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Click here to subscribe*Engine. A 'Bing' tinplate spirit fired overtype single cylinder stationary engine, in good original paintwork and boiler and burner, and a collection of wire rope and overhead pulley driven workshop tools including a milling machine, a saw bench, a pillar drill, a hammer and a planer by J Tuser Manufacturing Co Jeannette PA, finished in red and blue (2)
*SS Empress of Japan/Empress of Scotland. A good large shipping agents' display three-funnel liner, believed to be model of the named vessel, c. 1930s, solid wood construction with metal detail funnels and mast etc, original paint finish in attractive cream & white and light green waterline, shows age and patination, lacking one mast and minor deck-fittings, length 48ins (120cm) Launched as the 'Empress of Japan', a name change to 'Empress of Scotland' was effected after the Japanese attack on Pearl Harbour in 1941; prior to that the ship saw service on Asian and Far Eastern routes and then was requisitioned as a troop carrier during the war - the model is decorated in its original livery. (1)
*Boer War. A group of eight autograph letters signed from Ernest Rokeby Collins, Major with the East Lancashire Regiment, 11th October 1900 to 28th August 1902, seven to his brother Jim and one to his sister Dolly, a total of 41 pp., the first four letters written in pencil, with details of camp life, hospital visits, and family chit-chat, 'On 24th inst. I was up about 5.00 am. I spotted a whole lot of Boers in 3 parties larking about outside my posts a good deal further away than the last time they came owing to our having shelled them out of their favourite rendezvous. I watched them for a long time but they would not come in range. However we got the gun ready in case they came near enough. About 6.00 am we saw a man coming in with a white flag so we naturally thought that they wanted to surrender ...', together with two printed newspapers, a copy of The Friend (16th March 1900) and a copy of The Free State Newspaper (13th March 1900) plus related family correspondence relating to Lucknow (1894-97) to and from Ernest, his brothers Jim and Farnie and his father Francis, a total of 53 pp., plus an eleven-page manuscript document plus map entitled 'Burial Place of the Officers of the Guards who've held before Bayonne on 14th April 1814' Ernest Rokeby Collins was the son of the late Brigade Surgeon Francis Collins of Knaresborough and Pateley Bridge. Born in 1870 and educated at King Henry VIII School Coventry, and Peterhouse College, Cambridge, in 1919 he married Margaret Alice, daughter of the Rev. E. W. Sotheron-Estcourt of Estcourt, Gloucestershire. A Major in the East Lancashire Regiment, he served in the 8th Mounted Infantry during the South African War (DSO) and in World War One where he was severely wounded at the Battle of Le Cateau and taken prisoner by the Germans. He retired from the Army in 1920 and commanded the local detachment of the Home Guard in Pateley Bridge during World War II. See also World War I - Gloucestershire Regiment lot below. (a folder)
A wooden box of eighteen Royal Mint weights, includes two circular '1843 Curt.' sovereign weights, one square sovereign, a half sovereign, a half Dram, 1 Dram, 2 Dram and eleven thin square and rectangular weights, various sizes, each impressed with crown and spots; along with a small saw, impressed 'J. Benson' (19)
WORTH BREHM (American 1883-1928)Untitled 1920Pencil on illustration board23.5in. x 17in.Initialed lower leftCaption: When I got down to the setting room I saw all the people we had pasted bills on. They were all pitching in. Mrs. Billy Hanson said she had never been so insulted in her life.Original magazine story illustration for Brite and Fair by Judge Henry A. Shute in Good Housekeeping Magazine May 1920.A coverless copy of the magazine and a tear sheet of the illustration are included with this lot
CARL REDIN (American 1892-1944)Mountain LandscapeOil on paper laid down on board16in. x 20in.Signed lower leftA Swedish-born artist who immigrated to Chicago in 1913 Carl Redin settled in Albuquerque in 1916 and also maintained a studio in Lubbock where he taught summer courses at Texas Technical College. By the 1930s he had earned national acclaim for his impressionistic Southwestern landscape paintings. This painting features the "purple palette" for which Redin was famous "because of his wide usage of that color as the underlying tone he saw in his surroundings."A copy of an authentication by Nedra Matteucci accompanies the lot.Provenance: Fenn Galleries Santa Fe NMacquired from the above by the present ownerReference: Albuquerque Journal 22 March 1959
COMMEMORATIVE MEDALS, Music–related, Harley Street, Quartett Society, Ivory Pass, 1845, Honor to Beethoven, number 13, rev monogram SR, 36mm. About very fine and rare. In the early nineteenth century the leading personality who set the tone for London’s private musical circles was Thomas Alsagar. Amongst many other interests he was co-owner of ‘The Times’ and in this capacity he edited the music page. For many years he championed musical talent from his home at Queen’s Square, Bloomsbury under the auspices of “The Queen’s Square Select Society” established in 1830. Increasingly he became interested in having Beethoven’s works performed. This led to the foundation of the “Beethoven Quartett Society”. Based at the Beethoven room, 76 Harley Street, it was here between 21st April and 16th June 1845 that the first ever performance in the world of a complete cycle of Beethoven quartets took place. Alsagar’s performers were all remarkable musicians, namely Camillo Sivori, Prosper Sainton, Henry Hill and Scipion Rousselot. Programmes were printed for each performance which was limited to an audience of 250. Such was the success of the 1845 event that it became an annual occasion for the next six years. Hector Berlioz visited London in 1847 and lived in the famous house on 76 Harley Street. He returned in 1850 and 1851 to attend the two final cycles which he described to his French friends in a vibrant account entitled “Letter from London” : “I must introduce you to the Beethoven Quartett Society. Its goal is to present at regular rather short intervals all the quartets by Beethoven. An evening’s program consists of three such quartets – nothing less and nothing else. They generally belong to each of the composer’s three periods; and it is always the last, the one from the last period (remarkable revelation!) which stirs up the greatest enthusiasm. Here you see Englishmen following the composer’s flights of imagination with their eyes in miniature scores specially printed in London for the occasion which means that quite a few of them are actually able to read a score (more or less). But I would be wary of these fans’ knowledge because glancing over one listener’s shoulders I saw his eyes fixed on page 4 while the performers were on page 6 ….”.
BRITISH TRADE TOKENS, 18th Century, Essex, Woodford, Denton’s Halfpenny 1796, wheatsheaf and sickle, a dove to either side, all surrounded by oak-wreath, rev W. BROOKS CARPENTER WOODFORD, symbols of carpentry: compasses, wheel, saw and axe, edge plain (DH 39). Good very fine and rare. William Brooks, carpenter, Woodford Wells
INDIAN COINS, Mughal Coinage, Muhammad Akbar II (first reign AH 1203; 1788 AD), Gold Mohur, 10.78g, Shahjahanabad (Delhi), AH 1203, ahd (year 1), obv titles of Muhammad Akbar II and date (KM -; Bhandare -; no specimen has been recorded in gold, this unpublished and perhaps unique). Good very fine, possibly unique and of great historical importance. The extraordinary rarity of this coin is suggested by the historical events that mention the puppetry reign of the Prince Muhammad Akbar as lasting only for two days, 15th October 1788 to 17th October 1788. The Hijra year 1203 was the period of turmoil and change of Emperors. It saw the rule of Delhi changing from the hands of Shah Alam II to Bedar Bakht, from Bedar Bakht to Muhammad Akbar II and from Muhammad Akbar II to Shah Alam II again. The young Prince Akbar II was enthroned by the Rohilla chief Ghulam Qadir on 15th October 1788. Mirza Akbar Shah wrote to Nawab Faizullah Khan: “ …on 14th Muharram (15th October) the imperial throne was illuminated by our august accession and the sound of the kettle-drum of felicitations reached the ears of the inhabitants of earth and the world abovet … the face of gold and silver coins shone brighter than the sun and the moon by the effluence of the impression, of our name on them”. This reign was very short lived when Ghulam Qadir ran away and Mahadji Scindhia captured Delhi to reinstate the blind emperor Shah Alam II to the throne on 17th October 1788. It is very interesting to note that the emperor has left us a written record of the fact that Khutba was read and coins were struck in both metals, gold and silver, (at least for two days 15th and 16th October 1788), and that both such coins have been discovered. For detailed discussion of the event and coinage of the puppets see the article by Dr Shailendra Bhandare “Muhammad Akbar: A pawn in politics: the first reign“ ONS Newsletter 175, Spring 2003, pp.18-30
INDIAN COINS, Mughal Coinage, Muhammad Akbar II, Silver Rupee, 11.13g, Shahjahanabad (Delhi), AH 1203, ahd (year 1), obv titles of Muhammad Akbar II and date (not in KM; Bhandare 2; only two specimens are known, for the other specimen see Spink-Taisei Singapore Auction 14, lot 1060). Good very fine and extremely rare. The extraordinary rarity of this coin is suggested by the historical events that mention the puppetry reign of the Prince Muhammad Akbar as lasting only for two days, 15th October 1788 to 17th October 1788. The Hijra year 1203 was the period of turmoil and change of Emperors. It saw the rule of Delhi changing from the hands of Shah Alam II to Bedar Bakht, from Bedar Bakht to Muhammad Akbar II and from Muhammad Akbar II to Shah Alam II again. The young Prince Akbar II was enthroned by the Rohilla chief Ghulam Qadir on 15th October 1788. Mirza Akbar Shah wrote to Nawab Faizullah Khan: “ …on 14th Muharram (15th October) the imperial throne was illuminated by our august accession and the sound of the kettle-drum of felicitations reached the ears of the inhabitants of earth and the world abovet … the face of gold and silver coins shone brighter than the sun and the moon by the effluence of the impression, of our name on them”. This reign was very short lived when Ghulam Qadir ran away and Mahadji Scindhia captured Delhi to reinstate the blind emperor Shah Alam II to the throne on 17th October 1788. It is very interesting to note that the emperor has left us a written record of the fact that Khutba was read and coins were struck in both metals, gold and silver, (at least for two days 15th and 16th October 1788), and that both such coins have been discovered. For detailed discussion of the event and coinage of the puppets see the article by Dr Shailendra Bhandare “Muhammad Akbar: A pawn in politics: the first reign“ ONS Newsletter 175, Spring 2003, pp.18-30
* Jigsaws. A miscellaneous collection of 20th c. wooden jigsaw puzzles, incl. a G.W.R. Jig-Saw Puzzle (orig. box repaired with adhesive tape), and a Chad Valley Plywood Interlocking Jigsaw Puzzle of Julius Caesar, plus others similar, mostly made by Victory, all contained in orig. packaging (a carton)
* Jigsaws. A miscellaneous collection of 20th c. wooden jigsaw puzzles, incl. Tuck's Zag-Zaw Royal Picture Puzzle (orig. box repaired with adhesive tape), and a Daily Mail Film-Favourites Giant Jig-Saw Puzzle by "Welcom", plus others similar, mostly made by Victory, all contained in orig. packaging (a carton)
[Shackleton, Ernest]. 'A Lone Star', by W. G. Cole, 1920s, orig. watercolour and gouache painting, depicting Shackleton on board the Quest, anchored in the harbour at Grytvitken, South Georgia, at Twilight, with a lone star shining in the sky, signed, inscribed in pencil to verso, 'From Sir Ernest Shackleton's last entry in his diary, Jany. 5/22. I saw a lone star, by W. G. Cole', image size approx. 360 x 535 mm An attractive contemporary illustration of Shackleton's last diary entry, and final resting place, where he died in early January 1922, en route for the Antarctic. Shackleton's evocotive diary records his general progress, as well as personal thoughts, and the final entry ends 'A wonderful evening. In the darkening twilight I saw a lone star hover, gem like above the bay'. See illustration on rear cover of this catalogue. (1)
Various: Fabbri Vick on Safari, Miss Merrys Pretty Lips n Fingertips, Triang Washing Machine 370mm, Chess, alphabet carpet train, printed doll dress patterns, jig-saw puzzles, wooden numbers set, articulated Struwelpeter, Noahs Ark animals, cold painted stag and dog group, two brass castings and Comet childs sewing machine
A diamond and enamel Royal Norfolk Regimental brooch the seated figure of Britannia holding an olive branch and trident and resting one arm on a shield enamelled with the Union Jack set throughout with old cut diamonds with the Roman numerals IX similarly set beneath. . This infantry regiment was established in 1751 as the 9th Regiment of Foot and reorganised as the Norfolk Regiment in 1881. The regiment saw battle honours in Afghanistan (1879-80) South Africa (1900-02) and at the Marne Ypres and the Somme amongst others during World War One. The IX under Britannia might allude to the 9th Service Battalion of the regiment which was established at Norwich in 1914. In 1958 the regiment was amalgamated with the Suffolk Regiment to become the Royal Norfolk and Suffolk Regiment
A stained beech 22inch jack plane stamped 'H.Potter', a rebatting plane with brass mounts, stamped 'G.Smith' 'Higgs' and 'H. Potter' (blade 7.25 inches) a Speer and Jackson 12 inch tenon saw, the handle inscribed '1907' and two moulding planes stamped John Moseley 54 - 55 Broad St Bollomsbury, London and 'H.Potter, the other 'Jn Sutherland' both 9.5inches.
A 28-BORE SILVER-MOUNTED SAW-HANDLED FLINTLOCK DUELLING PISTOL BY P. BOND, 45 CORNHILL, LONDON, serial no. 4982, London silver hallmarks for 1807, 16in. overall, with unusual signed twist polygonal barrel (small patch of minor dents) with octagonal breech section, silver spider fore-sight, octagonal patent breech with gold-inlaid line and gold-lined touch-hole, tang incorporating the rear-sight and engraved with foliage and a martial trophy, signed flat bevelled detented lock decorated with a martial trophy on the stepped tail and with safety-catch (replaced), 'French' cock (top-jaw and screw replaced), rain-proof pan and roller, figured walnut half-stock (small crack at side-nail), chequered butt, set trigger, full silver mounts including spur trigger-guard engraved with a trophy of arms on the bow and with pineapple finial, and later horn-tipped ramrod (loose replacement ramrod-pipe), London proof marks. Please note VAT at 5% is applicable on the hammer price and buyers premium. (see lot 256 for illustration).
AN UNUSUAL CASED PAIR OF 60-BORE PERCUSSION SAW-HANDLED PISTOLS BY CHARLES MOORE, 77 ST. JAMES'S STREET, LONDON, 16in. overall, with heavy multigroove-rifled twist sighted barrels each signed with the address towards the breech, engraved patent breeches each with platinum-lined maker's mark, platinum plug and inlaid platinum line, scroll engraved tangs each incorporating a rear-sight, scroll engraved bolted floating locks each signed 'C. MOORE'S PATENT', figured walnut half-stocks each without provision for a ramrod and decorated with silver wire and flower-heads either side of the spur, chequered butts, set triggers, scroll engraved spurred trigger-guards each retaining some original blued finish, trigger-plates each with pineapple finial, horn fore-end caps, and silver escutcheons and barrel-bolt escutcheons, in original lined and fitted mahogany case with one pistol housed in the base and the other retained by two swivelling catches in the lid, with some accessories including ramrod, bullet mould, turnscrews, nipple-wrench, wad-cutter and unusual conical powder-flask, the exterior with flush-fitting brass carrying handle and circular brass escutcheon.
A late 19th century Anglo-Indian padoukwood campaign table, the plain top with two D-ends and four small leaves, raised on four octagonal baluster turned and ringed legs united by plain stretchers, bears brass plaque to underside inscribed "The New Malabar Timber Yards and Saw Mills Ltd Kallai, S. Malabar" and stamped with number "1705" and bears remnants of paper label inscribed "Major G Kirkbride", 122 x 242 cm max
A Russian M1827 pioneer sidearm, heavy, saw backed, slightly curved blade 18”, with stamps at forte, long brass grip, ribbed on the inner side, crossguard dated 1833, with unofficially added sheet iron hand guard, in its brass mounted leather scabbard; old ink label attached “Russian Sword. Pioneers sword and saw combined. From the Crimea. The Earl of Portarlington”. GC (dark patina overall)
Point 455 Mark 4 Webley Service Revolver No. 77860, the mark 4, sealed on 21st July 1899, was issued in time for 2nd South African War, the mark 4’s saw service through from 1899-1918 with little upgrading, eventually being replaced by mark 6’s. With certificate of deactivation & dummy bullets
Montfaucon Dom Bernard de OSB. L'antiquité expliquée et représentee en figures. Paris: Florentine Dealune [et al.] 1719. First edition 5 volumes in 10 folio (440 x 285 mm.) title-pages in red and black with 977 (of 998) engraved plates (including the engraved portrait plate of the dedicatee) of which 140 are double page with engraved vignettes as head-pieces contemporary mottled calf gilt central panel and broad gilt tooled boarders over a green background later rebacking some small patches of scuffing occasional leaves a little discoloured and splits in two or three margins (no loss) tear in plate 200 of volume 5 part 2 (no loss) otherwise a fine copy on large paper. (10). Note: Brunet III 861-1862; Cohen-De Ricci 731-732; Lipperheide 104; RIBA Catalogue 3 pp. 1170-1172 for the English edition. "Montfaucon intuitively saw what benefit might accrue to history from the study of figured monuments and if he was not the creator of archaeology he was at least the first to show what advantages might be derived from it In 1719 he published "L'Antiquité expliquée et représentée en figures" (10 volumes folio Paris) in which he reproduces methodically grouped all the ancient monuments that might be of use in the study of religion domestic customs material life military institutions and funeral rites of the ancients." (Catholic Encyclopaedia) The work was hugely successful and promptly ran to a second edition to which was added a supplement of five volumes. It was promptly translated into English. "Robert Adam owned a copy of the French edition and many have seen influences of Montfaucon's plates in some of Adam's Gothic designs." (RIBA Cat.). Provenance: With the armorial book-plate of George Forbes third Earl of Grannard (1685-1765).
Sanders (Nicholas). Nicolai Sanderi De Origine ac Progressu Schismatis Anglicani Libri Tres. Quibus Historia Continetur Maximè Ecclesiastica, Annorum Circiter Sexaginta ab Anno 21. Regni Henrici Octaui Usque ad Hunc Vigesimum Octauum Elizabethae, (2nd ed. revised, 1st Rome ed.), Batholomaei Bonfadini, Rome, 1586, [8],500,[34]pp., early inscription to title, lacks last leaf (2L4), page numbers 142-143 omitted and numbers 177-178 repeated in pagination; pages 465, 484 and 486 misnumbered 265, 184 and 186 respectively, light brown stain to upper margins, few leaves lightly browned, 19th c. qtr. vellum, lower portion of spine split and with old repair, 8vo This edition contains substantial additions by Robert Persons who saw it through the press. It includes John Hart's anonymous account of his imprisonment in the Tower of London, 1580-85 (Diarium Turris), which is often erroneously attributed to Edward Rishton. An important anti-protestant tract on the religious schism in England set in motion by Henry VIII. (1)