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Lot 157
Adorable white Cats and Mice colored with pale pink accents. Collection includes Royal Copenhagen mouse on a chestnut - mark + 511; B&G mouse with tail curled - mark + 1728; and 2 small B&G cats sitting at attention - mark + 2527. Largest piece 2"L x 2"W x 2.75"H. Issued: 20th centuryDimensions: See DescriptionManufacturer: Bing & GrondahlCountry of Origin: DenmarkCondition: Age related wear.
Lot 69
20th century Royal Copenhagen porcelain figure designed by Carl Martin-Hansen (circa 1906-1925), 'Hedebo' a woman holding pestle and mortar and wearing pink bonnet, the base numbered 299 and initialled EK in indigo and impressed with letter JIB, 32cm highCondition ReportIn good condition with no apparent issues.
Lot 68
20th century Royal Copenhagen porcelain figure designed by Carl Martin-Hansen (circa 1906-1925), 'Lolland' figure of a countryman, one hand in pocket and wearing striped cap, the pedestal base impressed and partly gilded, the base impressed 'Carl Martin-Hansen Sculp.', numbered 12229 and initialled MA, 33cm highCondition ReportIn good condition with no apparent issues.
Lot 195
A collection of Royal Copenhagen china, to include; a pair of c. 1880 leaf shaped dishes, 3.5cm, a 1959 pin dish, and a 1977 Christmas plate, also a B & G Christmas plate and a Carlsberg dish, (6). The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso
Lot 230
Large assortment of mixed items to include antler handles carving set, King George VI & Queen Elizabeth Coronation souvenir programmes including Selfridge's portfolio, Royal Crown Derby 'Derby Posies' tea strainer, pewter tankard, Watneys Special breweriana ashtray, Royal Copenhagen trinket dish, rippled carnival glass bowl, Art Deco brass crumb tray and brush, large robin ornament, figurine of girl on horse, frog door stop, wood cut scenery wall hangings, cow bell and a 'Scent bottles through the ages' colour pictorial guide, etc
Lot 1250
Restservice 27 tlg., Porzellan, Royal Copenhagen, Prinzess, grüne und blaue Marke, 1. und 2. Wahl, bestehend aus: Sauciere, 2. Wahl, Kartoffelschale, 2. Wahl, 6x Brotteller, 1. Wahl, 6x Suppenteller, 1. Wahl, 1 Teller, min. Chips am Boden, Schale, 1. Wahl, Blattschale, Musselmalet Halbspitze, 1. Wahl, runde Platte, 1. Wahl, 6x Essenteller, 1. Wahl, Paar Servierplatten, 1. Wahl, Terrine, 1. Wahl, gr. Teller, 1. Wahl. Guter Zustand.
Lot 1240
Konvolut KPM Weiß 39 Tl., Porzellan, weiß, bestehen aus: Stövchen mit Teelichtpfännchen, Hase, Vögel, 22 Vasen diverse Form, kl. Durchbruchshenkelkorb, paar Schalen im Blattform, paar Untertassen, kl. Henkelschale, Teller mit Golddekor, Durchbruchteller mit Blumendekor, Tet-a-tet 4 tl. mit Blumendekor, eine Becher von Royal Copenhagen. Guter, altersgemäßer Zustand mit Gebrauchsspuren, Goldabrieb, min. Chips.
Lot 1246
Kaffee- und Speiseservice 68-tlg., Royal Copenhagen, Dekor: Blaue Blume, 1. Wahl, blaue und grüne Marke unter Glasur, bestehend aus: Kaffeekanne, Teekanne, 6x Eierbecher, Sauciere, 2x Gemüseschlüsseln, Milchkännchen, Haarriss, 6x Suppenteller, 8x Essteller, 3x Platten, 6x Frühstücksteller, 6x Suppentassen, 5x Untertassen, 5x Teetassen, 5x Untertassen, Schälchen, 5x Kaffeetassen, 6x Untertassen. Guter, altersbedingter Zustand, Milchkännchen Haarriss, Suppenteller Haarriss, Essteller Haarriss, 2x Essteller Chips, Teetasse Chip, Teetasse Haarriss.
Lot 53
Royal Copenhagen Kaffeeservice 'Flora Danica'31-tlg., Royal Copenhagen, Dänemark, hauptsächlich 1960er-1970er Jahre, Entwurf von J.C. Bayer um 1770, Porzellan, weiß, polychrom bemalt und gold staffiert, 2 große Teller, Ø 25,5 cm, 6 Kuchenteller, Ø 19,5 cm, 6 Gebäckteller, Ø 14,5 cm, 5 Kaffeetassen und 6 Untertassen, 1 Zuckerdose mit 1 Untertasse, Höhe 8 cm, 1 dreieckige Deckeldose mit UT, Höhe 8,5 cm und 2 kleine Tellerchen, Ø 7,5 cm, Manufakturmarke, div. Jahreszeichen und Modellnummern, teilweise lateinische Pflanzenbezeichnungen, Zustand C, 5 UT, 3 Kuchenteller und Zuckerdose bestoßen
Lot 54
Royal Copenhagen Service 'Flora Danica'26-tlg., Royal Copenhagen, Dänemark, Mitte/Ende 20. Jh., Porzellan, weiß, farbig bemalt und gold staffiert, 7 Kaffeetassen und 8 Untertassen, Höhe 7 cm, 7 Kuchenteller, Ø 19,2 cm, 1 Deckeltasse mit Untertasse, Höhe 9 cm, 1 ovale Konfektschale mit Asthenkel, Länge 22 cm, 1 ovale Schale, Länge 24,3 cm, alle Teile mit Manufakturmarke, Malermarken, Modellnummern und teilweise mit lat. Pflanzenbezeichnungen, Zustand A
Lot 55
Royal Copenhagen Speiseservice 'Musselmalet'29-tlg., Royal Copenhagen, Dänemark, Mitte/Ende 20. Jh., Porzellan, weiß, monochrom bemalt, alle Teile Dekor Vollspitze, 12 Speiseteller, Ø 25,2 cm, 12 Vorspeiseteller, Ø 19,5 cm, 2 Saucieren, L 25,5 cm, 2 ovale Vorlegeplatten, L 36 cm und 1 runde Vorlegeschüssel, Ø 21 cm, alle unterseitig mit Manufakturmarke, Modellnummer und Malermarken, Zustand A
Lot 793
A COLLECTION OF THREE MODERN HEREND MODELS OF ANIMALS Comprising two penguins and a pelican Blue factory marks The pelican 22cm high TOGETHER WITH A ROYAL COPENHAGEN GROUP OF TWO POLAR BEARS, factory marks to underside, 14cm high Condition Report: Please note the below condition report is the only one available. With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Polar bears have some blemishes to glaze.The above report is supported with additional images which can be sent via a link. Please 'Ask a Question' to request these images. For any further enquiries please contact the department directly.Condition Report Disclaimer
Lot 75
Fünf Speiseserviceteile "Musselmalet", Royal Copenhagen. Form "Vollspitze" mit Bemalung "Musselmalet" in Unterglasurblau. Bestehend aus: Zwei Schüsseln (1x Spitze best.), runder Terrine, Sauciere und großer runder Platte. Grüne und blaue Unterglasurmarke Royal Copenhagen, 1975-1979. 1. Wahl. Platte D. 33,5 cm.
Lot 69
Große, runde Schale, Royal Copenhagen. Umlaufend bunt gemalte Ansicht mit Segelschiffen vor dem Panorama von Kopenhagen. Goldränder und -staffage. Im Spiegel Kartusche mit Lorbeerkranz und Aufschrift zum 200-jährigen Bestehen der Manufaktur, 1775-1975. Ex. 2.406/2.500. Grüne und blaue Stempelmarke Royal Copenhagen, 1975. 1. Wahl. D. 33,5 cm. Beigeben: Zertifikat der Manufaktur.
Lot 125
* WILLIAM GEAR RA FRSA RBSA (SCOTTISH 1915 - 1997), BLACK FIGURE ON RED NO. 3 oil on canvas, signed and dated '56, titled versoframedProvenance: the family of William Gear.image size 38cm x 56cm, overall size 49cm x 67cm Note: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world. In our auctions of 1st August and 12th September 2024, five examples of William Gear's work were offered and sold achieving £2000, £2400, £2400, £4000 & £4000 (all hammer prices).
Lot 129
* WILLIAM GEAR RA FRSA RBSA (SCOTTISH 1915 - 1997), BLACK SPECIMEN IV oil on canvas, signed, titled and dated '57framedProvenance: the family of William Gear.image size 38cm x 61cm, overall size 44cm x 67cm Note: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world. In our auctions of 1st August and 12th September 2024, five examples of William Gear's work were offered and sold achieving £2000, £2400, £2400, £4000 & £4000 (all hammer prices).
Lot 128
* WILLIAM GEAR RA FRSA RBSA (SCOTTISH 1915 - 1997), ENIGMA NO. 1 oil on canvas, signed and dated '54, titled versoframedProvenance: the family of William Gear. image size 56cm x 38cm, overall size 68cm x 49cm Label verso: Gimpel Fils Gallery, LondonNote: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world. In our auctions of 1st August and 12th September 2024, five examples of William Gear's work were offered and sold achieving £2000, £2400, £2400, £4000 & £4000 (all hammer prices).
Lot 140
* WILLIAM GEAR RA FRSA RBSA (SCOTTISH 1915 - 1997), BLACK FIGURE ON RED NO. 5 oil on canvas, signed, titled and dated '56framedProvenance: the family of William Gear.image size 38cm x 55cm, overall size 49cm x 68cm Note: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world. In our auctions of 1st August and 12th September 2024, five examples of William Gear's work were offered and sold achieving £2000, £2400, £2400, £4000 & £4000 (all hammer prices).
Lot 470
Koppchen auf Unterschale und Deckeldose mit Blaudekor Meissen, M. 18. Jh. und Royal Copenhagen, nach 1775 a) Glatt. Unterglasurblauer Fels-Vogel-Dekor. Schuppenkante auf dem Innenrand. D. 7/12 cm (kl. Bestossungen). Blaue Schwertermarke, einmal mit blauer III. b) Runde Form mit seitlichen Muschelgriffen. Zwiebelmuster in Unterglasur. D. 9,5 cm (Griffe und Rand rest.). Innen Blaue Wellenmarke mit 7. (61118)
Lot 769
Bjorn Wiinblad (1919-2006) for RosenthalBirds of Paradise vaseprinted marks to the base, 24cm higha Wolf Bauer for Rosenthal floral cylindrical vase, printed marks to the base 14cm highand a Marianne Johnson for Royal Copenhagen box and cover, printed and painted marks to the base, 11cm high (3). Tall - good condition. Shorter - ditto. One with lid - also good.
Lot 140
A RARE DANISH RAPIER, CIRCA 1610, PROBABLY FOR THE GUARD OF CHRISTIAN IV (1588-1648) ‡ with broad straight flat double-edged blade, signed ‘Clemens’ and ‘ NNBDIBW’ between a pair of decorative cross marks in a slender central fuller framed by a pair of further fullers enclosed by lightly engraved border, grooved ricasso struck with the bladesmith’s mark, perhaps a scorpion, symmetrical iron hilt of flattened rounded bars, comprising down-curved quillon incised with a pair of lines at the terminal, upper and lower ring-guards, the latter with a pair of up-turned arms en suite with the quillon and knuckle-guard, tall ovoid pommel, and spirally-moulded grip with plaited wire between ‘Turk’s heads, probably the original, 92.2 cm blade ProvenanceRobert Brooker Collection inv. no. S500 Ten further examples are preserved in the Tøjhusmuseet Copenhagen. See Askgaard 1988, pp. 200-203, nos 44-53. The form of the hilt is closely related to the gold-and enamel-hilted sword of Christian IV, preserved in the Royal Collection at Rosenborg Slot, Copenhagen, see Schepelern and Boesen 1956, pp. 32-33 plate 8.
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