrome shade.46cm approx height

Early 20th century stained glass and brass hall lamp

A collection of early 20th century circa. 1930s stained glass sash windows. The windows mounted in ash wood frames, with leaded stained glass panels to center. Each window having Art Nouveau manner floral designs, in shades of red, orange, blue, and green.62x76cm approx

A C1930s stained oak fire screen with crewel embroidered panel under glass (1)

A GROUP OF LAMPS AND TALL ITEMS, to include a pair of glass and gold plastic table lamps with cream lampshades, (one shade is badly stained), a wooden windmill table lamp, (no plug), a mirrors cracked effect bulbus table lamp with black lamp shade, a novelty dead man's finger rum bottle converted into a table lamp no shade, a rounded shape silver hammered metal effect table lamp no shade, a pair of skyline detail metal touch lamps, a large white unicorn sculpture length 46cm, (has been repaired and is dirty in places), a white metal vintage style bird cage height 38cm, (qty), (Condition Report: no lamps have been tested, all items are in need of clean, please see main description for individual items)

A LARGE GROUP OF MOSTLY SPECIAL EDITION DAVID WINTER COTTAGES comprising a Collectors Guild release of 'On The Riverbank' plaque, 'Horatio Pernickety's Amorous Intent' limited edition sculpture numbered 1955/9900, 'Mad Baron Fourthrites Folly' limited time edition sculpture numbered 37 (the Baron is loose but included in a bag, a limited edition poster), 'Birthstone Wishing Well,' a 2001 Special Event cottage 'The Mash House' (signed by David Winter), a 1996 Special Event Cottage 'Primrose Cottage (signed by David Winter), a 1995 Special Event Cottage 'Whisper's Cottage' (candle holder loose but included in the bag), a 2000 Special Event Cottage 'The Guard's Van' (signed by David Winter), a 1999 Special Event Cottage 'The Stained Glass Studio' (signed by David Winter), a North American Tour 1993 limited edition 'Arches Thrice' (signed by David Winter), Wishing Falls Cottage, a DW Appearance Piece sculpture of 'Grumbleweed's Potting Shed, 'The Printer and The Bookbinder' bookends,' a 'Birthday Cottage/Arches Thwonce' sculpture (14) (Condition Report: all items have original boxes and certificates of authenticity and some with tent labels, items are in good condition, itemised descriptions above)

A contemporary Tiffany style stained glass table lamp and shade, height 47cm

A large brass hanging lantern light, with stained glass panels, 31 x 76cm.

Russian stained glass enamel kovsh in silver, in the shape of a 17th century cup with neo-Byzantine church decoration and a horizontal patterned handle. The ornament alternates segments of a plant motif and a firebird. The color scheme uses 5 shades of stained glass enamel. 84 standard silver. Other marks are illegible, presumably P. Ovchinnikovs factory. Weight: 47 gr. Width: 9cm, Height: 3.5cm, Depth: 6.5cm, Weight: 0.047kg, Condition: Good, Material: Enamel, ID: ID-ANTQ-5015

16th century, c.1500-1520 A stained glass image of two female saints, in a circular glass panel with lead frame and red glazed outer rim; central section with heads of two female saints  Provenance: Gallerie de Chartres, 8 March 2009 Dimensions: 8.75 in. (D)

English 16th century A stained glass image of Christ Dimensions: 8 in. (H)

Arts and Crafts style stained glass window with handpainted central roundel of girls playing Ring a Ring o' Roses. Approx. 46/47 cm square

A pair of circular stained glass panels - decorated with wildlife scenes within a coloured glass band, each 38cm diameter. (2)

An Early 20th Century Taxidermy Study of a Barn Owl (Tyto Alba), contained in stained wood glass display case, with naturalistic surround, 21ins high x 12.5ins wide x 13ins deepThe owl itself is in good condition with no signs of loss or deterioration. The case has minor signs of wear

Schweizer Scheibe der RenaissanceFarbloses und farbiges Glas, bemalt in Schwarzlot bzw. polychrom. Hochrechteckige Form. Im Mittelfeld Landschaft mit großem Baum und einem Wappenschild mit Rad-Symbol, flankiert von dem Hl. Johannes dem Täufer und dem Hl. Johannes dem Evangelisten, in den Zwickeln korrespondierende Baum- und Rad-Motive mit lateinischen Inschriften. Unterhalb Nameninschrift in Rollwerk- bzw. Beschlagwerkartusche: "D. Joannes Schmützler Appenzellensis, S.S Canonicus (...) Anno Domini 1631 (oder 1651). Oberhalb szenische Darstellung des Martyriums der Hl. Katharina. Sign. mit Monogramm. Minim. besch.; 37 cm x 25,5 cm.A Swiss stained glass with inscription and depicting Saints dated Appenzell 1631 or 1651. Minor damaged. Signed with monogram.Schweiz. Wohl Appenzell. 1631 oder 1651.

Bleiglasfenster mit Bildnis der Ursula vonHabsburg-Laufenburg und dem Wappen der Grafen von SulzFarbloses und farbiges Glas, bemalt in Silbergelb, Schwarzlot bzw. polychrom. Hochrechteckige Form. Ganzfiguriges Bildnis der Ursula mit einem kleinem Hund, das große Wappen haltend. Unterhalb inschriftlich bez. "grave von Sultz". Minim. besch.; 37 cm x 25,5 cm.Ursula von Habsburg-Laufenburg (um 1390-1456) war eine von drei Töchtern des Johann IV. von Habsburg-Laufenburg, die 1410 Rudolf III. von Sulz heiratete. Ein leicht abweichendes Gegenstück befindet sich Museum zu Allerheiligen in Schaffhausen.A South German or Swiss stained glass window depicting Ursula of Habsburg-Laufenburg with the coat of arms of the Counts of Sulz. Minor flaws.Süddeutsch oder Schweiz. Wohl 16. Jh.

BleiglasfensterFarbloses und farbiges Glas, bemalt in Schwarzlot und Silbergelb. Hochrechteckige Form. Im zentralen Mittelfeld szenische Darstellung von zwei Bischöfen, ein Grabtuch (wohl das Grabtuch von Turin) den Gläubigen zeigend. Architektonische Rahmung mit aufwendigen Säulen, in den oberen Zwickeln Akanthusmotive. Minim. besch.; Rahmung erg.; 37 cm x 25,5 cm.A South German or Swiss stained glass depicting two bishops showing a shroud (probably the Shroud of Turin). Minor flaws. Süddeutsch oder Schweiz. Wohl 16./17. Jh.

Marc Chagall(1887 Witebsk - 1985 Saint-Paul-de-Vence) nach Der Stamm Issachar Farblithographie/Velin, 1962. Blatt sechs von zwölf Lithographien von Charles Solier nach Chagalls Entwürfen der 12 Stämme Israels für die Fenster der Synagoge der Medizinischen Universitätsklinik Hadassah in Jerusalem. Druck bei Mourlot Freres, Paris, erschienen bei André Sauret, Monte Carlo. Vgl. Wvz. Mourlot CS 17. Darstellung 29,5 cm x 21,5 cm. 32 cm x 24 cm (Passepartoutausschnitt). Rahmen. After Marc Chagall (1887 -1985). Lithograph (plate 6 from 12) by Charles Solier after Marc Chagall's studies of the twelve tribes of Israel for the stained-glass windows of the Hadassah University Medival Centre Synagogue in Jerusalem. Printed by Mourlot Freres, Paris, published by André Sauret, Monte Carlo, 1962.

Matthew LANYON (1951-2016) Greenstone Oil on canvas, signed, inscribed and dated '12 to verso, 180 x 94cm, 196 x 110cm framedNew Craftsman Gallery label to versoLanyon later made this image into his first piece of full-sized architectural stained glass at Derix Glass studios near Frankfurt in 2015. Purchased New Craftsman Gallery, 2012 This bright and impressive oil is generally in very good condition, that being said, there is an isolated area within the black pigment that has cracked and loosened a little that will need professional attention (please see images).

TWO STAINED GLASS PANELS, rectangular form, along with four rectangular panels, each with floral motifs, in wooden framesrectangular panels 82.5cm wideQty: 6

John Leathwood, Hull - An Art Nouveau style pair of stained leaded glass decorative wall sconce mirrors. Each having an arched top over a central mirror plate & candle holder shelf. Signed to verso. Some general wear & damage to lead and glass due to age.Each measures approx. 47cm x 23cm x 10cm.

Kathleen McKenna. A large stained glass “Peacock” vase. Tiffany style. 12x12x30cm.

A Tiffany style stained glass light shade. 35cm

2 x Bijouterie display cabinets. One Walnut with boxwood string inlay, glass to top and sides, locking key, felt lined, W 76cm, D 46cm, H 74cm; Other stained hardwood, glass to top and sides, locking key, felt lined, W 74, D 42cm, H75cm.

Elizabeth II (1952-2022)  The 2020 100th Anniversary of Unknown Warrior Gold Proof Sovereign Coin Set 1 Sovereign, 1/2 Sovereign and 1/4 Sovereign with presentation case and COA, encapsulated PCGS PR70DCAM Obverse Bust of Queen Elizabeth II facing right, wearing the Diamond Diadem Crown, legend around, date below ELIZABETH · II · DEI · GRA · REGINA · ALDERNEY C. I. 2020 Reverse Standing profile of the unknown warrior and silhouette, with background design representing the stained glass window at Westminster Abbey THE UNKNOWN WARRIOR • 100TH ANNIVERSARY denomination Condition Report:Available upon request

A late Victorian stained oak mirror back hall stand with central bevelled glass mirror pane flanked by four turned coat pegs either side over single drawer carved with green man motif flanked by stick/umbrella stands, 193cm high x 99cm wide x 34cm deep Condition Report:Available upon request

A Victorian mahogany and burr walnut inlaid bedroom suite consisting wardrobe with carved scrolled cornice over central bevelled glass mirror door flanked by carved cabinet doors over three short drawers either side on plinth base, 225cm high x 178cm wide x 55cm deep and a dressing table with central adjustable mirror flanked by superstructure with short drawers over leaded stained glass panel over central drawer flanked by banks of four drawers over long drawer, 181cm high x 122cm wide x 51cm deep (2) Condition Report:Available upon request

A group of 3 Tiffany style stained glass lamp shades, each with dragonfly decoration, diameter 14.5cm, height 14.5cm (3)

English School (18th century) Sea monster, with design for a vase (recto); Five classical figure studies (verso), pen and brown ink, on laid paper with partial watermark with initials 'GR', sheet 145 x 190 mm (5 3/4 x 7 1/2 in), under glass, inset into conservation window mount, ink showing through, small nicks and handling creases, minor surface dirt, framed, [circa 1790s or slightly later]; together with a sheet of studies of architectural details and vases, possibly by a follower of Felice Giani (1758-1823), pen and ink, sheet 160 x 300 mm (6 1/4 x 11 3/4 in), damp-stained, surface dirt and browning, some abrasions and losses, laid onto paper support, unframed, late 18th century (2)Provenance:Collection of John and Eileen Harris

Architectural Salvage - a pair of 19th century stained glass panels in the Empire taste, 35cm x 64cm

A 19th century French quatrefoil leaded stained glass panel, 34cm x 31cm

Lighting - a figural side light;  onyx lamps;  a set of three stained glass hall lights;   etc