We found 14098 price guide item(s) matching your search

Isamu NOGUCHI (1904-1988) Design for Akari Screenprint on washi paper, 60cm x 45.5cm, 68.5cm x 56.5cm framed.

Sheila OLINER (1930-2020) Zennor Hill and Palm Trees Screenprint, edition 5/7, signed and titled, image size 45cm x 45cm, 68cm x 67cm framed.

Sheila OLINER (1930-2020) Red Moon I Screenprint, edition 5/25, signed and titled, dated '98, 54cm x 43cm, 73cm x 63cm framed.

Ansou NIABALY (XX-XXI) Sunlit elegance, 2024. Sérigraphie couleur sur papier, réhaussé à la main par l’artiste. Signée et numérotée par l’artiste. Edition de 5 exemplaires. 75 x 56 cm Screenprint on paper. Signed by the artist and accompanied by a signed certificate of authenticity.

Richard PRINCE (Né en 1994) City reflections by the pool,2023. Sérigraphie couleur sur papier, réhaussé à la main par l’artiste. Signée et numérotée par l’artiste. Edition de 5 exemplaires. 60 x 60 cm Screenprint on paper. Signed by the artist and accompanied by a signed certificate of authenticity.

LILY YCF (Né en 1993) Sunlit kiss,2023. Epreuve digitale sur papier Beaux-Art. Signée et numérotée. Edition de 15 exemplaires. 65 x 65 cm Screenprint. Edition of 15 exemplaries. Individually numbered, signed by the artist and accompanied by a signed certificate of authenticity.

Richard PRINCE (Né en 1994) Drive into the horizon,2022. Sérigraphie couleur sur papier. Signée et numérotée par l’artiste. Edition de 10 exemplaires. 65 x 65 cm Screenprint on paper. Signed by the artist and accompanied by a signed certificate of authenticity.

Yun SÉ (XX-XXI) Wrapped in Silence.2024. Sérigraphie couleur sur papier Sommerset 300mg.Signée et numérotée par l’artiste. Edition de 25 exemplaires. 50 x 50 cm Screenprint on paper with diamond dust. Signed by the artist and accompanied by a signed certificate of authenticity.

Babacar SOW (Né en 1990) La patience au soleil.2024. Sérigraphie couleur sur papier, réhaussé à la poussière de diamants. Signée et numérotée par l’artiste. Edition de 5 exemplaires. 60 x 60 cm Screenprint on paper with diamond dust. Signed by the artist and accompanied by a signed certificate of authenticity.

LILY YCF (Né en 1993) Urban Contemplation.2022. Epreuve digitale sur papier Beaux-Art. Signée et numérotée. Edition de 10 exemplaires. 65 x 65 cm Screenprint. Edition of 15 exemplaries. Individually numbered, signed by the artist and accompanied by a signed certificate of authenticity.

Richard PRINCE (Né en 1994) Tropical City vibes,2023. Sérigraphie couleur sur papier. Signée et numérotée par l’artiste. Edition de 10 exemplaires. 65 x 65 cm Screenprint on paper. Signed by the artist and accompanied by a signed certificate of authenticity.

LILY YCF (Né en 1993) Echoes of the Canyon.2021. Epreuve digitale sur papier Beaux-Art. Signée et numérotée. Edition de 15 exemplaires. 65 x 65 cm Screenprint. Edition of 15 exemplaries. Individually numbered, signed by the artist and accompanied by a signed certificate of authenticity.

Elizabeth PEYTON (Née en 1965) Mai (Afterlife) after Sir Joshua Reynolds' Portrait of Mai (Omai). Sérigraphie couleur sur papier. Signée et numérotée par l’artiste. Edition de 100 exemplaires. 50,5 x 37,7 cm Screenprint on paper with diamond dust. Signed by the artist and accompanied by a signed certificate of authenticity.

Ansou NIABALY (XX-XXI) Blue elegance, 2024. Sérigraphie couleur sur papier, réhaussé à la main par l’artiste. Signée et numérotée par l’artiste. Edition de 5 exemplaires. 75 x 56 cm Screenprint on paper. Signed by the artist and accompanied by a signed certificate of authenticity.

Ansou NIABALY (XX-XXI) Golden Grace, 2024. Sérigraphie couleur sur papier, réhaussé à la main par l’artiste. Signée et numérotée par l’artiste. Edition de 5 exemplaires. 75 x 56 cm Screenprint on paper. Signed by the artist and accompanied by a signed certificate of authenticity.

DAVID SHRIGLEY (NE EN 1966) Just fly away. Sérigraphie en couleurs sur papier. Monogrammée, datée et numérotée sur 125 exemplaires au verso. 76,2 x 55,4 cm. Colour screenprint on wove paper, signed and numbered on 125 exemplaries in the back.

DAVID SHRIGLEY (NE EN 1966) The elephant, 2022. Sérigraphie en couleurs sur papier. Monogrammée, datée et numérotée sur 125 exemplaires au verso. 76,2 x 55,4 cm. Colour screenprint on wove paper, signed and numbered on 125 exemplaries in the back.

Richard PRINCE (Né en 1994) Splash color,2023. Sérigraphie couleur sur papier Arches 300mg, réhaussé à la main par l’artiste. Signée et numérotée par l’artiste. Edition de 10 exemplaires. 56 x 56 cm Screenprint on paper. Signed by the artist and accompanied by a signed certificate of authenticity.

Babacar SOW (Né en 1990) Reflections in color.2024. Sérigraphie couleur sur papier, réhaussé à la poussière de diamants. Signée et numérotée par l’artiste. Edition de 10 exemplaires. 60 x 60 cm Screenprint on paper with diamond dust. Signed by the artist and accompanied by a signed certificate of authenticity.

Elizabeth PEYTON (Née en 1965) Frederick Douglass. Sérigraphie couleur sur papier. Signée et numérotée par l’artiste. Edition de 40 exemplaires. 37,5 x 47,5 cm Screenprint on paper with diamond dust. Signed by the artist and accompanied by a signed certificate of authenticity.

Babacar SOW (Né en 1990) Feminine Reflection.2024. Sérigraphie couleur sur papier, réhaussé à la poussière de diamants. Signée et numérotée par l’artiste. Edition de 10 exemplaires. 60 x 60 cm Screenprint on paper with diamond dust. Signed by the artist and accompanied by a signed certificate of authenticity.

Yun SÉ (XX-XXI) Coffee in Contemplation.2022. Sérigraphie couleur sur papier Sommerset 300mg.Signée et numérotée par l’artiste. Edition de 15 exemplaires. 60 x 60 cm Screenprint on paper with diamond dust. Signed by the artist and accompanied by a signed certificate of authenticity.

Richard PRINCE (Né en 1994) Splash on Tropic Dreams,2024. Sérigraphie couleur sur papier. Signée et numérotée par l’artiste. Edition de 20 exemplaires. 65 x 65 cm Screenprint on paper. Signed by the artist and accompanied by a signed certificate of authenticity.

Tjumpo Tjapanangka (c.1930-2007) – 'Boy’s Initiation - Wati Kutjarra', artist's proof screenprint, 84 x 59 cm, frame dimensions: 80 x 104 cm, glazed and framed. Together with receipt of purchase, artist's bio with text on the work, and framing receipt

Jan Jensen (Contemporary) - Floral spray, screenprint signed in pencil lower right, 50 x 70 cm, framed

Gorgeous original color screenprint on laid paper by American Abstract Expressionist artist Betty Parsons who applies deep red and black floating forms on a vibrant ultramarine background. Signature and date on lower right: Betty B. Parsons, 74. Artist: Betty Bierne Parsons (American, 1900-1982)Issued: 1974Dimensions: 6.75"L x 8.25"HCountry of Origin: United StatesProvenance: Jock Truman and Eric Green, Aventura, FL; Bass Museum of Art, Miami Beach, FL 2000. Condition: Good condition.

Original color screenprint on laid paper entitled Clocks of Time by American Abstract Expressionist artist Betty Parsons. She paints brightly warm and cool colored organic shapes within vertical and horizontal lines that seemingly divide the passage of time. Signature and date on lower right: Betty B Parsons, 78. Edition number on lower left: A.P. (Artist Proof) 12/20. Artist: Betty Bierne Parsons (American, 1900-1982)Issued: 1978Dimensions: 21.25"L x 29.5"HEdition Number: Artist Proof 12 of 20Country of Origin: United StatesProvenance: Jock Truman and Eric Green, Aventura, FL; Bass Museum of Art, Miami Beach, FL 2000. Condition: Good condition.

This ensemble includes Swimming in the Spirit World by Arrington de Dionyso, featuring full-color prints of paintings by the Olympia, Washington-based artist; a vibrant screenprint book by the art duo Chloe Lum and Yannick Desranleau, known as Seripop; and more. The dimensions of the collection measures: 9.25"L x 0.75"W x 11.5"H. Dimensions: See DescriptionCondition: Age related wear.

Banksy (b.1974) Banksquiat (Black) (Signed)Screenprint in colours, 2019, signed in white crayon, numbered from the edition of 300, co-published by the artist and Gross Domestic Product, with the artist's blindstamp, on black card, with full margins, sheet 750 x 700mm (29 1/2 x 27 1/2in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.

Banksy (b.1974) I Fought the Law (Yellow) (Signed AP)Screenprint in black and yellow, 2004, a rare variant printed on an untrimmed sheet, signed and inscribed 'AP/45' in pencil, an artist's proof aside from the edition of 150, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 1040 x 700mm (39 1/2 x 27 1/2in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.

Banksy (b.1974)Trolleys (Colour) (Signed)Screenprint in colours, 2007, signed in pencil, numbered from the edition of 750, printed and published by Pictures on Walls, London, with their blindstamp, on Arches paper, with full margins, sheet 567 x 760mm (22 1/4 x 30in) This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.

Banksy (b.1974) No Ball Games (Green) (Signed)Screenprint in colours, 2009, signed in green crayon, numbered from the edition of 250 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 665 x 700mm (26 1/8 x 27 1/2in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.

Banksy (b.1974) Rat Clock (Gold) (Signed)Hand-smudged screenprint in gold and black on wall clock, 2021, signed in white pen verso, with heart, peace and gift symbols verso, unique from a series, diameter 450mm (17 3/4in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.

Banksy (b.1974) Bomb Love (Bomb Hugger) (Signed AP)Screenprint in pink and black, 2003, signed and inscribed 'AP/39' in pencil, an artist's proof aside from the edition of 150, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, 695 x 495mm (27 1/4 x 19 1/2in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.

CHAUCER, Geoffrey. – Ronald KING (illustrator). The Prologue to the Canterbury Tales. Surrey, Guildford: Circle Press Publications, 1978. Limited edition, this being number 95 of 250 signed copies with original screenprint initialled by Ronald King, folio (394 x 275mm.) 14 full-page colour screenprints by Ronald King. (Mild toning.) Original blue cloth, white lettering to the spine, original blue cloth slipcase (rubbing to extremities). Note: the print (‘Tapicer’, XII) is initialled in pencil and contained in a folder to the rear.

Kenneth Rowntree (1915-1997) Chanson D'Automne, 1984artist's proof, signed and inscribed in pencil (in the margin)screenprint printed at Sunderland Arts Centre67 x 50cm.

Robert Indiana (1928-2018) and Robert Creeley (1926-2005)Numbers, 1968book with 10 screenprints interleaved in between corresponding printed poems by Robert Creeleytext in English and Germanfrom an edition of 2500published by Edition Domberger and Galerie Schlemain cardboard cover with slipcase, each screenprint 25 x 21cm.

David Humphreys (b.1937)Cornish Harbour18/100, signed, titled, and numbered in pencil (in the margin)screenprint63 x 89cm, unframed; and another screenprint by the same artist, Hop Farm Kent, 63 x 89cm, unframed (2).

Op Art Composition with Squares, style of Hugh Demarco (1932-1995) screenprint, 76 x 76 cm, frame 87 x 87 cm

After Andy Warhol (American, 1928-1987), limited edition screenprint of Marylin Monroe, numbered 75/100, signed within the print and with 'Art Gallery New York' and 'Leo Castelli' stamps verso, with blind stamp 'George Israel Editeur', 56 x 38cm, framed and glazed, 43.5cm x 62cm.

§ § John Piper (British, 1903-1992) Fountains Abbey, Yorkshire (Levinson 351)screenprint in colourssigned in pencil, 145/15045 x 62cm Very good clean condition, colours strong, margins white, visible sheet 48.5 x 65cm, under glass in a plain gilt frame with John Jones Framers label versoPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Donald Hamilton Fraser (1929-2009), a signed and limited edition screenprint titled 'Sea and Clouds'. Framed and glazed. H.76 W.88cm.

▲ Fletcher Sibthorp (b.1967) 'Chroma I', 2007screenprint in colours, 2012, signed 'Fletcher Sibthorp' in pencil l.r., and numbered '129/150'image 89 x 89cm,sold with a copy of 'Passion: Fletcher Sibthorp - Paintings, Drawing and Studies 1998-2005', published by Buckingham Fine Art Publishers (2)Condition ReportFramed: 123 x 122cmAppears to be in good condition. There is a faint dark mark to the pink area of background in the lower left quarter and it is unclear if this is an original part of the print, please refer to illustration. Well presented and ready to hang. Not viewed out of glazed frame. Light surface scuffs to the slipcase of the book.

▲ John McLean (1939-2019) Untitledscreenprint in colours, artist's proof, signed and dated 'John McLean 88' in pencil l.r. and inscribed 'A/P'image 41 x 81cmCondition ReportFramed: 68 x 108cmThe sheet is cockled. Appears to be in otherwise good order. Not viewed out of glazed frame.

▲ Albert Irvin RA (1922-2015) 'Kepler II'screenprint in colours and woodblock, signed and dated 'Irvin '98' l.l., inscribed with title and numbered '62/125', printed and published by Advanced Graphics London, with blind stampimage 123 x 100cmCondition ReportFramed: 156 x 122cmAppears to be in good condition. Not viewed out of glazed frame.

Shepard Fairey (American, b.1970) 'Warhol Collage' (silver)screenprint in colours, based on a 1982 photograph of Andy Warhol by Karen Bystedt, signed with initials by both artists and dated '23' in pencil l.r., numbered '174/300', published by Obey Giant on cream Speckletone papersheet 61 x 44cm, unframedCondition ReportSlight undulations to the sheet. Appears to be in otherwise good condition.

Shepard Fairey (American, b.1970) 'Warhol Collage' (colour)screenprint in colours, based on a 1982 photograph of Andy Warhol by Karen Bystedt, signed with initials by both artists and dated '23' in pencil l.r., numbered '174/300', published by Obey Giant on cream Speckletone papersheet 61 x 44cm, unframedCondition ReportLight cockling to the sheet however presents well overall.

▲ Sir Eduardo Paolozzi RA (1924-2005) 'Philadelphia Print'screenprint in colours, signed and dated 'Eduardo Paolozzi/1971' and numbered '16/100' l.r., inscribed with title versosheet 77.5 x 56cm, unframed Condition ReportTime staining and foxing to the margins with dirty marks and smudges.Multiple scuffs and abrasions to the print, please refer to images.

▲ Albert Irvin RA (1922-2015) 'Trinity II'screenprint in colours and woodblock, signed and dated 'Irvin '95' l.l., inscribed with title and numbered '45/125', printed and published by Advanced Graphics London, with blind stampimage 98 x 131cmCondition ReportFramed: 128.5 x 159cmAppears to be in good condition. Not viewed out of glazed frame.

Brice Marden (American, 1938-2023) 'Distant Muses'screenprint in colours, signed and dated 'B. Marden 00' in pencil l.r. and numbered '222/300'sheet 48 x 59cmCondition ReportFramed: 64 x 52cmVery slight cockling.Appears to be in otherwise good condition. Stuck down in the corners. Not viewed out of the glazed frame.

▲ Sir Peter Blake RA (b.1932-) 'Mickey'screenprint in colours, 2005, signed 'Peter Blake' in pencil l.r., inscribed with title and numbered '6/175'sheet 70 x 60cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportAppears to be in good condition.

▲ Sir Peter Blake RA (b.1932-) '3 Matchboxes'screenprint in colours, 2007, signed 'Peter Blake' in pencil l.r., inscribed with title and numbered '165/175', printed at Coriander Studios, published by CCA Galleriessheet 76 x 102cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportA couple of small nicks to the extreme lower left edge. The bottom corners are a tiny bit dented however this is only noticable on very close inspection. Overall the print presents well and appears to be in otherwise good condition.

David Koster (1926-2014) Butterflies, moths and bullfinchesa group of etchings, including four artist's proofs signed 'David Koster' in pencil l.r., all with extensive pencil inscriptions and artist's notessheets 38.5 x 45.5cm and similar, unframedtogether with a screenprint in colours of a cat, signed and dated 'David Koster 1987' and numbered '9/9'sheet 38 x 52cm, unframed, andfour watercolours by Judy Koster (17)Condition ReportThe etchings have a little time staining and discolouration starting to emerge at the edges of the sheets but present well overall. Discolouration to the cat print with small rips and tears to the edges and light creasing. The watercolours are slightly discoloured and faded.

▲ Sir Peter Blake RA (b.1932-) 'Parade'screenprint in colours, 2009, signed 'Peter Blake' in pencil l.r., inscribed with title and numbered '10/175', printed at Coriander Studios, published by CCA Galleries, with blind stampsheet 78 x 60.5cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportAppears to be in good condition.

▲ Albert Irvin RA (1922-2015) 'Trinity I'screenprint in colours and woodblock, signed and dated 'Irvin '95' l.l., inscribed with title and numbered '45/125', printed and published by Advanced Graphics London, with blind stampimage 98 x 128cmCondition ReportFramed: 128.5 x 158.5cmAppears to be in good condition. Not viewed out of glazed frame.

▲ John Piper CH (1903-1992) 'Sunningwell, Oxfordshire' (Levinson 377)screenprint in colours, 1985, signed 'John Piper' in pencil l.r., numbered '22/70', printed at Kelpra Studios, published by Marlborough Fine Art, with blind stampimage 50 x 65cmCondition ReportFramed: 82.5 x 96cmOn close inspection there is very slight cockling visible to the top edge. A couple of light handling creases to the margins. A 1.5cm crease mark to the left margin, upper centre. Presents well overall when viewed on the wall and ready to hang. Not viewed out of glazed frame.

▲ Sir Peter Blake RA (b.1932) 'Girlie Door'screenprint in colours, 2008, signed 'Peter Blake' in pencil l.r., numbered '100/175', printed at Coriander Studios, published by CCA Galleries, with blind stampsheet 82 x 59.5cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportAppears to be in good condition.

▲ Albert Irvin RA (1922-2015) 'Kepler I'screenprint in colours and woodblock, signed and dated 'Irvin '98' l.l., inscribed with title and numbered '62/125', printed and published by Advanced Graphics London, with blind stampimage 130 x 96.5cmCondition ReportFramed: 156 x 122cmAppears to be in good condition. Not viewed out of glazed frame.

▲ John Piper CH (1903-1992) 'Buckden in a Storm', 1977unsigned lithograph in colours, after the screenprintimage 57 x 84.5cmCondition ReportFramed: 79 x 104.5cmA little time staining. A diagonal crease mark in the upper right corner which crosses into the printed area. Light cockling. Not viewed out of glazed frame.

▲ Sophie Ryder (b.1963) Blue harescreenprint in colours, signed 'Ryder' in pencil l.r., and numbered '24/70'46 x 66cmCondition ReportFramed: 69 x 90cmAppears to be in good condition. The paper's watermark is visble in the upper left margin. Well presented and ready to hang. Not viewed out of glazed frame.