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After Giambologna, a 19th century bronze figure of Fortuna, her upper body framed by her flowing shawl as she runs, one foot touching a wheel, the black marble mounted cylindrical base cast in relief with putti representing art and sculpture, 80.5cm (31.75in) high

SVEND LINDHART CERAMIC SCULPTURE, CIRCA 1944 moulded model of the head and neck of hart on a cube plinth the front of which is decorated with mistletoe modelled in relief, the whole covered with a red glaze, marked on the base with `SL` in monogram above three birds in flight and `DENMARK`, all impressed, and on the back of the plinth `SV. LINDHART. 1944` impressed in the mould 34cm high

A RELIEF SCULPTURE depicting the ecstasy of St. Theresa in relief in a Sienna marble frame, 14 1/2" x 11" (formerly the property of the late Mary Gladstone) (see illustration).

Yoma Sasburg - a mid-20th Century abstract work with three carved alabaster forms beneath a circular panel, mounted in relief on a blue painted wooden panel, approx 19cm x 30.5cm, together with a group of other works by Yoma Sasburg, comprising a mid/late 20th Century black glazed pottery group of three standing figures, a carved slate abstract sculpture and a resin figure group.

KATHLEEN PARBURY (Born 1901) Wax relief sculpture, Head study of a woman, artist information verso. 6.5" x 5", framed.

[MOORE, Henry (1898-1986)] -- SHAKESPEARE, William (1554-1616). Hamlet. Rome: Delfino, [1985]. 2° (477 x 332mm). Abridged text in English edited by Stanley Wells. 10 offset lithographs in colours after Henry Moore, printed tissue-guards. Publisher's binding of full dark brown morocco over wooden boards, rectangular bronze bas-relief 'Hamlet's Dilemma' by Moore to upper board, uncut, complete with original vertical cut-out suede-covered stand. Provenance: Ettore Greco Scribani (metal bookplate). EXCEPTIONALLY FINE COPY OF THIS RARE MOORE ILLUSTRATED SHAKESPEARE. The bas-relief bronze on the upper cover is a recasting of the 'Reclining Figure' portion of 'Relief: Three Quarters Mother and Child and Reclining Figure', 1977 (cf. A. Bowness, Henry Moore - Complete Sculpture, Volume 5 1974-1980, 1983; listed and illustrated as catalogue raisonnée no. 728). Number 520 of 1200 copies, although it is very probable that this limitation is grossly exaggerated. TWO COPIES ONLY CAN BE TRACED IN INSTITUTIONS: Shakespeare Birthplace Trust, Stratford-upon-Avon and Stanley Wells' copy at the Henry Moore Foundation, both being examples of the 21 lettered 'ad personam' copies. (2) View on Christie's.com

British School, mid 20th century- Untitled, abstract sculpture; circa 1960s, bronze and yellow glass sculptural wall relief of organic form, seven separate plates, each numbered, 330x30cm in total length, each plate around 40x30cm, (7)

An early Victorian sculpted white Carrera marble group of two children entitled ‘the Travellers‘, by Felix Martin Miller, dated 1846, both figures classically draped, the boy with his left arm around the shoulder of the stooping girl, his right and her left hand clasped in front, a stela behind with a relief carved veiled face and draped with a wreath, inscribed F.M.MILLER SCULPT. 1846, 132.5cm high, 57cm wide. Felix Martin Miller was born in 1820 in London and joined the Royal Academy Schools in 1842. He exhibited at the Royal Academy 1842-1880 and at the Great Exhibition in 1851. Purchased by the current owners at Sotheby’s Belgravia sale of Sculpture, 25th March 1981, lot 60, and now offered with the relevant sale catalogue.

Sophie Dickens (1966-) "THE SACRIFICE OF DAVID" signed, dated `02 and numbered 1 from an edition limited to 5 bronze casting in relief 43.5 x 45cms; 17 x 17 1/2in. NB Sophie Dickens is a contemporary sculptor based in London. She won the Owen-Rowley Sculpture Prize in 1991 and the Founders` Award Sculpture Prize at the V and A in 2007, and she has had numerous one-woman exhibitions and commissions including an installation this year at Woburn Abbey.

Edouard Lantéri(1848-1917) , A White marble relief panel of Andrew Carnegie`s wife Louise Whitfield Carnegie and daughter Margaret , (marble 92x74cm) set within a carved mahogany overmantle surround (198x165cm), Provenance Ex. Skibo Castle, Sutherland , Edouard Lantéri born the 1st November 1848 in Auxerre, France. The sculptor studied at the school of Fine Arts under Guillaume and Cavelier. In 1872 he moved to London and assisted Joseph Edgar Boehn in his studio. In 1880 he taught at The South Kensington Arts Schools. In 1900 he took the position of the college`s first Professor of Modelling (1900-10) . Lantéri was involved with architectural and decorative sculpture for the Victorian and Albert museum. In later life he wrote about the composition of human and animal art, explaining the practice. The forward to the first book was by Auguste Rodin

A contemporary bronze sculpture of rectangular panel form, decorated with relief moulded and applied bronze panels and signed `Hall`, 48 x 43 cm.

RASMUSSEN Aluminium relief sculpture, Abstract study, signed, 40" x 23", unframed.

* A moulded green glass sculpture, depicting a relief applied snake climbing an elongated flower, upon rounded base with three applied mouth shaped creatures, height 29.5 cm.

English School Mid 19th Century The Duke of Wellington in profile Three quarter length wearing uniform Wax relief sculpture 200 x 150mm Crack to the wax around his collar and small piece missing under his chin otherwise in good condition

French School 19th Century Profile of Napoleon Bonaparte as a simulated relief sculpture Inscribed Le General Bonaparte Per Consul Oil on canvas in a trompe l oeil roundel unframed 71 x 61cm; 28 x 24in Scuffs and small damages some re-touching lined

Helge Eskild, Danish b.1922- Sunset; mixed technique on board, signed, inscribed and dated 67, 42x24cm: together with two other related studies in mixed technique on board, both signed, 47x20 and 48.7x22cm., (3). Note: Helge Eskild, b.1922, Danish painter, sculptor and graphic artist, pupil of Folmer Bonnén. From figural composing through an impressionistic period, especially with city compositions and later more abstractly composed forest paintings, Eskild has reached a purely non figural style in his paintings, partly in glowing colourization, partly in blue grey tones. His progression as an experimental artist can be seen in his sculpture in stone, wood, copper and decorative works like the enamel relief works made in cooperation with the enamel artist Sophie Eskild. (may be subject to Droit de Suite)

† Ian Taylor (Contemporary): A Carved Sandstone Sculpture, as a rectangular section stelae, worked in high relief with two nude acrobats, on a separate plain basal plinth, initialled and dated (19)87, 72cm high

Ellen Mary Rope (1855-1934) "The Nativity", polychrome plaster relief panel, 33cm by 58cm. This plaque was exhibited at The Williamson Art Gallery & Museum and H Blairman & Sons Ltd, 1997, catalogue No.48. Ellen Mary Rope was born into a large family at Grove Farm, Blaxhall, Suffolk. She studied drawing with philanthropist reformer Octavia Hill and at Ipswich School of Art. She became interested in sculpture while at the Slade School at University College London. She participated in the Arts & Crafts Society Exhibitions and began designing decorative arts for Della Robbia Pottery, Birkenhead from 1896.

A Gyula Meszes-Toth bronze medallion circa 1991 titled ‘the horrible acts of Stalinism: 1952 (to the memory of my younger brother)’, the relief design depicting a prison cell and a man in gallows and a shadow of Stalin to the background, 11.5cm. This medal was exhibited at the British Museum in 1999, the exhibition entitled ‘Size Immeterial Handheld Sculpture of the 1990’s.

A Chinese bowl decorated with incised flowers against a white ground, a paper label to the base reads 'R.M.C Sung Dynasty 960-1280 A.D.', 21.5 cm diameter and a Chinese stoneware sculpture modelled as a deity, Japanese twin handled pot, relief moulded with crabs, a clay tea bowl and a small dark blue glazed vase. (4).

A marble relief sculpture of the Madonna and Child the figures sitting in an archway 51cm high

A large 1920’s Art Deco Sabino opalescent cast sculpture titled “Groupe de Poisson” modelled as three stylised fish in procession over a stylised foliate ground falling to a faceted rectangular base, relief and engraved signatures, length 36cm.

A Georg Jensen Parallel/Relief Serving Fork and Jam Spoon, designed by Gundlach-Pedersen in 1931, stamped and hallmarked, the fork "GJ Sterling Denmark" and maker's mark "GJLd", import London 1938, 22cm, the spoon "GJ Sterling Denmark" and maker's mark "GJLd", import London 1936, 14cm; A Continental White Metal Ladle, hammered bowl, unmarked, 25cm; and A Continental White Metal Coffee Sterling Spoon, stamped marks, 18cm (4) Gundlach-Pedersen (1887-1970) studied sculpture at the Royal Danish Academy of Fine Arts. From 1911 he worked at the Georg Jensen Silversmithy and was the assistant director from 1926-54.

Demontreuil, French, 18th century. A pearwood carving of a dead bird, modelled hanging from a nailed string, with a fly on the body, signed, 8.25 x 5.5in (21 x 14cm) to a leaf and dart ormolu slip to concave moulded framed border, glazed, 12.5 x 9.75in (32 x 25cm.) Literature: Vivian, Margaret. Antique Collecting. Possibly purchased from the Le Carpentier sale in Paris, 14 May - 1 June 1866, lot 181 described as 'Un oiseau mort, suspendu par une patte. Tres-jolie sculpture en haut relief, par Demontreuil. Dans un cadre carr, en bois sculpt.' 'Demontreuil enjoyed the patronage of Louis XVI and Marie Antionette, and the fame of his skill as a carver, especially of birds, reached other countries. This bird, one of the latest if not the last of of his productions, was executed at Madrid for a cardinal. At the death of the cardinal, the chef d'oeuvre passed to some relatives, a Franco-Spanish family, who prized it so highly that on one occasion they refused 50,000 frs. for it...' an extract of an article from The Times, 7th June 1881. See Burghley House, Stamford, Lincolnshire for a similar example.

Composition low relief carving of a nude, a copy of a sculpture in Castillon, South of France, signed indistinctly

ERIC GILL ST MARTIN OF TOURS RELIEF patinated bronze relief panel, cast inscription 'St Martin/ Pray/ For Us' 45cm x 39cm Literature: Judith Collins, 'Eric Gill: the Sculpture', London 1998, pl. 249, pp 195-6 Note; This relief panel was originally commissioned in stone for Campion Hall Brewer Street Oxford in 1935, and executed from September - October of that year. The new building was designed by Edwin Lutyens and the plaque was unveiled on Armistice Day, 11th November 1935. A cast of the finished work was presumably taken at this time. In this relief St Martin has dismounted from his horse and is depicted in the act of tearing his cloak in half in order to share it with the naked beggar who seeks his help.

Geoffrey Dudley (1918-1986) Nebula bronze relief, mounted on board, inscribed verso together with two other reliefs each about 58 x 39cm (23 x 15 1/2in) Note: Geoffrey Dudley, designer and sculptor, was born at Wednesfield, Staffordshire, and studied at Wolverhampton School of Art. A travelling scholar and lecturer in sculpture, he was head of Department at Chelsea School of Art from 1974 to 1984

Michael Ginsborg b.1956- 'Lapis', 1985/6; acrylic, ink, wood canvas and paper, mixed media relief sculpture of irregular form; inscribed on the reverse, 117x56cm., max dimensions. Provenance: with Benjamin Rhodes Gallery, London, according to label attached to the reverse.

*Late 20th century School- A painted plywood and metal relief sculpture of rectilinear form, 151cm long x 48cm high x11.5cm deep

Henning Damgaard Sorensen, b.1928- Untitled abstract; painted relief sculpture, signed, inscribed and dated 69 on the reverse, in a white painted box frame, 61x41cm. Exhibited: House of Denmark, Paris, 1969, according to inscription on the reverse.

Robertson William. A history of America. London 1820 4 volumes 8vo two folding maps of South and North America folding engraving of native South American relief sculpture half blue calf gilt green labels chipped at extremities; India An historical disquisition concerning the knowledge which the ancients had of India. London 1822 8vo folding map of India half blue calf gilt green label chipped along upper hinge and foot of backstrip; Charles V The history of the reign of Emperor Charles V. London 1822 4 volumes 8vo half blue calf gilt green labels rubbed foxing (9).

British Post War School - Untitled relief sculpture; assembled painted wood, in box frame, inscribed on the reverse of construction ‘RCA 1959, M’, 63 x 54.8cm

Robert Fachard (b.1921) Relief Mixed media sculpture Signed with initials lower left 15cm x 25cm Bryan Kneale (b.1930). Abstract sulpture Mixed media Signed and dated 1961 within the base Bears receipt upon the base from the Royal College of Art signed by the artist and dated 27.7.87 17.5cm high including stand. And Manner of Kenneth Martin (1905-1984) Brass abstract sculpture Limited edition 11/50 Bears signature and inscribed with edition number upon the base 16.5cm high

Eric Gill, 1882-1940. working drawing for relief sculpture, signed with initials and dated 16.3.37, pencil, 24x18cm.; 9.5x7in. (2), The present work is a working drawing for a memorial relief sculpture to the Maharini of Bastar State, commissioned in 1936 by E.S. Hyde, administrator of Bastar. The sculpture was delivered in Jagdalpur, Bastar in 1939.. To be sold together with a sketch of a plinth by the same hand and letters from the sculptor to E.S.Hyde, variously dated between 1936-38.

Leonard Baskin - 'Homage to Augustus Saint-Gaudens', 1970, Jaffe 109; bronze relief, signed, titled, dated 1970, and numbered 2/8, inscribed 'Bedi-Makky, N.Y.', 67.8x34.8cm. Note: see page 159 The Sculpture of Leonard Baskin, by Irma B. Jaffe for illustration of same

A bronze relief of Yehudi Menuhin, bears initials FB, together with a contempary metal sculpture of Menuhuin, a bronze standing figure of Einstein and a bronze figure of Orpheus (4) the tallest 66cm.

Bob Raymond. 24.5in. x 16in. (61 x 41cm), "Drawing for Sculpture - Relief" - ink and gouache. Signed, inscribed and dated 1965; and a colour silk-screen print, Abstraction, signed proof, by Chris Hall, 1988. (2)