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A Linhof Technika III 6x9 Medium Format Camera, black/chrome, serial number 49692, body G, focussing screen clear, controls working, with a Schneider-Kreuznach Xenar f/3.5 105mm, barrel F, has a dent in the filter ring, optics F-G with dust and light haze, with two roll film backs, one being a super rollex, F-G, and a rollex, G,
A Chinese Famille Rose circular porcelain censer, Qing Dynasty, 19th century, the interior painted with a writhing five-clawed dragon pursuing the pearl, amidst stylised clouds within a reciprocal sawtooth border, the exterior moulded with ruyi sceptre heads and a labyrinthine band, the base with vacant double blue ring and small ruyi feet, 9 cm high x 24 cm diameter.An old repair to one foot
A pair of Chinese Famille Rose porcelain baluster vases, Qing Dynasty, 19th century, with domed and pierced hongmu covers, the bodies painted with hoho birds in gardens strewn with colourful enamel blooms, bearing a vacant double ring device to each base, 31 cm high (to include covers) and 19 cm wide at the shoulder.No major chips or cracks evident. Some small hairlines and scratches visible to both, with surface pitting and abrasions. Some enamel loss in places.
A large Chinese Famille Verte baluster vase, Qing Dynasty, late19th century, painted with a pair of peacocks in a rock garden with flowering prunus and chrysanthemum within swastika-filled diaper borders, bearing a vacant double ring mark to the underside. 45.5 cm overall height.A private estateProfessionally restored at the rim.
A pair of Chinese finely carved Mughal-style spinach-green jade chrysanthemum dishes, late Qing Dynasty, with flower head and leafy captive ring handles on lotus petal spreading bases, with carved and pierce hardwood stands. 23 cm wide x 15 cm deep x 4 cm high (jade alone)One of the dishes has a small chip to the underside of the leaf handle, please see the last image in the supplied images.
A George III satinwood and marquetry demi-lune commode in the manner of Ince & Mayhew, the top inlaid with a sand-shaded half fan tied ribbons and swags of Hare bells within a rosewood crossbanded border with further harebells, fitted three shaped doors with tied laurel wreath and triumphal urn inlay on a quartered ground, supported by inlaid tapering square supports, 126 cm wide x 56 cm deep x 88 cm overall height. The commode has had some later sub-divisions to the interior, the top has had a dark watermark (pan ring) removed locally that has caused the outline to have sunken slightly.,Update, the feet look to have been cut off at some point, you can see where the saw has stalled in its kerf on one foot perhaps the commode had small block feet, the detail continues from the pilasters to the feet suggesting that the legs are correct but cut downThe shelves are later additions with signs of Vandyk crystals staining to the shelves and shelf supports, maybe this carcass interior was not partitioned for shelves or perhaps one long shelf.The top of the commode has had a dark cup ring taken out but this has left a slightly depressed ring to the surface. the top is free from cracks or splits.The two end cupboards are free from splits but do have some slightly lifting sections of marquetry, the central door shows some transmission of the boarded ground in the form of a subtle undulation to the surface, but it remains intact without splits.The commode has had some restoration over the years using outdated processes and has also had something done to the interior, possibly to make three compartments from a large single space with a single shelf but is basically period.Please see the extra images supplied .
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1027818 item(s)/page