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A CASED SILVER GILT RUSSIAN ICON ST PETERSBURG 1881, UNKNOWN ASSAY MASTER, 84 ZOLOTNIKI Depicting the Kazan Mother of God, within a chased floral and beaded guilloche border, the faces painted in oil on wood Icon itself is approximately 30.5cm high by 25.8cm wide as visible to internal aperture. Case is 38.5 by 34.5 by 7cm Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. With some metal polish/cleaning marks and deposits to surfaces of oil painting. Catch to case not working exactly. Some wear and scuffs to case. Icon itself is approximately 30.5cm high by 25.8cm wide as visible to internal aperture. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers.  Condition Report Disclaimer

Sogachev (Russian, 20th Century) 'Quiet Abode' Oil on Canvas Undated, signed in Cyrillic lower right, signed again in Cyrillic and titled verso, a depiction of buildings in snow having moderate impasto, in a painted white gesso on wood frame Property from: a Private Collector, Glen Ellyn, Illinois Height: 13 1/2 inches, Width: 19 1/2 inches (stretcher)Frame Size: 17 1/2 inches by 23 1/2 inches Condition: no damage to artwork noted, frame having a split to wood near right edge of painting Disclaimers: not examined out of the frame Category: Fine Art > Paintings Estimated Sale Time: 10:25 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4

Sergei Kuzmich Frolov (Russian USSR 1924-1988) - Unframed oil on board depicting a European river scene. Approx. 40 x 50cms. Sergei Kuzmich Frolov (Russian: Серге́й Кузьми́ч Фроло́в; 26 September 1924 in Baklanka, Vologda Governorate of the USSR – 1998 in Saint Petersburg, Russian Federation) was a Soviet, Russian realist painter, watercolorist, graphic artist, and art teacher, who lived and worked in Saint Petersburg (former Leningrad), a member of the Saint Petersburg Union of Artists (before 1992: the Leningrad branch of Union of Artists of Russian Federation).[1] He was regarded as a representative of the Leningrad school of painting.[2] reasonable used condition

Vintage Russian painting. Verso signed Cyrillic. 20th century. Landscape with dead tree. Size: 75 x 44 cm. In good condition.

Oil on canvas, 67.5 x 95 cm (unframed), 82 x 109 cm (framed). This impressive painting from the Russian school, painted around 1880, presents several variants of the work Aivazovsky produced in 1875 (sold by Christie's in 2008). The scene takes place in Feodosia, southern Crimea, by the light of a full moon. Traces of an illegible signature can be seen at the bottom left. Ivan Konstantinovich Aivazovsky, born on 17 July 1817 in Feodosia, was noted from an early age for his talents in languages, music and drawing. At the age of 16 he was admitted to the Russian Academy of Arts in St Petersburg, specialising in seascape painting, a passion that arose after taking part in training with the Russian naval fleet. In 1839 he won his first gold medal, and although he had the opportunity to study in Rome, he preferred to return to Feodosia to perfect his technique. Later, in Rome, his work The Bay of Naples in the Moonlight was praised by J.M.W. Turner. Aivazovsky travelled around Europe, taking part in exhibitions such as the Paris Salon, where he received another gold medal and the Legion of Honour in 1857. Provenance: French private collection.

Artist: Aleksandr Yakovlevich Golovin (Russian, 1863 - 1930). Title: "Set Design". Medium: Mixed media (watercolor, gouache, pen, pencil). Date: Composed c1910-20. Dimensions: Image size: 11 x 16 in. (279 x 406 mm).Pricing:   Starting Price: $6,000  Reserve Price: N.A.  Auction Sale Price Estimate: $8,000/10,000Lot Note(s): Signed with the initials "A.G." in Cyrillic on the support mount, lower right, recto. Painted on supple wove paper. Overall condition very good to fine. The drawing is affixed to the original support mount. The drawing itself has no holes, tears, foxing, etc. The colors are very fresh. There is some minor surface soiling middle left, else just very nice. Comment(s): Works by Golovin of this caliber are rare. Aleksandr Golovin studied at the Moscow College of Painting, Sculpture and Architecture initially as a student of architecture and later as a painter. He lived and worked in Moscow as an interior painter, furniture designer and decorator tradesman, and in 1900, in collaboration with Konstantin Korovin, he designed the interior décor of the Russian Empire pavilion at the Paris World’s Fair. Golovin moved to St. Petersburg in 1901, where he worked prominently as a stage designer until the Russian Revolution of 1917. He was the leading designer for the theaters in St. Petersburg at this time, and an important contributor to the legendary Ballets Russes, which commissioned the most esteemed choreographers, dancers, musicians and stage designers of the era, including Natalia Gontcharova, Mikhail Larionov, Marc Chagall, George Braques, Joan Miró, Max Ernst, Henri Matisse, and Pablo Picasso. Please note: this work is being exhibited in an exhibition frame and is being sold unframed. [18217-4-6000-NA]

A selection of three 20th century Russian watercolour on paper composition paintings. Each painting of abstract form strongly influenced by Wassily Kandinsky. Two signed AH and one HK. Each framed and glazed.Largest measures approx. 49cm x 39cm.

A framed watercolour painting of Otters by R H Petherick and an etching of Mulroy Bay by Johnstone Baird, plus a watercolour of a winter scene showing a Russian/East European church with a crowd outside, illegibly signed to the bottom right.

ALEXANDER III: (1845-1894) Emperor of Russia 1881-94. Attractive signed printed large folio copy of L´Illustration Journal Universel, French weekly edition, twenty-four pages, 2nd May 1885, signed by Alexander III, as Emperor, with his initial `A´ in red indelible pencil to the upper right corner of the front page. The Parisian journal includes multiple and very attractive large engravings, showing to the front page a drawing of multiple Asian riders, entitled "Russians in Central Asia". To the inside showing multiple engravings including the Anglo-Russian confict in central Asia, or a reproduction of a Vereschagin painting with head cuts as trophy during the war. Also including a lengthy article by Jules Claretie. To a full double page showing the 40 portraits of all the jury members of the painting exhibition of 1885, including Bonnat, Bouguereau, Breton, Constant, Detaille, Puvis de Chavanne, etc... To a further page showing three large ans attractive images of the launch of the French navy battleship "Le Formidable" in 1885, and further again a large engraving showing the concert held at the conservatory by the choral company "La Concordia" on the occasion of the bicentenary of Bach. The present copy was originally bound in a red leather folio volume for the Emperor, alongside other additions of the journal. Left edge very slightly trimmed, otherwise VG

A selection of collectables; West German mid century vases, large Japanese vase, French Sel de mer mangle Rouge jar, vintage coffee pot together with a set of Russian dolls & flower still life oil painting together with male nude picture & female riding school picture

Russian (Soviet) Gzhel porcelain statue, 1960s, woman and a horse, decorated with hand painting and signed, Width: 21 cm, Height: 27 cm. Period: 1960's

Russian Orthodox tempera on board painting depicting a calendar of saints.Provenance: Kenwood Gallery, Minneapolis, Minnesota; Private Minnesota Collection.Unframed; height: 7 in x width: 5 1/2 in x depth: 1 in.Condition: The colors are darkened and somewhat faded. There is craquelure throughout. The tan and red border is possibly a newer addition. There is a chip along the upper right edge. Some bowing to the wood. Due to an uneven varnish, it is difficult to discern whether there are any restorations under UV light. Several labels affixed to the verso.

Continental School (18th century) Portrait of a lady, seated three-quarter length at a table, in a dress embroidered with floral motifs, her upswept hair decorated with flowers, holding a fan, a landscape beyondinscribed on a label to the reverse 'Princess Daschran / Lady of Honour / to Catherine II / 1778'oil on canvas126 x 95cmThe identification of the sitter as Russian is improbable as the place of origin of the work is probably in the region of Turin.The painting is executed in oil on a canvas support which has been lined. The canvas tension is slightly slack but the picture is in plane. The paint layer is stable overall, there are a few raised cracks around the edges. Overpaint is present in localised areas covering old damages, such as in the sitter’s cheek. The varnish layer has significantly darkened and yellowed with age and is no longer adequately saturating the paint layers below. There is a thick layer of surface dirt present.

Renat Ramazanov (Russian, b. 1978). Oil on canvas painting titled "Women" depicting a group gathered around at a sunny table, 2005. Signed along the lower left; further signed, dated, and titled along the verso.Sight; height: 39 in x width: 47 in. Framed; height: 49 1/4 in x width: 57 1/4 in x depth: 3 1/2 in.Condition: There are no major losses. There is patch along the verso (measuring approx. 3.5 in x 3 in) corresponding to a repair along the forearm of the figure in white leaning over the table (second from the left). An area of corresponding length fluoresces under UV light. Light wear to the frame.

Konstantin Vysotsky (Russian, 1864-1938). Oil on canvas painting titled "Seascape" depicting a figure and cow on a hill overlooking an ocean.Sight; height: 9 1/2 in x width: 13 1/4 in. Framed; height: 13 1/2 x width: 17 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. There are no chips, losses, or restorations when viewed under UV light. Light craquelure throughout. Light wear visible along the extreme edges. The paint does not appear to extend to the edges, likely original to the artistic process. Light wear to the frame. Not inspected out of frame.

Valery Nikolaevich Tkachenko (Russian, b. 1946). Large oil on canvas op-art painting titled "Energy of Color" in the style of Victor Vasarely. Signed and dated 1987 along the lower right. Further signed, dated, and titled along the verso.Translated the label reads:V. N. Tkachenko, born 1946Motionform “Energy of Color†200 x 200 cm, oil on canvas1131627, Moscow, Gorodskaia Street 4, ap. 14Phone: 2371045Tkachenko lived in Moscow and participated in the 1970 exhibition at The Moscow City Committee of Graphic Artists on Malaya Gruzinskaya Street in Moscow. The Moscow City Committee of Graphic Artists was a famous artist union and exhibition space that would include non-conformist artists in their shows in the late Soviet era. The official exhibition hall of the Committee was one of the first compromise solutions in search of a "traditional" public space for exhibiting alternative art.Height: 78 in x width: 78 in x depth: 2 in.Condition: The colors are bold and bright and the surface is stable. Some areas of craquelure. There are no major tears, losses or restorations when viewed under UV light. Light wear along the extreme edges of the work. The work is not framed.

A watercolour painting of a Russian Solider, dated 1812. 67cm x 57cm (D)

Konstantin Razumov (Russian born 1974), oil on canvas young girl painting with a cat. 22 x 27 cm in gilt frame. ARR

A box of Russian collectables including framed oil painting, trinket boxes, plaques, hand painted plate, etc.

WW2 German Russian Front Watercolour Picture of a Group of Ukrainian Nationals Performing Local Dance Routine for German Soldiers, interesting framed and glazed watercolour painting by P J Katschenko, 1942. Reverse of the frame with typed translation from a German gallery giving the following history, ‘Brotherhood of a watercolour of the Ukrainian shows German soldiers, student assistants and locals in front of a rustic log house, watching the dance performance of a hiwi, good evidence of the good understanding between the Ukrainian population and the armed forces from the point of view of a Ukrainian at the beginning of the Russian campaign’. Frame measures 56 ½ x 47 ½ cms.

Igor Chevtsov (Russian, Born 1963)Painting of figures on the beach.Oil on board. Signed lower left.Sight Size: 5 x 14.5 in.Overall Framed Size: 11 x 21 in. - Provenance: this item comes from the private collection of Lou A. and Barbara B. Pritchett. Lou Pritchett was the ex-Vice President of Procter and Gamble. Lou Pritchett rose through the ranks at Procter & Gamble and was instrumental in the creation of the partnership between Procter & Gamble and Wal-Mart. Pritchett was instrumental in bringing Proctor & Gamble to the Phillipines during his time there. Now retired, Lou is a sought-after public speaker and author of Stop Paddling & Start Rocking the Boat.

Igor Chevtsov (Russian, Born 1963)Oil on board painting of figures on the beach. Signed lower right.Sight Size: 5 x 14.5 in.Overall Framed Size: 11 x 21 in. - Provenance: this item comes from the private collection of Lou A. and Barbara B. Pritchett. Lou Pritchett was the ex-Vice President of Procter and Gamble. Lou Pritchett rose through the ranks at Procter & Gamble and was instrumental in the creation of the partnership between Procter & Gamble and Wal-Mart. Pritchett was instrumental in bringing Proctor & Gamble to the Phillipines during his time there. Now retired, Lou is a sought-after public speaker and author of Stop Paddling & Start Rocking the Boat.

Russian School, Coastal Painting with Figures. Signed indistinctly lower right. Oil on board. Sight Size: 6 x 9 in. Overall Framed Size: 11.5 x 14.5 in.- Provenance: this item comes from the private collection of Lou A. and Barbara B. Pritchett. Lou Pritchett was the ex-Vice President of Procter and Gamble. Lou Pritchett rose through the ranks at Procter & Gamble and was instrumental in the creation of the partnership between Procter & Gamble and Wal-Mart. Pritchett was instrumental in bringing Proctor & Gamble to the Phillipines during his time there. Now retired, Lou is a sought-after public speaker and author of Stop Paddling & Start Rocking the Boat.

Anatoli Nikitovich Turkin (Russian, b. 1938). Oil on canvas painting titled "Nightly Sprat Fishing" depicting a fishing ship dramatically lit, 1975. Signed and dated along the lower right. Further signed, dated, and titled along the verso.Height: 24 3/4 in x width: 28 1/8 in x depth: 1 1/4 in.Condition: The painting is in generally good condition with no visible tears, creases, or major losses. The surface is stable, and the color is bold and bright. When inspected under UV light, there is visible varnish loss along the margins. Along the sides of the canvas, there is visible wear and discoloration. Dust collected to the surface. No visible sign of restoration under UV light.

Follower of Corrado Giaquinto (1703-1766)Study for Lunette: an Allegory of the Old Testament, oil on canvas From the Estate of Francis and Larissa Haskell. Francis Haskell (1928-2000) was an art historian, author and professor of Art History at the University of Oxford. His wife Larissa (1931-2024) was a noted Russian art historian, and was curator of Venetian drawings at the Hermitage.Prov: Hazlitt May. The companion painting was sold at Christies 10 July 2015 (£15,000) Frame measurements - 110cm x 55cmHas been lined. Minor frame abrasions, and has a line/indent running close to the top edge with a slightly downwards incline. Minor scratches and surface dirt.

Narcisse-Virgilio Diaz de la Pena (1807-1876)'Tzigane ecoutant la prediction d 'une Jeune voyante' or 'Le Chant du songe de Deborah', a study of the painting in the Hermitage, inscribed 'Eugene Delacroix la Dance' verso, oil on canvas, 40.5 x 30cm, in carved gilt frameFrom the Estate of Francis and Larissa Haskell. Francis Haskell (1928-2000) was an art historian, author and professor of Art History at the University of Oxford. His wife Larissa (1931-2024) was a noted Russian art historian, and was curator of Venetian drawings at the Hermitage. Prov: Couper Gallery, 15 July 1968 (£250)Lit: cf. Pierre & Rolande Miquel: Narcisse Diaz de la Pena (1807-1876) 2 vols (Paris 2000) Has been lined, cleaned and varnished. The areas of light paint have some ingrained dirt/texture. Minor surface dirt and scratches. New images uploaded - please see the condition report tab via this link -  Lot 429 - Narcisse-Virgilio Diaz de la Pena (mallams.co.uk)

KHASANOV (хасанов) (Kazan School Russian) Church on a hill Oil painting on canvas, signed and dated 1990 verso, 32cm x 58cm, frame 43cm x 68cm.

Three fine 20th Century 'Fedoskino School' Russian lacquer boxes, two with painting on abalone shell. The largest 8 cm by 6 cm by 3.5 cm.

Painting: Oil on canvas stretch onto board of an elderly bearded gentleman. To the reverse there is writing to the backing paper which has then been transcribed as follows "My Fathers writing on the back of this painting is so faint quote "An old painting which I bought at a sale of a deceased Russian Catholic priest in Baku Russia". No date is given of time of purchase & my Father died in 1919." Approx 25 x 18cm

Color print on paper after Russian contemporary artist Bato Dugarzhapov's original painting made in a Neo-Impressionist style. Sight size: 11.50"L x 12"H. Frame size: 17.50"L x 17.75"H x 2"W. Artist: Bato Dugarzhapov (Russian b.1966)Issued: c. 2000Country of Origin: RussiaCondition: Age related wear.

SKOROBOGATOV, Igor Constantinowic(* 1920) KuhweideÖl/Malkarton. Links unten kyrillisch signiert, verso kyrillisch bezeichnet. 1957. 19,5 x 34,5 cm. Gerahmt : 27,5 x 43 cm (teils goldener Rahmen). Die Herde auf der Weide nahe dem Waldrand im Sonnenschein. Russischer Maler. Aufrufzeit 15. | Juni 2024 | voraussichtlich 13:35 Uhr (CET) SKOROBOGATOV, Igor Constantinowic(* 1920) Cow PastureOil/painting card. Signed in Cyrillic lower left, verso inscribed in Cyrillic. 1957. 19.5 x 34.5 cm. Framed : 27.5 x 43 cm (partly gold frame). The herd on the pasture near the edge of the forest in the sunshine. Russian painter. Call time 15 | June 2024 | probably 13:35 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

CHAGALL, Marc (nach)(1887 Ljosna - 1985 Saint-Paul-de-Vence) "Adam und Eva im Paradies"Farboffsetdruck. Passepartoutausschnitt: 27,5 x 39,5 cm. Gerahmt & hinter Glas : 45,5 x 57 cm. Reproduktion nach einem Gemälde von 1961. Französischer Maler russisch-jüdischer Herkunft. Er zählt zu den bedeutendsten Künstlern des 20. Jh. "Die Beschäftigung mit biblischen Themen hatte von Beginn an als wichtige Voraussetzung Chagalls Erfahrung im Umgang mit der Bibel in jungen Jahren und die Beobachtung eines Lebens aus der Bibel an seinem Vater. Dazu kam, daß in dem Milieu, in dem er aufwuchs, das Wort der Bibel für viele Menschen Licht und Kraft in ihrem schweren Dasein war." (Achim Besgen über MC, www.herder.de). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:25 Uhr (CET) CHAGALL, Marc (after)(1887 Ljosna - 1985 Saint-Paul-de-Vence) "Adam and Eve in Paradise"Color offset print. Passepartout cut-out: 27.5 x 39.5 cm. Framed & behind glass : 45.5 x 57 cm. Reproduction after a painting from 1961. French painter of Russian-Jewish origin. He is one of the most important artists of the 20th century. "From the very beginning, Chagall's preoccupation with biblical themes was an important prerequisite for his experience of dealing with the Bible at a young age and observing his father's life from the Bible. In addition, in the milieu in which he grew up, the word of the Bible was light and strength for many people in their difficult existence." (Achim Besgen about MC, www.herder.de). Call time June 15, 2024 | probably 11:25 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

CHAGALL, Marc (nach)(1887 Ljosna - 1985 Saint-Paul-de-Vence) "Der Engel vertreibt Adam und Eva aus dem Paradies"Farboffsetdruck. Passepartoutausschnitt: 43 x 64 cm. Gerahmt & hinter Glas : 64 x 84 cm. Reproduktion nach einem Gemälde von 1961. Französischer Maler russisch-jüdischer Herkunft. Er zählt zu den bedeutendsten Künstlern des 20. Jh. "Die Beschäftigung mit biblischen Themen hatte von Beginn an als wichtige Voraussetzung Chagalls Erfahrung im Umgang mit der Bibel in jungen Jahren und die Beobachtung eines Lebens aus der Bibel an seinem Vater. Dazu kam, daß in dem Milieu, in dem er aufwuchs, das Wort der Bibel für viele Menschen Licht und Kraft in ihrem schweren Dasein war." (Achim Besgen über MC, www.herder.de). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:25 Uhr (CET) CHAGALL, Marc (after)(1887 Ljosna - 1985 Saint-Paul-de-Vence) "The angel drives Adam and Eve out of paradise"Color offset print. Passepartout cut-out: 43 x 64 cm. Framed & behind glass : 64 x 84 cm. Reproduction after a painting from 1961. French painter of Russian-Jewish origin. He is one of the most important artists of the 20th century. "From the very beginning, Chagall's preoccupation with biblical themes was an important prerequisite for his experience of dealing with the Bible at a young age and observing his father's life from the Bible. In addition, in the milieu in which he grew up, the word of the Bible was light and strength for many people in their difficult existence." (Achim Besgen about MC, www.herder.de). Call time June 15, 2024 | probably 11:25 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DANILINE, Nikolaï (* 1925) KünstlerporträtÖl/Malkarton. Unsigniert, verso bezeichnet/betitelt. 41 x 34 cm. Gerahmt : 58 x 51,5 cm (dunkler Rahmen mit Goldleiste). Bildnis eines jungen Mannes in blauer Jacke im hellen Sonnenlicht. Eine restaurierte Stelle. Russischer Maler, Schüler der Moskauer Fachschule für Kunstgewerbe. Aufrufzeit 15. | Juni 2024 | voraussichtlich 13:27 Uhr (CET) DANILINE, Nikolaï (* 1925) Artist portraitOil/painting card. Unsigned, inscribed/titled on verso. 41 x 34 cm. Framed : 58 x 51.5 cm (dark frame with gold molding). Portrait of a young man in a blue jacket in bright sunlight. A restored area. Russian painter, student at the Moscow School of Applied Arts. Call time 15 | June 2024 | probably 13:27 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Russisches Kaffeeservice. Lomonossow. Stempelmarke Lomonossow Leningrad, vor 1991. Unterglasurblaue Malerei, Goldstaffage. 3,7 kg. 22 Teile. Kobaltblaues Netzmuster und Goldstaffage. Kaffeekanne (H 19 cm), Milchkännchen, Zuckerdose, 6 Kaffeetassen, 6 Untertassen, 6 Kuchenteller und 1 Schale (Ø 21,5 cm). Aufrufzeit 14. | Juni 2024 | voraussichtlich 17:06 Uhr (CET)Russian coffee service. Lomonosov. Stamp mark Lomonosov Leningrad, before 1991. Underglaze blue painting, gold staffage. 3.7 kg. 22 pieces. Cobalt blue net pattern and gold decoration. Coffee pot (H 19 cm), milk jug, sugar bowl, 6 coffee cups, 6 saucers, 6 cake plates and 1 bowl (Ø 21.5 cm). Call time 14 | June 2024 | presumably 17:06 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

David Bomberg (British, 1890-1957)Russian Ballet (Carey & Griffiths 17) The complete set of six lithographs in colours, 1919, on four sheets of wove paper, from the edition of circa 100, with title and text printed verso, printed by the artist, published by Hendersons, London, the full sheets, framedEach image 75 x 259mm (2 7/8 x 6 1/4in)(and smaller)Each sheet 215 x 265mm (8 3/8 x 10 1/2in)(4)Footnotes:Bomberg studied lithography at the Central School of Arts and Crafts and painting at the Slade and was briefly involved with Wyndham Lewis's Vorticist movement. He was influenced by cubism and futurism and created his own language of geometric forms. These lithographs were based on sketches of dancers which Bomberg had executed in 1914. After attending a Ballet Russes performance of La Boutique fantasque in 1919, he felt a connection between the original drawings and the André Derain set designs for the ballet and took this as inspiration to develop the set of lithographs.The proposed edition was 100 although it is uncertain how many were actually printed and only a few copies were bound. This is one of the unbound sets.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Ivan Milev (1897 - 1927), Bulgarian Two works on paper [a] A portrait of Sergei Yesenin, one of the most famous Russian lyrical poets of the 20th century and founder of the literary movement of Russian imaginism, whose work was influenced by ruralism and religion and later turned more political; monogrammed lower left, ink on paper [b] A print of a folkloric composition of two figures playing the flute, monogrammed lower left and dated 1926 Ivan Milev was considered as the founder of the Bulgarian Secession movement. He studied at the National Academy of Arts in Sofia. His works are described as Bulgarian modernist, symbolist, and expressionist. He drew inspiration from Bulgarian folk art and icon painting. Property of Pierre Rouve

Anna Razumovskaya (Russian, Contemporary), original oil on canvas painting of a Flamenco dancer. Framed, signed to lower left and to reverse of canvas. With DeMontfort certificate to reverse. 100cm x 75cm.

1975 original Russian watercolour painting signed N Sokolov (?) - frame 20.5cm x 26.5cm

Marc Chagall (Russian/French, 1887-1985). Printed by Mourlot, Paris. Published by the French government. Signed and dated 1962 lithograph poster depicting his work "La Baie des Anges" printed for tourism purposes for advertising Nice and Cote d’Azur.Literature: Mourlot 350.Lot Essay:Marc Chagall (born Moishe Shagal) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints.Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opera.Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1923.He had two basic reputations, writes Lewis: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk." "When Matisse dies," Pablo Picasso remarked in the 1950s, "Chagall will be the only painter left who understands what colour really is."Sight; height: 39 in x width: 24 in. Framed; height: 39 3/4 in x width: 24 3/4 in x depth: 1 1/2 in.Condition:There are no visible tears, losses, or restorations. The sheet is lightly toned. Some undulation throughout, especially along the lower edge. There are two dark spots along the upper right and left corners. Some small spots of foxing or soiling throughout. Light wear to the frame; framed under glass. Not inspected out of frame.

Nikolas Shirokov (Russian, 20th/21st c). Oil on linen painting titled "Forgotten Song" depicting a chorus of holy figures playing instruments and signing, 2007. Signed and dated along the lower right. Further signed, titled, and dated along the verso.Sight; height: 35 1/2 in x width: 31 3/4 in. Framed; height: 37 1/2 in x width: 33 3/4 in x depth: 1 1/2 in.Condition:The colors are bold and bright and the surface is stable. There are no signs of restoration under UV light. Light wear to the frame.

Late 18th to early 19th century Russian Orthodox oil on board icon painting of St. Nicholas. The Virgin Mary floats in the upper left corner while opposite her in the upper right floats Jesus Christ. St. Nicholas raises one hand in benediction while the other holds a book.Unframed; height: 10 1/4 in x width: 8 1/4 in x depth: 1 in.Condition:The colors are faded. There is craquelure and losses throughout particularly along the hands and face. Some small dents and cracks from the wood. A few chips along the edges. There are boreholes along the verso. There is a slight bend to the panel.

Russian Orthodox oil on board painting of a saint. The bearded figure raises one hand from underneath his cloak. He is portrayed against a gold background with a radiant halo.Unframed; height: 5 1/4 in x width: 4 1/2 in x depth: 1 in.Condition:The colors are slightly faded. There is craquelure throughout and chipping around the face in particular. There are signs of inpainting throughout when examined under UV light. There are several boreholes along the verso.

Nikolas Shirokov (Russian, 20th/21st c). Oil on linen painting titled "Portrait" depicting a portrait of a woman in a floral hat, 2007. Signed and dated along the lower right. Further signed, titled, and dated along the verso.Sight; height: 31 1/2 in x width: 23 1/2 in. Framed; height: 33 1/2 in x width: 25 1/2 in x depth: 1 1/2 in.Condition:The colors are bold and bright and the surface is stable. There are no signs of restoration under UV light. One minute accretion along the lower center. Light wear to the frame.

The Thyssen-Bornemisza collection. Renaissance jewels, gold boxes and objets de vertu, by Anna Somers Cocks and Charles Truman, 1984, original cloth, 4toEuropean Silver, by Hannelore Müller, 1st English language edition, 1986, original cloth in dust jacket, 4toMedieval Sculpture and Works fo Art, by Paul Williamson, 1987, original cloth in dust jacket, 4toSeventeenth-century Dutch and Flemish painting, by Ivan Gaskell, 1989, original cloth in dust jacket, 4toEarly Nethlandish Painting, by Colin Eisler, 1989, original cloth in dust jacket, 4toTwentieth-century Russian and East European painting, by John E. Bowlt and Nicoletta Misler, 1993, original cloth in dust jacket, 4toThe European Avant-gardes, by Christopher Green, 1995, original cloth in dust jacket, 4toCarpets and Textiles, by Friedrich Spuhler, 1998, original cloth in dust jacket, 4toSeventeenth and Eighteenth Century Italian Painting, by Roberto Contini, 2002, original cloth in dust jacket, 4to, all with numerous colour & monochrome illustrations, together with other modern art reference & related, mostly original cloth in dust jackets, some 'as new' in original plastic wrap, G/VG, 8vo/4to QTY: (2 shelves)

Lackdose "Der Wasserträger", Russland, wohl Ostaschkowo, Werkstatt Osip F. Wischnjakow mit Söhnen, Ende 19. Jhdt. Papiermaché, Schwarzlack, innen mit Silberfolie (Fehlstellen). Auf dem Scharnierdeckel polychrome Ölmalerei. Darstellung nach einem Gemälde von Sergej Iwanowitsch Gribkow (1820 - 1893). Ungemarkt. Kleine Fehlstellen. Maße 7,7 x 12,5 x 9,5 cm. A Russian papier mâché and lacquer box "Water Carrier" after a painting by Sergey Ivanovich Gribkov, probably Ostashkovo, Osip Vishyakov and Sons factory, late 19th century A Russian papier mâché and lacquer box "Water Carrier" after a painting by Sergey Ivanovich Gribkov, probably Ostashkovo, Osip Vishyakov and Sons factory, late 19th centuryPapiermaché, Schwarzlack, innen mit Silberfolie (Fehlstellen). Auf dem Scharnierdeckel polychrome Ölmalerei. Darstellung nach einem Gemälde von Sergej Iwanowitsch Gribkow (1820 - 1893). Ungemarkt. Kleine Fehlstellen. Maße 7,7 x 12,5 x 9,5 cm.Condition: II

Lackteller mit Bojarenhochzeit, Russland, Ostaschkowo, Werkstatt Osip F. Wischnjakow mit Söhnen, 1882 - 1888 Papiermaché, Schwarzlack, Schauseite in bunter Ölmalerei, partiell mit Blattmetall unterlegte Lasuren sowie mit Klarlack überfangen. Darstellung der Bojarenhochzeit nach einem Ölgemälde von Konstantin Makowskij von 1883. Rückseite mit Ausstellungsmedaillen. Durchmesser 21,5 cm. A Russian papier mâché and lacquer plate with a boyar wedding feast after a painting by Konstantin Makovsky, Ostashkovo, Osip Vishyakov and Sons factory, 1882 - 1888 A Russian papier mâché and lacquer plate with a boyar wedding feast after a painting by Konstantin Makovsky, Ostashkovo, Osip Vishyakov and Sons factory, 1882 - 1888Papiermaché, Schwarzlack, Schauseite in bunter Ölmalerei, partiell mit Blattmetall unterlegte Lasuren sowie mit Klarlack überfangen. Darstellung der Bojarenhochzeit nach einem Ölgemälde von Konstantin Makowskij von 1883. Rückseite mit Ausstellungsmedaillen. Durchmesser 21,5 cm.Condition: II +

Lackdose mit Bojarin, Russland, wohl Ostaschkowo, Werkstatt Osip F. Wischnjakow mit Söhnen, Ende 19. Jhdt. Papiermaché, Schwarzlack. Innen Silberfolie. Scharnierdeckel mit polychromer Ölmalerei einer Bojarin nach einem Gemälde von Sergei Ivanovich Gribkov (1820 - 1893). Ungemarkt. Fehlstellen. Kanten minimal restauriert. Maße 7,8 x 13,7 x 8 cm. A Russian papier mâché and lacquer box with female boyar after a painting of Sergei Ivanovich Gribkov, probably Ostashkovo, Osip Vishyakov and Sons factory, late 19th century A Russian papier mâché and lacquer box with female boyar after a painting of Sergei Ivanovich Gribkov, probably Ostashkovo, Osip Vishyakov and Sons factory, late 19th centuryPapiermaché, Schwarzlack. Innen Silberfolie. Scharnierdeckel mit polychromer Ölmalerei einer Bojarin nach einem Gemälde von Sergei Ivanovich Gribkov (1820 - 1893). Ungemarkt. Fehlstellen. Kanten minimal restauriert. Maße 7,8 x 13,7 x 8 cm.Condition: II - III

Jean-Laurent Mosnier (1743 - 1808), französischer Hofmaler- Porträt eines Adeligen Französischer Hofmaler Jean Lairent Mosnier (1743-1808) - Portrait eines Adeligen Öl auf Leinwand, links unten signiert und datiert "J. L. Mosnier f. 1790". Darstellung eines jungen Mannes als Halbfigur in festlichem Anzug. In originalem, vergoldetem Prunkrahmen, guter Zustand, kleine Altersspuren. Bildmaße 82 x 71 cm, Rahmenmaße 104 x 95 cm. Jean-Laurent Mosnier: Hofmaler von König Ludwig XVI. und Königin Marie-Antoinette. Nach der Französischen Revolution arbeitete er lange Zeit in St. Petersburg sowie in London und Berlin. Mitglied der Königlichen Akademie für Malerei und Bildhauerei in Paris (seit 1788), Leiter der Porträtklasse (seit 1806) der Kaiserlichen Akademie der Künste in St. Petersburg. 1806 wurde ihm der Professorentitel verliehen. Er wurde durch zahlreiche Porträts des Hochadels bekannt, u.a. von König Ludwig XVI., Kaiserin Elisabeth Alekseevna, Prinz Ludwig von Preußen, Graf P. A. Stroganow, Schriftsteller A. H. Lafontaine. Porträts von Jean-Laurent Mosnier finden sich in Museen und Privatsammlungen in Frankreich, Großbritannien, Russland (Ermitage), Deutschland, Spanien, den USA und anderen Ländern. Mosnier starb 1808 in St. Petersburg. Keywords: Russland, russisch, Russian, Russia, Russe, Russie, Petersburg, Moskau, Moscow, Napoleon, Jean-Laurent Mosnier (1743 - 1808), French court painter - Portrait of a Nobleman Jean-Laurent Mosnier (1743 - 1808), French court painter - Portrait of a NoblemanOil on canvas, signed at the bottom left and dated "J. L. Mosnier f. 1790". Half-length portrait of a young man in festive attire. In the original, magnificent gilt frame. In good condition, slight signs of age. Size of the painting 82 x 71 cm, size of the frame 104 x 95 cm. Jean-Laurent Mosnier was appointed court painter to Louis XVI and Queen Marie-Antoinette. After the French Revolution, he worked for many years in St. Petersburg, then in London and Berlin. Member of the Académie royale de peinture et de sculpture in Paris (from 1788) and head of the portrait class (from 1806) at the Imperial Academy of Arts in St. Petersburg. He was awarded the title of professor in 1806. He was known for his numerous portraits of the high nobility, with subjects including Louis XVI, Empress Elizabeth Alexeievna, Prince Ludwig of Prussia, Count P. A. Stroganov and the writer A. H. Lafontaine. Portraits by Jean-Laurent Mosnier can be found in museums and private collections in France, Great Britain, Russia (State Hermitage), Germany, Spain, the United States and other countries. Mosnier died in St. Petersburg in 1808.Condition: IIKeywords: Russland, russisch, Russian, Russia, Russe, Russie, Petersburg, Moskau, Moscow, Napoleon,

St.-Stanislaus-Orden - Kreuz 2. Klasse mit Krone, Russland, datiert 1866 Kronenbügel und die Öse des Kreuzes mit St. Petersburger Feingehaltspunze für "56" zolotniki sowie Meistermarke "IK" für Julius Keibel. Die Öse mit Jahrespunze "1866", auf den rs. Kreuzarmen Punze "IK" und russische Doppeladlerpunze. Besonders die Krone dieser hochwertig ausgeführten Arbeit von bestechender Plastizität und Ausstrahlung, noch mit der alten Rahmenkonstruktion und feinster Emaillemalerei. Grüne Emaille am Kranz in Medaillon und blaue Emaille an der Kronenspitze erneuert. Länge 72 mm, Breite 45 mm. Gewicht 23 g. Selten.Keywords: Russland, russisch, Russian, Russia, Russe, Russie, Petersburg, Moskau, Moscow, Order of St. Stanislaus – a Cross 2nd Class with Crown, Russia, dated 1866 Order of St. Stanislaus – a Cross 2nd Class with Crown, Russia, dated 1866The crown bar and the loop of the cross stamped with the St. Petersburg mark of fineness for "56" zolotniki and master's mark "IK" for Julius Keibel. The loop stamped "1866", the mark "IK" and the Russian double-headed eagle on the back of the cross arms. The crown of this beautiful piece wrought with particularly impressive plasticity and appeal, still featuring the old frame construction, and exquisite enamel painting. Green enamel on the wreath in the medallion and blue enamel on the tip of the crown renewed. Length 72 mm, width 45 mm. Weight 23 g. Rare.Condition: II -Keywords: Russland, russisch, Russian, Russia, Russe, Russie, Petersburg, Moskau, Moscow,

Portrait of Admiral of the Russian Fleet Nikolai Ottovich von Essen (1860 - 1915) oil on canvas, Russian painting of the 20th century. No author's signature. The inscription on the back of the frame is "Admiral Von Essen, No. 34". Russian oil painting for collecting. Size 65x54 cm.

Attributed Franz Alekseevic ROUBAUD (1856 Odessa - 1928 Munich) Circassian Riders at the crossing, oil on canvas, signature of the author. The author's signature is on the front of the painting. Franz Alekseevic ROUBAUD - panoramic artist, academician and head of the battle workshop of the Academy of Arts, creator of three battle panoramas: "Defense of Sevastopol", "Battle of Borodino", "Siege of Akhoulgo". The founder of the Russian school of panoramic painting, the author of about two hundred monumental canvases. Fine Russian painting for collecting. Size 60x45.

Portrait of Colonel Pelmenbach, oil on wood panel, after a painting by the artist Dmitry Levitsky, Russian Empire, late 18th century. The original portrait painted by Levitsky is kept in the Odessa Art Museum, Ukraine. Gustav Heinrich von Palmenbach (1759 - 1792) Colonel of the Russian Imperial Army. He took part in the Russian-Turkish war of 1787-1791, distinguished himself during the assault on the Ochakov fortress. In 1791, he was awarded the rank of colonel and appointed commander of the Elizavetgrad Cavalry Regiment. Participated in the Polish campaign of 1792. June 28, 1792 Awarded the Order of St. George, 3rd degree. A wonderful example of Russian painting of the 18th century. Size 16x12 cm.

YURI KROTOV (RUSSIAN B.1964): AN OIL PAINTING ON PANEL TITLED' SUNNY DAY', 59cm x 35cm Provenance: Purchased by the owner from Petley Fine Art, London, June 26, 2007 for £4,750. Mounted in a frame.79cm x 54cm

Wassily Kandinsky (1866–1944) was a Russian painter and art theorist known for his pioneering role in the development of abstract art. Born in Moscow, Kandinsky initially pursued a career in law and economics before turning to art later in life.Kandinsky's early works were influenced by Russian folk art and the Symbolist movement, but he later developed his own distinctive style characterized by bold colors, geometric shapes, and dynamic compositions. He believed in the power of art to express inner emotions and spiritual truths, and he sought to create paintings that resonated on a deeper, more emotional level.One of Kandinsky's most famous works is "Composition VII" (1913), which exemplifies his mature abstract style. The painting features a complex arrangement of geometric shapes and vibrant colors, evoking a sense of movement, rhythm, and harmony. Kandinsky saw his abstract paintings as a form of visual music, with color and form serving as equivalents to musical elements such as melody and rhythm.In addition to his work as a painter, Kandinsky was also a prolific writer and art theorist. He wrote extensively on the spiritual and philosophical aspects of art, and he played a key role in the development of abstract art theory.Kandinsky's work had a profound influence on the development of modern art, inspiring subsequent generations of abstract artists and helping to establish abstraction as a legitimate artistic style. His bold experimentation with color and form continues to be admired for its innovation and originality, and his legacy as one of the great pioneers of abstract art endures to this day.Measures 38.0 x 53.5.

To Be Sold With No ReserveA figural lustre and cobalt-blue shallow pottery dish,Kashan, Central Iran, 12th-13th century,On short foot, the decoration consisting of a large central seated figure against scrolling field, the lip with a band of repeating semi-circular patterns, the exterior in plain cobalt-blue, the base with old attribution label reading "Rheages" in blue ink and old Luigi Laura Collezione inventory label no.17 and two smaller illegible rectangular labels, iridescent, 24cm. diam.Provenance: With Luigi Anton Laura, Liguria (with an old collection label on the reverse numbered 17, confirmed to match others in his collection); Private Collection, France, acquired in the 1960s. Thence by descent to his children, Monaco;  German art marketPublished: Kashi, Ceramiche islamiche dal IX al XVI secolo, Marcello Giampiccolo, 1996, p. 114Footnotes: Luigi Anton Laura (June 21, 1922 - August 3, 2007) was one of the most outstanding fine and decorative art dealers of post-war Italy. Born in San Remo to a family who could trace their lineage back to 1260, he was trained in the fine arts in Genoa, Florence and Turin, with a small interruption due to war service on the Russian Front. He was an expert connoisseur in fields as diverse as the early civilisations of Asia, the Middle East and Europe, 17th and 18th-century English and European furniture, decorative works, early Venetian painting, armour, graphic arts, textiles and much more. He opened his first shop in 1946 and his dealership sustained him, but, with his art historian wife Renate (Nera), he indulged his true passion for collecting. He travelled the world to learn about ancient cultures and to buy rare objects to add to his stock and collection. He travelled with Nera and his nieces across Asia and the Far East by Land Rover or camper van and he was a frequent visitor to London and other European cities, amassing an astonishing collection of some 6,000 diverse treasures. This collection was donated to the Fondo per l’Ambiente Italiano (FAI), an organisation based on the model of the British National Trust, and is now housed in his old residence in San Remo. Laura possessed, he said, a genuine mania for owning, as well as making it possible for others to own, objects of rare interest and beauty. Almost up to the time of his death he carried on dealing with energy and enthusiasm, regarding his clients as his scholars; encouraging them to learn about the diverse objects he introduced into their homes.Condition Report: This dish is repaired and restored from multiple breaks. The breaks have been filled in. Extensive areas of repaint are noticeable to the exterior and interior along the break lines. The interior shows further scattered areas of repainting to its well, wall and lip. The foot shows minimal losses. One crack is historic and very likely appeared during the firing process.

Attributed Alexey Kharlamov, Portrait of a little girl, Oil on panel, no signature, Russian painting of the 19th century. Alexey Alekseevich Kharlamov (1840 - 1925) Russian artist, portrait master, academician of the Imperial Academy of Arts. Oil painting for collecting. Frame size 50x44 cm.

Attributed to Wassily KANDINSKY (1866-1944) abstract composition, watercolor on paper, signature of the author and date on the front, 1940. Wassily Vasilyevich Kandinsky is a Russian artist and theorist of fine arts, who stood at the origins of abstract art. One of the founders of the "Blue Rider" group. A wonderful abstract painting collectible. Size 24x15.

Landscape, oil on canvas, without author's signature, French painting of the 19th century. The inscription on the back of the painting, "This painting was purchased from Madame Vernet in 1940. It was in the castle of Cagnes sur Mer. A Lambert 1962. Russian landscape", damage and restoration, see photos. Size 28x36.

Alexander KOLOMENKOV (1948-2008) "Duet" 1975, oil on canvas, Russian Soviet painting of the 20th _. Alexander KOLOMENKOV Russian Soviet Artist, Participant of numerous Leningrad exhibitions in 1965 - 1988. KolomenkovÕs work is filled with grotesque, phantasmagoria and emphasized expression. Most of his works are in private collections in Europe. Size 110x60 cm.