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A stripped pine day bed, with a hinged seat, 210 cm wide

A pair of late 19th/early 20th century walnut framed armchairs, with a carved top rail, padded back seat and arms, on cabriole legs (2)

An early 20th century gilt window seat, with pierced ends, on reeded tapering legs, 86 cm wide

A pair of Anglo Indian carved walnut armchairs, with padded back, arms and seat, carved with foliate forms (2)

Antique cobblers work seat/work table, measuring 115cm long, 46cm wide, 52cm high.

A 19th-century Indo-Portuguese profusely carved and pierced rosewood slipper chair, decorated with fruiting vines and pineapple cresting, above a gross point worked seat, supported by squat scroll toe cabriole legs, 60 cm wide x 62 cm deep x 113 cm overall height, 40 cm height to the seat top

Set of four Regency brass inlaid simulated rosewood dining chairs with cresting rail with stylised honeysuckle marquetry panels above drop-in seats and moulded sabre legs fore and aft. 47 cm wide x 44 cm deep x 83 cm overall height, 47 height of seat.

A Fredrik A Kayser model 807 three-seat sofa for Vatne Lenestolfabrikk, 1970s, upholstered in tan-coloured hide, with extending underslung rosewood sledge feet. 190 cm overall width x 76 cm deep x 83 cm overall height, 44 cm height to the top of the squab cushions. CITES Article 10 Certificatee No. 24GBA10VORDIR Structurally sound, with no apparent damage. Some light surface scratches in places, and staining to the upholstery.

A 1960s Hans J Wegner AP 62 suite of rosewood lounge chairs, in cream and blue upholstery, including an armchair, 76cm wide, 68 cm high, 75 cm deep, a three-seat settee 134 cm wide, 68 cm high, 75 cm deep, and a four-seat settee 252 cm wide, 68 cm high, 78 cm deep. CITES Article 10 certificate no. 24GBA1051B1OX

A Spanish walnut armchair with leather back and seat, late 17th century and later, with armorial "Portuguese Worked" hide back and seat with decorative domed stud fixings, carved high front stretcher, 65 cm wide x 57 cm x 135 cm overall height together with a small rectangular Spanish walnut trestle table with shaped ends and gilt iron bracing ties., 104 cm wide x 44 cm deep x 49 cm overall height.

A pair of Regency carved wood and gilt gesso curule form stools with saddled seat, the "x" frame with recessed panels of guilloche and oval acanthus boss and turned stretcher, supported by well-carved lions paw feet, 54 cm x 40 cm x 44 cm overall height.

A Regency-style painted satinwood open-arm carver chair with split cane panel back and seat, early 20th century supported by splay legs, together with a matching three-tier cake stand (AF)The chair; 55 cm wide x 61 cm deep x 90 cm overall height, 43 cm height to seat,

A decorative 17th-century Dutch style walnut open armchair, 20th century, with petit point needlework back and seat, together with a similar chair, 74 cm wide x 90 cm deep x 138 cm overall height.Formerly of Donnington Castle House, near Newbury, Berkshire Qty: 2 -

A George III style deep buttoned hide fireside armchair with close nailed detail supported on carved cabriole legs, 86 cm wide x 105 cm overall depth x 102 cm overall height, 42 cm height to the seat.

An early 18th-century walnut side chair with a curved back and bifurcated splat, with inlaid armorial bearings probably Swedish, with a drop-in seat, shallow seat rail over cabriole legs united by turned stretchers and terminating in pad feet. 63 cm overall width x 54 cm overall depth x 105 cm overall height x 46 cm height to seat top.

A George III mahogany ladder back carver chair, with green leather seat, 97 cm high x 63 cm wide, together with a shield back side chair, and a Regency carver chair with scroll arms.Qty: 3

Charles and Ray Eames for Vitra, a 670 Lounge Chair and a 671 Ottoman, in black leather, with Vitra labels to the underside of both, the chair 83 cm high x 84 cm wide, the seat 39 cm highPrivate collection, North LondonStructurally sound, with no major issues. Some signs of wear to the leather, and scuff marks to the frame. Discolouration to the rear, possibly sunlight bleaching.

A long set of fourteen Regency mahogany dining chairs, comprising twelve single and two open-arm carver chairs, with perpendicular lattice backs with reeded uprights strung with ebony and satinwood lines, above stuff over seats, on ringed and turned tapering fore supports. 54 cm wide x 46 cm deep x 84 cm overall height, 46 cm height to the seat.The chairs are largely in good structural order but have had repairs and restoration over the years to remain in service with a few slightly loose seat joints and old repairs to the spat barsEach chair has at some point has been treated for woodworm and a bandage-type repair has been applied to the top of the seat rails below the upholstery, the seat rails have then been sized as part of an old method of treatment for worm infestation.One single chair has a break across the rear mortice of the seat rail and the leg where an old ineffectual repair has failed.A few of the chairs have had rather unorthodox corner braces fitted but these could be removed and the joints firmed up properly.Please see the extra images supplied.

Peter Cushing (1913-1994) Three Mabel Lucie Attwell colour postcards - each sent at the same time by the actor to his wife Helen, handwritten in pencil, dated '20.vii.52'.The first reads, 'In a café ‘on the front, Worthing, having a HARLICKS!! My dearest dear - thank you ever so much for your lovely letter . . . Cushing advised her he had just finished rehearsing a new scene with Bolling, 'I made them laugh by suggesting that Edith ? should be offered a special wish to play the ? Brown role in Cardiff . . .';The second postcard continues, 'with a Welsh accent! I’ve got a seat for you for the evening performance, darling, on Saturday and I’ve enquired about your trains from Victoria direct to Worthing (Central I think) so you don’t have to change at Brighton. I wasn’t sure if you would like to come earlier so as to have the morning here . . .' Cushing has also listed three Pullman train times departing from Victoria and arriving at Worthing arrival times;The third postcard (with a slight stain at top continues) '. . . it would be lovely to have you here dearest as long as it’s not a BARR FAR MUMMAR' and 'if (she) arrives in the morning I can meet you at the station, if you come in the afternoon will you come along to the theatre . . . Thank you for taking my shoes dear, the pairs I have are not comfy. I loved what Benhams said! All my love xxx', Cushing signs off with a doodle of a dog bone and paw print. (3)Peter Cushing was a prolific writer to his wife whilst they were apart, and frequently used pet names as in this case, and often sent postcards by Mabel Lucie Attwell. He was famously devoted to his wife, Violet Hélène Beck, and in later years Cushing became increasingly reclusive following her death in 1971.Provenance: ex- Peter Cushing Collection: Canterbury Auctions, 2023.

A Louis XV provincial beechwood caned fauteuil 18th century, with foliate carved top rail, the arched back and swept arms above a squab cushion seat, on cabriole supports united by X-stretcher,63cm wide51cm deep92cm highCondition ReportWith knocks and wear commensurate with age. Historic flight holes.

A set of six oak dining chairs, 20th century, with leather seats, 45cm wide 50cm deep97cm high, seat 46cm (6)Condition ReportLoose frames, fair. Used condition.

A large white-painted garden bench 20th century, 188cm wide 68cm deep92cm high, seat 42cmCondition ReportUsed and with wear and flaking to the paint.

A pair of 'Ambrosianeum' armchairs, designed by Luigi Caccia Dominioni for Azucena Italy, with blue velvet upholstery, with ebonised supports, with front castors, stamped, 80cm wide75cm deep115cm high, seat 45cm approx (2)Condition ReportFair overall. Some signs of wear to the arms.

An Eames 'EA117 Aluminium Group' desk chair, of recent manufacture, originally designed in 1958 by Charles and Ray Eames, manufactured by Vitra, with a cast and polished aluminium frame, raised on a five-pointed base terminating on to plastic castors, upholstered in black leather, with manufacturer's marks, 58cm wide54cm deep88cm high, seat height adjustable Condition ReportWith some wear to the leather. Some tarnishing to the aluminium. Wear commensurate with use.

A large teak garden bench 20th century, 182cm wide 65cm deep85cm high, seat 39cmCondition ReportWeathered and used.

An Eames 'EA117 Aluminium Group' desk chair, of recent manufacture, originally designed in 1958 by Charles and Ray Eames, manufactured by Vitra, with a cast and polished aluminium frame, raised on a five-pointed base terminating on to plastic castors, upholstered in black leather, with manufacturer's marks,58cm wide54cm deep88cm high, seat height adjustableCondition ReportWith some wear to the leather. Some tarnishing to the aluminium. Wear commensurate with use.

A sage green jade buddha, in a seat poise with one hand resting on his knee,5.5cm highCondition Reportminor nibbles and surface scratches to base

A teak garden bench 20th century, 119cm wide 55cm deep83cm high, seat 38cmCondition ReportUsed, weathered.

A set of four French wrought iron bistro chairs, 20th century,the scrolled heart form back above circular seat on cabriole supports.40cm diameter of seat50cm height of seat105.5cm total height

An Art Nouveau pottery garden seat early 20th century, possibly Minton, with yellow flowers to a brown foliate border, unmarked,50cm highProvenance: The property of the late Baron John Mauger LanginCondition ReportChips and flaking to the paint. Crack near the base. Please see the additional images. 

A Queen Anne style settee upholstered in cream damask, with scrolled arms over carved cabriole supports, inlaid with feather banding, united by a stretcher, 164cm wide, 65cm deep, 94cm high, seat 46cmCondition ReportWorn upholstery. Stretchers worn. Satins, some knocks and wear to the legs and stretchers.

QUANTITY OF MODS SCOOTER ACCESSORIES INCLUDING SEAT, VARIOUS CHROME MIRRORS, BARS, SEAT REST, MIDDLE CONSOLE PANEL 

NEST OF 3 TEAK GPLAN TABLES, SINGLE DRAWER TELEPHONE TABLE/SEAT 

A Victorian mahogany kitchen table with single end drawer, on turned tapering legs, 92 cm wide x 90 cm deep x 76 cm high, a modern yew wood and beech demi-lune side table, 76.5 cm wide and a 19th Century rush seat elbow chair on turned front legs united by stretchers, 59 cm wide x 104 cm high

Victorian three seat shaped settee covered in a gold upholstery raised on turned legs ending in brass castor feet.

An antique style hall chair the shaped top rail above a bergere back and seat flanked by barley twist columns raised on block and twist legs.

Louis XVI Style Giltwood Canape A Orielle, the curved and arched padded back flanked by lugs and enclosed part-padded arms above a stuff-over seat, the framed carved with guilloche and beading interspersed with acanthus and flowers, all raised on fluted tapering legs; covered in cream and yellow ballooning pattern upholstery

A reproduction two seat settee

19th century mahogany armchair, oval back, swept arms shaped seat and raised on Gillows type reeded legs with castors, stamped Morrison, and company Edinburgh

Reproduction leather top drum table raised on four out swept legs with metal caps and castors together with a piano stool with mustard upholstered lift up seat raised on shaped legs

A QUEEN ELIZABETH II CORONATION CHAIR, 1953, produced by W. Hands & Son Ltd., numbered 375, covered with blue velvet bearing the monogram ER II beneath a crown, stamped and branded to the underside, one rail stamped "W.T" beneath a crown, 85cm high x 49.5cm x 43cm deepProvenance: Lady Nellie Holmes (1890-1974) and thence by descent.Born Nellie Florence Marshall in Barnsley, Yorkshire, in 1890, she married Horace Holmes in 1912. During the nearly 60 years of their marriage Nellie and Horace were active in the Salvation Army, both rising to the rank of general. She died in Bridlington, Yorkshire, in 1974. Lady Nellie Holmes attended The Coronation of Her Majesty Queen Elizabeth II along with her husband Sir Horace Holmes,  in seat numbers 375 and 31 respectively. Sir Horace Holmes's chair is offered in the previous lot (259).The Coronation of Her Majesty Queen Elizabeth II was held on 2nd June 1953 at Westminster Abbey.The ceremony was a very large celebration with several thousand distinguished guests in attendance. The numbers of guests were fewer than George VI coronation, due to the reduction in seating behind the alter. Planning for such an important event took over 12 months. The design of the chairs and stools produced for the ceremony was taken from those created for the King George VI Coronation in 1937. The Ministry of Works were responsible for commissioning all furnishings for the coronation. As had been the case for George VI coronation furniture manufacturers based in High Wycombe, the centre of English chair making during this period, produced all of the chairs and stools. A range of companies manufactured the furniture including; B. North & Sons; W. Hands & Sons; Thomas Glenister Ltd.; Castle Bros. (all firms in High Wycombe); Maple & Co., and Waring & Gillow. The blue velvet coverings were made at Listers Mills in Bradford, Yorkshire.

PETER HVIDT & ORLA MØLGAARD-NIELSEN FOR FRANCE & DAVERKOSEN: A TEAK 'FD147' MODEL EASY ARMCHAIR, with a woven rattan cane back, curved armrests and swollen supports, with button label, 66.5cm wide x 67cm deep x 87cm high, seat 38.5cm highProvenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024).Note: Designed in 1956, this was the most successful and elegant of all the Hvidt & Mølgaard designs, as witnessed by its appearance in the first James Bond film, ‘Dr. NO’, and in the American television period drama, ‘Mad Men’ (set in a 1960s New York advertising agency), where the chair was featured in lead character Don Draper’s office.

NIELS KOEFOED FOR KOEFOEDS HORNSLET MØBELFABRIK: A SET OF EIGHT TEAK 'LIS' DINING CHAIRS, the ladder backs above black leatherette seat pad, raised on tapering supports, Dansk Møbelkontrol stamp evident on some of the undersides, 95.5cm high x 47cm wide x 45cm deep (8)

A QUEEN ELIZABETH II CORONATION CHAIR, 1953, produced by North & Sons, West Wycombe, numbered 31, covered with blue velvet bearing the monogram ER II beneath a crown, stamped and branded to the underside, one corner block stamped "P.S" beneath a crown, 85cm high x 49.5cm x 43cm deep, Provenance: Sir Horace Holmes (1888-1971) and thence by descentBorn in Weston, Notts., Holmes received an elementary education before becoming a coal miner. During World War I, he served as a sergeant in the Leeds Rifles, and received the Distinguished Conduct Medal. After the war, he returned to mining, and from 1923 was secretary of his branch of the Yorkshire Miners' Association. From 1923 until 1946, he also served on Royston Urban District Council, and for eleven years, he additionally served on the West Riding County Council. Sponsored by his union, Holmes was elected unopposed as Member of Parliament for Hemsworth at a by-election in 1946 following the death of the sitting MP George Griffiths. Holmes held the seat at the next three general elections, each time with the largest Labour majority in the election. From 1947 until 1951, he was Parliamentary Private Secretary to the successive Ministers of Fuel and Power, Hugh Gaitskell and Philip Noel-Baker. He then became the Labour Whip for the Yorkshire members. Holmes stood down at the 1959 general election. He was knighted in 1966, and died in 1971. Sir Horace Holmes attended The Coronation of Her Majesty Queen Elizabeth II along with his wife Lady Nellie Holmes, in seat numbers 31 and 375 respectively. Lady Nellie Holmes's chair is offered in the following lot (260). The Coronation of Her Majesty Queen Elizabeth II was held on 2nd June 1953 at Westminster Abbey.The ceremony was a very large celebration with several thousand distinguished guests in attendance. The numbers of guests were fewer than George VI coronation, due to the reduction in seating behind the alter. Planning for such an important event took over 12 months. The design of the chairs and stools produced for the ceremony was taken from those created for the King George VI Coronation in 1937. The Ministry of Works were responsible for commissioning all furnishings for the coronation. As had been the case for George VI coronation furniture manufacturers based in High Wycombe, the centre of English chair making during this period, produced all of the chairs and stools. A range of companies manufactured the furniture including; B. North & Sons; W. Hands & Sons; Thomas Glenister Ltd.; Castle Bros. (all firms in High Wycombe); Maple & Co., and Waring & Gillow. The blue velvet coverings were made at Listers Mills in Bradford, Yorkshire.

JOHANNES ANDERSEN FOR ULDUM MØBELFABRIK: A SET OF SIX 'MODEL 16' TEAK DINING CHAIRS, each with curved and downswept bar back over black leatherette seat pad, raised on swollen tapered supports, 72cm high x 50cm wide x 50cm deep (6)

Arthur Romney Green (1872-1945), a pair of Arts & Crafts oak armchairs, circa 1920, the curved backs with lozenge carving, back and side rails extending through the circular seats to the stretchers below, raised on tapering octagonal legs79 x 57 x 45cmOne chair with a shrinkage crack through the rear stretcher, a screw repair to one joint where rail meets seat, repairs to arms where uprights join, general scuffs and wear commensurate with age and use.  The other chair missing one third of the rear stretcher, four screw repairs securing upright rails to seat, further screw repairs to arms where uprights join, one lacking peg.  General scuffs and wear commensurate with age and use.

An early 20th century teak bench, the curved slatted back over a caned seat raised tapering square legs with club feet85 x 133 x 49cm

In the manner of Ate van Apeldoorn, a set of four mahogany framed elbow chairs, circa 1970, each with pivoting black vinyl back rest and cushion76 x 60 x 44cmIn generally good condition,a few scuffs and marks from use, a slightly more notable scuff to the front corner of one arm, a small hole to seat od one at front corner.

Sigurd Ressell (1920-2010) for Vatne Møbler, a two seat leather sofa, with black leather cushions and Indian rosewood veneered bent plywood frame68 x 203 x 78cmPlease see further images.In overall good condition, even colour to the wood and very little wear or damage.Apart from some natural fading to the colour of the leather upholstery. Leather coverings also show some abrasion, cracking and staining, but leather remains supple and soft. Feather fillings on back cushions.Rubber mattress supports to the base in good condition.

A pair of modern grey suede two-seat sofas, each of curved design and raised on splayed ebonised legs78 x 196 x 110cmBoth sofas are in very good, clean condition, with no apparent marks or damages of note.

Victor Wilkins for E Gomme (G-Plan), a teak framed 'Siesta' lounge chair, with spring supported single cushioned seat and back nestled between shaped arm rests and tapered feet80 x 65 x 89cmThere is scratches/dents to one of the arms. There is mildew across the back brace. The teak is varnished. Various scratches to the legs. Please refer to the images for further details.

An Art Deco satin walnut side chair, the shaped solid back over a cream leather upholstered seat89 x 47 x 49cm

After Josef Frank and Joseph Hoffmann for Thonet, a set of four 'Dinette' dining chairs, with caned backs and seats, branded 'Made in Poland' to undersides80 x 45 x 53cmThree of the chairs are in reasonable condition with abrasion and surface scratching to the varnish, two with some water damage on the front seat rail. Scratches and marks on the legs and around the feet. One chair has damage and then a poor repair using a section of cork to the rattan seat. Please refer to the additional images for further detail.

An unusual Arts & Crafts armchair of exceptionally large scale, late 19th century the beech frame of simple form with slightly bowed back and sweeping arms on turned front supports, with a rushed seat partially striped in red and green114 x 75 x 55cmsuper condition with no obvious damage or repairs exxcept for a slight splinter to one of the uprightsthe rush seat is almost certainly not original but a particularly attractive feature

Paul Matt for Brynmawr Furniture, a set of twelve Arts & Crafts oak 'Mount' dining chairs, each with lattice back design and drop-in rush seats, some labelled to underside89 x 42 x 46cmSee further images for typical condition.All chairs have some colour fading and dryness to the top of the backs, also water damage to base of legs. Rushwork generally sound with only minor (non structural) damage  or rubbing and surface dirt. Waxed finish to the wood. All have ivorine makers label. Some chairs have some front to back movement, I have mentioned this where particularly noticeable. Nearly all have minor splits to the tops of the legs. Surface splashes and minor marks to the surface. No worm.chair 1 - with number eight to frame and drop in rushed seat. Ivorine makers label. Split or break to right leg has been dowelled. Ply base to seat seems to be original. chair 2 - with number O to the frame and 8 to the drop in rushed seat. Ivorine makers label. chair 3 - with number 6 or 9 to frame, and 5 to drop in seat. Ivorine makers label. Loss to top of left leg into the joint, and repaired break to both front oak corners of drop in seat frame. Squeaks and some movement in the frame.chair 4 - numbered 8 to the frame and 0 to the drop in rushed seat. Ivorine makers label. Minor split to top of right leg. Graze to top of left leg with uneven surface finish. chair 5 - numbered 1 to the frame and 1 to the drop in seat. Ivorine makers label. Minor repair to top of left leg where drop in seat has broken small piece off when dropped in.chair 6 - numbered 2 to the frame and 2 to the drop in seat. Ivorine makers label. Loss to top of right leg (shown)chair 7 - numbered 5 to the frame and 6 to the drop in seat. Ivorine makers label. Small splits to top of left leg chair 8 - numbered 4 to the frame and 3 to the drop in seat. Ivorine makers label. Small splits to tops of legs chair 9 - numbered 5 to the frame and 4 to the drop in seat. ivorine makers lable. small split to left legchair 10 - numbered 3 to the frame and 1 to the drop in seat. Ivorine makers label. Small split top of right leg runs down into the rail.chair 11 - numbered 11 to the frame with 11 drop in seat. Ivorine makers label. small splits to top of legs, surface paintchair 12 - numbered in pencil 7, incised 7 to the drop in seat. Ivorine makers label. small splits to top of the legs.

A pair of Glasgow School oak side chairs, each with pierced high backs above tapering solid seats raised on square section legs united by stretchers99 x 33 x 40cmPlease see further images for conditionshort splits to the top of both backs (see images) splits run from square cut section to top.one seat is made from more rustic grained wood which shows some surface variation, same seat has repaired split.some consolidation of joints evident. One chair has chips (losses) to the front of both legs.Wear and abrasions to the edge extremities of both chairs from use.felt pads have been applied to backs (shown)

Arne Hovmand Olsen (1919-1989), a model 300 lounge chair, circa 1955, stained teak with woven cane seat and back78 x 70 x 82cmProvenance: Collection of the late Samuel Alper, OBE (1924-2002)A crudely glued repair (with small chipped section missing) and a spliced repair to one arm, a few minor losses and damages to seat and back, the cane faded.  Scuffs and wear generally commensurate with age and use.

Attributed to Whytock & Reid, Edinburgh, a mahogany cockpen armchair, with diagonal trellis back and dished seat on out swept legs87 x57 x 62cmPlease see further images for condition.Slight creaking when sat in, but is structurally sound. The joints all have slight discolouration which leads one to consider if chair has been consolidated or restored. Slightly uneven colour from wear/use on arms. Surface scratches and wear consistent with use and of an item of this age. seat covering is frayed (see images)

§ Edward Barnsley CBE (1900-1987) and The Barnsley Workshop, a large walnut dining table and eight chairs, the wishbone table with elliptical top, with simple boxwood and ebony inlay bands, the rail back dining chairs comprising two carvers and six singles, the table base and two of the chairs stampedthe table 75 x 229 x 106cmScratches, marks and stains commensurate with age and use, particularly to chairs, all chairs are generally sound with minimal play, one carver is a little loose in the joints.  Timber of chairs is darker in colour to table.  Seat upholstery is a little faded and worn.  No apparent repairs or alterations.

In the manner of Charles and Ray Eames, an aluminium and black leather swivel desk chair, with hydraulic height adjustable seat94 x 58 x 61cmThere is scratches to the aluminium frame, some wear to the corners of the leather and some dirtying to the leather surface. Please see the images for more detail.