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Große rheinische Gründerzeit-Plattkanne. Ungemarkt. Ende 19. Jh. Graues, salzglasiertes Steinzeug mit kobaltblauer und manganvioletter Bemalung. H 52 cm. 4 kg. Reliefkanne mit platter Wandung, bauchigem Mündungskopf mit Schnabelmaskaron, Bandhenkel, Rundfuß. Historistischer Dekor mit Helm- und Wappenzier, bezeichnet "1588". Fasson-Zinndeckel mit Figurendrücker. Aufrufzeit 13. | Juni 2024 | voraussichtlich 16:24 Uhr (CET)Large Rhenish Wilhelminian-style flat-bottomed jug. Unmarketable. Late 19th century Grey, salt-glazed stoneware with cobalt blue and manganese purple painting. H 52 cm. 4 kg. Relief jug with flat wall, bulbous mouth with beak mascaron, strap handle, round foot. Historicist decoration with helmet and coat of arms decoration, marked "1588". Fasson pewter lid with figural finial. Aufrufzeit 13. | June 2024 | voraussichtlich 16:24 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Rheinische Gründerzeit-Ringkanne. Merkelbach & Wick, Grenzhausen. Prägemarke. Ende 19. Jh. Graues, salzglasiertes, rheinisches Steinzeug mit kobaltblauer und manganvioletter Bemalung. H 40,5 cm. Reliefkanne mit platter Wandung, Zylinderhals mit Maskaron, profilierter Bandhenkel, Rundfuß. Historistischer Dekor mit Wappen- und Vasenzier. Standkante minimal bestoßen. Provenienz : Aus Thüringer Adelsbesitz. Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Sammlungsbestand der Familie von der Gabelentz auf Schloss Poschwitz. Aufrufzeit 13. | Juni 2024 | voraussichtlich 16:23 Uhr (CET)Rhenish Wilhelminian-style ring jug. Merkelbach & Wick, Grenzhausen. Mint mark. Late 19th century Grey, salt-glazed, Rhenish stoneware with cobalt blue and manganese violet painting. H 40.5 cm. Relief jug with flat walls, cylindrical neck with mascaron, profiled strap handle, round foot. Historicist decoration with coat of arms and vase decoration. Band edge minimally bumped. Provenance : From Thuringian aristocratic property. Restitution property with inventory number of the Altenburg Residential Palace, formerly part of the von der Gabelentz family collection at Poschwitz Castle. Call time 13 June 2024 | probably 16:23 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A Rhenish Stoneware Ale Jug, 17th century, probably Frenchen15cm highA Similar Sieburg Jug, with ribbed body and gadrooned spreading foot18.5cm highAnother Stoneware Jug, with pewter cover having shell formed thumbpiece and decorated with blue glazed bands to the body16cm high (3)Ale jug - large chip to the inner rim of the cover. Badly cracked with some attempted restorationRibbed jug - handle and foot restoredPewter covered jug - cover misshapen, some chips to rim
A selection of European pottery excavated items, comprising a Medieval stoneware cooking pot, 13th-14th Century, an early German stoneware beaker, 14th-15th Century, a Rhenish gorge mug, circa 1600, a lead-glazed pottery mug, probably English, 17th Century, with a single rudimentary handle and a small lead-glazed plate, Netherlands, 16th-17th Century (5)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The cooking pot - small chip to rim, there is a hairline crack running from upper rim into body (visible to interior), there is a section of approx. 14 cm around the rim which appears to be restored and remodelled, this runs into the body. There is surface deterioration throughout and it has probably been buried. The German stoneware beaker - with several chips to the upper rim, the largest being 2cm wide, there are further small chips to the footrim. The Rhenish mug - with restored replacement handle, restored chip to upper rim with further associated chip, with two hairline cracks running from rim into body. A lead glazed mug, probably English - small and typical losses to glaze overall. Some typical surface deterioration. The plate - cracked across and restuck, some chipping to footrim, surface is partly lacking glaze with some typical surface deterioration. The piece has probably been buried.
A massive Rhenish saltglaze stoneware Bellarmine, late 17th-early 18th Century, applied with a grimacing mask and evenly glazed in brown, 44.5cm high/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order. Some indentations to the body where the pot has misfired resulting in some uneven patches to glaze. Some very minor chipping to footrim.
Prunkvolle Gründerzeit-Blumensäule mit Cachepot. Rheinisches Steinzeug. Ungemarkt. Modell-Nr. 184 und 223. Elfenbeinfarbenes Steinzeug, Bemalung in Braun, Grün und Blau. Gesamt H ca. 122,5 cm. Historistischer Reliefdekor mit den Darstellungen historischer Könige, männlichen Maskaronen, musizierenden Satyrn, Harpyien und stiltypischem Friesschmuck. Übertopf mit seitlichen Handhaben und Rundfuß, am Boden ein Montageloch (H 38,5 cm, Ø 36,5 cm), Blumensäule mit nodiertem Schaft und Rundsockel (H 84,5 cm). Jeweils am Stand bestoßen. Shipping not available.Splendid Wilhelminian flower column with cachepot. Rhenish stoneware. Unmarket. Model no. 184 and 223. Ivory stoneware, painting in brown, green and blue. Total H approx 122,5 cm. Historistic relief decoration depicting historical kings, male mascarons, music-making satyrs, harpies and friezes typical of the style. Cachepot with side handles and round base, at the bottom a mounting hole (H 38.5 cm, Ø 36.5 cm), flower column with nodded shaft and round base (H 84.5 cm). Each bumped at the stand. Shipping not available..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A large brown stoneware flagon, probably Rhenish, late 17th/18th century, the ovoid body with a loop handle, height 39cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A large brown stoneware flagon, probably Rhenish, late 17th/18th century, the ovoid body with a loop handle, height 39cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Interesting Faience Beaker, possibly Spanish, late 17th/early 18th century, of bell shape, painted in blue with Berainesque, scroll and strapwork, 8cm high; A Slipware Stand, probably 17th or 18th century, of circular form, with pained and incised shield; and Two Rhenish Salt-Glazed Stoneware Bottles (4)The stand is 15.5cm diameter, 5cm high
19th Century German Rhenish Westerwald salt glazed stoneware 'pilgrim' bottle, with overall decoration of impressed fleur-de-lis, unmarked, 27cm highDarkened vertical hairline approx 20mm long and another approx 10mm long extending upwards from base of foot rim Some blisters in places which seem to derive from the manufacturing process. Some faint lines to the body, again these seem to be manufacturing flaws rather than subsequent damage. Overall glaze pooling. No chord or chains.
A stoneware Bellarmine jug, probably Rhenish, 17th century, the brown glazed pear shaped body moulded with a smiling bearded man to the neck above an indistinct oval panel, height 22cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Two Siegburg stoneware jugs, 15th century, together with a Rhenish stoneware bulbous pot, late 13th centuryThe jugs with slightly splayed lobed feet, the pot applied with a purplish brown glaze , 23.5cm - 10cm high (tiny chip to rim of one) (3)Footnotes:Provenance:Private European CollectionA very similar bulbous pot is in the Kunstgewerbemuseum Cologne (illustrated by G. Reineking von Bock, Steinzeug (1986), no.96).For further information on this lot please visit Bonhams.com
apparently unmarked, probably late 16th century, of globular form with cylindrical neck, loop handle and mottled brown glaze, the deep collar engraved with trailing foliage around a lion mask, the slightly domed and hinged cover chased in relief with gadroon style decoration topped with a decorative finial, cast double-sided lion mask thumb-piece, each side of the handle mount engraved with cross check decoration, the outer edge with engraved scrolls, around the initials ‘RC’, spreading mount around the foot chased with a border above a band of stylised egg and dart decoration, 26cm in heightProvenance:Landwade Hall, SuffolkFootnote: Tigerware, also known as salt-glazed stoneware, was developed in the 16th century in the Rhenish potting centres of Frechen and Cologne, Germany, and was imported into England as bottles, jugs and tankards.It has a thin, clear glaze with a slightly pitted ‘orange-peel’ texture, widely thought to be achieved by throwing salt into the kiln during firing, although others believe it was due to the quartz-sand structure of the clay found in the Frechen region. (D. Gaimster, German Stoneware 1200 - 1900 Archaeology and Cultural History, London, 1977, p. 208). Although the clay is grey, a wash of iron oxide matures it to a brown surface colour, hence its alternative name of brown stoneware.Beer was the preferred beverage in 16th century England for all classes, and unmounted "Tigerware" stoneware jugs were ubiquitous in the Tudor household. It has been recorded that the city of Exeter alone was importing up to five thousand jugs a year by the end of the 16th century.The fashion for adorning these vessels with silver mounts appears to have started at the Royal Court. King Henry VIII's Cardinal Wolsey and his administrator, Thomas Cromwell, apparently both possessed such jugs in the 1520s. By 1574, the Jewel House contained examples made for the Marquess of Exeter in 1538 and another for Edward, Duke of Somerset from 1552. Following the King’s lead, many wealthy Elizabethan drinkers had their jugs and mugs mounted with silver decorated in the latest style with engraved fruit, figures and animals. Engraving the mounts with a Coat of Arms, initials or a merchant’s mark was also commonplace and a sign of ownership.Given their relatively small metal content, many survived the great bullion melting of the English Civil War, making them perhaps the most recognised example of late 16th century silver today. However, because of the fragility of the material and the fact that these pieces were in fashion for a relatively short time (from approximately 1550 to 1640), only a fraction of those produced over 400 years ago have survived to the present day.(An almost identical example was sold by Christie's in June 2015 for £8750: Live Auction 10397 - Centuries of Style: Silver, European Ceramics, Portrait Miniatures and Gold Boxes. Lot 645)Condition report: Overall in good condition for its age.Metalware: Some surface scratching as to be expected. Hinge rather loose but in good condition. Cover a loose fit and the rim a little out of shape. Edges around the handle a little rippled. Foot a little loose and can be rotated. Inner of the collar with poor but intact seam joint.Ceramic: In good condition with no obvious sign of damage. Uneven colouring, and a number of firing imperfections, particularly to the body
Rhenish stoneware bellarmine jug applied three continental crests in oval tablets, 20cm high Condition ReportBase Even. Long crack around back crossing about a third of the circumference. Some fading. Crack to top. Crack to base. 1 crest cracked and peeling off. Chip to back. Old repair to rim, chips to top. Large rough section insideIt has not been looked at under UV light. There is no apparent restoration how ever this is not a guarantee.
Beate Kuhn, Sleeping CatBeate KuhnSchlafende Katze. Feinsteinzeug. Matte, olivfarbene, partiell rötliche Glasur auf hellem grünlich grauen Grund. 9 x 26 x 19 cm.Provenienz: Rheinische Privatsammlung. Erworben bei Beate Kuhn.Literatur: Gefäss/ Skulptur 3. Deutsche und internationale Keramik seit 1946. Katalog Grassimuseum für Angewandte Kunst Leipzig 2018, S. 322 (zum Vergleich). Beate Kuhn, Sleeping CatBeate KuhnSleeping cat. Porcelain stoneware. Matt, olive-colored, partially reddish glaze on a light greenish-gray background. 9 x 26 x 19 cm. Provenance: Rhenish private collection. Acquired from Beate Kuhn.Literature: Gefäss/ Skulptur 3. Deutsche und internationale Keramik seit 1946. Katalog Grassimuseum für Angewandte Kunst Leipzig 2018, S. 322 (zum Vergleich).
A dated Rhenish stoneware wine bottle of Westerwald type, seventeenth century, of typical ovoid form with loop handle and named and dated in blue glaze WHIT.WINE 1641, 23cm highCondition Report: No structural damage or restoration noted but there is a 1cm long shallow foot rim chip. May once have had a pewter mount now lackingCondition Report Disclaimer
A 17th century stoneware bellarmine, RhenishOf ovoid shape in mottled brown saltglaze, applied with a typical grimacing mask and a formal wheel medallion, 22cm highThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Rare late 17th century William & Mary Royal Commemorative Westerwald Rhenish salt glazed stoneware krug, circa 1688-1695, with ribbed cylindrical collar over bulbous body moulded in relief with flowering plants framing an octagonal portrait of Queen Mary, with legend ‘MARIA D.G. MAG. BRIT. FRANC ET HIB. REGINA’, 13cm high Literature: See. Steinzeug, Kunstgewerbemuseum Cologne, 1986, fig. 578 for a similar medallion. Provenance: sold with old handwritten note “South Kensington Museum Room 137 Centre against North wall. Westerwald Stoneware Will III about 1700 Exhib 3752-1901”, referencing a companion example in The Victoria & Albert Museum with matching stock number. The grandfather of the current owner’s husband was an auctioneer in Finchley circa 1900 and may have acquired it around this time (Ex. Inf. Vendor). Condition: General dirt to rim, handle and highpoints. Faint hairline across base. - **General condition consistent with age
A RHENISH SALT-GLAZED STONEWARE BELLARMINE, 17TH CENTURY, of pear form, the neck applied with a grimacing mask, strap handle. 16.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Chips to base, there is a firing crack on the handle but it appears to be in tact and shows no signs of restoration.
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149 item(s)/page