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A set of three Chinese polychromic painted earthenware court figures of an Emperor and Empress and turbanned attendant, Qing Dynasty, 19th century,painted in polychromic colours and upon later stepped and painted bases, 28 cm tallest figure alone (base not measured)The emperor has a thermal crack across his body just above the hem of his robe all hands appear to have been restored , the turban-wearing gentleman has an old repair to his neck and sash.
Two Meissen figures of Turks, circa 1750, the decoration later, modelled by J F Eberlein, one of an officer and the other of a lady, later enamelled in floral costume and detailed in gilding, 15.5cm high.The turbanned Turk - chipping to staff in right hand, tip of plume to turban is lacking and has been gilt, edge of coat cracked off and restuck with associated chip, chip to small left finger, minubte chipping to left hand fingers.Female Turk - with chipping to tip of left hand fingers, to the tip of her nose, to the implement (flag?) in her right hand, regilt chip to her hat, regilt chip to front corner of base, small chip to the orange sash.
English School, mid 18th CenturyPortrait of Lord Robert Bertie (1721-1782)half-length, wearing armour with a red ermine trimmed cloak, in a feigned ovalwith Portrait of Lady Robert Bertie (1719-98)half-length, wearing a white dress, blue sash and blue ermine trimmed robes, in a feigned ovaloil on canvas76.2cm x 63.5cm Ombersley Court, Worcestershire with erroneous identifying inscriptions, the first 'Lord Robert Bertie / brother of / the Duke of Doncaster' upper left, the second 'Lady Robert Bertie / Sister of Viscount Blundell' upper left, and 'Knapton / pinxit' to the reverse, on the lining canvas.General Lord Robert Bertie was the fifth son of Robert Bertie, 1st Duke of Ancaster. He joined the Coldstream Guards in 1737 and became general in 1777. In 1762, he married Mary, youngest daughter of Montague Blundell, 1st Viscount Blundell. Lady Bertie: the portrait has been relined and restored, with craquelure throughout, especially to the lower left quadrant, where there is also a potentially bituminous area (as indicated on the condition report image). Picture surface is stable, but with some small areas of loss to the lower right edges.Lord Bertie: the portrait has been restored and relined, with varying degrees of craquelure throughout, especially to the upper right quadrant. Picture surface is stable.
ROYAL EQUERRY'S UNIFORMS OF THE HON. ALEXANDER GRANTHAM YORKE (B.1847-1911) THIRD QUARTER 19TH CENTURY Comprising a scarlet tunic with blue facings and gold embroidery, blue trousers with gold lace, a blue frock coat with mourning bands, a great coat, a cocked hat with gold embroidered loop, a crimson and gold dress sash, a dress waist belt and sling, a pair of brass spurs and two uniform trunks, one labelled for Manning & Co, London. Provenance:The Hon. Alexander Grantham Yorke, and thence by descent Prior to becoming the groom in waiting to Queen Victoria, The Hon. Alexander Yorke was an equerry to H.R.H The Duke of Albany between 1874-1884 Condition Report: Condition is worn, signs of long term storage, evidence of moth throughout. For the scarlet tunic, colour remains good overall. Buttons and braiding all present. The exterior black braiding on the blue frock coat is fraying. all buttons present. Tailored holes for epaulettes to shoulders. Lining intact. Great coat with some evidence of moth mainly to lining. All buttons appear to be present. Hat somewhat worn with button and lining intact. Large moth-hole to rear of trousers.Chest size 34-36" approximately Bicorne circumference 50cm approximatelyCondition Report Disclaimer
AN ENGLISH SCHOOL PORTRAIT MINIATURE19th Century Of a lady depicted in classical style drapery with blue sash/ shawl, gilt mounted ebonised frame, 10cm highFootnotes: This lot contains ivory and has been registered in accordance with the Ivory Act (section10). Reference No. 2C6G17RP<span style="font-size:12.0pt;line-height: 107%;font-family:"Garamond",serif;color:#454038"> Prospective buyers should be aware that some countries have limitations on importing items made from endangered species, including materials such as coral, ivory, and tortoiseshell. Therefore, it is advisable for potential buyers to familiarize themselves with relevant customs regulations before placing bids, particularly if they intend to import this lot into another country.
Deans Rag Book - A boxed Limited Edition Deans Centenary Range #002846 'Miss Dean's Centenary' bear. The pink mohair jointed measures approximately 40cms in height, wears Centenary 1903 - 2003 medal and sash, and comes with certificate attached which numbers the bear 57 of 500. The bear appears to be in Mint conditions and is presented within an Excellent box with some general storage wear. (This does not constitute a guarantee) (K)
The Most Honourable Order of The Bath, G.C.B. (Civil), a Victorian Knight Grand Cross set of insignia, comprising silver-gilt sash badge, hallmarked London 1894; and breast star in silver, silver-gilt and enamel, complete with evening dress sash After 1887 all insignia of this order was made in silver-gilt rather than gold. Condition - fair.
CIRCLE OF SIR PETER PAUL RUBENS (FLEMISH 1577-1640) PORTRAIT OF CARDINAL-INFANTE FERDINAND OF SPAIN (1609-1641), THREE-QUARTER LENGTH, WEARING ARMOUR, A WHITE LACE COLLAR AND A RED SASH Oil on canvas 65 x 53cm (25½ x 20¾ in.) Provenance: Private Collection, CanadaCardinal Infante Ferdinand was the son of King Philip III of Spain and the younger brother of the future king, King Philip IV. Following a significant victory against a Swedish-German army at the Battle of Nördlingen, Ferdinand succeeded the Infanta Isabella as Governor of the Spanish Netherlands, finally making his triumphal entry into Antwerp on 17th April 1635. In 1636, Rubens was officially named as the Peintre de l'Hostel de Son Altèze, the post he had previously held under the Archduke Albert and the Archduchess Isabella. Rubens produced a number of portraits of the Cardinal-Infante, including a fully autograph work of the same composition, which was sold at Christie's on 9th July 1993, lot 30 (£397,500 GBP). A fine version, probably period and formerly in the Metropolitan Museum of Art, was also sold at Sotheby's, New York, on 30th January 2014, lot 233 ($16,250 USD). All the half length portraits of the Cardinal-Infante are usually said to derive from the full length equestrian portrait of the sitter at the Battle of Nordlingen by Rubens, now in the Prado, Madrid. However, the existence of a three-quarter length portrait by Rubens at the Ringling Museum of Art, indicates that this portrait type might have been conceived by Rubens independently of the full-length portrait. Condition Report: The canvas has been lined. Craquelure and surface dirt throughout. Rubbing and abrasions to the framing edges. The paint starting to wear thin in places, particularly in the background. Inspection under UV light reveals retouching throughout. Condition Report Disclaimer
The Most Honourable Order of the Bath, G.C.B. (Military) Knight Grand Cross breast star, silver with appliqué centre in gold and enamels, 88mm x 83mm, circa 1830-40, unsigned, with gold pin for wearing and a good length of old silk sash riband, a fine quality piece, minor chipping to green enamel, otherwise nearly extremely fine £2,400-£2,800
Royal Company of Archers. A Royal Company of Archers, Queen Elizabeth II Sash Badge, Queens Crown, gilding and green enamel, ‘Queen’s Body Guard Scotland’, with motto ‘ Nemo. Me. Impune. Lacesset’, multi part construction; Royal Company of Archers, Victorian Sword Knot, with faded bullion tassels below a velvet bullion embroidered ‘VR’ cypher, with a bullion thistle to reverse, some fading, generally very good condition (2) £140-£180
A George III mahogany cheval dressing mirror, c.1800, the rectangular mirror plate in mahogany frame adjusted by a rise and fall action sash mechanism suspended between upright supports with turned cross rails, urn shaped finials to the top, the stand with four downswept legs with square brass caps and casters, 61 x 69 x 167cms at max height.PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.
After Henry Edward Dawe (1790-1848) - Oil painting - Miniature half length portrait of King William IV, circa 1830, the Monarch wearing a blue sash, frock coat and Order of the Garter, mahogany panel 5.25ins x 4.5ins, in near contemporary gilt moulded frame Note: With Christie's of Scotland label to verso
A very mixed lot of militaria etc, including a police truncheon painted with "VR" cypher (very worn), another with crowned "GR" cypher, a Boys Brigade pill box cap, a German silver mounted hunting horn, a bowie type hunting knife, two iron spear heads and a lance head, three swagger sticks, four sword scabbards and a bayonet scabbard, a scarlet sash, two pairs of overalls, a spotting telescope and bi-pod stand etc. £50-80
A very fine rare watercolour by Fall of Bone's miniature after John Hoppner of Horatio Nelson, 3½" x 2¾" half length, wearing full dress with Order of the Bath sash and other decorations. In its original plum velvet covered frame with gilt oval inset. Taped linen flap on reverse for table standing, the bottom edge impressed in small gilt letters Fall 9 Baker Street. The portrait is VGC with vivid colour, the rounded oval frame is devoid of all velvet. Note: according to Richard Walker's book on "The Nelson Portaits", published in 1998, there is known an enamel copy made for the Nelson Ward family by Fall, it is now in the Portsmouth Victory Museum and is illustrated on page 247 of "The Nelson Portraits". £100-200
Coldstream Guards Officers Full Dress Waist Sash and a levee pattern sword knot, a further waist belt with attached sword slings, all contained in a tin box, with name plate ‘Lord Rosehill Coldstream Guards’. Please note that all lots in this auction have been imported from outside the United Kingdom and are subject to 5% import duty on the hammer price. Items being exported outside of the UK are exempt from this charge upon proof of export. Any international bidder having items sent to a UK address will be subject to this fee.
ROYAL WORCESTER; five figures from the Victorian series, modelled by Ruth Esther Van Ruyckevelt, comprising 'Madeline', 'Louisa', 'Elaine', 'Elizabeth', and 'Felicity', height of largest 23cm (5).Condition Report: Felicity no. 138 - repairs to her hands on re-glued the other with chipped fingersElizabeth - hand missing, other hand chipped and missing fingers, chips to the back of her hatElaine - goodLouisa - chip to one lilly, chip to bow on her shoulder, chip to the sash on her bustleMadeline - chip to the top of her floral headdress
A set of three Derby type figures, Allegorical of the Seasons, Spring, she stands, bare footed with two floral rings, long flowing skirt, Summer, he stands bare footed with scythe and wheatsheaf and Winter, he stands arms folded skating, wearing a broad brimmed hat and fur lined coat, dead game tied to a sash, each on moulded shaped circular bases, 24cm high, late 19th century; another (4)
Cornelis Jansen van Ceulen (Cornelius Jonson) 1593 - 1661 Portrait of a Noble Child, holding a finch, wearing yellow robe and sash, signed C Jansen, Pinxt, 73cm x 62cm, pierced gilt frame, label to verso **Ball *5 Willow Road, Hampstead, NW3 Cornelis Jansen was born of Dutch parents who fled to London to escape religious persecution, Cornelis Jansen van Ceulen probably trained in the northern Netherlands. Jansen's style is straightforward, he typically paints bust-length representations with sitters looking directly out of the picture, giving close attention to their clothing and features
A fine miniature watercolour. Portrait of a lady set within a heavy brass frame. The three quarter portrait depicting a lady wearing a white dress with blue sash adorned with gold jewellery and a pink rose, hair up and in ringlets. A small indistinct monogram lower right, possibly SJ. (14cm x 12.5cm. Image size 9.5cm x 7.5cm)
dating: Late 19th Century provenance: Kingdom of Italy, Order of Saints Maurice and Lazarus. Set of grand cross. The grand cross pendant in gold and enamel, the large crown pierced and finely chiselled. Diamond-like, silver plaque with gold and enamel application, vertical brooch with two hooks, marked 'D. CRAVANZOLA SUCC F.LLI BORANI ROMA'. With remains of the sash. According to the owner's information this lot comes from the general, politician, minister and senator Alessandro Asinari di San Marzano. dimensions 6.5 - 10.1 - 8.8 x 8.8 cm.
dating: Late 19th Century provenance: Kingdom of Italy, Order of the Crown of Italy (1868 - 1951). Grand Cross set. Cross in gold and enamels. Silver plaque with gold and enamel applications, vertical brooch between two hooks, marked 'CRAVANZOLA SUCC. F.LLI BORANI ROMA'. With a remainder of the sash. Together with another gilded silver cross. According to the owner's information this lot comes from the general, politician, minister and senator Alessandro Asinari di San Marzano. dimensions 5.1 x 5.1 - 8.6 x 8.6 cm.
Two Meissen figures of girls, probably late 19th century, both wearing richly patterned lace trimmed costume, one carrying a toy sheep incised C79, the other with a doll, incised C90, 15cm.Qty: 2Condition report:Girl with toy sheep; small area of restoration to the yellow scarf, damage and losses to the lace effect throughoutGirl with doll; possible restoration to the bow on top of girls head, probable restoration to girls right hand and rattle, loss to one end of yellow sash on girls back, damage and losses to lace effect throughout
Pair of Royal Dux figures, of a young musician, and a dancer, no.299 and 300, 36cm; and another pair of Royal Dux figures, no. 316 and 317, 37cm.Qty: 4Condition report:Violinist - neck of violin broken off and missing, figure's little finger missing from right hand. Other minor chips elsewhere. No restorationLarge Dancer (with pink sash) - a possible chip to the end of the pink sash but there is pink glaze, nearby there is a kiln deposit. Some slight chipping to the frills of the hat and sleeves.Lute player (299) - missing little finger on the right hand. Some small chips or rubbing to the fringe of the coattails. One of the ribbons to the stocking is professionally restored.Smaller dancer (300) - small chips to the edging and extremities but no evident restoration. SOme rubbing to the dress over the bent knee.
1645 Charles I silver Crown, Exeter mint, castle mintmark (S 3062, North 2561). Obverse: the king on horseback, riding left, wavy flowing sash behind, castle mintmark above, ': CAROLVS: D: G: MAG: BRI: FR: ET: - REX:' around. Reverse: garnished oval shield of arms with castle mintmark above and '· CHRISTO · AVSPICE · REGNO · 1645 ·' around. Weight: 28.46g. Diameter: 41mm. Grade: VF - edges irregular, legend missing to the top left of the obverse, light tone, Very Fine and scarce in high grade.
1644 Charles I silver Crown, Exeter mint, rose mintmark (S 3058, North 2557). Obverse: king riding left with bow-shaped sash behind, rose mintmark, 'CAROLVS: D: G: MAG: BRI: FRA: ET: HIB: REX:' around. Reverse: garnished oval shield of royal arms with a rose mintmark above and the date in the legend to the left, 'CHRISTO · AVSPICE · REGNO 1644' around. Weight: 28.38g. Diameter: 44mm. Grade: F - a mid-grey tone, edge slightly flattened, the central horse area a little flat, Fine, reverse better. Comes with an old clipping from a list.
MARY OF TECK: (1867-1953) Queen Consort of the United Kingdom 1910-36, wife of King George V. Vintage signed postcard photograph of the Queen Consort seated in a formal three-quarter length pose wearing a sash and tiara. Photograph by Hay Wrightson of New Bond Street, London. Signed (´Mary R´) in fountain pen ink to the base of the image and dated 1947 in her hand. With a few words of holograph text to the verso, sending grateful thanks for some lovely ivory. Accompanied by the original registered envelope hand addressed by the Queen Consort to F. Partridge Esq. at New Bond Street and also signed (´MR´) by her with her initials to the lower left corner. Postmarked 18th December 1947. Together with a good vintage unsigned sepia cabinet photograph, the albumen print by Byrnes & Co. of Richmond depicting the young Princess in a head and shoulders pose. With the photographer´s imprint to the lower mount. Some slight traces of former mounting to the verso of the cabinet photograph, otherwise VG, 2Frank Partridge & Sons Ltd. were one of London´s leading antique dealerships.
Robert Devereaux, 3rd Earl of Essex (1591-1646), Captain-General and Commander-in-Chief of the Parliamentary army, oval, silver-gilt military reward, 1642, armoured bust, almost full-facing, sash over shoulder, broad lace collar, rev. oval, garnished shield of the arms of Essex, 31.5 x 22mm (MI i 298/117; Platt II, type G pp. 84-85). Very fine, of the highest historical importance and very rare. Provenance Bought Baldwin's Fixed Price List Autumn 2018Ex-Christopher Foley Collection, Woolley & Wallis, 16.10.2014, lot 257.
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