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Click here to subscribeTwo graduated gadrooned-edge meat dishes, printed in light-medium blue with an oriental-style romantic pattern dominated by a cornucopia of flowers surrounded by shells and two flying birds, all within an open floral border, lengths 53.4 and 37.3cm, unmarked, circa 1835-50 (larger dish with section of rim repaired)(see illustration for smaller dish)
A George Jones majolica dolphin & shell centrepiece modelled as 3 turquoise & yellow edged scallop shells with 3 stylised dolphins with entwined handles, standing on 3 blue shell feet. Two of the shell dishes with chips to rim, one of which cracked and reglued; the relief monogram mark in double gourd reserve incorporating Stoke-on-Trent. Stands 9" x 14.5".
A set of four George IV silver coasters by Eames and Barnard, rims cast with pie crust edge within scallop shells, rosebuds, thistles and C scrolls, the convex sides with stiff leaf decoration divided by roses, central bosses engraved with stag crests, London 1820, 6.75ins diameter, 56.oz gross.
An 18th century European needlework carpet, worked in gros and petit point, with a central panel and two classical figures holding a cornucopia of flowers outside a tent, four smaller panels of deer and hounds, ships, birds and buildings, on a chocolate brown field, covered with a scrolling design of pomegranates, flowers, birds and shells, heraldic lions and griffins to the corners, 274 x 308cm.
An early 18th century Brussels tapestry, woven with a classical figures representing Juno seated on a dais, beneath a tasseled canopy, with peacocks, hounds and child attendants bearing a horn and a basket of fruit, flanked by farming implements and vines, on a fawn field with rabbits, parrots, masks and fruit, with two smaller panels of peasants gathering fruit, within a border of comical faces, rabbits, masks, flowers and shells, 380 x 300cm.
A Sheraton style birds eye maple bow front corner cabinet, shaped cresting rail with urn finials, the frieze inlaid with scrolling foliage, urn and conch shells, above a pair mahogany crossbanded and outlined doors with chequer banding and with fan paterae conch shell inlay and brass hinges, enclosed by reeded column, 66cm x 108cm (26" x 42.5")
An Austrian Art Nouveau figure, possibly by Ernst Wahliss, naturalistically modelled as a naked nymph standing on a rockwork base lapped by waves and punctuated with shells, she is flanked by large waterlily leaves and flowers in bud, decorated predominantly in pale green with gilt detailing, 41cm. high, impressed 'Made in Austria' and numbered '4638'.
A Paris hexagonal section jardiniere and stand, painted with figures before a Chateau in a river landscape within gilt arched panels, with a frieze of shells and sea scrolls, height overall 19cm (7 1/2 in), signed Pouchin, and dated 1834, (firing cracks to the foot of the jardiniere, wear to the gilding)
A Suzuribako decorated on the roiro and shaded nashiji ground with a scholar leaning on an elbow rest while composing a poem, in gold and silver hiramakie and takamakie, shaped sides with snow covered pine branches, the interior riser showing scrolling mon in gold togidashi, the interior with pines by the sea in takamakie and kirigane and inlaid with natural shells on the shoe, suzuri and mizuire, 25.2 x 23cm (10 x 9in), late 18th/early 19th century, fitted case.
A Victorian silver gilt-dessert service, comprising; ten dessert knives, ten forks and eleven spoons, the pattern not traced but of old English shape decorated with shells, flowers and scrolls, each piece stamped 'Schlick Inv' and with a design lozenge, Birmingham 1849 by Elkington & Co - 51oz
A Bow tripartite shell salt or sweetmeat, the deeply moulded shells supported on a rockwork base applied with shells and seaweed, painted in shades of puce, green, ochre and pale-blue with sprays of flowers, diameter 20cm (8in), circa 1760 (restored); and a Dresden double salt, width 16cm (6 1/4in), late 19th century (restored)
Anon. The Gentleman Angler, containing Short, Plain and Easy Instructions..., 12mo. London 1726, 1st edition printed for A. Bettesworth;woodcut chapter heads and bound with Appendix containing 'The method of Rock-Fishing' etc.,index and one page of advertisements, lacks 2nd page of advertisements, 19th century half calf, top edge gilt, panelled spine stamped with title, fishes and shells
A Riley Flower Arrangement series dinner plate, printed in dark blue with a still-life bunch of flowers above a flower brick and two ornate sea shells, all within a border of similar flowers, diameter 25.6cm, printed belt mark with Riley's Semi China and impressed maker's surname, circa 1815-25
A pair of dessert dishes, of spade or shell shape with ornately moulded and gadrooned edges and handles, printed in light blue with a romantic-style design featuring birds, shells and a cornucopia of flowers, all within an open floral and scroll border, length of each 26.6cm, unmarked, circa 1835-50
A Riley Flower Arrangement series dinner plate, printed in dark blue with a still-life bunch of flowers above a flower brick and two ornate sea shells, all within a border of similar flowers, diameter 25.8cm, printed belt mark with Riley's Semi China and impressed maker's surname, circa 1815-25
A crested Kings shape table service in an oak canteen, a variant of the Kings husk pattern, Rd.550078, the fronts with double threaded and ribbon bound shells suspending leaves and garya pendants, the backs with crested oval terminals and shell and garya heels, London 1910/11 or 1920 by The Goldsmiths and Silversmiths Co Ltd, comprising; eighteen table forks, twenty four dessert forks, twelve soup spoons, eighteen table spoons, twelve dessert spoons, six coffee spoons, a pair of sauce ladles, two jam spoons, a soup ladle, serving spoon, caddy spoon, cheese scoop, marrow scoop, butter knife, and a sugar tongs, and an associated Kings pattern salt spoon and mustard spoon, in an oak canteen with carved borders, hinged top and two long drawers, on cabriole legs with pad feet - 210oz
A French oval embossed sugar bowl, the bombe sides decorated with with two crowned shields with winged mythical beast supporters, between pierced diaper cartouches amidst flowers, shells and leaves above a bead and reel band with stiff leaves below, with two dolphin handles on four leaf capped pad feet, 12cm (4 3/4in) - 4 1/2oz
A pair of Bow tripartite shell salts or sweetmeats, the deeply moulded shells supported on a rockwork base applied with shells and seaweed, to form a trefoil, painted in shades of puce, green, blue and ochre, the interiors of the shells painted with sprays of flowers, width approx. 18cm., both with impressed 'T', circa 1760 (both restored)
A PAIR OF STAFFORDSHIRE PORTRAIT FIGURES OF COLONEL PEARD AND GIUSEPPE GARIBALDI, second half 19th century, Peard stands in gilt and sparsely coloured shirt and breeches, wearing a pink robe over his shoulders with a flag to his left, a canon to his right and two piles of shells beside his feet, upon an oval base, titled in gilt raised capitals, Garibaldi similarly posed, wearing a green enamelled robe over his shoulder, titled in gilt relief capitals, (rubbing), (2), 13.2 in (33.53 cm) high
A STAFFORDSHIRE PORTRAIT FIGURE OF NAPOLEON III, second half 19th century, seated on a gun emplacement, in cocked hat, wearing full military uniform, sparsely coloured, his right arm rests on a canon above piles of shells either side, titled in gilt raised capitals, (crack to neck, chips to hat), 15.5 in (39.37 cm) high
A WORCESTER BARR FLIGHT AND BARR COFFEE CAN, c. 1810, of straight sided form with ring handle, bat printed with shells between gilt bands, impressed mark and a Wedgwood pearlware coffee can, circa 1810, printed in blue with a vase of flowers in a chinoiserie landscape, impressed mark, and a Jackfield type black glazed cup, early 19th century, (3)
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