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Click here to subscribeLot to include three pieces of Royal Worcester blush ivory comprising a matched cup and saucer and a plate, three Royal Doulton lady figures and two pieces of cranberry glass. [W] NOTE: IN HOUSE SHIPPING IS NOT AVAILABLE FOR THIS LOT, PLEASE CONTACT CLIENT SERVICES FOR A LIST OF SUITABLE COURIERS AND A QUOTE.
Ceramics - A mixed lot of ceramics to include part sets of: Royal Doulton "The Coppice" jug and bowl in very good condition. Staffs Teaset Co Ltd Plex St Pottery "A Somerset Cottage" showing crazing. Royal Worcester "Palissy" Some picture ware to the dinner plates, cups and saucers G/VG and an egg coddler. Two Sadler Teapots, collectors plates and similar. (This does not constitute a guarantee) PLEASE NOTE THAT THIS LOT IS NOT AVAILABLE FOR IN HOUSE SHIPPING [L] (2)
Piggin, PenDelfin, Me To You, Pocket Dragons, Lenox, Royal Worcester - Boxed figures to include: 'Vindaloo', 'Off Your Rocker', 'Bear Hug' & 'Together Rain or Shine' (missing its umbrella) from the Piggin collection. 'Pitch' & 'Strike' by Pen Delfin, 'Special Note' by Me to You (which shows signs of dust) and similar. Also included are a few loose figures to include: A Lenox Treasures, Disney 'Mickey's Special Delivery Treasure/trinket box in ivory white with gold accents, a set of eight plates 'Legends of the Nile' by Royal Worcester, Also included are two EMPTY boxes. except where stated the majority of items appear to be in very good condition. (This does not constitute a guarantee) [L] (17)
José Campeche (San Juan, Puerto Rico, 1751 - 1809)“St. Anthony of Padua and the Virgin Mary.”Oil on canvas, protected by water glass. Signed: “Josef Campeche fc.”. Framed in an imposing carved, gilded and polychrome wooden cornucopia.28 x 22 cm.Cornucopia measurements: 71 x 55 cm.Exquisite canvas signed by the Puerto Rican painter José Campeche, an intellectual painter who studied Latin and philosophy at the Royal Convent of the Dominican Fathers. Between 1776 and 1778 he was in contact with the Spanish court painter Luis Paret y Alcazar (1746-1799), who came to the island exiled by King Carlos III and from whom he learned techniques, colors and styles.Campeche was one of the most recognised Puerto-Rican artists. The Puerto Rico Art Museum has some of his works of art in their collection. His biographical index card there explains: "He mainly developed religious themes and portraits in his painting. His work is considered to be rococo because of its interest in detail and ornamentation. Bluish greys and pinks dominate his palette, which he assimilated from Paret. In 2006 the Ponce Museum of Art organised an exhibition which travelled to the prestigious Worcester Art Museum in Massachusetts and which included paintings by Campeche, Francisco Oller and Miguel Pou. Campeche has great mastery in portraits and miniatures, characteristics which lead him to be one of the most exalted and outstanding Hispanic-American painters of the late 18th century."Returning to this painting, it has a dove-necked frame, profusely carved in garlands and scrolls, polychromed in reddish tones and gilded on the corners and curled edges, with a shield plume that tops it with the Virgin Mary's monogram. The delicate oil painting depicts the Portuguese saint being regarded and blessed by the Virgin Mary from heaven, to whom he dedicated several sermons to praise her and sing her glories, all surrounded by putti and angels.As one of his many religious themes, Campeche depicts a specific saint, here the Franciscan saint of Lisbon, next to the Virgin Mary, like so many other parallel paintings currently in the Museo de Arte de Puerto Rico that we have mentioned. Two stand out there, one of “The Vision of St. Simon Stock” and another of “Sacred Conversation with St. Joseph and St. John Nepomuk”, among others.Among the trades he learned and practiced in the family workshops, one was the design of coats of arms. It is therefore quite probable that he also designed the period frame with the coat of arms in which this devotional work is presented, possibly as a commission from a prominent family.Be that as it may, this work is of rococo character for all its interest in detail and ornamentation of the sky and clothing, colors and movement of fabrics and figures, dominating the palette of bluish grays and reds and pinks that, as reported by the Puerto Rican museum, relates it directly to de Paret and Alcazar.This painting comes from the Miguel Iglesias collection (Celendín, 1830 - Lima, 1909). He was a Peruvian military officer and politician who held the presidency of Peru between 1882 and 1885, in what is known as the Government of Miguel Iglesias or Regenerating Government of the Peruvian Republic. This government was established in the middle-low phase of the War of the Pacific, an armed conflict between Chile and allies Bolivia and Peru (1879-1884). That is: from his rise to power by designation of the constituent assembly in 1882, a year after the Chilean occupation of Lima, until his exile to Spain in the Peruvian civil war of 1884-1885.Highlights of his political-military legacy is the "Grito de Montán" (Montán´s call), a manifesto in which he proclaimed the necessity of agreeing peace with Chile, even if this implied the cession of the southern provinces; the Treaty in Ancón or Treaty of Peace and Friendship between the republics of Chile and Peru, that put an end to the War of the Pacific and stabilized the post-war relations between them, where Peru ceded territory to Chile; and the Peruvian Civil War, between Montán´s faction and that of the military leader Andrés Avelino Cáceres. The end of that war led to the exile of Iglesias to the south of Spain, where he moved with his descendants and his significant art collection. He returned to his native country when he was elected senator for Cajamarca and died in Lima in 1909. His remains, which had been buried in a mausoleum in the Presbítero Maestro Cemetery in Lima, were transferred in 2011 to the Crypt of the Heroes, within the same cemetery.Despite his return to Peru, his descendants continued to reside in Andalusia. There, his art collection has been preserved and has remained in the family, generation after generation, until the present day. Several lots from this collection are featured in the auction, from 92 to 111.Provenance:- Collection of Miguel Iglesias, military man and president of Peru (1882 - 1885). Ayacucho Estate. Peru.- From the end of the 19th century the descendants and the collection moved and settled in the south of Spain until the present day.Bibliographic reference:- Museo de Arte de Puerto Rico. (n.d.). "José Campeche". https://www.mapr.org/es/museo/cede/artista/campeche-jose
A Wedgwood dark blue biscuit barrel and cover with plated mounts, a Royal Worcester porcelaneous transfer printed tureen and cover with elephant's head handles, a 19th century Staffordshire pottery blue and white transfer printed willow pattern tazza together with a Minton Imari design 'Precious Objects' style tazza (4) (B.P. 21% + VAT)
Royal Worcester, a pair of Art Deco bookends modelled as polar bears, ceramic and wood, with Royal Worcester red ink stamp with number, and 'modelled by Ethelwyn Baker' inscribed in red ink,13.5cm wide8.9cm deep18cm high (2)Condition ReportCrazing, pitting, and surface dirt - particularly to the crevices. One example with two hairline cracks.
A collection of Royal Worcester porcelain 20th century, various dates, to include a near pair of plates painted by T Smith, a vase by J Southall, 11cm high, a jug by F J Bray, 16cm high, with factory marks,(6)Condition ReportRubbing to some decoration. Minor nibbles. Scuffs to the foot rims. The plates signed T Smith, verso stamped. Please see additional images.
A collection of Royal Worcester blush ivory porcelain early 20th century, various dates, to include a pot pourri vase and cover, 1927, shape number 1927, 18cm high, a pedestal vase, shape number 2314, 20cm high, a pierced plate, 1426, 22cm wide, shape number 1366, 16cm high, and a Edinburgh castle vase, 9cm high, (qty.)Condition ReportMinor nibbles, losses and evidence of restoration throughout.
Royal Worcester bone china figurine depicting two white doves perched on a naturalistic branch. Designed by Ronald Van Ruyckevelt, the piece was issued to commemorate the Silver Wedding of H.M. The Queen and H.R.H. The Duke of Edinburgh. The model features detailed featherwork and perched positioning with one dove in mid-flight. The sculpture is mounted on a wooden plinth with applied sterling silver trim. The silver base trim bears hallmarks for Joseph Gloster Ltd. Measurements are an approximate.Artist: Ronald Van RuyckeveltIssued: 1972Dimensions: 10"L x 8.75"W x 26.25"HCountry of Origin: EnglandCondition: Age related wear.
Bone China figurine of a Bluefin Tuna by Ronald Van Ruyckevelt. This naturalistic figure depicts a bluefin tuna in motion, modelled in fine bone china with hand-painted detailing to represent the aquatic coloration and form of the species. Designed by Ronald Van Ruyckevelt for Royal Worcester, the figurine is mounted on a sculpted black base. Includes original Certificate of Authenticity. Royal Worcester backstamp. Measurements are an approximate.Artist: Ronald Van RuyckeveltIssued: 1966Dimensions: 11.5"L x 5"W x 12.75"HCountry of Origin: EnglandCondition: Age related wear.
Royal Worcester bone china figurine depicting a Kingfisher in flight among autumn beech branches. Modeled by Dorothy Doughty in 1964, this naturalistic sculpture captures detailed features and lifelike color. The base bears the printed factory mark and the piece is numbered 146 of a limited edition of 500. Includes original Certificate of Authenticity and wood base.Artist: Dorothy DoughtyIssued: 1964Dimensions: 11.25"L x 7.25"W x 12.75"HCountry of Origin: EnglandCondition: Age related wear.
Royal Worcester bone china figurine titled Flying Fish, modelled by Ronald Van Ruyckevelt. This naturalistic depiction features a flying fish captured mid-leap above a wave-form base. Crafted in fine bone china, the piece presents detailed fin and body sculpting, and is mounted on an integrated wood base. The underside bears the Royal Worcester backstamp.Artist: Ronald Van RuyckeveltIssued: 1962Dimensions: 12"L x 9"W x 7.75"HCountry of Origin: EnglandCondition: Age related wear.
Modelled by Ronald Van Ruyckevelt, this naturalistic sculpture depicts a female mallard duck standing amidst reeds and foliage. The figure is presented on an integrated naturalistic base and rests on a separate wood plinth. This limited edition release was produced in a series of 500 pieces, with this example numbered 341. Certificate of Authenticity included. Base bears the Royal Worcester backstamp and artist signature.Artist: Ronald Van RuyckeveltIssued: 1967Dimensions: 8"L x 5.5"W x 13.75"HCountry of Origin: EnglandCondition: Age related wear.
Pair of Royal Worcester fine bone china figurines from the Nelson Collection titled Trafalgar Lions. These figures are inspired by the Landseer Lions located at the base of Nelson's Column in Trafalgar Square, London. Each lion is decorated in an Imari-style pattern featuring underglaze cobalt blue, iron red, green, and gilt accents. The figures are crafted in fine detail to reflect the original sculptures' form while incorporating decorative porcelain surface techniques. Both pieces are marked with the Royal Worcester backstamp and are housed in the original fitted presentation box.Issued: 2003Dimensions: 6"L x 3.25"W x 4.25"HCountry of Origin: EnglandCondition: Age related wear.
Naturalistic bone china figurine of a swordfish, designed by Ronald Van Ruyckevelt for Royal Worcester. The figure is modeled in mid-leap with finely rendered details capturing the anatomical form and movement of the fish. It is mounted on a black sculpted base and includes the original Certificate of Authenticity.Artist: Ronald Van RuyckeveltIssued: 1966Dimensions: 14"L x 6.75"W x 14.5"HCountry of Origin: EnglandCondition: Age related wear.
Royal Worcester fine bone china figurine depicting a naturalistic ring-necked pheasant, modeled by Ronald Van Ruyckevelt. Issued in 1967 by The Worcester Royal Porcelain Company, this limited edition figure was produced in a series of 500. This example is hand-numbered 124. The detailed sculpting and painting highlight the plumage and posture of the pheasant in a lifelike stance on a naturalistic base with foliage. Accompanied by its original certificate of authenticity housed in a framed display. Model is signed and includes full factory marks beneath.Artist: Ronald Van RuyckeveltIssued: 1967Dimensions: 12.5"L x 7"W x 12.75"HCountry of Origin: EnglandCondition: Age related wear.
A George Jones Imperial Rouge vase having Iris design on navy blue background, a Portmeirion 'Pomona' rectangular oven dish, three Royal Worcester 'Evesham' oval oven dishes, a Crown Devon leaf dish having a rabbit perched on the edge, a Staffordshire Flatback featuring two grape harvesters beside a clock and a vintage Staffordshire figurine depicting Little Red Riding Hood etc.
A collection of figures of dogs to include a Royal Worcester blush ivory figure of a pug, modelled seated, puce mark, height 9cm, further Royal Worcester figures of dogs, Royal Crown Derby paperweight in the form of a seated bull dog, having a silver stopper, various others to include Beswick and bronzed composite examples