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mixed media on paper, signed mounted, framed and under glass image size 29cm x 20cm, overall size 46cm x 36cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

KAWS (Né en 1974) X MEDICOMTOY. Companion Share, 2020 Figurine en vinyle peint, bras articulés, état d'origine proche du neuf. Estampillé sous le pied. Edition Share Médicom Toy. Hauteur : 30 cm (pas de boîte).

JOSEPH HENDERSON RSW (SCOTTISH 1832 - 1908) ROW BOAT COMING IN TO SHORE oil on board, signed and dated 1878framedimage size 50cm x 80cm, overall size 59cm x 88cmNote: Joseph Henderson was born on 10 June 1832 in Stanley, Perthshire, He was the third of four boys. When he was about six, the family moved to Edinburgh and took up residence in Broad Street. The two older boys joined their father, also Joseph, as stone masons. Joseph’s father died when Joseph was eleven leaving his mother, Marjory Slater, in straightened circumstances. As a result, Joseph and his twin brother, James, were sent to work at an early age and the thirteen-year-old Joseph was apprenticed to a draper/hosier. At the same time, he attended part-time classes at the Trustees’ Academy, Edinburgh. At the age of seventeen, on 2 February 1849, he enrolled as an art student in the Academy. From the census of 1851, Marjory, Joseph and James were living at 5 Roxburgh Place, Edinburgh. Marjory was now a ‘lodging housekeeper’ with two medical students as boarders. James was a ‘jeweller’ while Joseph was a ‘lithographic drawer’. In the same year Joseph won a prize for drawing at the Academy enabling him, along with fellow students, W. Q. Orchardson, W. Aikman and W. G. Herdman, to travel to study the works of art at the Great Exhibition in London, which he found to be a very formative experience. He left the Academy about 1852-3 and settled in Glasgow. He is first mentioned in the Glasgow Post Office Directory for 1857-8 where he is listed as an artist living at 6 Cathedral Street. Joseph Henderson’s first exhibited work was a self-portrait which was shown at the Royal Scottish Academy (RSA) in 1853. He painted several portraits of friends and local dignitaries including a half-length portrait of his friend John Mossman in 1861. His painting, The Ballad Singer established his reputation as one of Scotland`s foremost artists when exhibited at the RSA in 1866. Throughout his career he continued in portraiture. He executed portraits of James Paton (1897) a founder and superintendent of the Kelvingrove Art Gallery and Museum (this portrait was bequeathed to Kelvingrove in 1933) and Alexander Duncan of the Faculty of Physicians and Surgeons of Glasgow. He also painted Mr. Scott Dickson, Sir Charles Cameron, Bart., DL, LLD (1897) and Sir John Muir, Lord Provost of Glasgow (1893). His portrait of councillor Alexander Waddell (1893) was presented to Kelvingrove in 1896. However, it is probably as a painter of seascapes and marine subjects that he became best known. His picture Where Breakers Roar attracted much attention when exhibited at the Royal Glasgow Institute (RGI) in 1874, ‘as a rendering of angry water’. Henderson was in part responsible for raising the profile and status of artists in Glasgow and was a member of the Glasgow Art Club (he was President in 1887-8), the Royal Glasgow Institute of the Fine Arts (founded 1861) and the Royal Society of Painters in Watercolour. Between 1853 and 1892, he exhibited frequently at the RSA and at the RGI and between 1871 and 1886 he had twenty pictures accepted for the Royal Academy in London. In 1901 he was entertained at a dinner by the President and Council of the Glasgow Art Club to celebrate his jubilee as a painter. He was presented with a solid gold and silver palette. An inscription on the palette read: ‘Presented to Joseph Henderson, Esq., R.S.W. by fellow-members of the Art Club as a mark of esteem and a souvenir of his jubilee as a painter, 8th January 1901’ Joseph Henderson was married three times. On 8 January 1856 he married Helen Cosh (d. 1866) with whom he had four children including a daughter Marjory who became the second wife of the artist William McTaggart. On 30 September 1869 he married Helen Young (d. 1871) who bore him one daughter and in 1872 he married Eliza Thomson with whom he had two daughters and who survived him. Two of his sons, John (1860 – 1924) and Joseph Morris (1863 – 1936) became artists; John was Director of the Glasgow School of Art from 1918 to 1924. By 1871 he had moved with his family; wife Helen, daughter Marjory and sons James, John and Joseph and his mother Marjory from Cathedral Street to 183 Sauchiehall Street. He also employed a general servant. He is described in the census as a ‘portrait painter’. In 1881, Joseph was living at 5 La Belle Place, Glasgow with Eliza, two sons and four daughters. He later moved to 11 Blythswood Square, Glasgow. In the 1901 census he was still at this address with his wife Eliza, sons John and Joseph and daughter Mary and Bessie. His occupation is ‘portrait and marine painter’. Joseph Henderson painted many of his seascapes at Ballantrae in Ayrshire. At the beginning of July 1908, he again travelled to the Ayrshire coast. However, he succumbed to heart failure and died at Kintyre View, Ballantrae, on 17 July 1908 aged 76 and was buried in Sighthill cemetery in Glasgow. A commemorative exhibition of his works was held at the RGI in November of that year. A full obituary was published in the Glasgow Herald. As well as his devotion to art, Joseph Henderson was a keen angler and golfer. A contemporary account states that he was ‘frank and genial, with an inexhaustible fund of good spirits and a ready appreciation of humour, of which he himself possesses no small share’. Thirty-six of his paintings are held in UK public collections.

BALBLAIR VINTAGE 1979 | Distilled: 1979 | Bottled: 2007 | ABV: 46% | Region: Highland | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: folding paper box | Estimate: 5 000 - 10 000 Kc | Distillery | Balblair is a Scottish distillery in the Highlands, near the village of Edderton, founded in 1790 by John Ross. The name "Balblair" comes from the Celtic term for a plain or marshy area, referring to the local landscape and the proximity of the Allt Dearg spring, which serves as the source of water for whiskey production. The Balblair distillery is characterized by a heavier profile with notes of sulphur, meatiness and fruitiness.The distillery went through several closures, including between 1911 and 1949. After rebranding in 2007, it introduced its first vintage whiskeys, comprising the 1979 vintages, 1989 and 1997.In 2013 the distillery appeared in "The Angel's Share" by Ken Loach. Balblair is now part of Inver House Distillers, which is owned by International Beverage Holdings | Bottle | Balblair 1979 is a single malt whisky, distilled in 1979 at the Balblair Distillery and bottled in 2007. It is one of the first vintages that Balblair released after transitioning to vintage-only releases. The whisky was matured in bourbon casks, without chill filtration or added coloring, ensuring the natural and authentic character of the whisky. It is known for its rich aroma and balanced profile.Nose: Rich and dessert-like, with notes of apricot jam and oranges in a creamy vanilla custard.Taste: Creamy vanilla pudding with fruity and orange notes.Finish: Dry and leafy, leaving a refreshing aftertaste with soft, earthy notes.The bottle is presented in a luxurious, representative paper box.

LAGAVULIN 1979 MISSION SELECTION NUMBER ONE 23 YEARS OLD | Distilled: 1979 | Stated age: 23 years old | ABV: 46% | Region: Islay | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: wooden box | Estimate: 10 000 - 20 000 Kc | Distillery | Lagavulin is an iconic distillery from the island of Islay, founded in 1816 by John Johnston, although the site had previously been illegally distilled. The distillery is located between Ardbeg and Laphroaig and is renowned for its heavily smoky, peaty character.In 1862 the distillery was bought by John Logan Mackie, whose nephew Sir Peter Mackie, creator of the famous White Horse blend, was a major figure in the whiskey industry. After losing the exclusivity of representation to Laphroaig, he built a Malt Mill on Lagavula's grounds in 1908, but although it was designed to produce a whiskey similar to that of Laphroaig, it never succeeded. Her whiskey didn't even resemble Lagavulin. A fictional cask from this distillery played a central role in Ken Loach's film 'The Angel's Share'.Lagavulin is part of the Classic Malts range from Diageo (which owns it today) and its most famous whiskey is Lagavulin 16 Year Old, which is considered one of the best peated whiskeys on the market. In addition to this regular bottling, limited editions appear on the market in the form of Distiller's Edition, Diageo Special Release or for the Feis Ile festival. | Bottle | Lagavulin 1979 is a single malt whisky, bottled by independent bottler Murray McDavid in 2002 as part of their prestigious Mission - Selection Number One range. This series focuses on limited bottlings of exceptional and rare whiskies, often from closed distilleries or very old stocks. Whiskies from this series are bottled at natural cask strength, without chill filtration or added coloring, guaranteeing an authentic and complex flavor profile, exactly as the whisky was drawn from the cask.The bottle is decorated with the signature of the legendary Jim McEwan, who played a vital role in the restoration and reopening of the Bruichladdich distillery in 2001 and served as master distiller until 2015. His signature appears only on truly exceptional bottlings, still prized by whisky connoisseurs and collectors today.Nose: Complex, with notes of lemon peel, seaweed, almonds, smoke, and subtle sweet hints.Taste: Herbal and peaty, with elements of pine, salty sea water, fireplace smoke, and dried fish. The citrus notes from the nose recede into the background here.Finish: Medium length, with lingering notes of ash, woody tannins, and a subtle hint of sea air.The auctioned bottle is no. 12/600 and is presented in a luxurious wooden box.

LAGAVULIN 1991 THE DISTILLERS EDITION LGV.4/495 | Distilled: 1991 | Bottled: 2007 | ABV: 43% | Region: Islay | Country: Scotland | Type: Single malt Scotch whisky | Volume: 700 ml | Duty stamp: CZ | Packaging: paper box | Estimate: 10 000 - 12 000 Kc | Distillery | Lagavulin is an iconic distillery from the island of Islay, founded in 1816 by John Johnston, although the site had previously been illegally distilled. The distillery is located between Ardbeg and Laphroaig and is renowned for its heavily smoky, peaty character.In 1862 the distillery was bought by John Logan Mackie, whose nephew Sir Peter Mackie, creator of the famous White Horse blend, was a major figure in the whiskey industry. After losing the exclusivity of representation to Laphroaig, he built a Malt Mill on Lagavula's grounds in 1908, but although it was designed to produce a whiskey similar to that of Laphroaig, it never succeeded. Her whiskey didn't even resemble Lagavulin. A fictional cask from this distillery played a central role in Ken Loach's film 'The Angel's Share'.Lagavulin is part of the Classic Malts range from Diageo (which owns it today) and its most famous whiskey is Lagavulin 16 Year Old, which is considered one of the best peated whiskeys on the market. In addition to this regular bottling, limited editions appear on the market in the form of Distiller's Edition, Diageo Special Release or for the Feis Ile festival. | Bottle | Lagavulin 1991 The Distillers Edition is a limited edition single malt whisky, distilled in 1991 and bottled in 2007. The Distillers Edition is a special series that uses double maturation. After an initial maturation in traditional oak casks, the whisky is transferred to sweet Pedro Ximenez sherry casks, adding richer complexity and a subtle sweetness that harmonizes with the peaty notes typical of Lagavulin.Nose: Intense aromas of peat and vanilla, complemented by notes of raisins, sea salt, leather, and orange marmalade.Taste: A sweet and fruity introduction transitions into strong smokiness with notes of dried grapes and a subtle saltiness.Finish: Very long, with lingering notes of peat and fruit intermingling with hints of oak and smoke.Lagavulin 1991 The Distillers Edition is a favorite among collectors and distillery fans for its distinctive and complex character. The auctioned bottle comes from batch LGV.4/495.

Space exploration interest: a 1969 Apollo Moon Landings 'Touchdown on the Moon' Gemini Datakit 1 - 'Commander's Briefing Kit puts you inside Apollo to share every hour of flight and lunar exploration', appears complete, in the original clear plastic bag with top handle.

* FRANK MCFADDEN (SCOTTISH b. 1972), TOTENKOPF (DEATHS HEAD) oil on canvas, signed, titled and dated 2020 label versoframed image size 51cm x 46cm, overall size 66cm x 61cm Artist's label versoNote: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.Condition of the picture is good overall, with no visible or known issues.

* FRANK MCFADDEN (SCOTTISH b. 1972), TROPHY FACE I pastel on paper, signed mounted, framed and under glassimage size 20cm x 15cm, overall size 43cm x 37cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* FRANK MCFADDEN (SCOTTISH b. 1972), IN ICTU OCULI (IN THE BLINK OF AN EYE) oil on canvas, signed, titled and dated 2020 label versoframed image size 51cm x 46cm, overall size 66cm x 61cm Artist's label versoNote: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.Condition of the picture is good overall, with no visible or known issues.

* FRANK MCFADDEN (SCOTTISH b. 1972), TWILIGHT SADNESS pastel on paper, signedmounted, framed and under glassimage size 30cm x 24cm, overall size 53cm x 47cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* FRANK MCFADDEN (SCOTTISH b. 1972), GREASER oil on board, signed and dated '08mounted, framed and under glassimage size 19cm x 19cm, overall size 39cm x 37cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* FRANK MCFADDEN (SCOTTISH b. 1972), PORTRAIT OF A MAN pastel on paper, signedmounted, framed and under glassimage size 40cm x 29cm, overall size 61cm x 49cm Note: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* FRANK MCFADDEN (SCOTTISH b. 1972), PORTRAIT STUDY mixed media on paper, signedmounted, framed and under glassimage size 29cm x 20cm, overall size 46cm x 36cmNote: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

* FRANK MCFADDEN (SCOTTISH b. 1972), MANY FACES pastel on paper, signed mounted, framed and under glassimage size 62cm x 46cmm overall size 87cm x 70cmNote: Frank McFadden is one of Scotland’s best known artists. A former sign-writer and graphic designer, his work regularly appears in galleries around Scotland and beyond. Frank’s affiliation with fellow Glasgow artist Peter Howson has been instrumental in his success. They continue to share a studio, having exhibited together in Glasgow, Edinburgh and New York.

Autographed TONY CURRIE / ALAN BIRCHENALL 1975 'THE KISS' 12 x 8 Photo, Currie of Sheffield United and Birchenall of Leicester City share a tender moment during a First Division encounter at Bramall Lane, after both players clashed on the pitch they made up by kissing one another, signed by both players in blue marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

A rare and large Caughley porcelain mug in the 'Natural Sprays' pattern, circa 1775-80, transfer-printed in underglaze blue, printed C with serif mark, 14.2cm high and 10.8cm diameterThis print is more commonly found on Worcester porcelain, and the close similarities between the patterns at both factories suggest they share either an engraver or a source.Condition:Good condition with no damages or restoration.

DALWHINNIE 12 YEAR OLD MANAGER'S DRAM 2009 HIGHLAND SINGLE MALT Bottled: 10/2009Bottle Number: 067857.5% ABV / 70cl Dalwhinnie is the highest distillery in Scotland and, as such, it also boasts the lowest average temperature range. The obvious benefit of this is a lower “angel’s share” lost from casks in their warehouse, but it also keeps their external worm tubs cool, causing the spirit vapour from the stills to condense very quickly. Combine this with a distillation process which strives to minimise copper contact, and Dalwhinnie distillery produces a heavy, sulphury new make spirit that needs to mellow in refill wood for 15 years before its signature sweet, honied style fully emerges.

DALWHINNIE 13 YEAR OLD MANAGER'S DRAM 2023 HIGHLAND SINGLE MALT Bottled: 10/2023Bottle Number: 130053.6% ABV / 70cl Dalwhinnie is the highest distillery in Scotland and, as such, it also boasts the lowest average temperature range. The obvious benefit of this is a lower “angel’s share” lost from casks in their warehouse, but it also keeps their external worm tubs cool, causing the spirit vapour from the stills to condense very quickly. Combine this with a distillation process which strives to minimise copper contact, and Dalwhinnie distillery produces a heavy, sulphury new make spirit that needs to mellow in refill wood for 15 years before its signature sweet, honied style fully emerges.

DALWHINNIE 12 YEAR OLD MANAGER'S DRAM 2009 HIGHLAND SINGLE MALT Bottled: 10/2009Bottle Number: 068257.5% ABV / 70cl Dalwhinnie is the highest distillery in Scotland and, as such, it also boasts the lowest average temperature range. The obvious benefit of this is a lower “angel’s share” lost from casks in their warehouse, but it also keeps their external worm tubs cool, causing the spirit vapour from the stills to condense very quickly. Combine this with a distillation process which strives to minimise copper contact, and Dalwhinnie distillery produces a heavy, sulphury new make spirit that needs to mellow in refill wood for 15 years before its signature sweet, honied style fully emerges.

DALWHINNIE 13 YEAR OLD MANAGER'S DRAM 2023 HIGHLAND SINGLE MALT Bottled: 10/2023Bottle Number: 130153.6% ABV / 70cl Dalwhinnie is the highest distillery in Scotland and, as such, it also boasts the lowest average temperature range. The obvious benefit of this is a lower “angel’s share” lost from casks in their warehouse, but it also keeps their external worm tubs cool, causing the spirit vapour from the stills to condense very quickly. Combine this with a distillation process which strives to minimise copper contact, and Dalwhinnie distillery produces a heavy, sulphury new make spirit that needs to mellow in refill wood for 15 years before its signature sweet, honied style fully emerges.

A collection of assorted Preston North End ephemora including 1938 cup final programme with compliments of Football Association; 1954 cup final programme and compliments slips from PNE; signed photograph of Tom Finney; PNE share holders certificate etc Condition- some slight marks and creases to the programmes, no rips, holes punched or writing, there is some rusting to the staples on one.

8 Hummel figurines - Street Singer (1950-55), Begging his Share (1957-60), Little Gardener (1960-72), Little Hiker (1960-72), Just Resting (1964-72), Home from Market (1964-72), Trumpet Boy (1972-79) and a boxed figurine My Best Friend Condition- good overall, there is some crazing, otherwise fine.The shortest is 7.5cm and the tallest 13.5cm.

A TURKEY RUG OF 'LOTTO' DESIGN approximately 160 x 118cm Provenance: The personal collection of the Late Robert Kime, LVO (1946-2022)The design of this rug is related to a group of Ottoman rugs which share a distinctive lattice design, usually in yellow, set against a red ground. The early group of rugs are thought to originate from western Anatolia, probably the Ushak region, during the sixteenth century. The group is named after the Venetian artist Lorenzo Lotto, who depicted a rug of this field design in at least two of his paintings in the mid 16th century, for example The Alms of St Anthony, oil on wood, 1542.Rugs of an early period with this field design appear in the work of several western artists, from the 1520s until the early 18th century, including a number of Flemish artists including Breugel, in the 16th century, and Rubens in the 17th. The wide 'cloudband' border design of this rug is considered to originate from the 17th century; the earlier, 16th century period examples are thought mainly to have narrower 'Kufic' borders. For related examples of an early period offered at auction, see Christie's London, 2nd May 2019, lot 237; Christie's, London 27th April 2017, lot 186; Christie's London 18th October 2001, lot 228; and Sotheby's London, 24th October 2007, lot 375. Condition Report: Pile - Generally in good pile, and in largely original condition. A small number of small areas of re-piling and repair. Brown corroded and mostly lost. Lustrous wool with good depth of colour.Sides - Selvages (side cords) missing in places. Uneven loss to both ends, with outer guard stripe partially lost Ends - uneven loss Please see all additional images for a visual reference to condition.  Condition Report Disclaimer

A FINE GEORGE III MAHOGANY SERPENTINE COMMODE IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1770 The upper drawer fitted with an arrangement of lidded compartments with harewood crossbanding and further storage, below a baize lined slide 83cm high, 173cm wide, 60cm deep Provenance: Purchased from Charles Lumb & Sons Ltd, Harrogate, 27th September 1976 (£4,250). The original invoice and accompanying photograph is available with this lot. The elegant serpentine form of this commode is directly comparable to a number of commodes from some of Thomas Chippendale's most notable commissions, including Harewood House, Nostell Priory and Osterley Park. Further comparisons can be made to commode designs from The Gentleman and Cabinet-Maker's Director, 1762; two particular sketches by Chippendale share close form to the present lot and it can be argued that these two sketches combine to create the outline and drawer arrangement of this commode (V&A Museum D.720-1906; P. Ward-Jackson, English Furniture Designs of the Eighteenth Century, 1958, pl.106). A black lacquer commode attributed to Chippendale that also shares the same outline as the present lot can be seen, Sotheby's London, Important English Furniture, 7th & 14th May 1993, Lot 150. See also The Nostell Priory Commode, Nostell Priory, West Yorkshire, from the workshop of Thomas Chippendale (NT 959751) for a green lacquered example of similar form and outline. Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use Some of the old expected chips Some old moulding and veneer repairs (see images) Key present and operates all locks All metalware, including the handles and locks appears original Baize to the slide of the upper drawer is a replacement The central fitted section to the upper drawer appears to previously had a hinged dressing mirror, which is now lacking One loper is missing its stopper, so it can be completely removed Some possible later securing screws to the backboard The feet to the commode have been reduced in height from their bases. This has been neatly done and the commode stands well. The feet could be 'built up' again with the attention of a qualified restorer to bring the commode back to its previous height and proportions Small section of loss to moulding of base (see images) Please see all additional images as a visual reference to conditionCondition Report Disclaimer

Liverpool Share Certificate, 23rd April 1913, to William Reginald Elder Cross, cancelled, share Nos. 8979 to 9008, punch holes, wear and paper loose.

Framed share certificates, Dundee Perth and London Shipping Company Ltd and British Motorcab Company Ltd, f/g

Framed share certificates, The United States of America, the State of South Carolina, and Imperial Chinese Government

Black hat trimmed with white feathers; white lace collar. A character in Alexandre Dumas' lively 19th-century fiction. D'Artagnan came to Paris to join the celebrated band of Three Musketeers and share their adventures. Series: The Three Musketeers; Characters From Literature. Royal Doulton backstamp. Artist: Stanley J. TaylorIssued: 1987 - 1995Dimensions: 4"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Ephemera.- Finsbury Chapel.- Certificate of one share of Ten Pounds owned by Samuel Leach Junior in Finsbury Chapel, Finsbury Circus, printed certificate with manuscript insertions, folds, slightly browned, 130 x 235mm., 25th December 1826; and a small quantity of ephemera, pamphlets etc., including a printed plan of the Uplands Estate, Fareham, with manuscript notes, 480 x 610mm., 1925 & 5 duplicates of the same, v.s., v.d. (sm. qty).

FIVE SHARE CERTIFICATES, including St Louis Alton Terre Haute Railroad Company, American Banknote Company and furtherQty: 5

Registration No: 551 XWD Chassis No: A1210428501142 MOT: July 2025Subject to a thorough brake overhaul, new battery, replacement engine mounts and fresh bushes earlier this yearOffered with a collection of invoices and current V5C documentSubject to a repaint in Ivory plus an engine overhaul as part of a major refurbishment in c.2005Current ownership since 2018The 190SL was introduced in 1955 – the year Mercedes swept all before it on the Mille Miglia with the 300SLR. Indeed, the graceful, new two-door, convertible grand tourer was sold alongside the road-going version of the SLR – the 300SL - whose styling it strongly resembled. In fact, the underpinnings of the two cars were quite different and, while the 300SL had a purpose-built tubular spaceframe (W198), its smaller sibling was built on a shortened version of the ‘Ponton’ saloon (W121) platform, which was of monocoque construction. The 190SL also boasted an all-new engine - an over-square SOHC straight-four unit of 1897cc that produced some 120bhp, which was sufficient to propel the car to a maximum speed of 112mph. The engine was coupled to a manual four-speed gearbox. The suspension comprised double wishbones and coil springs at the front and a coil-sprung swing axle at the rear. Steering was by recirculating ball and braking by power-assisted drums all round. Built to the highest standards and among the quickest comparable cars of the time, the 190SL featured a well-appointed cockpit, notable comfort for its occupants and relatively generous luggage space. The 190SL continued in production until 1963, when both it and the 300SL were replaced by the 230SL (W113). By this time 25,881 190SLs had been produced. Factory finished in the rare and attractive hue of Ivory (DB608), this particular example was one of just 2,722 190SLs completed during the 1958 model year. Thought to have begun life in Europe - if only because of its KPH speedometer (and other metric instruments) - the two-seater subsequently migrated to the USA. Acquired by its penultimate American keeper in 1994, the Mercedes-Benz emerged from an extensive refurbishment eleven years later. As well as a bodywork restoration and repaint, the work encompassed an engine overhaul, interior re-trim and a soft-top and sundry re-chroming. The gauges were renovated, the brake servo / water pump / shock absorbers replaced and the wheel bearings repacked etc. A popular upgrade, the original Solex carburettors were removed in favour of Mikuni units (which deliver more power as well as easier starting and smoother running). Resident in Maine between 2015 and August 2018 when it entered the current ownership, the 190SL journeyed across the Atlantic that same year. Kept in climate-controlled storage since arriving on these shores and road registered with the DVLA as ‘551 XWD’, the two-seater was entrusted to Southern Classics of Twickenham some four/five months ago where it was treated to a thorough brake system overhaul, replacement propshaft coupling, alternator mounting kit, new engine mounts (x4) and fresh anti-roll bar bushes (x8) plus a new chrome starter button at a cost of £5,813.06. Believed to retain its original carpets, the vendor has also ordered a new 14-pc set to be included in the sale (or post-sale depending on production time and shipping). Passing an MOT test on July 2nd 2024 with ‘no advisories’, the 190SL has barely been driven since. Indeed, it has covered minimal miles in the 19 years since the big 2005 renovations. Still presenting well as an older restoration and seemingly ready to be enjoyed by a new owner, ‘551 XWD’ is offered for sale with V5C Registration Document and sundry paperwork.The vendor informs us plans for romantic weekend country lane jaunts and pub lunch stops, have for the past few years given way to children immersed in weekend sport and with time needing to be spent with other classic cars he has, so, with a heavy heart, it is now offered to market for someone else who will have the time to use, enjoy and share such an example of a beautiful Mercedes marque. For more information, please contact: James McWilliam james.mcwilliam@handh.co.uk 07943 584760

Rapkin & Son, Designers, Engravers & Co. 57, Cheapside, an advertising note beautifully printed on card for the printing of everything under the sun, including Bills of Exchange, Bills of Lading, Banknotes, Bonds, Coupons, Share Certificates, Cheques, Portraits, landscapes, Heraldry, Post Stamps, Maps, Pland and Charts, Seals Dies and Presses, uncirculated and rare £100-£150

A SMALL CARDBOARD TRAY CONTAINING MIXED COINS ETC, to include 2x good grade Double Florins 188, 2x worn 1891, 1894 Crown coins, other Silver coins, a sinking of the Lusitania Propaganda Medallion, early copper coins, a framed Cuba Railroad Share Certificate of 100 shares, etc

The 1970 MG Midget is a classic British sports car that embodies the charm and spirit of the 1970s automobile culture. As part of the MG line-up, the Midget has been known for its lightweight design and agile handling, making it a popular choice among driving enthusiasts. Featuring a petite two-seater configuration, this car is both compact and fun, ideal for those who appreciate a spirited driving experience. Under the bonnet, the 1970 MG Midget is powered by a 1.3-litre four-cylinder engine, which delivers a modest yet satisfying output of around 65 horsepower. While this may not seem substantial by today’s standards, the Midget’s low weight (approximately 1,590 lbs) allows for impressive performance and excellent fuel efficiency. Coupled with a four-speed manual transmission, the Midget offers an exciting, hands-on driving experience, with the engine sound enhancing its charm on winding roads. Visually, the 1970 MG Midget showcases classic lines and an appealing design that captures the essence of 1970s motoring. The round headlights, chrome bumpers, and signature MG grille are all characteristic features that contribute to its timeless aesthetic. Available in a variety of colours, the Midget was designed for open-top driving, with a convertible roof that adds to its allure, allowing enthusiasts to enjoy sunny days on the road. The MG Midget has garnered a cult following over the decades. Owners cherish not just its performance, but also the sense of freedom and nostalgia it evokes. Club events and classic car shows often feature these spirited little cars, where owners share their passion and pride in preserving this piece of automotive history.Originally registered on 9th January 1970 this MG Midget has formed part of a private collection in recent times. It has been well stored in a dry garage, however, a small amount of recommissioning may be required. We are advised the engine starts promptly and runs with good oil pressure. Finished in white with black interior this early Midget, with its chrome bumpers and Rostyle wheels, together with a rollover bar is a good looking example. Overall, the 1970 MG Midget stands out as a representative of a bygone era, cherished by collectors and drivers alike for its fun, engaging, and timeless driving experience. A good entry level car into classic motoring. Consigned by Stewart Banks. STARTS AND RUNS WELLWILL REQUIRE SOME LIGHT RECOMMISSIONING

Bristol Zoo Project - Exclusive Gorilla Island Experience For Four - This is a unique opportunity to explore the new Gorilla Island and the Bristol Zoo Project - before our gorilla troop arrives! Your experience begins at Hollywood Mansion House, where you'll be welcomed with tea and coffee. Our conservation team will share insights during an engaging talk, followed by a personalised guided tour of the island. This is a once-in-a-lifetime chance to visit the island before it becomes off-limits after the gorillas’ move in. Don’t miss out! (Participants must be a minimum of 12 years old. Dates to be finalised in 2025)

An Ilford Witness Rangefinder Camera, 1952, chrome, serial no. 5354, with a Dallmeyer Septac f/1.5 2" lens, chrome, serial no. 376041, body, VG, shutter fires but slow speeds sticking, lens, VG-E, some light internal haze, complete with original instructions, maker's case, some original photographs were taken in 1983 of the Goytre Stage of the RAC Rally in South Wales, and 2 original share certificates totalling 284 shares for Pena Industries assigned to Ronald Ernest Parish as an executive of Peto Scott Electrical Instruments, the manufacturer of this camera

Bristol Old Vic Theatre - An 18th century George III silver token for Bristol Theatre, King Street. The token engraved to read ' Bristol Theatre, King Street, May 30 1766.; The obverse engraved ‘No. 31 The Proprietor of this Ticket is Entitled to the sight of Every Performance to be Exhibited in the House'.(Viewing available by appointment only)The token was originally issued by the Bristol Theatre (now the Bristol Old Vic) allowing its owner unlimited free entry to any production. Fifty silver and two gold tokens were minted, and given to the first fifty shareholders who had each raised £50 to fund the construction of the theatre in 1766. The original shareholders of these tickets insisted that they could be loaned or traded, which led to great difficulty for the Theatre managers to keep track of who was entitled to enter the performances at no cost. The original owner of the token being theatre shareholder, Daniel Harson, Collector of Customs in the port of Bristol and formerly a dissenting minister from 1758 until his death in 1779. In 1816 the ticket and share of the theatre was held by John Palmer who was assigned his shares (and presumably the ticket) on 15 July 1793. The ticket and share had previously been in the hands of Antony Palmer Collings who had been the executor of the Original Proprietor, Daniel Harson, Collector of Customs. The share associated with the ticket was held by various persons in the 19th century to include Theatre Lessee’s James Henry Chute in 1861 and Andrew Melville in 1887. In 1925 the Final Dividend List shows ticket 31 as being owned by A A Levy-Langfield wherein it stayed in the family until being sold at auction in 2009 to the current owner. Supplied with some printed history. Bristol Old Vic will still honour this token should it be presented - the offer applies to Bristol Old Vic productions only, not visiting shows. (Confirmed October 2024). Measures approx. 31mm diameter. Total weight 12.9g.

Annie Tempest (British, b.1959)'The trouble with men who've been in therapy is that they keep wanting to share their feelings - I mean it's just not natural is it?...' An original 'Tottering by Gently' cartoon, signed and dated (19)97, watercolour, 36cm x 27cm

* Miscellaneous ephemera. A small group of 6 musical programmes for events held at Buckingham Palace, Windsor Castle and Cavendish House, 5 July 1866-5 June 1872, 4 pp., lace pattern to first page, containing Royal Crest (except Cavendish House) and details of musical performances, singers including: Madame Monbelli, Signor Bettini, Mr Santley, Signor Graziani, etc., 25.5 x 20.3 cm, together with two 2 pp. programme of entertainment, 22 May 1865-13 May 1874, one printed for the arrival of the Tsar Alexander's II state visit to Windsor, plus various miscellaneous ephemera including: a share certificate for the North American Lumber Company, Sept 10 1839; 8 black and white photographs mainly showing SS Lovat; sketchbook containing 21 pages of watercolour, pencil or pen and ink illustrations, of military figures or ships; a short piece of wood with two 19th century handwritten labels adhered to it 'piece of Mulberry tree under which the young princes were buried' and 'in the Tower of London', three further small pieces of wood, two with 19th century baggage labels labelled from 'HMS Victory', a signed photograph of Princess Alexandra, framed and glazed (37.5 x 31 cm), etc.QTY: (a carton)

Four share certificates for the Cymric Gold Mining Association, dated for 1908 and 1909.

Original antique poster for The Russian General Oil Corporation / Societe Generale Naphthifere Russe featuring share certificates with share warrant of 25 shares of 1£ sterling each. Horizontal. Fair condition, folds, creasing, tears, some paper stickers, large paper loss cut out, paper skimming, staining, ink stamps, blind embossed stamps, signed by hand, double sided. Country of issue: France, designer: Unknown, size (cm): 39x51 (unfolded) 39x26 (folded), year of printing: 1912.

WHITE STAR LINE: pair of printed share certificates, 1927-8: plus Royal Mail Steam Packet Company share certificate 1922, and one other document. (4)

BRITISH SHARE CERTIFICATES x12: LONDON AND NORTH EASTERN RAILWAY 1939; UNION PLATE CO 1847; FULHAM FOOTBALL CLUB; ANGLO SOUTH AMERICAN BANK 1930; COLONIAL RUBBER AND PRODUCE INVESTMENT CO 1912; SMITH AND CO 1901; GREENQICH CABLE WORKS LTD 1925; TRUST AGENCY ASSETS LTD 1908; EVERLITE LTD 1930; COMMERCIAL GLASS WORKS LTS 1920; UNITED KINGDOM CO-OPERATIVE INVESTMENT SOCIETY LTD 1935 (x12)

US SHARE CERTIFICATES x12: NEW YORK CENTRAL RAILROAD CO 1965; PITTSBURGH AND LAKE ERIE RAILROAD CO 1968; TRIBUNE OIL CORP 1964; READING RAILROAD CO1 1964; INTERNATIONAL TELEPHONE AND TELEGRAPH CO 1972; ATLANTIC RICHFIELD CO 1967; ST. LOUIS, INDIANAPOLIS AND EASTERN RAILROAD CO c1890; THE MIWAUKEE MINING AND MILLING CO; BARUCH-FOSTER CO 1962; THE ANACONDA CO 1957; HORIZON'S TITANIUM CO 1960; CENTURY NATURAL GAS AND OIL CO 1952 (12) 12 american share documents

A box containing a small quantity of collectable animal figurines including elephants, etc. - sold with a boxed Kodak Easy Share digital camera, an Olympus camera and pair of small binoculars

Natural History Minerals: A Victorian Mineral Collection, dated 1861, by James Tennant (1808-1881), No 149 The Strand, London (WC), contained within a period mahogany hinged box, complete with specimens housed within 75 individual boxed compartments (with corresponding numbered labels) with the original padding protection between each layer, including original hand written key, 25.5 cm by 20cm by 10.5cm, full paper label to interior box inner lid, together with two further collections which are from the same collection but unlabeled, enclosed within a mahogany hinged box comprising 36 compartments of unnumbered specimens, 34cm by 27cm by 6cm, a third collection contained within a pine hinged box containing two lift out trays (140 compartments in total) with blotting paper leaves for protection. The first tray complete with 70 undisturbed specimens all correctly numbered and in order, the second tray is incomplete, 42cm by 25.5cm by 7cm. Notes on James Tennant. An English mineralogist to Queen Victoria.Tennant was born on 8 February 1808 at Upton, near Southwell, Nottinghamshire. His father, John Tennant, was an officer in the Her Majesty's Customs and Excise; his mother, Eleanor Kitchen, came from a family of yeomen resident at Upton for more than two centuries. In October 1824, Tennant was apprenticed to John Mawe, a dealer in minerals at 149 Strand in London. After Mawe's death in 1829 Tennant managed the business with Mawe's widow, Sarah Mawe, who became known as "Mineralogist to Her Majesty". He purchased Sarah's share of the business on her retirement in 1840. Tennant attended classes at a mechanics' institute and the lectures of Michael Faraday at the Royal Institution in London. In 1838, on Faraday's recommendation, Tennant was appointed teacher of geological mineralogy at King's College London, later a professor. In 1853 the professorship of geology was added. From 1850 to 1867, Tennant was also a lecturer on geology and mineralogy at the Royal Military Academy, Woolwich. Tennant had an excellent practical knowledge of minerals; when diamonds were first found in South Africa, Tennant verified that they were indeed genuine. Tennant was an earnest advocate of technical education, giving his own money liberally to help, and persuading the Turners' Company, of which he was master in 1874, to offer prizes for excellence in their craft. When the Koh-i-Noor diamond was recut, Tennant superintended the work In 1840, he became mineralogist to Queen Victoria, taking over from Sarah Mawe. Tennant was elected a fellow of the Geological Society in 1838, and president of the Geologists' Association (1862–3). Tennant died in London on 23 February 1881. He never married.

South African Mining Interest - an early 20th century share certificate, The Robinson Gold Mining Company Ltd, No.238176, Warrant 34487, dated 13th December 1910, framed, 45cm x 47.5cm overall

A set of three late 20th Century Masonic tracing boards with stylised imagery including one with skull and coffin, rarely seen in part because the ritual it entails is rarely performed and those that have undergone it rarely share information about it, 51 cm x 38 cm (3) CONDITION REPORTS Are acrylic on board paintings. See images for more details.

* Cruikshank (Isaac). The Russian Bruiser getting his dose with his seconds thirds bottle holder &c coming in for their share, published by S. W. Fores, January 30th 1801, etched caricature with contemporary hand-colouring, trimmed to the plate mark, some adhesion scaring to the verso, 240 x 350 mm, mounted, together with Williams (Charles). Boney Bothered or an Unexpected Meeting, published by Thomas Tegg, July 9th 1808, etched caricature with contemporary hand-colouring, toned overall, horizontal central fold, 330 x 250 mm, mounted, framed and glazed, together with Heath (William). Blowing up the Fire, published by Thos. McLean, October 8th, 1830, etched caricature with contemporary hand-colouring, 260 x 375 mm, mounted, framed and glazed, plus Rowlandson (Thomas). None but the Brave Deserve the Fair, 1819, etching with contemporary hand-colouring, trimmed to image, dust-soiled and a little stained, 300 x 225 mm, framed and glazedQTY: (4)

Chaucer (Geoffrey). The Workes of our Antient and Learned English Poet, Geoffrey Chaucer, newly printed. In this impression you shall find these additions, 1. His portraiture and progenie shewed. 2. His life collected. 3. Arguments to every booke gathered. 4. Old and obscure words explained. 5. Authors by him cited, declared. 6. Difficulties opened. 7. Two bookes of his, never before printed, 1st Speight edition, London: Adam Islip, at the charges of Bonham Norton, 1598, engraved title (trimmed with losses and laid down), engraved portrait of the author by John Speed, 3 divisional titles within woodcut borders, woodcut initials and head- and tail-pieces, main text in black letter in double-column, lacking leaves aii-iv at front, lacking final leaf (of Annotations and colophon) and blank, folio 164 with small loss of text lower right (text completed in later manuscript recto and verso), a few other small marginal repairs, occasional small annotations, some occasional soiling, spotting and stains, endpapers renewed, contemporary calf, panelled covers with arabesque in gilt, rebacked and repaired, a little rubbed with some edge wear, folio, 31 x 21 cmQTY: (1)NOTE:Grolier 43 English; Pforzheimer 177 (different imprint); STC 5078. 'From the form of imprints it would seem that Bishop, Norton and Wight commissioned Islip to print this edition, and judging from the frequency with which copies with their imprints occur it is probable that Bishop took the largest share and Norton the next' (Pforzheimer).First edition of Thomas Speight's definitive edition of the complete works of Chaucer, and the first to contain an engraved portrait of the author, this copy the Islip and Norton issue. Speight, a somewhat obscure schoolmaster, was assisted in its production by the chronicler John Stow, Francis Thynne, Francis Beaumont (father of the dramatist of the same name), and Robert Glover.

Collection of Irish/World Interest Titles such as The Diocese of Kerry -Formerly Ardfert by Kiaran O Shea, 2005; Irish Lives by Bernard Share/William Bolger, 1971 plus c 60 others;

LAGAVULIN 16 YEARS OLD | Stated age: 16 years old | ABV: 43% | Region: Islay | Country: Scotland | Type: Single malt Scotch whisky | Distillery description | Lagavulin is an iconic distillery located on the island of Islay, founded in 1816 by John Johnston, though the site had been home to illegal distilling prior to its establishment. Nestled between Ardbeg and Laphroaig, Lagavulin is renowned for its heavily smoky and peaty character. In 1862, the distillery was purchased by John Logan Mackie. His nephew, Sir Peter Mackie, a prominent figure in the whiskey industry and creator of the famous White Horse blend, played a significant role in its development. After losing exclusive representation to Laphroaig, Mackie constructed a malt mill on Lagavulin's grounds in 1908. However, despite its aim to produce whiskey akin to Laphroaig's, it never succeeded, and the whiskey produced bore little resemblance to Lagavulin's. A fictional cask from Lagavulin prominently featured in Ken Loach's film The Angel's Share. Today, Lagavulin is part of Diageo's Classic Malts range, with its most famous expression being Lagavulin 16 Year Old, regarded as one of the best peated whiskeys on the market. In addition to this staple bottling, limited editions are regularly released, including the Distiller's Edition, Diageo Special Releases, and offerings for the Feis Ile festival. | Bottle description | Lagavulin Aged 16 Years is one of the most iconic single malt whiskies from the Islay region, renowned for its intense yet subtle smoky character. This whisky is aged for a minimum of 16 years in a combination of bourbon and sherry casks, resulting in a rich flavor profile with deep layers of smoke, sweetness, and peat.Nose: Strongly smoky with distinct notes of peat, sea salt, and dried fruit, complemented by subtle vanilla and caramel sweetness, along with sherry and wood notes.Taste: Full and intense with rich smoke, peat, caramel, and vanilla sweetness, along with dark fruit, raisin, and chocolate tones from the sherry casks. Finish: Long and warm, with lingering peat, sea salt, and fruit notes, providing satisfying depth with subtle spice and wood undertones.Size: 700 ml | Condition: traces of mold on the bottle | Duty stamp: CZ | Packaging: paper box with traces of mold on the box | Bottle code: L9007CM000 0065662

A SCIMITAR PRESENTED TO CAPTAIN JAMES KEARNEY WHITE R.N. ABOARD H.M.S. NORTHUMBERLAND BY NAPOLEON BONAPARTE, ST. HELENA, 1815the 31in. curved steel flat blade with faint etching, brass quillon guards with cast and engraved foliate decoration, shaped polished stone grip with tassel hole to end, contained in brass mounted leather scabbard with medallion facings by suspension loops, the top locket engraved From Napoleon Buonaparte / To Captn. James Kearney White / St. Helena, October 1815. / H.M.S. Northumberland -- 36in. (91.5cm.) overallJames Kearney White (1782-1828) and thence by descent. Blade has small patches of corrosion but remains sharp, close examination shows the top third was once finely etched but this is now almost invisible.; the scabbard is scuffed and the top section now loose, but overall in fair condition.A FASCINATING AND IMPORTANT TRIO OF SWORDS PRESENTED TO CAPTAIN JAMES KEARNEY WHITE, R.N.James Kearney White was born in 1782 and although there is scant information about his family, his early life or his entry into the Royal Navy, the latter part of his career more than made up for this deficiency. He first came to notice in 1804, during operations off the coast of the Netherlands, when the 18-gun brig-sloop Scorpion was detached from Admiral Thornborough’s squadron to reconnoitre the Vlie passage into the Texel where she discovered two Dutch brig-corvettes at anchor in the Texel Roads on 28th March. One of them, the Atalante, was armed with sixteen valuable ‘long’ 12-pounders and Captain Hardinge, commanding Scorpion, resolved to take her. Not wanting to risk Scorpion herself because of the danger of shoals, he decided to mount a ‘boat action’ when conditions allowed. In the event, it was three days before the conditions were right and, at 9.30pm. on the evening of 31st March, in full dark, three boats from Scorpion and two from H.M.S. Beaver (which had joined the fray earlier that day) set out on the flood-tide. Nevertheless, it still took two hours to reach the Atalante which, by now, was on full alert and more than ready to repel any boarders. Leading the attack, Captain Hardinge himself was first aboard and, in a short but furious action, the Atalante was taken. In his subsequent despatch to Admiral Thornborough, Hardinge described Atalante as “one of the largest brigs in the Dutch navy… and admirably calculated for His Majesty’s service” and then went on to commend “the zeal and gallantry” of several individuals including “…Lieut. White” who was rewarded with a £50 sword from Lloyd’s Patriotic Fund (see lot 204).He next attracts attention during the Anglo-American ‘War of 1812’ during which he achieved at least a small measure of fame as well as wealth and, finally, a well-deserved promotion to post-rank. Having been made Commander on 10th June 1811, he was given the gun-brig Thistle, still on the stocks at Rochester but launched on 13th July 1812. From there, White took his new command to Chatham to oversee her fitting out after which she sailed for North American waters. White only stayed in Thistle just over a year until appointed to the command of the larger brig-sloop Peruvian in October 1814. The Peruvian had already enjoyed two very successful tours, first in the Caribbean in 1812 and then, in 1813-14, on the American Station during which she had captured two U.S. privateers and taken part in a daring expedition up the Penobscot River in Maine. When White took over the command in October 1814, crew morale was riding high and, under his captaincy, two more prizes were added in quick succession to Peruvian’s impressive tally – the Spanish ship Dolores and the U.S. merchantman Rufus – before Peruvian was ordered home in April 1815. By mid-June, she lay becalmed at Ostend and when Major the Hon. Henry Percy, the only one of Wellington’s aides to have survived the carnage at Waterloo unscathed, arrived with the news of the great victory, White took drastic action. With no wind in the offing, he immediately ordered Peruvian’s gig lowered and, after selecting four of his strongest crew, the six men, including both White and Percy who did their share at the oars, rowed it across the Channel to Broadstairs where the two officers hired a fast post-chaise-and-four and raced to London bearing the momentous news of Napoleon’s defeat.Once Napoleon had been brought to England and the decision taken to banish him to the distant island of St. Helena, Peruvian and her sister Zenobia were assigned to Admiral Cockburn’s squadron which was to escort the Emperor into exile. Extraordinarily, and before the long journey south began, Peruvian was despatched to Guernsey to pick up a supply of wine for Napoleon’s consumption in exile, a very personal service rewarded by the presentation of another sword (see lot 206). Later, when Cockburn became concerned that the French might use the then uninhabited island of Ascension as a base from which to mount a rescue attempt to free Napoleon, he sent Peruvian and Zenobia to claim it and, at 5.30pm on 22nd October 1815, White and Zenobia’s commander Captain Dobree went ashore, raised the Union flag and took possession of the island in the name of King George III. Leaving some marines as a garrison, the two sloops then resumed their voyage to St. Helena although, in the meantime, Peruvian’s crew had presented White with a splendid silver-mounted sabre (see lot 205), presumably purchased in Portsmouth before Cockburn’s squadron sailed. Months later, Peruvian returned to England carrying despatches from the island’s governor, and then laid up In Ordinary at Plymouth where she remained until broken up in 1830. After some shore leave, White returned to sea and was promoted Captain (December 1818) although he was already in command of the sixth-rate Spey (1818-August 1819). Before taking up his next command, another sixth rate, the Tyne, in February 1821, with orders to sail for the West Indies, White took the opportunity to marry Elizabeth Neeld in London with whom he had one daughter. His appointment to Tyne was short-lived however – barely one year – and he was not re-employed at sea, perhaps due to sickness. Given that he died in Bermuda on 2nd March 1828 at the age of only 46, it is possible that he had contracted one of the many fevers which afflicted Europeans there and died as a result, although this remains unconfirmed.

Ø AN UNRECORDED £50 LLOYDS PATRIOTIC FUND SWORD PRESENTED TO Lt JAMES KEARNEY WHITE OF H.M.S. BEAVER FOR CAPTURING THE DUTCH BRIG ATALANTE, 31st MARCH, 1804the 30in. curved blade with remnant blued and gilt finish, silvered cartouche with dedication in an early font type, brass hilt with ivory grip, contained in brass mounted scabbard of issue with single suspension loop (corrosion and wear throughout) -- 35½in. (90cm.) overallJames Kearney White (1782-1828) and thence by descent.Blade heavily corroded obscuring the dedication, which is a very early example of dedication being not blue and gilt and with a font not found on other Lloyd’s swords; The hilt has suffered heavy polishing and has lost all gilt; The scabbard has suffered from heavy polishing and lost all gilt. The middle locket suspension ring is missing.A FASCINATING AND IMPORTANT TRIO OF SWORDS PRESENTED TO CAPTAIN JAMES KEARNEY WHITE, R.N.James Kearney White was born in 1782 and although there is scant information about his family, his early life or his entry into the Royal Navy, the latter part of his career more than made up for this deficiency. He first came to notice in 1804, during operations off the coast of the Netherlands, when the 18-gun brig-sloop Scorpion was detached from Admiral Thornborough’s squadron to reconnoitre the Vlie passage into the Texel where she discovered two Dutch brig-corvettes at anchor in the Texel Roads on 28th March. One of them, the Atalante, was armed with sixteen valuable ‘long’ 12-pounders and Captain Hardinge, commanding Scorpion, resolved to take her. Not wanting to risk Scorpion herself because of the danger of shoals, he decided to mount a ‘boat action’ when conditions allowed. In the event, it was three days before the conditions were right and, at 9.30pm. on the evening of 31st March, in full dark, three boats from Scorpion and two from H.M.S. Beaver (which had joined the fray earlier that day) set out on the flood-tide. Nevertheless, it still took two hours to reach the Atalante which, by now, was on full alert and more than ready to repel any boarders. Leading the attack, Captain Hardinge himself was first aboard and, in a short but furious action, the Atalante was taken. In his subsequent despatch to Admiral Thornborough, Hardinge described Atalante as “one of the largest brigs in the Dutch navy… and admirably calculated for His Majesty’s service” and then went on to commend “the zeal and gallantry” of several individuals including “…Lieut. White” who was rewarded with a £50 sword from Lloyd’s Patriotic Fund (see lot 204).He next attracts attention during the Anglo-American ‘War of 1812’ during which he achieved at least a small measure of fame as well as wealth and, finally, a well-deserved promotion to post-rank. Having been made Commander on 10th June 1811, he was given the gun-brig Thistle, still on the stocks at Rochester but launched on 13th July 1812. From there, White took his new command to Chatham to oversee her fitting out after which she sailed for North American waters. White only stayed in Thistle just over a year until appointed to the command of the larger brig-sloop Peruvian in October 1814. The Peruvian had already enjoyed two very successful tours, first in the Caribbean in 1812 and then, in 1813-14, on the American Station during which she had captured two U.S. privateers and taken part in a daring expedition up the Penobscot River in Maine. When White took over the command in October 1814, crew morale was riding high and, under his captaincy, two more prizes were added in quick succession to Peruvian’s impressive tally – the Spanish ship Dolores and the U.S. merchantman Rufus – before Peruvian was ordered home in April 1815. By mid-June, she lay becalmed at Ostend and when Major the Hon. Henry Percy, the only one of Wellington’s aides to have survived the carnage at Waterloo unscathed, arrived with the news of the great victory, White took drastic action. With no wind in the offing, he immediately ordered Peruvian’s gig lowered and, after selecting four of his strongest crew, the six men, including both White and Percy who did their share at the oars, rowed it across the Channel to Broadstairs where the two officers hired a fast post-chaise-and-four and raced to London bearing the momentous news of Napoleon’s defeat.Once Napoleon had been brought to England and the decision taken to banish him to the distant island of St. Helena, Peruvian and her sister Zenobia were assigned to Admiral Cockburn’s squadron which was to escort the Emperor into exile. Extraordinarily, and before the long journey south began, Peruvian was despatched to Guernsey to pick up a supply of wine for Napoleon’s consumption in exile, a very personal service rewarded by the presentation of another sword (see lot 206). Later, when Cockburn became concerned that the French might use the then uninhabited island of Ascension as a base from which to mount a rescue attempt to free Napoleon, he sent Peruvian and Zenobia to claim it and, at 5.30pm on 22nd October 1815, White and Zenobia’s commander Captain Dobree went ashore, raised the Union flag and took possession of the island in the name of King George III. Leaving some marines as a garrison, the two sloops then resumed their voyage to St. Helena although, in the meantime, Peruvian’s crew had presented White with a splendid silver-mounted sabre (see lot 205), presumably purchased in Portsmouth before Cockburn’s squadron sailed. Months later, Peruvian returned to England carrying despatches from the island’s governor, and then laid up In Ordinary at Plymouth where she remained until broken up in 1830. After some shore leave, White returned to sea and was promoted Captain (December 1818) although he was already in command of the sixth-rate Spey (1818-August 1819). Before taking up his next command, another sixth rate, the Tyne, in February 1821, with orders to sail for the West Indies, White took the opportunity to marry Elizabeth Neeld in London with whom he had one daughter. His appointment to Tyne was short-lived however – barely one year – and he was not re-employed at sea, perhaps due to sickness. Given that he died in Bermuda on 2nd March 1828 at the age of only 46, it is possible that he had contracted one of the many fevers which afflicted Europeans there and died as a result, although this remains unconfirmed.

The Inkpot Farm Sleaford, South Lincolnshire: A Day for up to x6 guests with Hannah Thorogood, Senior UK Permaculture Expert Donated by: The Ink Pot Farm This is a rare opportunity to learn about permaculture farming by leading expert, Hannah Thorogood, on her 150-acre organic, demonstration farm in Sleaford, South Lincolnshire. Hannah grazes a thriving heard of Lincoln Red cows, Shetland and Icelandic sheep, as well as chickens and turkeys. As a result, The Inkpot Farm produces meat, wool, eggs, vegetables, fruit and their own jams and chutneys, but this is all done without a single tractor! Hannah’s ethos, land and farming practises have featured in many press articles and farming papers, embodying a mindset of abundance – one that many are aspiring to and wondering how to realise. To this end, Hannah is offering a private guided tour for up to x6 guests, either family and friends or a small corporate team to spend an immersive day at the hugely popular Inkpot Farm to share a wonderful countryside experience, with new ideas to consider together. There will also be time to enjoy a visit to their award-winning farm shop too! Terms & Conditions: Date to be mutually organised between the final bidder and The Ink Pot Farm with 4-weeks’ notice, excluding Public & School Bank Holidays Experience for up to x6 guests to be redeemed by 31 October 2025 Catering is not included in the tour Dogs are not allowed Experience is not to be re-sold or re-auctioned We are hosting this auction on behalf of The Country Trust - please contact Victoria Cable if you require further information about the individual lots.

Monty Panesar: Online Chat or Coach for 30 Minutes with the Cricketing Legend Donated by: Former England Spin Bowler, Sports Presenter & Broadcaster A fantastic opportunity to have one-to-one online coaching session for 30 minutes with Monty Panesar one of England’s most popular cricketers and an inspiration for British Asians, as the first Sikh cricketer to play for England. A left arm finger spin bowler, Monty Panesar made his Test Cricket debut in 2006 against India in Nagpur and One Day International debut for England in 2007. He also played for the England Lions Cricket Team in South Africa. In English County Cricket he has played for Northamptonshire, Sussex and Essex, having taken over 700 first-class wickets during his career. Monty Panesar has gained a wealth of experience in international coaching, broadcasting and sports presenting. He is looking forward to spending half an hour chatting online with a fellow cricketing fan, player, coach or young talent who would like to share stories, ask question, seek advice or simply reminisce. Terms & Conditions: Date & time to be mutually agreed by Monty Panesar, via The Country Trust, and the final bidder Online Chat or Coach is for 30 minutes – to be redeemed by 31 April 2025 Subject to availability Experience not to be re-sold or re-auctioned Photo: © Mugley We are hosting this auction on behalf of The Country Trust - please contact Victoria Cable if you require further information about the individual lots.

Islands In A Common Sea: Stories of Farming, Fishing and Food around the World by Jenny Jefferies, published by Meze Publishing – signed by the author Donated by: Jenny Jeffries Following her successful For The Love Of cookbook series, championing farming and fishing in the UK, award-winning author Jenny Jefferies has compiled a brand new, visually stunning, and globally relevant book to celebrate and share the stories of farmers and fishermen from all over the world. Despite its global scale, the book is based on the author’s belief that there is more in the world that unites us than divides us, and the power of this unity in overcoming the challenges that currently face us all, from climate change to food. From rural Bhutan to central Singapore, the wilds of Western Australia to paddy fields in Japan, and Argentine vineyards to Nigerian aquaculture, Islands in a Common Sea takes a deep dive into the everyday lives of 25 pioneering individuals who nurture their environment in the hopes of a regenerative, productive, and positive future. This beautiful, coffee table, hardback book with remarkable photography, featuring stunning landscapes and captivating portraiture, is signed by the author Jenny Jeffries. https://mezepublishing.co.uk/product/islands-in-a-common-sea/ We are hosting this auction on behalf of The Country Trust - please contact Victoria Cable if you require further information about the individual lots.

Shimpling Park Farm Suffolk: Field to Fork Farm Visit for x6 guests & a Box of Organic Lamb Donated by: John & Alice Pawsey – Shimpling Park Farm John & Alice Pawsey take delight in inviting a family or a group of up to x6 guests to join them for half a day on their organic farm, near Bury St Edmunds in rural Suffolk, East Anglia. Fourth generation, innovative farmers John and Alice are leading the way in exploring natural farming methods. They will share their experiences and knowledge about organic farming and producing good food in a way that allows nature and soils to thrive. Shimpling Park Farm is highly regarded for producing top quality, organic lamb, which not only has fantastic flavour but is also an integral part of the sustainable and holistic farming system. This special experience will include a walking tour of the farm highlighting their approach to regenerative cropping in the fields and the forest to discover how agroforestry works. You and your guests will also be able to enjoy tea, coffee and flapjacks as part of this special day with widely respected experts in this field of agriculture and organic farming. The half-day visit also includes a Box of Shimpling Park Farm Organic lamb which, depending upon the time of year, would comprise fresh or frozen, individually wrapped lamb loin and chump chops, rolled breast or mince, a leg, shoulder and French trimmed rack. You can either take the box of delicious lamb away with you or accept a voucher to be redeemed at the farm another time. https://shimplingparkfarm.co.uk/ Terms & Conditions: Tour for up to x6 guests to be organised on a mutually convenient date with John & Alice Pawsey and the final bidder, with at least x4-weeks’ prior notice Experience, depending upon the time of year, can be taken either morning, afternoon or evening if light enough The Tour to be taken by 30 June 2025 Subject to availability Experience not to be re-sold or re-auctioned We are hosting this auction on behalf of The Country Trust - please contact Victoria Cable if you require further information about the individual lots.

Darjeeling Express: Welcome Drinks & Royal Thali Dinner for x 2 guests at the iconic Restaurant in Soho, London, founded by Asma Khan one of the UK’s & India’s brightest culinary stars Donated by: Asma Khan, British restaurateur, author, social campaigner & Country Trust Auction Champion You and your guests will enjoy a sumptuous culinary experience with authentic Indian food, lovingly cooked from family recipes that go back to generations. The dishes are a true homage to the restaurant’s Founder, Asma Khan’s Royal Mughlai ancestry and the busy streets of Calcutta, where she grew up. What results is a lovely mélange of street food such as Channa Chaat and slow-cooked Tamatar Gosht, which takes you on a journey from Calcutta in the east of India to Hyderabad in the south. Food here is served the way Indian food is meant to be eaten – platters of dishes boasting texture and flavours which complement each other, encouraging you to gather and share in the style of the traditional ‘Daawat’ (feast). An all-women team of housewives run the kitchen at Darjeeling Express, and have been doing so from day one. What you will taste is home-style food, cooked with passion and the aim to nourish your body and soul. Darjeeling Express is the definition of honest, traditional Indian food. Conjuring the ambience of a home-cooked dinner enjoyed with your nearest and dearest, the all-women kitchen team at Darjeeling Express lovingly create a multitude of flavours and textures served on sharing platters, with recipes drawing influence from the length and breadth of India. Michelin Guide Asma Khan is one of the UK’s most prominent female chefs and an unstoppable force for social change in the food industry. She was the first British chef to be profiled in Netflix’s Emmy nominated Chef’s Table and the first chef to be featured on Vogue’s List of 25 Most Influential Women. In 2019 Business Insider named Khan number 1 on their list of 100 Coolest People in Food & Drink. Her debut cookbook Asma's Indian Kitchen won the World Gourmand prize for best Indian cookbook in 2018. https://www.darjeeling-express.com/ Terms & Conditions: Reservation to be made in advance on mutually convenient date as agreed by Darjeeling Express and the final bidder Voucher expires December 2025 Experience includes Welcome Drinks & a Royal Thali Dinner for x2 guests Any additional drinks to be charged to the final bidder Voucher is non-transferable Experience not to be re-sold or re-auctioned We are hosting this auction on behalf of The Country Trust - please contact Victoria Cable if you require further information about the individual lots.