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Lot 77
§ Ruth Duckworth (1919-2009), Goblet, the porcelain body of irregular hourglass form, with organic aperture to lower half and with ribbed knop to the centre, partially glazed in mottled puce to exterior and crackle glaze to the interior cup17.5cm highSome minor chips and fritting to rim and foot rim, also repaired through the waist.
Lot 61
Studio stoneware coffee service by Ruth Duckworth, comprising a coffee pot, 23cm, milk jug, sugar bowl, eight cups and saucers, part glazed.Condition report:The coffee pot is the only piece that bears the artist's seal mark, just below the handle. A pinpoint chip to the spout of the coffee pot. Cups are all good and free of any damage. The saucers are all good and free of damage, one has a small area to the upper rim which looks a little different to eye, but it doesn't test as restored under UV. Milk and sugar are also fee of damages. The saucers vary in size and shape slightly in the making, and three have a distinctly more cream-toned body when seen from the underside. A good set.
Lot 150
Ruth Duckworth (German, 1919-2009) Ceramic Sculpture Undated, initial signed on underside, depicting an abstract shape Property from: a Private Collector, Illinois Height: 3 inches, Width: 5 1/2 inches Condition: light wear overall, firing cracks due to artist process, some crazing to areas of pooled glaze, two possible chips to the rim, unclear whether the stem / base has been reattached or part of artist process (adhesive residue present) Category: Fine Art > Sculptures Estimated Sale Time: 11:57 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3
Lot 695
Studio stoneware coffee service by Ruth Duckworth, comprising a coffee pot, 23cm, milk jug, sugar bowl, eight cups and saucers, part glazed.Condition report:The coffee pot is the only piece that bears the artist's seal mark, just below the handle. A pinpoint chip to the spout of the coffee pot. Cups are all good and free of any damage. The saucers are all good and free of damage, one has a small area to the upper rim which looks a little different to eye, but it doesn't test as restored under UV. Milk and sugar are also fee of damages. The saucers vary in size and shape slightly in the making, and three have a distinctly more cream-toned body when seen from the underside. A good set.
Lot 680
RUTH DUCKWORTH (1919-2009); a stoneware coffee set comprising a coffee pot, sugar bowl and six cups, made 1958-64, coffee pot height 22.5cm (8).Provenance: Literature: For similar examples see 'Things of Beauty Growing: British Studio Pottery', edited by Glenn Adamson, Martina Droth and Simon Olding (Yale University Press, 2017), p. 287, and 'Ruth Duckworth: Modernist Sculptor', by Jo Lauria and Tony Birks (Lund Humphries, 2004), p.25.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 109
Thelma Marcuson (1919-2009), Studio Pottery ovoid-form vase with fine manganese rim, circa 1980, Porcelain, Painted 'TM' to underside, 15cm high.Footnote:Inspired by the work of Lucie Rie, Marcuson met Rie and Hans Coper on her overseas trips and collected their work. She was also inspired by Ruth Duckworth, Bernard Leach and Mary Rogers. Marcuson started working in porcelain with the help of Tim Morris in 1975. Later in life, Marcuson settled in London and exhibited in both Johannesburg and London.Please refer to department for condition report
Lot 110
Thelma Marcuson (1919-2009), Studio Pottery yellow crackle glaze bottle vase, mid 1980s, Porcelain, Painted 'TM' to underside, 37cm high.Footnote:Inspired by the work of Lucie Rie, Marcuson met Rie and Hans Coper on her overseas trips and collected their work. She was also inspired by Ruth Duckworth, Bernard Leach and Mary Rogers. Marcuson started working in porcelain with the help of Tim Morris in 1975. Later in life, Marcuson settled in London and exhibited in both Johannesburg and London.Please refer to department for condition report
Lot 111
Tim Morris (1941-1990), Large Studio Pottery vase with abstract Japanese blossom motifs, circa 1970s, Glazed stoneware, Inscribed signature to underside, 31cm high.Footnote:Born in Windsor, England, studied at Lancing College, then at Brighton Art School and The St. Martin’s School of Art, London with fellow students David Hockney and Elizabeth Fritsch. Later Bill Newland suggested he study ceramics, which he did at Central School of Art under Ruth Duckworth, Kenneth Clark, Gordon Baldwin others. Morris was very strongly influenced by Dan Arbied, Hans Coper, Lucie Rie, John Colbeck and Ruth Duckworth. He eventually settled in South Africa and became a founder member of the Association of Potters of Southern Africa (APSA), now known as Ceramics Southern Africa.Please refer to department for condition report
Lot 102
§ Gillian Lowndes (British, 1936-2010), wall hanging, fired mixed media38 x 75cm Quietly disquieting and with unsettling sentience, grey-tipped talons appear to pierce the fossilised ceramic flesh of the present lot, as if this intriguing object has been gestating an extra-terrestrial life form. Operating far beyond the restraints and expectations of traditional ceramics, Gillian Lowndes is today celebrated as one of the most audacious and creatively uninhibited ceramic artists and teachers of her generation. Born in West Kirby, Cheshire, in 1936, Lowndes spent much of her childhood in India before training at the Central School of Arts and Crafts from 1957. Initially studying sculpture, Lowndes soon found herself drawn to the pottery department, where she studied first under Dora Billington and later under Gilbert Harding Green. Renowned as a lively and progressive teaching environment, it was at the Central School of Arts and Crafts that Lowndes first met such influential figures as Ruth Duckworth, Dan Arbeid, Gordon Baldwin and Ian Auld - the latter of whom she would later marry. Following her studies in London and after a year studying in Paris at L'École des Beaux-Arts in 1970, Lowndes accompanied Auld on an 18-month research trip to Nigeria. Experiencing the rich material culture of the country, Lowndes quickly became fascinated with the bricolage nature of West African sculpture, which typically juxtaposed several unexpected materials and methods within the construction of a single artifact. Whilst her distinctive artistic voice is undoubtedly the result of a confluence of experiences, the influence of these objects on Lowndes’ work cannot be understated. Exploring the absolute limits of the medium and the transformative properties of the kiln, Lowndes’ entropic and unquantifiable works have won praise for their raw physicality and for their ability to challenge the boundaries between art and craft, ancient and modern, organic and alien. So experimental are these works that it is almost easier to conceive that they have been excavated from an archaeological site or dredged from the deepest depths of the ocean, the evidence of a lost civilisation or a visit from an alien race, than it is to accept that they have been made by human hands. Acquired from the Lynn Strover Gallery, Cambridge. In seemingly good condition with no apparent condition issues, examined under UV light.
Lot 585
RUTH DUCKWORTH (1919-2009); a stoneware coffee set comprising a coffee pot, milk jug, sugar bowl and six cups and saucers, plus a spare saucer, painted R mark to coffee pot, made 1958-64, coffee pot height 21.5cm (10). (D)Exhibited: 'Things of Beauty Growing: British Studio Pottery', Yale Center for British Art and the Fitzwilliam Museum, Cambridge, 2017-2018.Literature: Illustrated in 'Things of Beauty Growing: British Studio Pottery', edited by Glenn Adamson, Martina Droth and Simon Olding (Yale University Press, 2017), p. 287. For a similar example see 'Ruth Duckworth: Modernist Sculptor', by Jo Lauria and Tony Birks (Lund Humphries, 2004), p.25.Additional InformationProfessional restoration to one cup handle, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 243
Ruth Duckworth (British 1919-2009), a teapot and cover,20th century, impressed mark to base, With stone glaze and cane handle, 15cm high; together with a cast porcelain creamer, with internal gloss glaze and moulded stylised handle, 16cm long, unmarked, and a cast porcelain salt cellar, 5cm high, both unmarked, attributed to Ruth Duckworth (ARR) (3) Teapot: There is a chip to the top opening, approx. 15mm across, a chip to the cover, 11mm across, chips to the spout, .2mm & 4mm across, no restoration detectedCreamer: some hairlines to the vessel, one measuring approx. 6cm across, the other 5cm across, some surface wax residue, no restoration detected. Creamer: one chip approx. 3mm to rim, and a further fleabite to rim,
Lot 174
RUTH DUCKWORTH (1919-2009); a porcelain vessel with ring of small spikes covered in white glaze, painted RWD mark, made circa 1960, height 20cm. (D)Additional InformationGlaze chips to ends of two spikes and shallow chip to footring, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 176
RUTH DUCKWORTH (1919-2009); a miniature porcelain vessel partially covered in celadon glaze, painted RWD mark, made circa 1960, diameter 6cm. (D)Additional InformationTiny tight hairlines extending 2mm from rim (only visible under UV light), otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 169
Ruth Duckworth, VaseRuth DuckworthVase. Keramik. Dunkelrot, partiell olivgrün und sandfarbene, kristallinähnlich strukturierte Glasur. Zylindrische Form, im oberen Bereich knospenartig aufbrechend mit kleiner Öffnung. H. 32 cm. Am Boden bezeichnet: R (braun gemalt). Ruth Duckworth, VaseRuth DuckworthVase. Ceramics. Dark red, partially olive green and sand-colored, crystalline-like structured glaze. Cylindrical shape, breaking up like a bud in the upper area with a small opening. H. 32 cm. Marked on the bottom: R (painted brown).
Lot 373
Ruth DuckworthThree works, circa 1970Porcelain vessel - 14cm high; Stoneware charger - 37cm diameter; Stoneware flower vase - 19.1cm high. With artist's RWD monogram to stoneware pieces. (3)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 733
RUTH DUCKWORTH (1919-2009); a small porcelain sculpture with manganese highlights, the body formed of two wings raised on a conical stem, incised RWD mark, height 11cm. Provenance: Purchased circa 1965.Additional InformationUnder UV light there appears to be some professional restoration to the top of one fin. Otherwise appears good with no further obvious signs of faults, restoration or damage.
Lot 734
RUTH DUCKWORTH (1919-2009); a porcelain sculpture with a central disc, incised RWD mark, height 23.5cm. (D)Provenance: Purchased circa 1965.Additional InformationSmall chips to base and underside of ring, old repair to hairline to rim, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 21
RUTH DUCKWORTH (1919-2009); a monumental stoneware vessel with square rim, oxide wash to exterior and blue/green glaze to rim, incised RWD mark, height 57cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
![[MISCELLANEOUS] West, W.J., editor. Orwell: The War Broadcasts, Duckworth / B.B.C., London, 1985, first edition, boards, dus](https://cdn.globalauctionplatform.com/c64e3e37-c0a3-46cc-8d31-a90a00d6b97d/50789a73-0ca7-4917-c22e-1cea1e6d159d/468x382.jpg)
Lot 335
[MISCELLANEOUS] West, W.J., editor. Orwell: The War Broadcasts, Duckworth / B.B.C., London, 1985, first edition, boards, dustjacket, plate illustrations, INSCRIBED & SIGNED BY EDITOR, octavo; with West, W.J., editor. Orwell: The War Commentaries, Duckworth / B.B.C., London, 1985, first edition, boards, dustjacket, INSCRIBED & SIGNED BY EDITOR, octavo; Gordon, Ruth. Years Ago, reprint, The Viking Press, New York, 1955, cloth, dustjacket, frontispiece, INSCRIBED & SIGNED BY AUTHOR and with a loosely inserted MANUSCRIPT LETTER from the same, octavo; and Gordon, Ruth. Shady Lady, first edition, Arbor House, New York, 1981, cloth-backed boards, dustjacket, SIGNED BY AUTHOR, octavo, (4).
Lot 65
Ruth Duckworth (1919-2009) Nude and Sunflower oils on paper 55cm x 37cm. Exhibited: Apollinaire Gallery, London, 1953 in Ruth Duckworth's first one-person exhibition. Literature: Jo Lauria and Tony Birks, Ruth Duckworth: Modernist Sculptor, Lund Humphries, 2005, p.23, figure 8 for a photograph of the picture in Duckworth's first one-person exhibition.
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