We found 34 price guide item(s) matching your search

A Rouen Faience Violin, 19th century sampler, porcelain greyhound and swans and various blue and white platters (one shelf)

A mixed lot to include an Art Deco walnut cased mantel clock with applied silvered Arabic numerals, a late Victorian mahogany mantel clock, a Rouen French faiance vase, Chinese opium pipe, Japanese porcelain bowl, and leather clad binoculars Location:

A mixed quantity of 19th century and later porcelain and ceramics to include a Carliseware part tea service, a Newhall jug (af), Wedgwood Vieux Rouen dinner plates, etc

A PAIR OF BLANC DE CHINE PORCELAIN CUPS AND SAUCERS fleur de lys mark to the base, possibly Rouen, the bodies decorated with prunus branches in relief, the cups 8cm high, the saucers 13cm diameter (2)Provenance: The collection of the late Anthony du Boulay FSA (1929- 2022).One saucer bears an old label for the Eila Grahame Collection.

A collection of ceramics to include a Chinese blue and white porcelain plate, an 18th century Lowestoft porcelain coffee can and a ginger jarRouen candlestick, blue & white ginger jar, and small bottle vase are intact. The rest are damaged.

A 19th Century French yellow marble and gilt metal clock garniture, with cupid, the porcelain dial marked Renoult Rouen, 26.5cm

A Rouen French faience wall pocket, H. 20cm, A/F to bottom, with a Ukrainian porcelain figure.

Two near-matching Rouen Faience candlesticks decorated with mythical masks and floral panels, 25cm high, together with a pair of continental porcelain candlesticks decorated with nude figures, 23cm high.  (4)

Adderleys Ltd. porcelain teaset, Rouen pattern eleven place setting with two cake plates, milk jug and sugar bowl, each decorated with borders of fleur-de-lis (37 pieces)

Rouen porcelain vase, the neck with twin angular handles, the bulbous body decorated with the crest of Rouen, marked "ROUEN FAIT-MAIN" to the base, 22cm high

Full title: A Chinese blue and white 'musicians' dish, KangxiDescription: Dia.: 34 cmÊ Ref.:- Christie's, New York, Jan. 21, 2003, lot 256. (sold USD 22.705) (link available on our website)- Christie's, New York, Jan. 23, 2012, lot 406. (sold USD 17.500) (link available on our website)- The British Museum, Museum number 1963,0422.18, for another example (link available on our website), with the curator's following comments:According to Harrison-Hall and Krahl, 1994: This scene was copied from an engraving by Nicolas Bonnart (1646-1718) of Paris and drawn by his brother Robert, entitled 'Symphonie du Tympanum, du Luth et de la Flute d'Allemagne' (Howard and Ayers, 1978, vol. I , pl.35a). The print was also inscribed with verses comparing the inferior pleasures of Music to those of Love (Hervouet and Bruneau, 1986, p. 189). Other dishes with this scene exist, several vary in details such as the landscape scenes in the petal cartouches and some are closer to the original print than the present piece; compare examples in - the Princessehof Museum, Leeuwarden, Netherlands. (Leeuwarden, 1986, no.100)- the Victoria and Albert Museum, London. (Godden, 1979, no.21)- the Manchester Art Gallery, Great Britain. (Hobson, 1925, pl. XXIX, fig.3)- the Mottahedeh collection. (Howard and Ayers, 1978, vol.I, pl.35).Ê This 'music party' print is one of a number of late 17th-century costume prints and other Chinese porcelain designs exist of ladies with similar elaborate hair-styles, fashionable in France and named the "coiffure, a la Duchesse de Fontanges" after the mistress of Louis XIV (1661-1715), who established its popularity. This print also inspired the decoration of Dutch Delft faience pieces such as an early 18th-century violin at the Musee de Rouen, France (Beurdeley, 1962, fig. 11).Please contact us to let us know which lots are of interest, so we can make the requested report for you.Once complete, it will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com

A Chinese blue and white 'Musicians' dish, KangxiDia.: 33,5 cmÊ Provenance: A French private collection.Ê Ref.:- Christie's, New York, Jan. 21, 2003, lot 256. (sold USD 22.705) - Christie's, New York, Jan. 23, 2012, lot 406. (sold USD 17.500) - The British Museum, Museum number 1963,0422.18, for another example (link), with the curator's following comments: According to Harrison-Hall and Krahl, 1994: This scene was copied from an engraving by Nicolas Bonnart (1646-1718) of Paris and drawn by his brother Robert, entitled 'Symphonie du Tympanum, du Luth et de la Flute d'Allemagne' (Howard and Ayers, 1978, vol. I , pl.35a). The print was also inscribed with verses comparing the inferior pleasures of Music to those of Love (Hervouet and Bruneau, 1986, p. 189). Other dishes with this scene exist, several vary in details such as the landscape scenes in the petal cartouches and some are closer to the original print than the present piece; compare examples in the Princessehof Museum, Leeuwarden, Netherlands (Leeuwarden, 1986, no.100); in the Victoria and Albert Museum, London (Godden, 1979, no.21); in the Manchester Art Gallery, Great Britain (Hobson, 1925, pl. XXIX, fig.3); and in the Mottahedeh collection (Howard and Ayers, 1978, vol.I, pl.35). This 'music party' print is one of a number of late 17th-century costume prints and other Chinese porcelain designs exist of ladies with similar elaborate hair-styles, fashionable in France and named the "coiffure, a la Duchesse de Fontanges" after the mistress of Louis XIV (1661-1715), who established its popularity. This print also inspired the decoration of Dutch Delft faience pieces such as an early 18th-century violin at the Musee de Rouen, France (Beurdeley, 1962, fig. 11).

A LATE 19th C. ROUEN STYLE CHAMBERSTICK, THE GAZEBO SHAPE PAINTED WITH FIGURES IN A WALLED GARDEN ABOUT THE HANDLE. H 16cms. TOGETHER WITH A GERMAN PORCELAIN GROUP OF THREE CHILDREN ABOUT A FLOWER ENCRUSTED BARROW. W 18cms

A Rockingham porcelain chamberstick, with gilt foliate decoration on a blue ground; a Chinese blue and white tea bowl and a faience style two handled dish with crest of Rouen, (3)

A mid 19th century Capodimonte porcelain and plate rocaille desk stand with inkwells, 30cm width; together with a Rouen Pottery Faience inkwell, 15cm width (2)

Quantity of books on art and antiques including:-Poidras, Henri "Critical and Documentary Dictionary of Violin Makers, Old and Modern", Rouen 1928, photographic plates, rebound library cloth, library bkplsForster, H R "The Stowe Catalogue Priced and Annotated", David Bogue 1848, rebound library cloth, library stamp to tp and name inscribed, barcodeHoney, W B "Glass, The Victoria and Albert Museum...", London 1946, library stamps, rebound library cloth "Catalogue of the Principal Works of Art at Chequers", rebound library clothChaffers' Marks and Monograms on Pottery and Porcelain", rebound library cloth with library plates and stamps"Collecting Antiques", The British Museum department of prints and drawings, 4 volsLanteri "Modelling", 3 vols, rebound library cloth, library stamps and plates Pope-Hennessy, John "Catalogue of Italian Sculpture in the Victoria and Albert Museum", 3 vols, dj, within original slip case, library stamps and plates and other volumes relating to art and antiques, all with library stamps, numbers, etc (3 boxes)

A GOOD 19TH CENTURY FRENCH BLUE PORCELAIN PERFUME BOTTLE, cased in silver gilt, decoration of scrolls and leaves, hinged silver gilt stopper, ring and chain. Boars Head Mark. 5cms. Provenance: MOTARD, ROUEN 1991.

A MINIATURE FRENCH PORCELAIN VINAIGRETTE in the form of a basket with gold mounts and handle, the top with a cameo of hands, silver mark 1798-1819. Provenance: MOTARD, ROUEN 1992.

A MINIATURE FRENCH PARIS PORCELAIN PERFUME BOTTLE with gold stopper, Circa. 1800, the case inscribed "Souvenir". 3.5cms. See Lambert, Page 169, Illustrated 254. Provenance: MOTARD, ROUEN 1992.

A SUPERB DERBY PORCELAIN PERFUME BOTTLE AND STOPPER, a striped cat pursuing two turtle doves up a tree, the base with a seal of a prancing horse and angel, 7cms long, in a shaped leather case. Provenance: MOTARD, ROUEN 1991.

A Rouen figure double sided salt (for restoration), four Continental porcelain figures, a porcelain cherub (for restoration) and other Continental porcelain, various

A continental porcelain model of two children launching a boat, together with a Rouen faience bell and a Staffordshire style snuff taker jug.

Quimper pottery bowl painted with countrywoman, similar chocolate bowl, Rouen faience dish, three Susie Cooper porcelain trinket dishes and other ceramics

A Dresden porcelain dish of shaped, square form decorated with alternating panels of courting figures and flowers against a yellow ground, 26cm diameter, German porcelain figural candlestick base modelled with a putto standing on a seated woman, on a floral encrusted serpentine base, 27cm high, a Rouen faience candlestick, 24cm high, and a Crown Staffordshire porcelain tazze decorated in the Englands Bouquet pattern. (4)

A Dresden porcelain dish of shaped, square form decorated with alternating panels of courting figures and flowers against a yellow ground, 26cm diameter, German porcelain figural candlestick base modelled with a putto standing on a seated woman, on a floral encrusted serpentine base, 27cm high, a Rouen faience candlestick, 24cm high, and a Crown Staffordshire porcelain tazze decorated in the Englands Bouquet pattern. (4)

Bleeding Bowls: Two examples to include White Porcelain having no markings 23cm together with a Heavy metal cast bowl with a French Barber scene having Le Melanoclne Dicquemare bt Rouen to edge 36cm

A Rouen Faience porcelain candlestick, another similar and a shaped bowl (af) and a Capodimonte tapering vase decorated with putti (4)

A 15 PIECE GROUP OF FRENCH PORCELAIN, 19TH/20TH CENTURY. Consisting of a transfer decorated portrait plate of Napoleon and Marie Louise, with spurious Sevres backstamps, 12 Creil Montereau musical subject seriesware plates and a rouen Majolica monkey jug. Diameter 9.5 inches (24 cm).

Porcelaine française Saint Cloud Rare paire de seaux à verre en porcelaine tendre de forme légèrement évasée sur piédouche, à godrons en relief sur la base et le bord supérieur, les prises latérales formées de tête de dauphin crachant de l’eau, décor en camaïeu bleu de guirlandes de fleurs, réserves à treillage, lambrequins et fleurons, la base décorée d’un galon orné de fleurs formant rosace sur fond de croisillons. XVIIIe siècle, vers 1715 35 Hauteur : 11 cm Longueur : 17 cm. Ces seaux sont à rapprocher de deux seaux à bouteille en porcelaine de Saint Clouddont les anses sont également en forme de dauphin et dont la décoration esttrès proche, l’un passé en vente publique en 1971 (étude Couturier Nicolaÿ, Paris, 29 octobre 1971) puis exposé au musée municipal de Saint Cloud en 1997 (catalogue d’exposition, La Porcelaine de Saint Cloud, 30 septembre 30 novembre1997, n° 59), l’autre faisant partie de l’ancienne collection Wenz (vente Paris, étude Ferri, 16 juin 1993, lot 20) puis illustré par Bertrand Rondot dans le catalogue de l’exposition à New York en 1999, dans lequel l’auteur identifieune gravure de Bacqueville publiée entre 1704 1709 comme ayant servi de source pour la décoration de ces deux seaux (B. Rondot, Discovering the Secrets of Soft Paste Porcelain at Saint Cloud Manufactory, c. 1690 1766, Bard Graduate Center for the Studies in the Decorative Arts, New York, 1999, p. 27, fig. 1 9 et 1 11).Il est possible que ces quatre rafraîchissoirs aient pu ainsi, peut être, constituer un ensemble au XVIIIe siècle. Deux autres seaux à bouteille, l’un conservé à la Cité de la Céramique de Sèvres, l’autre au musée Adrien Dubouché de Limoges et deux seaux à verre conservés au musée de la céramique de Rouen sont décorés en bleu de dauphins autour de corbeilles fleuries et formaient probablement tous les quatre égalementun ensemble au XVIIIe siècle (le seau de la Cité de la Céramique reproduit parF. Labayle, La Porcelaine de Saint Cloud, 1982, p. 15; je remercie Bernard Dragesco de m’avoir rappelé son existence ; les seaux à verre du musée de Rouen illustrés par B. Rondot, op. cit., p. 143, no 38) Les dauphins évoquent ils l’Eau que contenaient ces seaux? La présence régulière de dauphins sur les fontaines en faïence permet de le penser. Ou bien sont ils une allusion à la naissance du Dauphin en septembre 1729 ? Le roi Louis XV offre à Marie Leszczyńska un nécessaire en porcelaine du Japon et en vermeil pour célébrer cet événement. Plusieurs éléments de ce nécessaire, aujourd’hui conservé au musée du Louvre, sont ornés de dauphins (illustré par G. Le Duc, Porcelaine tendre de Chantilly au XVIIIe siècle, 1996, p. 30). Un demi siècle plus tard, lors de la naissance du fils de Louis XVI et Marie Antoinette, un nombre important de porcelaines de Sèvres évoquent soit dans le décor, soit dans la forme, l’arrivée de ce Dauphin (voir par exemple le gobelet dauphin que nous vendions avec PIASA le 3 décembre 2002, lot 95). En 1729, la manufacture de Saint Cloud est la seule manufacture de porcelaine en France capable de réaliser des objets de cette taille et qualité. Bernard Dragesco vient de révéler la découverte par lui des secrets de la fabrication et de la composition de la porcelaine de Saint Cloud (“How was Saint Cloud porcelain made?”, conférence du 13 avril 2012, Londres, en l’honneur de Dame Rosalind Savill, publication à venir). Ces documents découverts mentionnent notamment que la manufacture de Saint Cloud introduit une nouvelle pâte plus blanche qu’auparavant autour de 1718 1720. Nos deux seaux n’ont pas la teinte légèrement verte ou jaune des porcelaines de Saint Cloud datables des deux premières décennies du XVIIIe siècle mais plutôt la blancheur des pièces postérieures à 1720. Pour cette raison et pour des raisons stylistiques, une datation entre 1715 et 1735 nous semble plus vraisemblable que la datation autour de 1710 précédemment suggérée. Il est donc possible que ces seaux et ceux que nous citons ici célèbrent la naissance de Louis de France en 1729 mais il s’agit là d’une simple hypothèse.

A COPELAND SPODE ITALIAN PATTERN TOOTHBRUSH HOLDER, two Chinese blue and white porcelain bowls, a Davenport transfer blue square dish, cover and liner and a Rouen plate

A late 19thC painted porcelain plaque - Street scene possibly in Rouen or Chartres

Rouen Faience porcelain candlestick and similar decorated hare with glass eyes

Assorted china, to include a Doulton silicon barrel-shape jar, Poole pottery vase, graduated set of three porcelain jugs, Rouen ware, etc.

Tin Glazed Pot & Cover from Rouen with monogram to base, Staffordshire porcelain tea cup & saucer, cup in silver holder decorated with birds & scroll work, chip to top rim of cup, transfer decorated gilt flower swags & scale work, London 1906, markerÕs touch mark W C