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Photographs including China, Beirut, Japan Group of large format, black and white silver bromide prints pasted to board mounts. An interesting group of unattributed images including: Amanohashodate Japan, known as Kyoto by the Sea, showing local dwellings New Zealand, coach horses crossing river Canton River Life-boat life Canton from the European Quarter-street scene Funchal Madeira-topographical image (scratched) The Square, Beirut-Man with Camel Greek Policeman, Athens in local dress Bedouin Caravan leaving Jerusalem for Bethlehem (Damage) A Group of Bedouin, Jericho (Damage) A Shrine, Upper Austria (scratched Condition as described. Edge fading to some images and warping to board mounts.

Cookery. Simmons (Owen), The Book of Bread, first edition, one of 350 Edition de luxe copies, London: Maclaren & Sons, Offices of "The British Baker", n.d. [1903], red-ruled throughout, half-title, photographically-illustrated with 10 tipped-in silver bromide prints on black card, further illustrated with 12 chromolithographed plates and further in-text illustrations, advertising leaves and list of subscribers to verso, original red morocco over slightly bevelled boards, rubbed and worn, but holding, gilt-lettered upper-cover, all edges gilt, marbled edges, 4to

Eric J. Hosking (1909 - 1991) - Four exhibition-sized photographs of wildlife, circa 1930's. Silver Gelatin photographic prints on Ilford Bromide paper and mounted on board. 90cm x 76cmEric John Hosking OBE, Hon FRPS, was a pioneering British wildlife photographer active from 1929 to 1991. He is most noted for his bird photography and credited as one of the first professional photographers to make a living photographing birds. Throughout Hosking's long career, his work featured in publications such as 'Picture Post' and 'Country Life', and published 14 books on the subject of wildlife and birds. He also gave lectures and displayed his photographs accross the United Kingdom and worldwide. The photographs offered could likely have been displayed at one or more of Hosking's many exhibitions.

Eric J. Hosking (1909 - 1991) - Three exhibition-sized photographs of Mary at London Zoo, 1932. From a larger series of photographs published in Hosking's first book 'Friends at the Zoo', 1933. Silver Gelatin photographic prints on Ilford Bromide paper and mounted on board. 91cm x 76cmEric John Hosking OBE, Hon FRPS, was a pioneering British wildlife photographer active from 1929 to 1991. He is most noted for his bird photography and credited as one of the first professional photographers to make a living photographing birds. Throughout Hosking's long career, his work featured in publications such as 'Picture Post' and 'Country Life', and published 14 books on the subject of wildlife and birds. He also gave lectures and displayed his photographs accross the United Kingdom and worldwide. The photographs offered could likely have been displayed at one or more of Hosking's many exhibitions.

* India. An album of 36 mounted photographs of Baroda by Vernon Studios, c. 1920, gelatin bromide prints, mostly of architectural interest and featuring palaces, temples, public buildings, monuments, etc., plus a portrait of the Maharaja Sayajirao Gaekwad III (Maharaja of Baroda 1875-1939), images 26 x 36.5 cm and smaller and mostly 15 x 10 cm and similar, pasted to rectos of stiff card leaves within white border and with captions printed in silver beneath, all edges gilt, original gilt-decorated red morocco, gilt-titled 'Souvenir / Glimpse of Baroda' to upper cover, slightly rubbed, rebacked with plain red morocco, oblong folioQTY: (1)

Cossack Soldier/Bodyguard Silver bromide print pasted to card mount with a handwritten inscription, in Russian, and name. Ukranian Cossack, possibly the bodyguard of Grand Duke Dmitry Pavlovich in Tehran. The mount has the blindstamp of a photographer in Tehran. The photographs come from the archive of Vladimir and Eugenie Kadloubovsky and direct from a descendant of the Kadloubovskys.

2. Weltkrieg - - Sammlung von 98 OPressephotographien mit Aufnahmen aus der Zeit des Zweiten Weltkriegs. 1940er Jahre. Je ca. 13 x 18 cm. Je Silbergelatine- und Bromsilbergelatine auf Photopapier (Agfa Brovira, Ortho-Brom, u.a.). Verso meist mit mont. Etikett (hierauf je in deutscher Sprache bezeichnet, meist lokalisiert u. dat.), überwiegend (tls. mehrfach) gestempelt (Presse-Bild-Zentrale Braemer u. Güll, Atlantic Pressedienst, u.a.), vereinzelt zusätzlich mit hs. Anmerkungen. Gezeigt wird: Flugzeuge und Kriegsfahrzeuge (Italienischer Bomber über Malta, Torpedoabwurf einer Heinkel He 115, Panzerfahrzeuge auf offenem Feld u.a.). - Militärische Einsätze überwiegend in französischen Gebieten (Nizza, Normandie, Monte Carlo u.a.): Generalfeldmarschall Rommel bei Besichtigungen, Soldaten beim Ausüben von Freizeitbeschäftigungen sowie in der Ausbildung am Granatwerfer u.a., Besuch der italienischen Armee an der frz. Mittelmeerküste u.a. - Lagerungsbedingt etw. gebogen, tls. mit kl. Randläsuren. Insgesamt sehr gut erhaltene u. umfassende Sammlung von OPressephotographien der frühen 1940er Jahre. World War II. - Collection of 98 press photographs from the Second World War. 1940s. Each gelatin silver and and bromide silver gelatin on photographic paper (Agfa Brovira, Ortho-Brom, a.o.). Mostly with mount. label on verso (each inscribed in German, mostly localised and dated), mostly stamped (some twice) (Presse-Bild-Zentrale Braemer u. Güll, Atlantic Pressedienst, a.o.), some with additional handwritten annotations. Depicted: Aircraft and war vehicles (Italian bomber over Malta, torpedo launch from a Heinkel He 115, armoured vehicles in an open field, etc.). - Military operations mainly in French areas (Nice, Normandy, Monte Carlo, etc.): General Field Marshal Rommel during inspections, soldiers practising leisure activities as well as training at the grenade launcher, etc., visit of the Italian army on the French Mediterranean coast, etc. - Somewhat bent due to storage, some with small marginal tears. Overall very well preserved and comprehensive collection.

PHOTO-BOOK. – Owen SIMMONS. The Book of Bread. London: Maclaren & Sons, [1903.] Limited edition, this being one of 350 deluxe copies, 4to (280 x 216mm.) 10 tipped-in silver bromide prints on black card, 12 chromolithographed plates, photographic illustrations in the text, advertisements and ‘List of Subscribers’ to rear. (Toning, several bromide prints with small corner creases, slight marginal spotting to black card and a few colour plates.) Original red morocco, gilt lettering to upper cover, g.e. (staining to lower cover and spine). Note: Simmons was a lecturer at the National Bakery School in London and he commissioned the full-size photographs that appear in this work. As he wrote: ‘However critical readers may be they will be forced to admit that never before have they seen such a complete collection of prize loaves illustrated in such an excellent manner’.

PHOTO-BOOK. – Owen SIMMONS. The Book of Bread. London: Maclaren & Sons, [1903.] First edition, 4to (282 x 219mm.) 2 tipped-in silver bromide prints on black card, 8 tipped-in black and white prints, 12 chromolithographed plates, photographic illustrations, advertisements and index to rear. (Offsetting from silver bromide prints, toning, small corner creases to first two black and white prints.) Original green cloth, gilt lettering to upper cover (extremities lightly rubbed, minor scuffing). Provenance: Edward Braxton Reynolds (bookplate to front pastedown). Note: Simmons was a lecturer at the National Bakery School in London and he commissioned the full-size photographs that appear in this work. As he wrote: ‘However critical readers may be they will be forced to admit that never before have they seen such a complete collection of prize loaves illustrated in such an excellent manner’.

10 x 8” double weight bromide, vintage, handmade darkroom, print. Johnny Rotten and pint. June 1977. Signed on front and reverse. Only extant print of this image. Image by Virginia Turbett.Also, a second image by Virginia Turbett measures 9.5 x 6.75" also depicting Johnny Rotten again signed by Virginia Turbett. Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a handmade, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.

Two 8x10" double weight, bromide, vintage, handmade darkroom prints of Buster Bloodvessel and Bad Manners. Images by Virginia Turbett and each signed, with Smash Hits stamps to verso.Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a handmade, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.

Hapag Lloyd - Weltreise - - Sammlung von 256 OPhotographien einer Weltreise der S. S. Resolute (Resolute World Cruise) sowie einigen privaten Aufnahmen. Um 1929/1930. Silbergelatine- und Bromsilbergelatineabzüge auf Photopapier. Maße je ca. 10 x 12,5 cm. Überwiegend mit einbelichteter Bezeichnung sowie datiert. Verso teils hs. datiert u. bezeichnet. Gesteckt in modernes gr.-8° Pp. Album. Mit Aufnahmen einer Weltreise mit der SS Resolute (Resolute World Cruise), einem Schiff der Hapag, welches in den Jahren bis 1935 zahlreiche Weltreisen durchführte. - Gezeigt wird u.a.: Indien: Schlangenbeschwörer, zahlr. architekt. Momumente wie Gateway of India, Garten Eden (Kalkutta), Jama Masjid (Delhi), Fischmarktszenen (Alt-Batavia), Aussicht auf das Himalaya-Gebirge gesehen von Darjeeling. - China: Einheimische auf Sampan-Booten, Panoramaansichten (Hongkong), Pauluskirche (Macau). - Amerika: Nuuanu Pali u. Waikiki Beach (Honolulu), Golden Gate Park (San Francisco), Ölfelder nahe Los Angeles. - Indonesien: Buitenzorg (heute Bogor). - Ägypten: Muhammad-Ali-Moschee, Sultan-Hasan-Moschee (Kairo), Suez Kanal. - Mit einigen Privataufnahmen aus China. - Wenige Photographien etw. verblasst oder fleckig. Insgesamt sehr gut erhaltene sowie umgangreiche Sammlung. Collection of 256 orig. photographs from a world cruise of the S. S. Resolute (Resolute World Cruise) as well as some private photographs. Gelatine silver and bromide gelatin silver prints on photographic paper. Mostly with imprinted inscription and dated. Partly dated and inscribed by hand on verso. Mounted in modern cardboard album. - With photographs of a world cruise on the SS Resolute (Resolute World Cruise), a Hapag ship that travelled around the world on numerous voyages in the years up to 1935. - Depicted: India: Snake charmer, numerous architect. momuments such as Gateway of India, Garden of Eden (Calcutta), Jama Masjid (Delhi), fish market scenes (Old Batavia), view of the Himalayas as seen from Darjeeling. - China: Locals on sampan boats, panoramic views (Hong Kong), St Paul's Church (Macau). - America: Nuuanu Pali and Waikiki Beach (Honolulu), Golden Gate Park (San Francisco), oil fields near Los Angeles. - Indonesia: Buitenzorg (today Bogor). - Egypt: Muhammad Ali Mosque, Sultan Hasan Mosque (Cairo), Suez Canal. - With some private photographs from China. - Few photographs somewhat faded or stained. Altogether very well preserved and comprehensive collection.

Album of Manila and Kowloon, Album 8 x 9 inch, lacking front cover with photographs in Manila, 4 x 5 inch (33) and Kowloon 3 x 4 inch (19) with authors annotations alongside the images. c1901. This was a time of upheavel in the area. After the revolution in 1896, the US were taking over from Spanish control. Many religious parties, including Protestantism, Presbyterians, Methodists and Baptists were showing a prescence. Included in the album, which is unattributed, are images showing street scenes, club houses, local residents bamboo dwellings. People working on the river catching shrimps, the author describes the river as, "stinks like blazes". Images of sellers outside the cathedral and Spanish Priests described as, "Sky Pilots". An interesting written account of eating fried locusts. Later the images move to Kowloon the Walled City. Good street scenes with descriptions. Three images bear the initials "EEH Manila 07/01. Condition: Manila images (bromide prints) are very good. Kowloon (silver prints) some are faded but distinguishable.

Vittorio Sella [1859-1943]. Mountain Views, six large format silver print photographs, comprising: 230 - Torre Mustagh dal Campo XI ai piedi de Golden Throne (telefotografia) [Muztagh or Mustagh Tower in the Karakoram range]. view taken by telephoto lens, lightly tinted, printed description on slip to lower margin, blind-stamped ‘Vittorio Sella, Biella’ lower right, portrait; 91 bis - Masherbrum dal Boltoro [Pakistan, formerly known as K1]. printed description on slip to lower margin, blind-stamped ‘Vittorio Sella, Biella’ lower right, 'Karakorum-Himalaya' or reverse, portrait; 90 bis - Masherbrum dal Baltoro [Pakistan, formerly known as K1]. Lightly tinted, printed description on slip to lower margin, landscape; [Trango Towers, Northern Pakistan]. untitled, landscape; [Snow covered summit, unidentified]. lightly tinted, blind-stamped ‘Vittorio Sella, Biella’ lower right, landscape; [Unidentified mountain range with scree slopes in the foreground, possibly Siniolchu]. lightly tinted, landscape. Silver prints on bromide double weight paper, sheet size 300mm x 397mm, unglazed glossy. [provenance, the photographs were purchased in 1945 by the vendor’s father, a British Army Captain, while stationed in the town of Biella]. C Douglas Milner described Vittorio Bella as ‘the greatest of all photographers of [his] generation’ (A Century of Mountain Photography, Alpine Club Journal, Nov 1957). For a detailed description of his life and work, see Ronald Clark’s monograph ‘The Splendid Hills, The Life and Photographs of Vittorio Sella, 1859-1943’, Phoenix House, 1948. (6) A little dust marking on reverse of some prints, edges a little curled, otherwise no obvious defects.

Vittorio Sella [1859-1943].The Matterhorn (Cervino), six large format silver print photographs of the mountain, comprising:5 - Alte Alpi. Cervino dall’Unter-Theodule Gletscher, nell’inverno 1884, depicting a figure on the glacier looking towards the peak.Slight retouching to the figure and glacier surface, manuscript description to lower margin, portrait;124 - Cervino dalla Valle Zmutt (Zermatt) 4 Agosto 1883, an unusual view of the ridge.Blind-stamped ‘Vittorio Sella, Biella’ lower right, printed title on slip to lower margin, portrait;423 - Cervino (Matterhorn) e Monte Rosa dal Col des Grandes-Murailles 4000m circa, view of the peak with mountain range in background. Very lightly tinted, matt, blind-stamped ‘Vittorio Sella, Biella’ to lower right, printed title on slip to lower margin, landscape;With three untitled views, one portrait and two landscape, one in which the tinted foreground of two mountaineers and equipment is skilfully superimposed over a view of the Matterhorn (this image has some retouching to the skyline and some red scuffing to top right). The other landscape photograph is framed and glazed and appears to have had its margins removed or folded.Silver prints on bromide double weight paper, sheet size 300mm x 397mm, unglazed glossy unless stated, believed printed later than the dates given.C Douglas Milner described Vittorio Bella as ‘the greatest of all photographers of [his] generation’ (A Century of Mountain Photography, Alpine Club Journal, Nov 1957). For a detailed description of his life and work, see Ronald Clark’s monograph ‘The Splendid Hills, The Life and Photographs of Vittorio Sella, 1859-1943’, Phoenix House, 1948.[provenance, the photographs were purchased in 1945 by the vendor’s father, a British Army Captain, while stationed in the town of Biella]. (6)The untitled valley view has nicked top margin and stain to lower margin, there are a couple of scratches in the image. The composed view has red scuff marks to the RHS as described. There are also some small indentations to the LHS. There is a small indentation to the lower part of 124. A little dust marking present on reverse of some prints, edges a little curled.

Vittorio Sella [1859-1943].Alpine Ranges, six large format silver print photographs of the Monte Rosa massif and others, comprising:358 - Monte Rosa - Lyskamm - Castore e Pollure - dalla cresta del Welsshorn (Agosto 1887).Manuscript description to lower margin, blind-stamped ‘Vittorio Sella, Biella’ lower right, landscape;1790 [bis]- Monte Rosa dal Passo di M. Moro (Macugnaga)Printed description to lower margin, landscape;1796 - Monte Rosa dal declivio boscoso sopra Macugnaga, alla sera. Agosto 1895.Skillfully tinted, printed title on slip to lower margin, portrait;1572- Vincent Pyramide - Parrotspitz e ghiarriajo della Pisse dalla cima del Fallenhorn (Alagna) Settembre 1892. Matt finish, blind-stamped ‘Vittorio Sella, Biella’ to lower right, manuscript title to lower margin, landscape;107- Mischabel - Alphubel - Allalinhorn - Rimpfischhorn- & Valle di Zermatt dalla vetta del Cervino 4482 (29 Luglis 1882) Matt finish, blind-stamped ‘Vittorio Sella, Biella’ to lower right, manuscript title to lower margin, landscape;150 - Dente del Gigante versante Occidentale (Monte Bianco).The Giant’s Tooth in the Mont Blanc massif, skillfully tinted, printed title on slip to lower margin, landscape.Silver prints on bromide double weight paper, sheet size 300mm x 397mm, unglazed glossy unless stated, believed to be printed later than the dates given. [provenance, the photographs were purchased in 1945 by the vendor’s father, a British Army Captain, while stationed in the town of Biella]. C Douglas Milner described Vittorio Bella as ‘the greatest of all photographers of [his] generation’ (A Century of Mountain Photography, Alpine Club Journal, Nov 1957). For a detailed description of his life and work, see Ronald Clark’s monograph ‘The Splendid Hills, The Life and Photographs of Vittorio Sella, 1859-1943’, Phoenix House, 1948. (6)Slight crease? to 1790bis, Small spot touched in on 358. Several spots touched in on 107 (preprinting). Some minor scuffs and small indentation (c.4mm) to 150). A little dust marking on reverse of some prints, edges a little curled, otherwise no obvious defects.

Photographs. Miscellaneous albumen, gelatine silver and bromide prints, late 19th c and later, the subjects including British steam locomotives,  soldiers and military, part albums, aircraft, motorcars and many others, various formats and colour transparencies, 35mm - 5x4" (several 100s) Good condition

Papua-Neuguinea - - Sammlung von 41 OPhotographien mit Aufnahmen einer vermutl. britischen Missionarsreise nach Papua Neuguinea. 1930er Jahre. Vintages. Silbergelatine u. Bromsilbergelatineabzüge auf Photopapier (meist Velox, tls. Kodak print). Maße von 6 x 8 bis 7 x 11 cm. Überwiegend auf Albumblätter montiert, diese lose. Gezeigt wird: Zahlreiche Aufnahmen einheimischer Stämme, teils in prachtvollem Federschmuck und opulenter Körperbemalung sowie zusammen mit den Missionaren in Gruppenaufnahmen. - Dörfer mit traditioneller Bebauung. - Stammestänze. - Aufnahmen der "Oronsay", ein Passagierschiff der britischen Reederei Orient Steam Navigation Company eingesetzt auf der Australienroute. - Wenige Aufnahmen etw. gegilbt oder verblasst, teils die Kanten etw. bestoßen. Insgesamt in sehr gutem Zustand. Papua New Guinea - Collection of 41 orig. photographs depicting a presumably British missionary trip to Papua New Guinea. Vintages. Gelatin silver and bromide gelatin silver prints on photographic paper (mostly Velox, sometimes Kodak print). Mainly mounted in album sheets, these loose. - Depicted: Numerous photographs of indigenous tribes, partly in opulent feather adornment and body painting as well as together with the missionaries in group pictures. - Villages with traditional buildings. - Tribal dances. - Photographs of the "Oronsay", a passenger ship of the British Orient Steam Navigation Company used on the Australia route. - Few photographs somewhat yellowed or faded, partly edges somewhat bumped. Altogether in very good condition.

Photographie - Tanz - - Umfangreiche Sammlung von über 200 Photopostkarten zum Tanz in den 1920er Jahren. Versch Techniken, darunter Bromsilber-, Silbergelatineabzüge u.a. Maße überwiegend ca. 14 x 9 cm. Recto u. verso tls. typographisch u. hs. bezeichnet. Meist punktuell montiert in je 2 4° Broschuren mit mont. hs. DSchildchen (dieses etw. laienhaft) (fleckig u. knickspurig). Gezeigt werden: Einige Postkarten der Balletttänzerin Mary Zimmermann. - Ruth Carel. - Hilde Engel. - Regina Gallo. - die Tänzerin und Schauspielerin Lucy Kieselhausen. - Dora Kaiser. - Lena Amsel. - Edith von Schrenck. - Joachim von Seewitz. - Maria Litto. - u.a. - Wohl zuvor in Besitz des Kunsthistorikers Lothar Fischer, beiliegend 9 Bll. Korrespondenz mit dem Thema der gezeigten Tänzerinnen zw. ihm und Sohn des Lovis Corinth, Thomas Corinth. - Teils etw. ausgesilbert u. fleckig, einzelne Photopostkarten in den Ecken bestoßen u. mit kl. Randeinrissen, überwiegend etw. knicksuprig. Die Montierung ingesamt etw. laienhaft, jedoch gut erhalten. Collection of over 200 photographic postcards of dance in the 1920s. Various techniques, including silver bromide and gelatin silver prints, a.o. On the back and front partly typographically and handwritten inscribed. Mostly mounted in spots in 2 brochures each with mounted handwritten label (this somewhat amateurish) (spotted and creased). - Partly somewhat silvered and spotted, some bumped in the corners and with small tears in the margins, mostly somewhat creased. The mounting altogether somewhat amateurish, however in good condition.

PONTING (HERBERT GEORGE)'Captain Scott's Last Birthday Dinner, 1911. (Officers' Table.)', toned silver bromide print, on card, captioned in ink on the original Fine Art Society label on verso, contemporary oak frame [FAS 1913, No. 51], 480 x 515mm., [1911, printed 1913]Footnotes:Fine photograph of the Scott and his officers seated for dinner to celebrate his forty-third birthday on 6 June 1911 in Antarctica. 'It shows that they ate very well and that this special occasion they took great care with the presentation of the meal... There is a strong patriotic atmosphere: a Union Jack is laid on the table and behind Scott we see sledge flags belonging to the team' (D. Hempelman-Adams, S. Gordon and E. Stuart, The Heart of the Great Alone. Scott, Shackleton and Antarctic Photography, 2009, p.113).The Fine Art Society mounted the first public exhibition of Ponting's photographs at their gallery in New Bond Street, London on 4 December 1913, displaying 146 images, and generating some 680 orders. They were available in four sizes, the present sample being the third largest exhibition format. Landscapes proved the most popular, with comparatively few portrait ordered (for example just thirteen orders were received for the special set of large photographs of the polar party), with the present image rare and one of the few images Ponting developed as toned silver bromide prints.Provenance: Fine Art Society label (captioned in ink 'Capt. Scotts Birthday Dinner / 1911. / 51' on the reverse), with pencil name 'Jeffreys L.' beneath in pencil. On the backing board of the frame is a trade label of Richard Jeffreys, picture dealer and framer, Liverpool.For further information on this lot please visit Bonhams.com

Bob Carlos Clarke (British, 1950-2006)Black Is My True Love's Heart, from Dark Summer Silver bromide print in black and white, 1984, on wove paper, signed, titled, dated and numbered 6/25 in black ink, framedImage 390 x 308mm (15 3/8 x 12 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Michael Spencer Jones (British, born 1961): Liam At The Mic, Out Of The Blue Studios, 1993, printed later, silver bromide lithograph print, signed by the photographer and numbered 5/15 in black ink, with photographer's blindstamp, 20in x 16in (51cm x 41cm) overall Footnotes: Provenance: Offered directly by Michael Spencer Jones. This lot is subject to the following lot symbols: † † VAT at the prevailing rate on Hammer Price and Buyer's Premium. For further information on this lot please visit Bonhams.com

Michael Spencer Jones (British, born 1961): Oasis - Cigarettes & Alcohol, 1994, printed later, silver bromide lithograph print, signed by the photographer and numbered 11/15 in black ink, with photographer's blindstamp, 16in x 20in (40.5cm x 51cm) overall Footnotes: Provenance: Offered directly by Michael Spencer Jones. 'Cigarettes & Alcohol' is the fourth single from Oasis' debut album 'Definitely Maybe', released in 1994. The photoshoot for the single cover took place at the Halcyon Hotel in London earlier that year. This lot is subject to the following lot symbols: † † VAT at the prevailing rate on Hammer Price and Buyer's Premium. For further information on this lot please visit Bonhams.com

Michael Spencer Jones (British, born 1961): Oasis - D'You Know What I Mean?, 1997, printed later, silver bromide lithograph print, signed by the photographer and numbered 3/15, with photographer's blindstamp, 20in x 16in (51cm x 41cm) overall Footnotes: Provenance: Offered directly by Michael Spencer Jones. 'D'You Know What I Mean?' is the first single from the third Oasis album 'Be Here Now', released in 1997. The photo shoot for this cover took place in Wigan in March 1997. This lot is subject to the following lot symbols: † † VAT at the prevailing rate on Hammer Price and Buyer's Premium. For further information on this lot please visit Bonhams.com

Michael Spencer Jones (British, born 1961): Oasis - Be Here Now - Infrared, 1997, printed later, silver bromide lithograph print, signed by the photographer and numbered 7/15, with photographer's blindstamp, 20in x 16in (51cm x 41cm) overall Footnotes: Provenance: Offered directly by Michael Spencer Jones. This lot is subject to the following lot symbols: † † VAT at the prevailing rate on Hammer Price and Buyer's Premium. For further information on this lot please visit Bonhams.com

Robert "Bob" Carlos Clarke (British/Irish, 1950-2006),"Black Hat",Limited edition silver bromide photographic print on paper,Signed, titled and numbered 1 of 25 to applied label verso (copy of label applied to back board),Baudoin Lebon (Paris) gallery label verso,55.5cm x 66.5cm,Framed and glazed

Gill (Stephen) A Series of Disappointments, number 80 of 100 special copies signed by Gill and with an original bromide print & stencil, from an edition limited to 3000, folding concertina style, original print signed & dated in pencil on verso and loosely inserted with stencil, original green and silver cloth, original black cloth drop-back box, Nobody & Archive of Modern Conflict, 2008; ordinary edition, [3 copies in 3 different coloured bindings], each one of 3000 copies signed by Gill, original cloth, 2008; Buried, one of 750 copies signed by Gill and with an original C Type print loosely inserted, original boards textured with mud, slip-case, 2006; Hackney Rag: Stephen Gill Photographs, newspaper format, folded, with an original signed print, together in cellophane bag, Tokyo, 2009; Invisible, original boards, dust-jacket, 2005; Invisible Origami, original wrappers, 2007; B-Sides, original decorated boards, 2010, the last three all one of 1000 copies signed by Gill, all with photographic illustrations by Gill; and 4 others by Gill, 4to & 8vo (13)

Photographs: Robert Peel Glanville Blatchford and related, 1920s.- comprises: Sacha (Alexander Stewart, 1892-1953) Robert Blatchford, bromide print, 1927, signed lower right, with photographers stamp and numbered in pencil on verso, 10 x 13 inches; Emil Otto Hoppe (1878-1972) Robert Blatchford, gelatin silver print, c. 1927, signed lower right, 7 ½ x 10 inches; Emil Otto Hoppe, a family group, gelatin silver print, 1923, mounted on brown card, signed lower right, dated in pencil with the photographers printed label and numbered on verso, the image 7 x 9 ¾ inches, overall 11.5 x 11.5 inches; Edward Bent Walker (1860-1917) an engraving of Robert Blatchford, signed in pencil on margin, twelve carte de postale, many captioned, a few inscribed, including Alexander Mattock Thompson, (co-founder of 'The Clarion') inscribed on verso With all good wishes, Alex. M. Thompson, Xmas 1900; William Ranstead, inscribed on verso W. Ranstead to Mont. Blatchford; together with five other family related photographs, including one signed by Robert Blatchford; (21)Robert Peel Glanville Blatchford (1851-1943) was a British socialist campaigner, journalist, and author. He co-founded The Clarion, a weekly British socialist newspaper in 1891.William Ranstead (1859-1944) established a Clarion Colony in New Zealand in 1901. Montagu Blatchford was a cartoonist with Punch magazine.Provenance: The Collection of Christine Glanville (1924-1999) British puppeteer, grandniece of Robert Blatchford and granddaughter of Montagu Blatchford.Christine Glanville's long association with Gerry Anderson began in 1956. Glanville went on to design, supervise and operate many leading characters on numerous Anderson marionation productions including Four Feather Falls,Supercar,Fireball XL5, Stingray, Thunderbirds, Thunderbirds,Thunderbirds Are Go,Captain Scarlet And The Mysterons, Thunderbird 6,Joe 90, The Secret Service, The Investigator, Alien Attack, Terrahawks and Andersons unscreenedSpace Policepilot episode.

Jorge Molder (b. 1947)"The Secret Agent"Fabric-lined hardcover book and cardboard portfolio containing 3 photographs on Ilford Multigrade silver bromide paperDeluxe edition, signed and numbered 5 and photographs signed, dated 1991 and numbered 5/15 on the reverseDifusão Cultural EditionThis book was published on the occasion of the exhibition "The Secret Agent", by Jorge Molder at Galeria Cómicos/Luís Serpa, in 1991. 1000 copies were published, as well as a special edition of 100 signed and numbered, and a deluxe edition of 15 signed and numbered, containing three original photographs.31x24 cm (book)42x31,5 cm (portfolio)39,3x30,5 cm (photographs)

Zeppelin Interest: Zeppelin-Weltfahrten (Graf Zeppelin) an album containing 256 silver bromide photographs and history of the Zeppelin, with various maps and construction diagrams, dated 1933.

Marie CLOQUETHerbarium V.Silver bromide and watercolor on paper, 2020.Herbarium V.Zilverbromide en aquarel op papier, 2020.64 x 50 cm Benefietveiling ten voordele van het Project Gentbrugse MeersenOpbrengst 100% voor het project

* King George VI (1895-1952), Queen Elizabeth, the Queen Mother (1900-2002), Queen Elizabeth II (1926-2022) & Princess Margaret (1930-2002). A full-length portrait photograph of George VI and Queen Elizabeth in full Coronation robes, with their two daughters, the Princesses Elizabeth and Margaret, in the Throne Room, Buckingham Palace, London, by Dorothy Wilding, 12 May 1937, vintage cream-toned bromide print, photographer's credit in capitals in white china ink lower left, 255 x 205 mm, signed in brown ink on the lower mount by all four sitters, 'George R.I. / 1937', 'Elizabeth R', 'Margaret' and 'Elizabeth', contemporary wooden desk frame with silver-stained border, overall 310 x 235 mmQTY: (1)NOTE:Dorothy Wilding (1893-1976) was the first woman to be appointed as the Official Royal Photographer for the 1937 Coronation. This is an uncommon example of this famous photograph, bearing not only the autographs of George VI and Queen Elizabeth, but also those of the future Queen Elizabeth II, then just 11 years old, and her 6-year-old sister Margaret.

ROYALTY - PHOTOGRAPHYWILDING (DORORTHY) George VI; Elizabeth, his consort, a pair of portraits, half-length, George in Naval uniform, Elizabeth in evening dress, white fur stole and tiara, gelatin silver prints, mounted, framed and glazed, SIGNED BY THE SITTERS ('George R. 1949' and 'Elizabeth R. 1949') on mount, images approx. 208 x 150mm., 1949--CECIL (HUGH) Edward, Prince of Wales, seated half-length, bromide print, some marginal fading, mounted (spotting to mount), SIGNED BY THE SITTER ('Edward, 1926') on the image, image 180 x 135mm., 1926--VAN DYK. GEORGE VI, as Prince Albert; Prince Henry, Duke of York, a pair of portraits, gelatin silver prints, mounted on card, SIGNED BY THE SITTERS ('Albert 1922', and 'Henry 1922') on the mount, images approx. 180 x 122mm., 1922--WRIGHTSON (HAY) Prince George, Duke of Kent, head and shoulder portrait, bromide print, mounted on card, SIGNED BY THE SITTER ('George 1925') on the image, and by the photographer beneath image, image 198 x 140mm., 1925--Portrait of Princess Mary, daughter of George V, seated, by an unknown photographer, bromide print, mounted, glazed and framed, SIGNED BY THE SITTER ('Mary 1918') on the image, image 198 x 150mm., 1918 (7)For further information on this lot please visit Bonhams.com

Sammlung Stan Laurel und Oliver Hardy Filmplakate und Photos. 1) 3 verschiedene Filmplakate "The Flying Deuces", 1939, 1 Plakat 62 x 95 cm, gefaltet, mit Rissen; 1 Plakat 35 x 56 cm, gefaltet, und 1 Plakat 71 x 56 cm, gefaltet, gerissen, dazu 7 verschiedene Kleinplakate, mit Lochungen. (3-/-) - 2) Filmplakat "A Chump at Oxford", gefaltet, Lochungen. (4/-) - 3) 6 Filmplakate, ca. 40 x 60 cm, nach 1950, aus Belgien und Niederlande. (3/-) - 4) 3 verschiedene Filmplakate aus Italien, 1969, 67 x 47 cm, "L’Irresistibile Coppia". (3/-) - 5) 5 Filmplakate von "The Best of …" in verschiedenen Größen, normal erhalten. (3/-) - 6) 45 Photographien als Hochglanz-Bromsilberphotos, davon 7 auf Karton aufgezogen, sehr unterschiedlicher Zustand, mit Prägestempel und zum Teil mit Randbeschädigungen. - Und: 7) LP-Schallplatte "Dialogue and Songs from the Original Soundtracks". (3/-) Start Price: EUR 160 Zustand: ()Stan Laurel and Oliver Hardy CollectionMovie posters and photos. 1) 3 different movie posters "The Flying Deuces", 1939, 1 poster of 62 x 95 cm, folded, with tears; 1 poster of 35 x 56 cm, folded; 1 poster of 71 x 56 cm, folded, torn; and in addition 7 different small posters, with holes. (3-/-) - 2) "A Chump at Oxford" movie poster, folded, perforations. (4/-) - 3) 6 film posters of approx. 40 x 60 cm, post-1950, from Belgium and the Netherlands. (3/-) - 4) 3 different film posters from Italy, 1969, 67 x 47 cm "L'Irresistibile Coppia". (3/-) - 5) 5 movie posters from "The Best of …" in various sizes, in normal condition. (3/-) - 6) 45 photographs as glossy silver bromide photographs, 7 mounted on cardboard, very mixed condition, with embossed stamp and several with partial edge damage. - And: 7) LP record "Dialogue and Songs from the Original Soundtracks". (3/-) Start Price: EUR 160 Condition: ()

Charlie Chaplin - Filmplakate, Filmphotos und Statuette1) Filmplakat von 1942, 56 x 71 cm "The Gold Rush", gefaltet, mit Lochungen. - 2) 15 Hochglanz-Bromsilberphotos 20 x 25 cm der Vorkriegszeit, einige mit Nadellöchern, zu den Filmen "Modern Times", "The Gold Rush", "City Lights", "The Great Dictator" und unbezeichneten Filmen. Mit Prägestempel, Bildton gut erhalten. - 3) Statuette von Charlie Chaplin, Kunststoff, Höhe 90 cm, gut erhalten. - Und: 4) Filmplakat von 1942, 91 x 35,5 cm, "The Gold Rush", gefaltet, mit Flecken. Start Price: EUR 180 Zustand: (-/-)Charlie Chaplin - Movie Posters, Movie Photos and a Figure1) 1942 movie poster 56 x 71 cm "The Gold Rush", folded, with perforations. - 2) 15 glossy pre-war silver bromide photographs, 20 x 25 cm, some with pinholes, of films "Modern Times", "The Gold Rush", "City Lights", "The Great Dictator" and untitled films, with embossed stamp, picture tone well preserved. - 3) Plastic figure of Charlie Chaplin, height 90 cm, well preserved. - And: 4) 1942 movie poster, 91 x 35.5 cm, "The Gold Rush", folded, with stains. Start Price: EUR 180 Condition: (-/-)

Erotisches Photoalbum, um 1930-60Vermutlich aus Schweden. Grüner Ledereinband, 33 x 25 cm, mit 24 Tafeln und ca. 190 montierten Photographien, davon 16 Drucke, ansonsten Bromsilberabzüge in Formaten von 6 x 9 bis 13 x 18 cm. Einige Bilder sepiagetont, durchweg Privataufnahmen eines Frauenliebhabers mit Sinn für Inszenierungen. Kein Bild fehlt, Album komplett und gut erhalten. Start Price: EUR 140 Zustand: (3/3)Erotic Photo Album, c. 1930-60Probably Swedish, with green leather binding, 33 x 24 cm 24 plates and approx. 174 mounted silver-bromide prints (in formats from 6 x 9 to 13 x 18 cm) and 16 reproductions of women in artfully-staged poses, some sepia images, album complete and in good condition with all its photographs present. Start Price: EUR 140 Condition: (3/3)

Stereoskop "Imperial" und Aktbilder1) Neue Photographische Gesellschaft, Berlin-Steglitz. Miniatur-Blechbetrachter, lithographiert, für Stereobilder 3 x 7 cm, USA-Version im Vertrieb der Rotograph, New York. Mit 20 Erotika-Stereobildern der Serie II sowie 16 Stereobildern der Serie IV zu Italien. Mit roter Schachtel, Händlerschild aus Venedig. (3/3) - 2-5) Verascope Richard, Akt-Stereodia, 45 x 107 mm, und Vistascreen Series S.10 Miss Continentale No. 1, 4 Akt- Stereokarten 44 x 110 mm. (3/-) - 6-9) Erotikdias 45 x 107 mm, Planfilmkopien der 1920er Jahre. - Und: 10-18) Neuzeitliche Akt-Bromsilber-Reprints in 9 x 18 cm. Start Price: EUR 120 Zustand: (-/-)Imperial Stereoscope Viewer and Erotic Stereo Images1) Neue Photographische Gesellschaft, Berlin-Steglitz. Small lithographed viewer for 3 x 7 cm stereo pictures, export version Rotograph, New York, with 20 erotic Series II images and 16 Series IV images of Italy, with red maker’s box, retailed in Venice. (3/3) - 2-5) Verascope Richard erotic stereo slide, 45 x 107 mm, and 4 Vistascreen Series S.10 "Miss Continentale No. 1" erotic stereo cards, 44 x 110 mm. (3/-) - 6-9) Erotic slides, 45 x 107 mm, film copies of 1920s’ images. - And: 10-18) Modern erotic bromide-silver reprints, 9 x 18 cm. Start Price: EUR 120 Condition: (-/-)

Sammlung Albumin-Bilder zu Rom, ab 1860Alle Albuminbilder mit Ansichten aus Italien mit Schwerpunkt Rom. 1-20) Doppelseitig aufgezogene Albuminbilder, meistens Abzugsgröße 20 x 25 cm. Darunter von Anderson - Sicht von der "Villa Panfili" auf den Petersdom. Unterschiedlich erhalten. - 21-22) Brogi No. 3663 Roma Ponte Rotto und No. 16283 Roma Palazzo di Borghia. - 23-40) Auf Karton aufgezogene Albuminbilder, Bildgröße meist 20 x 25 cm. Darunter ein schönes Bild "Ruins of the Caesar’s Palace" mit Weingärten davor. - 41-51) Albuminabzüge im Format von 22 x 13,5 cm bis 20 x 26 cm. - Und: 52-53) Abzüge auf Bromsilber 28 x 30 cm und 16 x 21 cm von einem Photographen vor dem Kom-Ombo-Tempel bei Assuan. Start Price: EUR 180 Zustand: (-/-)Collection of Albumen Pictures of Rome, 1860 onwardsAll albumen images with views of Italy with a focus on Rome. 1-20) Card-mounted double-sided albumen prints, mostly print size 20 x 25 cm, including Anderson - view from "Villa Panfili" over St. Peter's Basilica, mixed condition. - 21-22) Brogi No. 3663 "Roma Ponte Rotto" and No. 16283 "Roma Palazzo di Borghia". - 23-40) Albumen prints on card, picture size mostly 20 x 25 cm, including a striking image of "Ruins of the Caesar's Palace" with vineyards in the foreground. - 41-51) Albumen prints in range 22 x 13.5 cm to 20 x 26 cm. - And: 52-53) Bromide-silver prints, 28 x 30 cm and 16 x 21 cm, with a photographer in front of the Kom Ombo Temple near Aswan. Start Price: EUR 180 Condition: (-/-)

QV to KGVI mint range with over 200 stamps incl. 1881 1d pale lilac 14 dots (SG.171, cat. £225), 1887-1900 jubilees, the 1/- green stained, the 1/- green and carmine MNH, KEVII to 1/-, the KGV with useful range of Downey heads, side-profiles 1920s and '30s both to 1/-, wmk varieties incl. 1924 and 1935 photogravure 2d oranges wmk sideways (SG.421b, 442b, cat. £225), 1925 Empire Exhibition set MNH, through to KGVI incl. dark colour defins inverted and sideways wmks (462a/466a, 462wi/466wi, cat. £350), both high value sets to £1 brown, as well as highly unusual MNH Silver Wedding £1 'reprint' in black on gummed paper. With assistance from the NPM archive, this is identical to the example they hold produced from the original bromide proof.

Heinz Hajek-Halke. (1898 Berlin - 1983 ebd.). Der Banjospieler und seine Welt. Späterer Abzug von 1978 nach der Photographie von 1928. Bromsilbergelatineabzug auf Photopapier. 25,3 x 20,2 cm. Signiert und nummeriert. - Partiell mit wenig bestoßenen Kanten. Insgesamt wohlerhalten. Eines von 45 Exemplaren. - Aus einer Edition der Galerie Werner Kunze, Berlin 1978. Later print from the 1970s after the 1928 photograph. Silver bromide gelatin print on photographic paper. Signed and numbered. - Partially with a little bit bumped edges. Overall in good condition. - One of 45 copies. - from the edition of Werner Kunze, Berlin 1978.

Heinz Hajek-Halke. (1898 Berlin - 1983 ebd.). Der Trinker. Späterer Abzug nach der Photographie von 1925. Bromsilbergelatineabzug auf Photopapier. 25,4 x 19,2 cm. Verso signiert. - Mit leichten Lagerspuren, sonst in gutem Zustand. Later print after the photograph from 1925. Silver bromide gelatin print on photographic paper. Signed on verso. - With slight traces of storage, otherwise in good condition.

Olga Solarics (1896 - 1969)Rückenakt. Späterer Abzug nach der Photographie um 1935. Bromsilbergelatineabzug voll auf Karton aufgezogen. 49 x 37 cm. Signiert und ortsbezeichnet. Verso auf Karton betitelt und mit weiteren Werksangaben.- An den Kanten vereinzelt mit Bestoßungen und wenig Materialverlust. Insgesamt in gutem Zustand. Later print. Silver bromide gelatin print fully mounted on cardboard. Signed and locally inscribed. Titled and with further details of the work on the verso of the cardboard. Overall in good condition.

Bread.- Photobook.- Simmons (Owen) The Book of Bread, first edition, one of 350 deluxe copies (with list of subscribers at end), 10 tipped-in silver bromide prints, 12 chromolithographed plates, advertisements at end, silver bromide prints with silvering and a few creased at lower inner corner, some spotting or foxing, mostly marginal, occasional staining, original black crushed morocco, gilt, rebacked in in black modern morocco, gilt spine in compartments and with a red leather label, corners worn, rubbed, [Bitting p. 435; Parr & Badger The Photobook, I, 56], 4to, Maclaren & Sons, [1903].⁂ 'one of the humblest, yet most essential of objects is catalogued as precisely, rigorously and objectively as any work by a 1980s Conceptual artist' (Martin Parr in The Photobook).

Rare Original 1932 Zeppelin Weltfahrten (Graf Zeppelin) Collectors Book. This Fantastic Book Has 264 Silver Bromide Images and a Metal Foil Image of the World Flight Commemorative Coin, Maps and Info. Images of the world travels of the 1st Airship 1899 to the LZ127 Graf Zeppelin. Complete with all image cards. Showing signs of age otherwise. Good condition Est.

Portraiture. An assorted group of photographic portraits, early to late 20th century, mostly bromide and gelatin silver prints, including a framed and glazed Woodburytype portrait of Ellen Terry with facsimile signature to mount, a large carbon print of Queen Victoria, two chips to edges, 48 x 38 cm, mounted on card, other photographers include Randolph Bezzant Holmes (2), Dorothy Wilding (2), Henry Hoppé, Richard Levin, David Redfern, Lisel Haas, and many unidentified, various sizes, some on mountsQTY: (approx. 70)

Beaton (Cecil, 1904-1980). Portrait of the fashion editor Madge Garland, 1927, matt bromide print, boldly signed by Beaton in red watercolour lower right, a little insect trail damage to upper left corner, lower margin a little chipped, slight blue ballpoint pen mark to left margin, lower corners a little creased, 25 x 27.5 cm, together with a later gelatin silver print of a variant imageQTY: (2)

Beaton (Cecil, 1904-1980). Portrait of the fashion editor Madge Garland, 1929, vintage bromide print, half-length, face full to camera, dated in ink to lower right corner, a few small surface marks, a lengthy presentation inscription to verso bequeathing the photograph from Yvonne to Shaunagh, 24 July 1990, 21 x 16.5 cm, together with 2 other vintage bromide prints of Madge Garland wearing designer hats, one titled 'Madge, 1931' in ink to lower margin of photograph, 23.5 x 19 cm, original mount with pencil signature of Madame Yevonde to lower margin and stamp to verso, the second of an unidentified photographer, the sitter with her hand on the head of a marble horse, 19 x 20 cm, original mount, inscribed 'Neme - 1933, love to Bübchen', plus a later gelatin silver print from an original in the National Portrait Gallery and Lady Ashton's British dark blue passport (expired 18 September 1985)QTY: (5)

Bill Brandt (1904-1983), 'Misty Evening in Sheffield', silver bromide print, c.1935, signed to lower right corner, 34 cm x 29 cm, framed and mounted (unglazed).Wedding present to vendor: "Given by Bill & Noya"Condition report: With it being unglazed, there are some surface creases / imperfections (see images). Mount is lifting beside the signature.

BRIGHT YOUNG THINGS: a folio of seven portrait photographs, 1920s-30s. comprises: HERBERT RICHARD LAMBERT. (British, 1882 - 1936). Violet Gordon-Woodhouse and Agustin Rubio, c. 1930s. two bromide prints on photographer's tissue mounted card, inscribed in pencil to tissue mount, 'Herbert Lambert / Elliot & Fry Studios', the images 15.2 x 20cm and 14.3 x 19.8cm, both with manuscript captions in pencil beneath, 'Violet Gordon Woodhouse, the musician with her master', and 'Violet Gordon Woodhouse', both numbered in pencil on versos of card, H5849J and H5849A, 31 x 26.5cm overall. Herbert Richard Lambert was a British portrait photographer known for his portrayals of professional musicians and composers including Gustav Holst. Lambert became managing director of the Elliott & Fry portrait studio in 1936. In addition to photography, Lambert was also an amateur maker of musical instruments, specialising in harpsichords and clavichords. Violet Kate Eglinton Gordon- Woodhouse (1872 - 1948), was a British harpsichordist, clavichordist, and pianist. Violet first met Osbert Sitwell at one of the Sunday afternoon recitals she gave at her home in Ovingdon Square, London, during the First World War. She became a close family friend, and all three Sitwells stayed with her at Nether Lypiatt, her home in Gloucestershire, and visited her in Mount Street, Mayfair. Violet later studied with Agustin Rubio, Spanish cellist and music teacher to Pablo Casals. Sacheverell and Osbert Sitwell both wrote that they had only known two women of genius, one was their sister Edith, the other was Violet Gordon-Woodhouse. Sacheverell, being the most musical of the Sitwell siblings, spent time with Violet discovering the keyboard sonatas of Domenico Scarlatti; PAUL LAIB. (German, 1869 - 1958). Viva King. c. 1930s. a photographic print of an original portrait painting, on card mount, manuscript caption in pencil beneath, 'Mrs. William King nee Viva Booth', photographer's printed stamp to verso of mount, the image 22 x 17cm, 39 x 30cm overall.Paul Laib made photographic records of paintings, drawings and sculpture for his artist clients. The majority of the photographs were taken whilst work was in the artists' possession. Laib photographed works of all the major artists working in Britain between 1898 and 1950s. Mrs. Viva King (1893-1978), was referred to by Osbert Sitwell as both 'the Queen of Bohemia' and 'the Scarlet Woman'. Her marriage to Willie King (British Museum curator and ceramics expert), was unconventional, (both were said to proposition young gay men). Viva became the hostess of a successful salon at Thurloe Square, London...' (Elizabeth Wilson, Bohemians: The Glamorous Outcasts, 2003). 'Queen of Bohemia'; HUGH CECIL. (British, 1889 - 1974). Hon. Desmond Parsons, c. 1920s. a bromide print on card mount, signed lower right, manuscript caption in pencil beneath, 'Hon. Desmond Parsons, brother of Michael Earl of Rosse', the image 23 x 18.6cm, photographer's printed label, green text, to verso of card mount, numbered 11099 A, 35.9 x 25.9cm overall. Hon. Desmond Edward Parsons, (1910-1937) was an aristocratic aesthete, regarded as 'one of the most magnetic men of his generation.' He had a passionate friendship with James Lees-Milne, the one true love of Harold Acton, and the unrequited love of Robert Byron. In 1934 they lived together in Peking, where Parsons developed Hodgkin's Disease. His brother, who was visiting him, managed to bring Desmond Parsons back to Europe where he died on 4 July 1937; MACADAMS (?possibly), MONTREAL. Elizabeth Le Mesurier. c. 1920s. a bromide print on card mount, signed in pencil lower right by the photographer, manuscript pencil caption above, 'Elizabeth le Mesurier, friend of Mrs S Sitwell', further inscribed by the sitter in pencil beneath, 'very best love / Betty', the image 22.5 x 17.2cm, 31.7 x 25.5cm overall; GREENS STUDIO, FLEMINGTON, N.J. Frances (Mufi) Engleman, c. 1920s. a bromide print on card mount, silver elastic mounts to corners, captioned in pencil beneath, 'Frances (Mufi) Engleman, 1st cousin of Mrs S Sitwell, (daughter of Frances Engleman - nee Hyde, maternal aunt of Mrs S Sitwell) (1902 - )', the image 23.5 x 17.5cm, studio printed stamp to verso of photograph, 34.5 x 25cm overall; PAUL TANQUERAY. (1905 - 1991). Georgia Sitwell, 1928. a bromide print mounted on card mount, signed and dated in pencil lower right, the image 29 x 23.7cm, photographer's printed label, red text to verso of card mount, the studio address 139, High Street Kensington. W., and numbered 697B, 42.5 x 32.5cm overall. Paul Tanqueray began his photographic career as a pupil of photographer Hugh Cecil. Tanqueray opened his first studio at 139, High Street, Kensington in 1925. Tanqueray, as London's youngest photographer of the day, documented an era that had become obsessed with youth and modernism. During this time he employed ex-Cambridge graduate, Cecil Beaton as his assistant; the photographs loosely inserted into a blue folio folder, with the Lenare portraiture studio's name and address in gilt to front. (Qty. 7).Provenance: The Sitwell Family collection.              

DUDLEY GLANFIELD0 (1904-1992) Ten Society Portraits, nine bromide prints c.1928-1932 all signed recto on mount, subjects include Col The Rt Hon Wilfred Ashley MP, with a photograph by Glanfield of a young boy, overpainted in colour (original process hard to discern) and an anonymous silver gelatin print, autographed by Keith Miller, Australian cricketer, c. 1940's sizes approx 21cm x 16, photographs in good condition, condition of original mounts vary (11)

* Grainger (Percy, 1882-1961). Australian composer and pianist. Photograph signed, 'Percy Grainger, Aug[ust] 1923', sepia bromide silver print, half-length in part profile, signed and inscribed for Frederick H. Martens in blue ink to a lighter part of the image, beneath 2 bars of an autograph musical quotation from Hillsong I, small circular blindstamp of the photographer [Alfred] Krauth, Frankfurt, to lower right corner, some silvering visible to lower and right margins (when viewed at an angle), 21.5 x 15.5 cm, framed and glazedQty: (1)NOTESThe first version of Grainger’s Hill Song Number 1 was composed between 1901 and 1902. After much rewriting and revising, it was eventually published by Universal Edition in 1924. Grainger said of this work, ‘…I think it is one of the very richest in herzblut [heart's blood] of all my works'. Frederick Herman Martens (1874-1932) was an American music journalist and writer.

* Nepal. A group of 6 photographs of Nepalese royalty by Lafayette, c. 1938, bromide silver prints including His Excellency Lieutenant General Shumshere Jung Bahadur Rana, KBE, shown singly and in various portrait settings, images 33 x 23 cm and similar sizes, original mounts with studio pencil signature at foot and stamps to most versosQty: (6)

Larken (Sir Frank, 1875-1953). Archive of Royal Navy service, c.1890, comprising: 1. 'Log of H.M.S. "Tyne", "Bellerophon", "Emerald", "Partridge", "Blake", and "Cleopatra". Kept by Frank Larken, Mid.' [cover-title], North America and West Indies Station, 15 July 1891 – 30 November 1893, approx. 190 leaves, printed headings and red rules, completed by hand on some 145 leaves, 31 charts and plans (including Bermuda Harbour, the first International Naval Review at New York, 1893, many of Newfoundland and environs, many of route from Bermuda to Jamaica via Antigua, Barbados and Trinidad) and 32 technical drawings and views (including a view titled 'Ice-Berg, ashore off St John's') , nearly all in watercolour on card (a few in pen-and-ink ), tipped in or mounted (some partially lifting), occasional adhesive-staining (stronger to first few leaves), damp-staining to blanks at rear, original blue morocco binding, spine defective, covers detached and worn, folio (30.3 x 19.8 cm), 2. 'Journal. Mr. F. Larken, H.M.S. Cleopatra', North America and West Indies Station, 1 December – 14 May 1895, approx. 90 leaves, printed headings and red rules, completed throughout, 16 charts and plans (including Port Royal in Jamaica, Ireland Island in Bermuda, Bermuda dockyard, and Bermuda minefield) and 9 technical diagrams, nearly all in watercolour on wove paper (a few in pen-and-ink), tipped in or mounted (some partially lifting), original half sheep, spine defective, worn, folio (32 x 20 cm), 3. Larken's personal bicorn hat, dress epaulettes and sword belt, black felt bicorn hat by Gieves Ltd with gilt braid and button, gilt braid epaulettes by Gieves, Matthews & Seagrove (each with three stars; one epaulette with crown and one of the stars detached), leather sword belt by Gieves Ltd with gilt metal buckle and acorn and oakleaf gold bullion embroidery (some wear), in japanned metal tin with brass plaque engraved 'Rear Adml F. Larken' and maroon velvet lining, 30 x 48 x 25 cm, 4. Three Royal Navy commemoration volumes, i.e. a) H.M.S. Dreadnought. Memorabilia, Malta: printed for private circulation by Antonio Bartolo, [1886], 125 [3] pp., folding table, 2 albumen print diagrams mounted to blank pp. 4 and 36 (soiling to adjacent leaves), annotation by Larken to front free endpaper, original blue skiver, worn, date '1886' gilt to front cover, worn, 4to (23.5 x 17.8 cm), one copy on WorldCat (Mariners' Museum Library, USA), b) Visit of the French Fleet, August, 1905 [cover-title], London: Eyre and Spottiswoode, [1905], 9 pp., 4 plates, folding colour map on silk in end-pocket (frayed at edges), silk doublures, original blue calf gilt, 8vo (24 x 16 cm), one copy on WorldCat (National Maritime Museum), c) Visit of Colonial Premiers and the Houses of Parliament to Portsmouth, [London]: Private and not for Publication, [1907], 23 [1] pp., 7 mounted photographic plates, folding text-leaf, folding map, silk doublures, original blue calf richly gilt, 4to (23.5 x 18.5 cm), 5. Three personal notebooks and scrap-albums including notes on science, c.1930, 6. Original silver bromide print portrait photograph of Larken by Walter Stone, [1934], faded, in folding case (poor condition) with similar portrait opposite (probably his wife)Qty: (10)NOTESProvenance: By direct descent to the present owner. Admiral Sir Frank Larken KCB CMG (1875-1953) entered the Royal Navy in 1889. On the declaration of war in August 1914 he took command of light cruiser HMS Doris in the eastern Mediterranean, with instructions to launch amphibious raids on Turkish positions along the Syrian coast. His demolition of the railway at Alexandretta in December 1918 forced the Turks into negotiations by which they agreed to destroy their own railway engines and stores, under British supervision, a somewhat farcical event which was key to Churchill's appraisal of Turkish military capability and his decision to launch the Gallipoli campaign, during which the Doris provided support for the Anzac landings. Larken later commanded battleship HMS Valiant (1922-4), was promoted rear-admiral in 1924, vice-admiral in 1929, and admiral in 1933.

* Wright (Orville & Wilbur). An historic lunch given to the brothers Messrs Orville and Wilbur Wright and Miss Katherine Wright, at the Carlton Hotel, May 3rd, 1909, by Mr Frank Hedges Butler, one of the founders of the Aero Club, vintage bromide gelatin silver print, 23 x 28.5 cm, contemporary card window-mount with printed caption beneath and printed biographical key of the 20 people present to verso (Qty: 1)

* Isle of Man. Ramsey Harbour, Isle of Man, by J.W. Tempest, circa 1920, vintage gelatin silver bromide print, 27 x 36cm, mounted on board (split to left margin), original exhibition label signed by Tempest retained (Qty: 1)

FRANTISEK DRTIKOL (1883 - 1961) nude study. gelatin silver bromide print, ca. 1920s., mounted, Drtikol - Prague Bromographia stamp left side on image, 9cm. x 25cm., within pink border, unframed. DDS

Homer W Sykes (Canadian, b.1949 ) MICK JAGGER AND CHARLIE WATTS, 1971 A silver bromide print, printed 1990s, signed 'Homer W Sykes' image 35 x 53cm overall 50 x 60.5cm

Homer W Sykes (Canadian, b.1949) 'KEITH RICHARDS - THE ROLLING STONES', 1971 A silver bromide print, printed 1990s, signed 'Homer W Sykes' image 35 x 53 overall 50 x 60.5cm

COSTER, HOWARDT.E. LAWRENCE silver bromide print, 250 x 180mm, signed 'Howard Coster FRSA mdm." in pencil to mount

* Ferguson (Frederick W., FRPS). An archive of approximately 130 exhibition photographs, circa 1930s/1960s, mostly large-format bromide silver prints, subjects including landscapes, some portraits and genre subjects, sizes 59 x 51cm and smaller but mostly large format, many pencil signed on mounts to rectos or versos and with photographer's name and address plus many exhibition and prize labels, partly contained in old wooden boxFrederick W. Ferguson of Grotton Hall, Saddleworth, Yorkshire; also Oldham and Rochdale. He exhibited at the Royal Photographic Society of Great Britain, 1943-63, London School of Photography, 1946-58, and numerous other photographic societies, mostly in the Midlands and the north of England.(Qty: approx. 130)