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Black crepe 1920's dress with an embroidered and sequin detail panel to the front, the drop waist with a tie, the chiffon sleeves with split to the elbow, there is an extra detailed piece of embroidery, probably a collar as it looks to have been removed, a wool and coney cream coat, the lining panels of coney, shawl collar and cuffs in coney, a 1920's plum-coloured satin dress, V-neck, diamante detail to the shoulders and neckline, a lace three-quarter length jacket with two belts, 1920's/30's buttons to the front and detail to the belts, a pink satin possible nightgown trimmed with lace, with puff sleeves, a cotton blouse in apricot with floral insert, square neckline and ruched bodice, a black silk slip with drop waist with box pleats, V-neck, labelled 'KB Art Silk Fabric, English Made' and a 1920's cotton peasant-style dress with cross-stitch embroidery, red tassels to the bodice and sleeves (8) Condition ReportThe black dress with embroidered and sequin panel is as described in the catalogue description. The wool and coney coat has slight discolouration to the fur lapels and the the back of the coat skirt. Possibly from being folded and put away, the pink dress has a slight hole by the drop waist and a small mark, the peasant style dress has an ink stain to the front of the skirt, the black slip has the faintest white mark just under the waist to the front.
Various 1960's evening dresses to include a green and cream brocade full length evening dress labelled 'Lee Delman' trimmed with green chiffon on the bust and with an attached shawl, a red satin evening dress 'V' neck, a dark blue evening dress with a ruched bodice and bow, with spaghetti straps, an emerald green silk halter neck evening gown with a ruched bodice, a pale yellow and cream cocktail dress empire waist, bell skirt, the cream bodice decorated with sequins, a black crepe cocktail dress, pleated skirt, short capped sleeves, 'V' neck, the bodice decorated with black sequins and a red lace strapless evening gown, full skirt, ruched bodice (7)
An embroidered large fichu that the vendor has added that was 'embroidered to wear on her wedding day in 1819, Polly Mercy Riley...' , a Honiton undyed lace collar, a small Honiton lace piece, another small scarf, parts of an embroidered lappet, part of net and lace veil, a pair of lace cuffs with drawstring fastening, a pair of cotton and embroidered sleeves with crochet trim, a pair of cotton and pin tucked sleeves, an embroidered shawl, part of an embroidered shawl modified to a fichu, and other lace and cotton pieces ( 1 bag)
A 1940's velvet house coat/dressing gown with cream satin quilted shawl collar (with stains), with a velvet tie belt, full length, a black crepe sleeveless evening dress bias cut, deep 'V' neck which is trimmed with cream beads and silver sequins (a/f), a black chiffon dress with blouson top, at one point would have had diamante decoration and a black silk velvet jacket (4)
Various vintage shawls to include a cobweb shawl printed with a paisley style pattern in blues and pinks with deep fringe, a purple silk shawl, an organza silk shawl embroidered with iris, a silk shawl printed with roses, a pink satin jacquard shawl, a coral jacquard shawl and two other cobweb shawls (9)
A LARGE EMBROIDERED KASHMIRI SHAWL Kashmir, Northern India, second half 19th centuryOf square shape, the central field embroidered in a symmetrical arrangement of stylised palmettes, elongated buti (paisley leaves), and arabesque-like leafy scrolls in polychromes, converging towards a circular black centre marked with white numbers and letters in nagari script, the embroidered harlequin borders alternating cartouches in red, green, blue, and ochre, the border with a white wool thread-embroidered cartouche reading 'Kashmir' in Arabic characters.185cm x 192cm 185cm x 192cm Qty: 1
A LARGE SQUARE RUMAL SHAWL Kashmir, Northern India, second half 19th centuryOf square shape, twill tapestry-woven with rafu inserts in predominantly red and pink-coloured wools, the central field with a symmetrical sweeping pattern of elongated stylised buti (paisley leaves) converging towards a star-shaped black centre enhanced with vegetal motifs from the surrounding fabric, the embroidered harlequin borders in white, red, green, pink, ochre and black possibly a later addition.203cm x 198.5cm 203cm x 198.5cm Qty: 1
DANIEL GARDNER (1750-1805) A portrait of Elizabeth Egerton circa 1778, depicted full-length, wearing a white dress with blue shawl, standing in a wooded landscape holding food out for a lamb, pastel and bodycolour, 82cm x 61cm (oval)Provenance: The Grey-Egerton Family, formerly of Oulton Hall.Note: Elizabeth Egerton was the daughter of the John Egerton of Broxton, Cheshire (d. 1770).Literature: Sir Philip de Malpas, The descriptive catalogue of the pictures and other works of art at Oulton Park, Cheshire, published 1864, page 48.
HERMÈS, PLUMES ET GRELOTS, A SILK SHAWL The cream ground with navy blue border, with ochre tone, burgundy and blue detail, with holly leaf decorative twill, signed Hermès, designed by Julia Abadie Dimensions: 30 x 178cm Condition Report: The scarf has minimal wear, no box Condition Report Disclaimer
Two piano shawls, one with overall embroidery of foliate design in scarlet, cream, orange and purple, on a cream ground, approx. 142 cm x 152 cm excluding trim and tassels, the other with cream silk embroidery on a grey silk ground, approx. 150 cm x 160 cm excluding border and fringe CONDITION REPORTS There is what appears to be a small repair to the shawl with the multi-coloured decoration approx. 3 mm x 3 mm. The cream shawl has a large dark mark to one edge and a similar one near one corner as well as an area of grubbiness/stain to the centre. Both have some loose threads and small brown foxing type marks. Otherwise general wear and tear conducive with age and use - see images for more details
A quantity of vintage clothing to include top of an early 20th Century evening gown with heavily beaded bodice and silk chiffon sleeves, an early 20th Century silk day dress with lace detailing to sleeves and embroidered sections to sides and back, a bias cut purple silk evening gown with lace overlay, together with an evening jacket with fur trim to the sleeves, a double layered silk cream shawl with self-coloured embroidery and deep fringing to bottom and top tier, a Victorian half mourning bonnet in lilac with cream lace and dyed ostrich feather decoration, a 1930s silk camisole cami-knicker set, a lace bonnet, a canvas bonnet and a further shawl (1 box)
AN ENGLISH SCHOOL PORTRAIT MINIATURE19th Century Of a lady depicted in classical style drapery with blue sash/ shawl, gilt mounted ebonised frame, 10cm highFootnotes: This lot contains ivory and has been registered in accordance with the Ivory Act (section10). Reference No. 2C6G17RP<span style="font-size:12.0pt;line-height: 107%;font-family:"Garamond",serif;color:#454038"> Prospective buyers should be aware that some countries have limitations on importing items made from endangered species, including materials such as coral, ivory, and tortoiseshell. Therefore, it is advisable for potential buyers to familiarize themselves with relevant customs regulations before placing bids, particularly if they intend to import this lot into another country.
A GERMAN GLASS LIDDED TANKARD (2)Late 19th century The hinged metal cover inset with a porcelain panel painted with a girl wrapped in a shawl, overall height, 17cm; also a Vienna porcelain plate painted with a panel depicting Aligira and Tirian, blue shield mark, impressed numerals 24 and 813, black painted title, 24.25cm diameterTankard- some wear to the metal mountsPlate- some wear to the enamels and gilding. Small shallow chip to the underside of the rim
Late Period, Ca. 664 - 30 BC.An Egyptian carved steatite baboon seated with both hands on bent knees, its chest covered by a fur shawl decorated. This simian effigy presents with finely incised broad tufts of hair. This figure is intended to represent Thoth, the god of writing, accounting, and mathematics, in his more unusual baboon form. For similar see: MET Museum Accession Number: 66.99.55Size: 285mm x 265mm; Weight: 21.8kgProvenance: Prince collection, 1990s-2014; Sotheby’s New York, sale N08762, 8 June, 2011, lot 56; Ex. painter Charles Lapicque collection (1898-1988), Paris. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Late Period, Ca. 664 - 332 BC.An Egyptian carved steatite baboon seated with both hands on bent knees. The baboon's chest is covered by a fur shawl. This statue presents with finely carved hair strands, a neatly arranged coiffure and a conical face bearing small eyes and a sharp nasal ridge. This figure represents Thoth, the god of writing, accounting, and mathematics, in his more unusual baboon form. For similar see: MET Museum Accession Number: 66.99.55.Size: 120mm x 80mm; Weight: 665gProvenance: Prince collection, 1990s-2014; Ex. Sotheby's sale, 11 June 2010, Sale N08644, Lot 13. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
A Large 19th Century China Shoulder Head Doll with moulded hair and painted face on a fabric body with bisque lower arms, fully dressed, 46cm long,together with a Painted Wooden Doll with jointed arms and lower legs, 26cm long, and a cream wool shawl,Mahogany Dolls Cradle and a small wall mounted Glazed Display Cabinet,(4)
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15654 item(s)/page