We found 57660 price guide item(s) matching your search

Foster Bros 'The Perfect' three piece split cane fishing rod, in canvas slip case, together with another three piece split cane fishing rod and two pieces of another

Mulberry Rosie tote bag, the quilted nylon tiger print body with oval gold tone Mulberry maker's badge, with brown leather short straps, with one zip pocket and one slip pocket to the interior, serial no. 1683651, in grey Mulberry dust bag H33cm

Jimmy Choo 'Cara Sue 164' handbag, with pleated suede body in 'Robot Blue' colourway, with gold tone chain shoulder strap and bow clasp, the leather interior with slip pocket, in Jimmy Choo dust bag with certificate of authenticity, H16cm, w18cm

Vivienne Westwood shoulder handbag, the canvas body with black and grey animal print design, with tan and black leather studded borders, shoulder strap and heart charm, the clasp and buttons with Vivienne Westwood logo, with single slip pocket to the interior, with Vivienne Westwood dust bag, H16cm, W23cm

THE FOLIO SOCIETY, LES MISERABLES, in dark blue coverCondition generally good, light wear to outer slip.

THE FOLIO SOCIETY, HANSEL AND GRETEL, in turquoise sleeveCondition of book is generally good. outer slip with indent to gilt tooling, and some wear to corners.

THE FOLIO SOCIETY, ALICE IN WONDERLAND, in fitted red boxCondition generally good. Book well kept. Slip cover with some creasing and wear, though nothing of major note.

SANDBERG COLLECTION CATALOG "The Sandberg Watch Collection", by Terence Camerer Cuss, layout and design by Osvaldo Patrizzi. Published by Antiquorum. Large limited edition of 500 copy, bound in green leather, color photographic illustrations. Slip case included.

1996 Chateau Palmer 3eme Cru Classe, Margaux OWC 6x75cl Peter A. Sichel slip labels. Purchased through and stored at The Wine Society until transfer for this sale.  

Sitwell, Sacheverell and Maydol, Roger "Album De Redoute with 25 facsimile colour plates from the edition of 1824...", Collins 1954, this is number 9 of 250 numbered and signed copies by the authors, bound by Mansell of London, colour plates with tissue guards,  patterned ep, decorative boards , slip case

Sitwell, Sacheverell and Maydol, Roger "Album De Redoute with 25 facsimile colour plates from the edition of 1824...", Collins 1954, this is number 58 of 250 numbered and signed copies by the authors, bound by Mansell of London, colour plates with tissue guards, patterned ep, the design on the covers of the slip case has been reproduced from the original boards of the Album De Redoute, patterned ep, black half-morocco with black and red marbled boards, t.e.g.

Pre-Raphaelite interest - Marsh, Jan " Pre-Raphaelite Women...."Weidenfeld and Nicolson, 1995, col plates anmd ills throughout, pictorial endpapers, grey boards, dust wrapper, folio,  Rose, Andrea " Pre-Raphaelite Portraits", the Oxford Illustrated Press, 1981, b/w ills throughout, dark grey boards, dust wrapper, Fredeman, William E. ( ed.) " Rosettie Cabinet...A Portfolio of Drawings by Dante Gabriel Rossetti, Hitherto Unpublished ......" Ian Hodgkins & Co. Ltd., Stroud 1991, b/w ills throughout, compliment slip dedicated and signed by the editor (?), dustwrapper, dark blue boards with gilt titles and glassine cover, Hawksley , Lucinda " Lizzie Siddal - "The Tragedy of a Pre-Raphaelite Supermodel"  Andre Deutsch 2004, col and b/w photographic plates, teal coloured boards, dustwrapper, Bryson, John " Dante Gabriel Rossetti and Jane Morris - Their Correspondance..."  Clarendoon Press 1946, b/w ills throughout, red boards, dustwrapper, Parshall, Peter ( and others) " The Darker Side of Light - Arts of Privacy, 1850 -1900", National Gallery of Washington in association with Lund Humphries , ills throughout , pictroial endpapers, pale grey boards, dustwrapper with glassine cover, Hobson, Anthony " J.W. Waterhouse" Phaidon - Christie's Oxon, col plates throughout, book plate inside front board, black boards, dustwrapper,  Mucha, Jiri " Alphonse Maria Mucha, His Life and Art" Academy Editions 1989, ills throughout, dustwrapper ( 8)

Robson, Eve and Robson, Norman "Classical Natural History Prints - Botanical Prints", Collins & Brown 1991, numerous illustrations, green buckram, d-w not price clipped  Loudon, Jane "Classical Natural Prints - Ornamental Flowers", Studio Editions 1991, numerous colour plates, dark green buckram, d-w  Richter, Davis H "Floral Art Decoration and Design with Forward by Frank Brangwyn", F Lewis 1932, colour plates tipped in with lettered tissue guards, the tp and foreword are loose, there is some slight toning, bookshop label from Cairo ffep and an inked number, blue boards which are rather a bit scuffed, gilt titles Dunthorne, Gordon "Flower and Fruit Prints of the 18th and Early 19th Centuries ...", published by the author Washington DC 1938, one of 750 copies printed at the Lakeside Press, ffep is signed and inscribed by the author dated 14th December 1939, colour and black and white plates, full buckram with leather pastedown to front board with gilt decorations and titles, within a slip case also covered in buckram Coats, Alice M "The Book of Flowers Four Centuries of Flower Illustration", Phaidon 1973, no.44 of a deluxe edition limited to 100 copies, numerous colour and black and white plates, full leather with a tooled decoration of an iris to the front board, gilt titles, red slip case  Dykes, W R, the late "Notes on Tulip Species", Herbert Jenkins 1930 (6) 

Jones, Paul "Flora Superba", selected and painted by the artist, text by Wilfred Blunt, forward by Sir George Taylor, the Tryon Gallery 1971, this is number 111 of 400 copies for sale numbered and signed by the artist, the frontis with tissue guard, colour plates with tissue guards, half vellum with gilt titles, blue buckram boards and gilt decoration of a flower on the front board, with original blue fitted slip case 

"Thornton's Temple of Flora", Collins 1951, no.133 of a limited edition of 250 copies signed by Jeffery Grigson, Handasyde Buchanan and William T Stern, colour plates throughout with tissue guards, some offsetting to the ep from the leather corners, half morocco with grey boards, gilt titles and raised bands to the backstrip, t.e.g., another copy not limited edition 1951, grey boards, half buckram with pastedown to backstrip and another copy, Collins 1951, similar binding to the previous book but with d-w within a labelled slip case (3) 

Jones, Paul "Flora Magnifica", selected and painted by the artist, text by Wilfred Blunt and forward by Professor E G Waterhouse, the Tryon Gallery 1976, no.111 of a limited edition of 506 copies signed by the artist, colour plates with tissue guards, half-vellum with red buckram boards, gilt titles to the backstrip, gilt flower decoration to the front board with a red buckram slip case with a portfolio of Camellia paintings by Paul Jones introduction by E G Waterhouse published Ure Smith, Sydney 1973, this is no.675 of a limited edition of 750 copies signed by the artist, Australian edition, four prints each with its own mount held within a card portfolio with gilt titles (2) 

Stern, F C "A Study of the Genus Paeonia", illustrations in colour and drawings by Lillian Snelling and Stella Ross-Craig, The London Horticultural Society 1946, colour plates and other illustrations, blue cloth with gilt titles and decorations Van Hisum, Jacob "The Twelve Months of Flowers" from the Collection of Major the Hon Henry Rogers Broughton of Bakeham House, Norwich, with a commentary by Colonel Morris Harold Grant, F Lewis Publishers 1950, colour plates tipped in, blue buckram, gilt titles Hall, Sir A Daniel "Genus Tulipa", 40 illustrations in colour by H C Osterstock, The Royal Agricultural Society 1940, signed and dedicated by the author  on ffep, grey cloth, front hinge cracked, illustrations Halda, Josef J and Waddick, James W "The Genus Paeonia" with botanical illustrations by Jarmila Haldova, Timber Press with the Hartland Peony Society 2004, colour plates and other illustrations throughout, erata slip, dark blue buckram, d-w Moreton, C Oscar "Old Carnations and Pinks", introduction by Sacheverell Sitwell and eight colour plates by Rory McEwen, George Rainbird in association with Collins 1955, no.99/100 numbered copies signed by both the author and artist, colour plates, half-morocco with pictorial boards within a green slip case Cameron, Elizabeth (ills) "A Book of White Flowers", published K D Duval, Frenich, Perthshire, forward by Christoper Lloyd, colour plates, pictorial boards, within a slip case  Gunthart, Lotte "The Glory of the Rose", Harrap, pictorial boards within a slip case (7) 

Sitwell, Sacheverell and Blunt, Wilfred "The Great Flower Book 1700-1900, a Bibliographical Record of Two Centuries of Finely-Illustrated Flower Books ...", the bibliography edited by Patrick M Synge, Collins 1956, this is no.210 of 295 copies signed by both authors, colour plates with tissue guards, bookseller label Henry Sotheran Limited, pictorial ep, half green morocco, the backstrip slightly faded with gilt titles, marbled boards, the slip case marbled boards

"The Temple of Flora - Essays and Descriptions of Plates", Taschen, text in English, German, French and Italian, loose plates within a card portfolio, the whole within a green buckram slip case, pictorial front board within its original cardboard box, elephant folio Condition Report

Sitwell, Sacheverell and Maydol, Roger "Album De Redoute ... with 25 facsimile colour plates from the edition of 1824...", Collins 1954, no.10/25 limited editions signed by both the authors, Sitwell, Sacheverell and R Maydol, specially bound by Hiscox of London, this copy contains the original Redoute plate of 'Lilium Candidum', there appears to be water damage on the top right hand corner of the plate which is hard to know whether it was recent or original, full page colour plates with tissue guards, watered silk ep, quarter vellum with gilt titles and the boards showing a gilt on cream toile de jouy style pattern, with the original brown card slip case 

James Aitken (act.1880-1935) - 'Bude, Cornwall', watercolour, signed below with inscription to gilt slip, 20 x 30 cm, glazed and framed

After Hugo Schnars-Alquist (1855-1939) - 'A Heavy Sea', early 20th century photogravure print in colours, 110 x 78 cm, glazed in frame of the period with signature lower right in print and title inscribed to gilt slip below

▲ Ellen Von Unwerth (German, b.1954), 'N40MI', 2010, a single volume in lilac-tone slipcase, with photographs by Ellen Von Unwerth for the 40th birthday party of model Naomi Campbell, held at the Hôtel du Cap-Eden-Roc in Cap d'Antibes, south of France, possibly only created for the attendees of the event, 32.5cm wide 3.5cm deep 42cm high Condition ReportDirty marks to the slip cover and cover.The slip case with some fraying and peeling to the edges of cloth.  Some glue separation at margin of the inner back. Please see additional images. 

ARR Sasha Wardell (born 1956) a porcelain Space Bowl decorated slip cast layers in blue and white and interior glazed pastel peach, incised SKW to base, 9cm x 10.5cmA couple of grubby marks to surface, otherwise good.

ARR Paul Young (Contemporary) a slip decorated tankard with sprigged decoration in brown and green glazes, 17cm x 10cmSome crazing to glaze, otherwise good over all condition.

ARR Sasha Wardell (born 1956) a slip cast porcelain vase decorated squares of polychrome design, initialled to base, 23cm high

J. A. Moyle (late 19th / early 20th century) Bodmin Moor landscape with cattle and a cottage oil on canvas laid onto board, signed lower centre 20 x 30in (50.75 x 76.25cm), early 20th century gilt swept frame with bevelled gilt slip (102 x 76.5cm)

A Chinese slip decorated crackle glazed cup - underglaze blue Chenghua four character marks (1465-87) but later, probably late Qing dynasty, of ovoid cup form with a cream crackle glaze, one side slip decorated in white with branches of prunus, 7cm high.* One tiny frit to the footrim. The crackle glaze varies considerably in density and tone, with some areas to the inside and exterior showing much darker crackle lining. Small burst bubble glaze flaw to the rim. No other faults.

John Horwill, ARCA (British, 1927-1997) Moonlit woodland landscape oil on canvas, signed lower right 11½ x 15½in (29.25 x 39.3cm), painted frame with canvas slip (38 x 48cm)

G. Price (British, late 19th century) Portrait of a Jack Russell terrier oil on board, signed and dated (18)87 lower right 8¾ x 12 in (22.2 x 30.5 cm), oak frame with gilt slip (31.5 x 39.5 cm) * Surface dirt and nicotine staining to the paint surface - will respond well to cleaning. The board has warped a little, creating a slight bulge to the lower centre below the dog. A few small scattered retouches visible under UV and a small retouched patch below the signature. 

English School (late 19th century) Portrait of a Jack Russell terrier oil on canvas, signed with initials WB and dated (18)'99', inscribed 'Vic II' 11½ x 9½ in (29.2 x 24.2 cm), gilt egg-and-dart frame (52.5 x 47.5 cm), losses * The canvas surface is dirty and has nicotine staining - should clean well. Not relined. A small number of scattered retouches visible under UV from old cleaning and restoration but nothing significant. Frame has some losses to the inside moulding which edges the slip. 

H. Wells (British Naive School, fourth quarter 19th century) 'Faithful Jumbo 1887' oil on canvas, signed lower right, inscribed lower centre 12¼ x 14¼ in (31.2 x 36.2 cm), Caroline J. Spiers stained wooden frame with gilt slip (46.5 x 51 cm) * Faithful Jumbo was reputedly a highly successful Suffolk 'racing dog', based in Ipswich * In good condition overall - not relined, but has been cleaned and restored in the past. Two small patches to canvas visible to verso and small scattered retouches visible under UV and a little minor strengthening. Small indent to centre of the lower margin of the canvas, caused by a small object falling between the canvas and stretcher at some stage.

Brooks of London- Regency 8-day rosewood bracket clock c1825, with a serpentine shaped pediment and foliate carving on an ogee stepped base with bun feet, 8" painted dial with Roman numerals, minute track and steel spade hands within a glazed bezel with a silvered slip, single train wire fusee movement with rectangular plates, pendulum holdfast and London regulation pendulum.Dimensions: Height: 43cm  Length/Width: 31cm  Depth/Diameter: 19cm

Regency gilt and gesso framed pier glass mirror, inverted break-front pediment over acanthus moulded half pilasters of Neoclassical design, rectangular bevelled plate within ebonised reeded slipDimensions: Height: 88cm  Length/Width: 66cm 

Large 19th century ebonised and parcel-gilt overmantle mirror, the oval plate within a gilt slip, framed by acanthus ribbon-twist decoration with outer beading, the shaped base decorated with scrolling foliate patterns and rosettesDimensions: Height: 200cm  Length/Width: 180cm 

Regency gilt wood overmantel mirror, moulded cornice with projecting square ends, fitted with three turned column mounts with foliage decoration, ebonised and reed moulded slip dividing the mirror into three sections, moulded lower rail, plain mirror platesDimensions: Height: 55cm  Length/Width: 115cm 

TWO CHINESE SLIP DECORATED CELADON GROUND PORCELAIN NARCISSUS BOWLS, 19TH CENTURY. of lobbed and rectangular form decorated with floral sprays. 20cm - 21cm wide. (2) Both in good overall condition with no signs of damage or repairs.

Star Wars - Boxed Master Replicas SW-108 Darth Maul Lightsaber, showing display wear and some marks but gd overall, with outer slip box, no paperwork

Star Wars - Boxed ltd edn Master Replicas SW-131 Episode III Revenge of the Sith Anakin Skywalkers Lightsaber, numbered 2060, ex condition, complete, box dusty but vg overall with slip cover and outer trade box

Star Wars - Boxed ltd edn Master Replicas SW-132 Darth Sidious Lightsaber, numbered 1827, complete with COA, box with outer slip and trade box, ex condition

Star Wars - Boxed Master Replicas SW-133 Episode III Revenge Of The Sith Yoda Lightsaber, numbered 1046 with COA, ex condition with outer box slip and trade box

9 Peco StreamLine Electrofrog Turnouts/Points new in boxes, with Peco Tuntable, Turnout motor and Inspection Pit kit (1000g)Includes:-Peco Streamline Electrofrog Turnouts SL-E188, SL-E189, SL-E190 'Double Slip', SL-E191, SL-E192 (3) and SL-E195Peco LK-55 Turntable new in-box appearing complete as shown with instructionsPeco Lectrics PL-1001 Twistlock Turnout Motor & twin microswitch 'As new'Peco Lineside Kit LK-56 Inspection Pit (sealed) Condition Report - Very Good/Excellent

Milne (A.A.) Winnie the Pooh, first edition, 'Works of Milne' publishing slip loosely inserted, endpapers with strip of toning, 1926; The House at Pooh Corner, endpapers browned, cloth slightly discoloured, spine faded, a few patches of staining, 1928, illustrations by Ernest Shepherd, original pictorial cloth; and a reprint of When We Were Very Young, 8vo (3)

Tolkien (J.R.R.) The Lord of the Rings, 3 vol., deluxe edition, [one of 1000 sets], folding maps, original black buckram, light rubbing to spine ends and extremities, surface marks to covers, preserved in facsimile Pauline Baynes illustrated slip-case, 8vo, 1963. *** When Allen & Unwin decided to published The Lord of the Rings in a three-volume deluxe hardback edition, they asked Pauline Baynes to design a slipcase. She was an artist that Tolkien felt best depicted his vision of Middle Earth. This set with a lovely facsimile version - in effect an excellent set. 

Charles III (King, as Prince of Wales) The Old Man of Lochnagar, reprint, illustrations, original dark blue morocco, gilt, slip-case, oblong 8vo, 1980.

Bates (H. E.). Down the River, first edition, signed presentation inscription from the illustrator on front free endpaper, wood-engraved illustrations by Agnes Miller Parker, some leaves with surface marks, binder's stamp and bookplate to front pastedown, bumping to spine and corners, a few surface marks to covers, second issue dust-jacket with quotation by Eric Gill, spine toned with bumping to ends with minor nicks and chips, some surface marks, foxing to covers, heaviest to lower panel, one or two small tears to lower panel and joint of lower panel flap, 1937 § Lawrence (T. E) The Mint, limited edition, title in red & black, bookplate to front pastedown, foxing to uncut edges, slip-case, toning to spine, bumping, some foxing and surface marks, 1955 § Giles (Lionel) The Analects of Confucius, letter from The Limited Editions Club loosely inserted, glassine dust-jacket, cloth drop-back box, New York, for The Limited Editions Club, 1970, original morocco or cloth, 4to; and 7 others, similar (10)

le Carré (John) The Tailor of Panama, first edition, signed by the author on title, original boards, dust-jacket, light nicks to edges, 1996; Single & Single, first edition, signed by the author on title, original boards, dust-jacket, light creases to extremities, 1999; A Most Wanted Man, one of 500 copies signed by the author, original boards, slip-case (a little marked), 2008; and the promotional edition of Single and Single, 8vo (4)  

Banks (Iain M.) The State of the Art, one of 400 copies signed by the author and artist, illustrations by Arnie Ferner, slip-case, 1989; Excession, first edition, signed by the author, 1996; Inversions, first edition, signed by the author, 1998, original boards, dust-jackets, fine copies; and 5 others by the same, many signed, 8vo (8)

Rowling (J.K.) The Tales of Beedle the Bard, first edition, collector's issue, original rexine with metal embossing, in cloth bag and drop-back box, folder of prints, card slip-case, 4to, 2008.

Verne (Jules) Around the World in 80 Days, original gold boards designed by David Adjaye,  2010 § Stevenson (Robert Louis) Treasure Island, original boards, dust-jacket designed by Frank Gehry, 2010, one of 1000 copies, "Seventieth Anniversary Edition", original lettered perspex slip-case, preserved in original publisher's cardboard boxes; and 5 others, special bindings or limited editions, including one of Murakami's Norwegian Wood, v.s (7)

Naipaul (V. S.) A House for Mr. Biswas, first edition, publisher's review slip loosely inserted, some very light spotting to endpapers, original cloth, slight bumping to spine tips and corners, dust-jacket, spine ends and corners chipped, a few short nicks and tears with creasing to head and foot, extremities rubbed, ligth surface soiling to lower panel, 8vo, 1961.*** Naipaul's post-colonial novel which received world-wide acclaim and remains his most loved work. Scarce in such bright and unrestored condition. 

Faulks (Sebastian) Devil May Care, signed by the author on title, jacket with short nick to head of lower joint, light creasing to head and foot, slip-case, 2008 § Cornwell (Bernard) Sharpe's Gold, jacket with slight fading to spine, 1981, first editions, original boards, dust-jackets, near-fine, 8vo (2)

Bennett (Alan) Untold Stories, one of 250 copies signed by the author, original cloth-backed boards, slip-case, 2005 § Orwell (George) The Road to Wigan Pier, light spotting, ink ownership inscription to endpaper, original orange wrappers, creasing to spine, light fraying to spine ends and corners, 1937 § Faber (Michael) Under the Skin, signed by the author, original wrappers, original printed glacine dust-jacket, 2000, first editions; and 12 others, modern literature, 8vo (15)

Lawrence (D.H.) Lady Chatterley's Lover, one of 1000 copies, "Sixtieth Anniversary Edition", one of 1000 copies, original boards, embroidered cloth dust-jacket designed by Paul Smith, preserved in perspex slip-case and sealed in publisher's cellophane (slightly peeling), 8vo, [2006].

Y  JAMES EARL OF MASSACHUSETTS (AMERICAN 1761 - 1796) PORTRAIT OF MR JANNER Oil on canvas Signed, inscribed and dated 'Mr Janner Aged 41 by J. Earl 1793 No 5A Newham Street Oxford Street ' (verso) 35 x 30.5cm (13.75 x 12 in.) Another oil portrait by James Earl is in the Royal Ontario Museum, Canada, of William Jarvis with his son Samuel Peter Jarvis (Inv. no. 981.79.1) James Earl was an American portrait painter to the American royalists who spent the greater part of his career working in England as many of his sitters were former American colonists who had fled to London during and immediately following the end of the American Revolution. His ancestors were Quakers who emigrated from Exeter to Rhode Island in about 1634. At the beginning of the 18th century his grandfather settled in Worcester Country Massachusetts and James Earl was born in a village called Paxton in 1761. Ralph Earl (1726 - 1808), the father of James and his elder brother Ralph, was a farmer who joined the local militia during the Revolution in which he achieved the rank of Captain. However his son Ralph (1751 - 1801) became a loyalist and because of his activities in this cause left America and established himself as a painter in England from 1778 to 1785. It is thought that he taught his younger brother James and as he was also a loyalist, encouraged him to go to London. In April 1787 James exhibited two portraits at the Royal Academy and was resident at 6 Sweetings Alley, Royal Exchange. In 1789 he married Georgiana Caroline Pilkington (1759 - 1838) the widow of Joseph Brewer Palmer Smyth, an American loyalist from New Jersey. Both James Earl and the Smyths lived at 42 Great Peter Street, Westminster. In 1787 Smyth returned to North America to substantiate claims for his lost property. In a letter he wrote in August 1788 from Niagara to his wife he said 'I hope Mr Earl is well in health and Desire my Best Respects to Him'. Smyth died shortly before returning to England and Caroline was left with two children, Elizabeth Ann and William Henry. Earl enrolled in the Academy schools March 24th 1789 and is thought to have been a pupil of Benjamin West. He was an accomplished and popular painter and thirty four of his portraits painted during his seven years in England have been recorded so far. Many of his pictures have been misattributed to better known artists such as Sir William Beechey, George Romney, Mather Brown, Joshua Reynolds or to his brother Ralph Earl. Indeed four of his portraits of the Beauclerk family were attributed to Beechey, and those of Lord Aubrey and his wife to George Romney when they were sold by Sotheby's in 1949. Another portrait of Lady Massereene in the collections of the Virginia Museum of Fine Arts in Richmond USA was until recently attributed to Sir Joshua Reynolds. His portraits are not as stylised as those by his brother, and his subjects are portrayed with an almost photographic individuality. His portraits of men are direct and without flattery, and he had a particular interest in portraying the eyes of his subjects with an almost jewel-like quality. In 1794 he travelled to Charleston Carolina an expanding, affluent town, leaving his family in London. His obituary states that he had 'resided for nearly two years in this city'. He died of yellow fever and had made a will two days before his death. James Earl had a remarkable ability to capture a likeness, and his pictures are important additions to the body of 18th century American portrait painting. He was also the father of Augustus Earle (1793 - 1838) who lived a life of exploration as a draughtsman on board ship, and who famously was the artist on board the Beagle with Charles Darwin when he sailed to the Galapagos. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning.Set in a 19th century rosewood frame with gilt slip measuring 45 by 40cm, canvas size 36 by 30.5cm The picture has had light sensitive professional clean within the last 5 years. Former old tear to right of his head has been sensitively repaired, under UV scattered small areas of retouching notably to margins and corners of the images, background, small spots to forehead, right cheek and running under his chin and down into cravat. Craquelure throughout and surface dust and fibres Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Υ CITES REGULATIONS Please note that lots marked with the symbol (Υ) in the printed catalogue and the online catalogue may be subject to CITES Regulations when exported. Relevant CITES Regulations information may be found here. The refusal of any CITES licence or permit and any delay in obtaining such licences or permits shall not give rise to the rescission or cancellation of any sale, nor allow any delay in making full payment for the Lot. Condition Report Disclaimer

Box of folio society books in slip cases

Miniature Medals: Naval General Service 1915-62 (10), no clasp, E.II.R.; 1 clasp (9), Persian Gulf 1909-1914; Iraq 1919-1920; Palestine [sic]; S.E. Asia 1945-46; Malaya, G.VI.R.; Near East (2); Arabian Peninsula; Brunei, all clasps except the first slip-on issues, good fine and better (10) £60-£80 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---

A ‘Northern Ireland’ General Service medal awarded to Corporal R. J. Roberts, Royal Military Police, who was killed on active service in a road traffic accident near Clogher, Co. Tyrone on 30 May 1973 General Service 1962-2007, 1 clasp, Northern Ireland (24175227 Cpl. R. J. Roberts. RMP.) in original envelope with named condolence slip, very fine £400-£500 --- Richard John Roberts attested into the Royal Military Police on 5 May 1970 and served in Northern Ireland from 15 February 1972. He was killed in a car accident near Clogher, Co. Tyrone, whilst on active service, on 30 May 1973: ‘About 2130 hrs on 30 May 1973, information was received from RMP Ops Room, 1 Regt RMP, that about 2045 hours that evening a traffic accident had occurred in the Augher -Ballygawley Road near Clogher involving an MOD civilian vehicle, blue Ford ‘Escort’ on charge to the 178 Pro Company and driven by Corporal Roberts R.M.P. The vehicle had crashed into a tree at the roadside and Cpl Roberts and Cpl Lane R.M.P., the front seat passenger had received fatal injuries.’ Sold with copied service records and detailed copied research.

Family Group: Five: Flight Lieutenant H. Armitstead, Royal Air Force Volunteer Reserve 1939-45 Star; France and Germany Star; Defence and War Medals 1939-45, with M.I.D. oak leaf; United States of America, Bronze Star, mounted as worn; together wit hthe recipient’s related miniature awards, these similarly mounted, good very fine Imperial Service Medal, G.VI.R., 1st issue (William Herbert Armitstead) in card box of issue, extremely fine (6) £100-£140 --- Herbert Armitstead was commissioned Acting Pilot Officer in the Equipment Branch in the Royal Air Force Volunteer Reserve on 30 August 1941, and was promoted Flying Officer on 25 November 1941, and Flight Lieutenant on 1 July 1944. For his services during the Second World War he was Mentioned in Despatches (London Gazette 1 January 1945), and was awarded the United States Bronze Star (London Gazette 9 October 1945). Sold with Air Council enclosure with ticker tape entitlement slip; and named and signed SHAEF Pass. William Herbert Armitstead, Sorting Clerk and Telegraphist, Manchester, was awarded his Imperial Service Medal in 1945 (London Gazette 19 October 1945).

Kerr and Binns, a Worcester Limoges enamelled twin handled cup, footed Grecian form with profile portrait busts in white slip, on Cobalt blue ground, within raised gilt foliate wreaths, printed mark, 7.5cm high