We found 19973 price guide item(s) matching your search
There are 19973 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
19973 item(s)/page
Lot 339
A large and fine Sevres Porcelain charger, mid-19th century, depicting a portrait of Margaret Valois, wife of Henry IV, signed 'Leber', within a blue border and gilt highlighted, painted mark to underside, 45 cm diameter, together with a later wooden display stand.Sotheby's consignment receipt from 1994 present, together with a letter of attribution from Albert Amore Ltd, dated 1943.No chips or cracks. small area of gilt loos to the border
Lot 40
Peter Cushing (1913-1994) and Peter Ustinov (1921-2004) – a small selection of four original and one copy correspondence between the two actors. In 1955, whilst Cushing was appearing in a BBC drama based upon a play written by Ustinov, they commenced an exchange of humorous correspondence by fictional characters they created. Although their correspondence ended shortly after the play was broadcast, they remained great friends and occasionally reprised their characters’ correspondence in later years, usually with deliberate mis-spellings of names and events.Included in this lot is:1. A Comical handwritten telegram from Peter Ustinov (of Houltworthy, Riller, Riller, Spraffe & Bullim, Solicitor-at-law) being a summons (to Peter Cushing) for non-payment of monies. Laid down to a single, plain sheet of A4 paper;2. A photocopy of Peter Cushing's reply, an autographed letter, dated 23. Feb. 1955, 'mie veree dere Morrie' . . . Cushing has acknowledged the receipt of the telegram which has left him 'hart-broken', appeals to Ustinov to 'retrackt your ackshun’, and suggests they ‘meat at a mewtually conveneant tyme and playce’ to sort it out ‘frend too frend’, signed Peter;3. Orginal autographed letter signed from Peter Cushing, to Messrs. M. & D. Grosvenor, also dated 23. Feb. 1955, hand-written on the reverse of the page of an unknown play or film script. Cushing states . . . 'I am in receet of yore a/c receeved of toodai’s dayt and franklee, sirs, I am horryfyed – I never – repeet NEVVER – had me nipples done and me switch’s arr spynsters tew thys veree dai – further moor – yore pryces arr Xorbeedant. Reelucktantlee I am refurring thee whole soordyd ayefare too mi solelissiturs – Messurs Renfrick, Renfrick & Renfrick & Sons Ltd who no dout wil bea getting in touch wiv yew (?) Moyst unfaythfooly Yrs Peter Cushing';4. A further original autographed letter signed from Peter Cushing, also dated 23. Feb. 1955, sent to Mie Veree dere Morris (Ustinov) in which he states 'as old frends and busyness assosheates . . . he was ‘hart-broken' to have received the letter from his solicitors, Howuntrusty, Riller, Riporf, Swagge and Bullion, and asks how he (Morris/Ustinov) could have done it knowing his (Cushing’s) ‘sirkumstanzez’ with a wife, several children and his mother-in-law to feed, Cushing pleads with him to ‘retrackt yore ackshun’ and to meet at a ‘moochully conveneant tyme and playce and diskuss this busyness in a atmossfear of konvivealitty’ signing ‘Yrs Sinceerley, Peter’;5. A further autographed letter signed from Peter Cushing to Morris Grsovenor, dated '24 of Feb 1955', written from Hotel D’Or, Place de la Konkord, Paris, France, in which he says he has gone for a ‘breff vaykayshun wiv the family. I cannot nor I will not be kowtow’d by yore attitood which I do not lyke. I am on too a good busyness deel hear (tyres and sundries) and if yew dew rite by me, I mite be abel to kut yew inn on a gude thing. I shal be a abzentea from the Kalleydonian Road for sum tyme and wil deam it only write if you wil cease yore insessant korrespondence until such tyme as I am abel too meet yew harf way. Yrs without ackrinimy, Peter Cushing’; Provenance: ex- Peter Cushing Collection: Canterbury Auctions, 2023.
Lot 56
Josef Herman (1911-2000) Watercolour on paper “Man on the Shore”, with copy of the Albany Gallery postcard receipt, 19cm x 23cm From the collection of the late Maurice Costley Josef Herman was a Polish/British contemporary artist. Herman was one of the last European expressionists. He was a figurative artist who painted working people. He came to Great Britain in 1940 and had his first exhibition in Scotland. In 1943 he moved to London and had his first London exhibition with L S Lowry. In 1981 Herman was awarded an OBE and was elected to the Royal Academy in 1990.
Lot 98
Carel Weight CBA RA (1908-1997) Oil “Freezing boy”, signed, Fosse Gallery label and with label 'Sincerely Carel Weight', and with Fosse Gallery receipt dated 1999 and inscribed 'Provenance: Artist's Studio', 41cm x 13cm From the collection of the late Maurice Costley Carel Weight was born in Paddington, London of German and Swedish descent. He studied firstly at the Hammersmith School of Art and then Goldsmiths College. During WWII he was an official war artist travelling to Italy and Greece, depicting the work of the British Army restoring everyday life after the war ended. Known for his suburban scenes, often with distorted figures striding out of the canvas, he also painted landscapes and portraits. He talked about his paintings being concerned with all the human emotions. He was a senior member of the Royal Academy and taught at the Royal College of Art. His work can be found at the Tate, Victoria and Albert Museum and the Imperial War Museum.
Lot 92
Edward Brian Seago RBA, ARWS, RWS (1910-1974) Watercolour drawing “Cattle on a Marsh”, signed, with Mandell's Gallery label verso and receipt dated 1986, 27cm x 36cm From the collection of the late Maurice Costley Edward Seago was born in Norwich, a self taught artist who is renowned for his portrayal of East Anglian scenes. Working in both watercolour and oil, his paintings are atmospheric and moody in an impressionistic and post-impressionistic style. During WWII he joined the army and worked on developing camouflage. He was extremely popular during his life time, exhibiting at some of London’s top galleries which included P & D Colnaghi where a queue would form along Bond Street to purchase one of his pictures. During his later career he travelled to paint with various patrons, to Venice, Gambia and to remote areas such as the Antarctic. His most famous patron was Queen Elizabeth, the Queen Mother, and many of his works are in the Royal Collection. Condition ReportOverall in good order. The paper is undulating slightly and does not sit flat, there are some small areas of faint brown discolouration to the sky, the mount has discoloured slightly. Uninspected out of frame.
Lot 36
Ian Houston (1934-2021) Oil on board “Summer Clouds, Southwolds”, signed, Mandell's label verso, 51cm x 76cm With Mandell's Gallery receipt dated 1981. From the collection of the late Maurice Costley Condition ReportRecto: Good condition, very minor surface dirt. Frame and slip in good order although the slip has wear and a little dirty. Verso: in good order, a couple of surface marks on board. Gallery and Artist's label on centre of board.
Lot 26
Mick Rooney RA (b.1944) Oil on board "The Prodigy", Fosse Gallery label dated 2000, 26cm x 20cm Original Fosse Gallery receipt dated '9th December 2000 Provenance: artist's studio'. From the collection of the late Maurice CostleyCondition ReportThere is a linear patch of wear running along the top of the painting, having a matt appearance, perhaps where it was framed previously, there appear to be some small patches of retouching to the dark brown ground to the background and possibly to the arms and edges of the figures, although it is possible that this is part of the original paintwork. The panel is sealed at the back and has not been inspected out of the frame.
Lot 93
James Fullarton DA (b.1946) Oil "Study of Mushrooms", signed, Richard Hagen Gallery label and with Richard Hagen receipt dated 1994, 9cm x 19cm From the collection of the late Maurice Costley James Fullarton is a Scottish artist born in Glasgow. He studied at the Glasgow School of Art. He works in both acrylic and oils and his oeuvre includes portraiture, landscape and still life, working from his home in Ayrshire. With his keen eye for colour, his work can be seen as following on from the Scottish colourists of the early 20th century. He has exhibited at the Royal Glasgow Institute of Fine Arts and with the Royal Scottish Academy.
Lot 58
Josef Herman (1911-2000) Watercolour on paper “Walking”, Albany Gallery label verso and with a copy of the Albany Gallery receipt dated 1998, 21cm x 14cm From the collection of the late Maurice Costley Josef Herman was a Polish/British contemporary artist. Herman was one of the last European expressionists. He was a figurative artist who painted working people. He came to Great Britain in 1940 and had his first exhibition in Scotland. In 1943 he moved to London and had his first London exhibition with L S Lowry. In 1981 Herman was awarded an OBE and was elected to the Royal Academy in 1990.
Lot 82
Campbell Archibald Mellon (1878-1955) Oil on board “Gorleston Sands - A June Morning”, signed, Polak Mandell's Gallery of Jersey receipt dated 1983, 62cm x 75cm From the collection of the late Maurice Costley Campbell Mellon was born in Berkshire and began his artist’s career in 1903. Moving to Norfolk he was taken under the wing of Sir John Arnesby Brown. He is known for his coastal scenes which are impressionistic, light and breezy, usually including busy little figures enjoying the beach. He was a member of the Royal Society of Oil Painters and exhibited at the Royal Academy. Condition ReportRecto: Paint surface has some slight cracking in three sections of the sky on the left hand side, otherwise on good order. Frame in good condition with slight wear and tear, very small loss of gold surface. Canvas slip fine. Verso: Stretcher in good condition, no signs of wear and tear on canvas. Old auction or stock labels on frame.
Lot 90
Richard Eurich RA (1903-1993) Oil on board Children on the Beach, 1989, with Fosse Gallery receipt dated 2008, from 2008 exhibition and with exhibition leaflet showing the painting, 45cm x 60cm From the collection of the late Maurice Costley Richard Eurich was a British painter who trained at the Bradford School of Arts and Crafts and then the Slade School of Art. During WWII he was an official war artist for the Admiralty. During this time he painted reconstructions of battles, survival stories and commando raids. However Eurich is hard to define as he painted a wide range of subjects, many works being panoramic with a mystical quality and a sense of wonder. However he is mostly known for his seascapes and paintings of boats, having spent much of his life living in small fishing ports on the south coast of England. He had many one man shows and in 1933 the Redfern Gallery in London became his official dealer and then later Arthur Tooth and Sons. He taught part time at the Camberwell School of Art and also the Royal Academy. His work is in many public collections, in England and abroad, including the Government Art Collection, Imperial War Museum, Tate Britain, MoMA, New York, and National Gallery of Canada .
Lot 55
Josef Herman (1911-2000) Watercolour on paper “Two figures”, Albany Gallery label verso, with an Albany Gallery postcard receipt, 23cm x 16cm From the collection of the late Maurice Costley Josef Herman was a Polish/British contemporary artist. Herman was one of the last European expressionists. He was a figurative artist who painted working people. He came to Great Britain in 1940 and had his first exhibition in Scotland. In 1943 he moved to London and had his first London exhibition with L S Lowry. In 1981 Herman was awarded an OBE and was elected to the Royal Academy in 1990.
Lot 72
Craigie Aitchison CBA RSA (1926-2009) Oil on canvas “Arum Lily”, 2004, with Timothy Taylor Gallery label verso and with Timothy Taylor Gallery receipt dated 2005, 39cm x 30cm From the collection of the late Maurice Costley. Maurice and Craigie were acquainted, a postcard from Craigie to Maurice asking after his health following an operation is included in lot 74 Craigie Aitchison was a Scottish born painter, who studied at the Slade School of Fine Art. His work includes still life, portraits and paintings of his Bedlington Terriers. However he is best known for depicting crucifixions, which appeared in his work after he studied in Italy in the early 1950s. His work possesses a poetic use of colour, within simple but vibrant compositions. He had his first solo exhibition at the Beaux Arts Gallery in London in 1959 and exhibited regularly both internationally and in the UK, including at Marlborough Fine Art. Retrospectives of his work were held at the Serpentine Gallery and Hardwood House and The Gallery of Modern Art in Glasgow. He won the Jerwood Prize in 1994 and the Nordstrom Art Prize in 2000. His work is in many private and public collections, including several at the Tate, Birmingham Museum and Art Gallery and also the National Gallery of Scotland. Condition ReportRecto: Very good condition, no signs of dirt/wear and tear. Free mounted. Under UV - Artist's over paint upper right corner. Frame: Very good condition. Verso: Back board cut out to reveal canvas and stretcher, both in very good order. Tim Taylor Gallery label lower centre.
Lot 139
Stephanie Cunningham stoneware model, dog in the wind, 8cm high x 21cm long (the tail has now broken), with receipt from Stephanie Cunningham dated 6th October 2014 From the collection of the late Maurice Costley Condition ReportThere is a chip to the tip of the tail, some light fritting to glaze, otherwise ok.
Lot 95
Alberto Morrocco OBE FRSA FRSE RSW (1917-1998) Oil on canvas Beach hut at the lido, signed and dated ’90, with Richard Hagen receipt dated 1997 and inscribed 'Provenance: The Scottish Gallery, Edinburgh', 76cm x 76cm, with Fine Art Society 2007 exhibition catalogue From the collection of the late Maurice Costley Alberto Morrocco was born in Aberdeen, Scotland to Italian emigre parents. He went to the Gray’s School of Art, followed by travelling and studying throughout Europe. He was known for being a superb draughtsman and spent many years as an art teacher in Dundee. In 1943 he won the Guthrie Award. He was a prolific artist. His work includes portraiture, still life, figure painting, interiors, landscapes and most notably beach scenes. With brilliant use of colour, his paintings are warm and inviting. Much of his work shows the lasting influence of early Picasso and Braque. Morrocco also painted murals for St Columba’s Church, Glenrothes and Liff Hospital Dundee, producing some of his best work later in life. He had over 30 solo exhibitions in London, Scotland and elsewhere and can been seen in numerous public collections. Condition ReportIn good order overall. A very minor linear surface mark to one of the beach hut doors and another towards the top of the beach hut, these are minor, a very small flake to canvas to one of the other beach hut doors. Uninspected out of frame.
Lot 52
Josef Herman (1911-2000) Watercolour on paper “Tree” with path and figure, with Flowers East, London, Gallery receipt dated 2004, 25cm x 18cm From the collection of the late Maurice Costley Josef Herman was a Polish/British contemporary artist. Herman was one of the last European expressionists. He was a figurative artist who painted working people. He came to Great Britain in 1940 and had his first exhibition in Scotland. In 1943 he moved to London and had his first London exhibition with L S Lowry. In 1981 Herman was awarded an OBE and was elected to the Royal Academy in 1990.
Lot 101
Sir John Alfred Arnesby-Brown (1866-1955) Oil on panel "Haddiscoe Church", initialled and titled verso, with Mandell's Gallery label verso and with Mandell's Gallery receipt dated 1984, 21cm x 26cm From the collection of the late Maurice Costley John Arnesby-Brown was a British landscape artist. Influenced firstly by the Barbizon School and then the Impressionists, Arnesby-Brown is known for his pastoral and coastal scenes, quite often including cattle, in the “en plain air” tradition. He came to painting after his career as a county football player in Nottinghamshire. He studied at the Bushey School of Art and then the Nottingham School of Art. He spent time in Cornwall and also Norfolk. He had a solo exhibition at the Leicester Gallery in London 1909 and his work is also represented in many public collections including the Tate. Condition ReportRecto: Overall in good condition, a little surface dirt, no signs of restoration under UV, including initials lower right. Frame in good order, canvas slip slightly dirty. Verso: Inscribed with pencil and original Mandell's label, panel in good condition, slight signs of wear and tear.
Lot 85
Paul Fordyce Maitland (1869-1909) Oil on panel Cheyne Walk, initialled, with Messums Gallery label verso and Messums receipt dated 2011, 12.7cm x 10.8cm From the collection of the late Maurice Costley Paul Maitland was a British artist known for his urban scenes and landscapes. Born with a spinal deformity he mostly painted locally to where he lived, around Chelsea and Kensington in London. He studied at the Royal College of Art and was mentored by Theodore Roussel. He became a member of the New English Art Club and his circle of friends included Whistler, Walter Sickert and Phillip Steer. His work can be viewed as early Impressionism. In 1889 he exhibited at the Goupil Galleries in Paris. Maitland’s paintings can be found in the Tate, Ashmolean and the Government Art Collection. Condition ReportRecto: In good order overall, no signs of restoration under UV. Surface has small amount of dirt. Verso: The two large Messums labels obscure the back of the panel, some typical wear is apparent to the panel, with two very short splits visible at one edge, otherwise this is in good order, but has not been inspected out of the frame. Minor wear to gilt frame. Messum's labels - Exhibition of NEAC 2010 Ex. No 7, 2nd Label stock Cat. 2010, Exh No 2
Lot 86
Richard Eurich OBE RA (1903-1992) "Yorkshire Reservoir", 1970, sailing vessels on the reservoir, signed, with Fosse Gallery label verso and copy receipt dated 2008 and gallery exhibition leaflet showing the painting, 11cm x 21.5cm From the collection of the late Maurice Costley Richard Eurich was a British painter who trained at the Bradford School of Arts and Crafts and then the Slade School of Art. During WWII he was an official war artist for the Admiralty. During this time he painted reconstructions of battles, survival stories and commando raids. However Eurich is hard to define as he painted a wide range of subjects, many works being panoramic with a mystical quality and a sense of wonder. However he is mostly known for his seascapes and paintings of boats, having spent much of his life living in small fishing ports on the south coast of England. He had many one man shows and in 1933 the Redfern Gallery in London became his official dealer and then later Arthur Tooth and Sons. He taught part time at the Camberwell School of Art and also the Royal Academy. His work is in many public collections, in England and abroad, including the Government Art Collection, Imperial War Museum, Tate Britain, MoMA, New York, and National Gallery of Canada . Condition ReportRecto: Overall good condition, no sign of restoration under UV, including signature lower left. Frame and slip in good order. Verso: original label Fosse Gallery. Yorkshire reservoir 1970
Lot 75
Maggi Hambling CBE (b.1945) Oil on panel “August Sunrise” (North Sea painting), inscribed, signed and dated 66 verso, labelled verso, with David Messum Gallery receipt dated 2007, 8cm x 21cm From the collection of the late Maurice Costley Maggi Hambling is a British artist, both a painter and sculptor who was born in Suffolk. She went to the Camberwell School of Art and then the Slade. Her body of work includes many portraits but her love of the Suffolk Coast leads her back time and time again to themes of the sea, waves and scallops, saying that water is the metaphor for life. Also know for her portrayal of friends and family after death, Maggi Hambling has always been a controversial figure, particularly with regard to her public sculpture. She received the Jerwood prize in 1995 and her work appears in many public collections including the Tate, National Gallery and the Victoria and Albert Museum. Condition ReportAll appears in good condition. Some wear to one corner of the frame please see additional photo
Lot 97
Michael Scott (1946-2006) Oil on canvas “Studio Dreams”, young man asleep at a table, with Fosse Gallery receipt dated 2000, 77cm x 77cm From the collection of the late Maurice Costley Michael Scott was born in Aberdeenshire, Scotland and was at first a teacher after studying political science at Liverpool University. However he studied art, including life classes at the Glasgow School of Art under the painter John Boyd. His work is figurative, often quite intimate. Growing up in a fishing town, his work has the recurring theme of fish or fishing. He won two awards, the David Cargill Award in 1990 and the Paper Tiger award in 1991. He participated in the Royal Academy summer exhibition from 1988 and had solo shows at the Contemporary Fine Art Gallery at Eton and at the Portland Gallery London. His work is also in the Fleming Collection. Condition ReportOverall in good order. Minute wear to frame. Canvas uninspected out of frame.
Lot 21
Lionel Bulmer (1919-1992) Oil on canvas board "Girls at the Shop Window", with Messum's Exhibition label exhibited 2002, 29.5cm x 13.5cm Messums Exhibition label verso LB.075 'From City to Sea, 2002' with original Messums receipt invoice no.08352 from 22nd December 2004. From the collection of the late Maurice CostleyCondition ReportIn good order overall. There is some very minor surface wear, the board is partially obscured by the Messum's label.
Lot 81
Campbell Archibald Mellon (1878-1955) Oil on board “Gorleston Beach - Summer's Day”, figures on beach with sailing vessels in background, with Mandell's Gallery receipt dated 1979, 49.5cm x 60cm (small newspaper cutting found on the reverse when purchased) From the collection of the late Maurice Costley Campbell Mellon was born in Berkshire and began his artist’s career in 1903. Moving to Norfolk he was taken under the wing of Sir John Arnesby Brown. He is known for his coastal scenes which are impressionistic, light and breezy, usually including busy little figures enjoying the beach. He was a member of the Royal Society of Oil Painters and exhibited at the Royal Academy. Condition ReportIn good order overall. There is a rectangular patch of discolouring to the reverse, which is presumably where the newspaper clipping was attached, there are some very small areas of cracking, very minor surface wear, with a small patch just below signature. The giltwood and gesso frame has been cracked and restored and regilt to some areas. Uninspected out of the frame.
Lot 91
Carel Weight CBA RA (1908-1997) Oil Two figures in a landscape, country scene with two people beside cottage, signed, Fosse Gallery label verso and Fosse Gallery receipt dated 1998, 51cm x 60cm From the collection of the late Maurice Costley Carel Weight was born in Paddington, London of German and Swedish descent. He studied firstly at the Hammersmith School of Art and then Goldsmiths College. During WWII he was an official war artist travelling to Italy and Greece, depicting the work of the British Army restoring everyday life after the war ended. Known for his suburban scenes, often with distorted figures striding out of the canvas, he also painted landscapes and portraits. He talked about his paintings being concerned with all the human emotions. He was a senior member of the Royal Academy and taught at the Royal College of Art. His work can be found at the Tate, Victoria and Albert Museum and the Imperial War Museum. Condition ReportRecto: cracking lower left and slight cracking upper left. Some minor cracking mid right. Otherwise no apparent wear and tear. Frame and slip in good condition. Verso: gallery label on back, canvas protected by board, uninspected out of frame.
Lot 51
Josef Herman (1911-2000) Watercolour on paper “On the Road”, Albany Gallery label and with copy of Albany Gallery receipt dated 1998, 20cm x 25cm From the collection of the late Maurice Costley Josef Herman was a Polish/British contemporary artist. Herman was one of the last European expressionists. He was a figurative artist who painted working people. He came to Great Britain in 1940 and had his first exhibition in Scotland. In 1943 he moved to London and had his first London exhibition with L S Lowry. In 1981 Herman was awarded an OBE and was elected to the Royal Academy in 1990. Condition ReportSome dirty marks to mount.
Lot 57
Josef Herman (1911-2000) Watercolour on paper “Tree”, Albany Gallery label verso and with the Albany Gallery receipt, 21cm x 14cm From the collection of the late Maurice Costley Josef Herman was a Polish/British contemporary artist. Herman was one of the last European expressionists. He was a figurative artist who painted working people. He came to Great Britain in 1940 and had his first exhibition in Scotland. In 1943 he moved to London and had his first London exhibition with L S Lowry. In 1981 Herman was awarded an OBE and was elected to the Royal Academy in 1990.
Lot 35
Sonia Lawson RA (1934-2023) Oil “Pilgrims Way”, signed, Fosse Gallery label, 61cm x 43cm With Fosse Gallery receipt dated '1996 Provenance: acquired from the artist'. From the collection of the late Maurice Costley Condition ReportThe painting appears to be in good condition, with no apparent issues.
Lot 46
Josef Herman (1911-2000) Watercolour “Nude reclining”, labelled verso, dated 65, with Fosse Gallery John Lindsey Fine Art Limited receipt dated 1999, 23cm x 17cm From the collection of the late Maurice Costley Josef Herman was a Polish/British contemporary artist, he was an Eastern European Jewish refugee who emigrated to Great Britain to escape Nazi persecution in 1940. He lived firstly in Scotland and then moved to London in 1943, where he held his first London exhibition along with LS Lowry. He is best known for his paintings of working people, including peasants, fishermen and coal miners. In 1981 he was awarded an OBE for services to British art and was elected to the Royal Academy of Arts in 1990
Lot 105
BRITTON, J & BRAYLEY, E W: The Beauties of England and Wales, or Delineations, Topographical, Historical, and Descriptive, of Each County, 18 vols. Bound in 25 vols. Plus J Norris Brewer's Introduction volume, making a total of 26 volumes. J. Harris, 1801-1818. With numerous maps and plates. The introductory volume has the original signed receipt from 'James Stannard, Norwich' for £6.10.0 dated Norwich, June 20, 1818. Contemporary full treecalf, rubbed. A very good and clean set. NOT COLLATED, BUT THEY ALL LOOK COMPLETE. Sold not subject to return (26)
Lot 3
George V silver fruit service by William Hutton & Sons Ltd, comprising six mother of pearl plates, each mounted with three silver ball feet, together with six mother of pearl and silver fruit knives and forks, hallmarked Sheffield, 1911, 1917 and 1924, displayed in a silk and velvet fitted box, retailed by James R Ogdens & Sons, Harrogate, with original receipt label, shell W26cm, case W60cm Provenance: Nidd Hall: acquired by Guy Reed from Richard Butler, 17th Viscount Mountgarret, in 1968.
Lot 655
An 18th Century and later pale brown suede leather upholstered swing back scroll arm chair on cabriole legs to pad feet (Provenance: Cottees Auctioneers Wareham Dorset 15 04 03), 76 cm wide x 65 cm deep x 107 cm high CONDITION REPORTS Receipt for chair restoration and re-upholstery from P. Bligh for £571.78 May 2006 available
Lot 62
Susan Kliewer (American, b.1940) 'Little Dancer' Bronze Sculpture Undated, cast signed on base, engraved #2/45, depicting a Native American child, having a rotating wood base, including COA and receipt from Mountain Trails Gallery Property from: a Private Collector, Muncie, Indiana Height: 17 1/2 inches, Width: 8 1/4 inches (with base) Condition: no damage noted to artwork, mild tarnish Category: Fine Art > Sculptures Estimated Sale Time: 11:02 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
Lot 78
Susan Kliewer (American, b.1940) 'Viola's Pups' Bronze Sculpture 1996, cast signed on base, depicting a girl holding canines, on a rotating wood base, including receipt from The Wickenburg Gallery Property from: a Private Collector, Muncie, Indiana Height: 15 1/2 inches, Width: 6 inches (with base) Condition: not damage noted to artwork, mild tarnish Category: Fine Art > Sculptures Estimated Sale Time: 11:18 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
Lot 61
James Regimbal (American, b.1949) 'Silent Sentinel' Bronze Sculpture 1996, incised signature lower right verso, cold painted bronze depiction of a Native American warrior, on wood base having title placard, Regis Galerie receipt Property from: a Private Collector, Muncie, Indiana Height: 31 inches, Width: 15 inches, Depth: 14 inches (with base) Condition: no damage to art noted, base having minor finish wear Category: Fine Art > Sculptures Estimated Sale Time: 11:01 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6
Lot 64
Susan Kliewer (American, b.1940) 'The Gift' Bronze Sculpture 1992, incised signature on top of base, #15/45, a painted bronze sculpture depicting a man on a horse giving a calf to a woman, titled by a brass placard on rotating wood base, including receipt from Wickenburg Gallery Property from: a Private Collector, Muncie, Indiana Height: 20 inches, Width: 16 inches, Depth: 9 inches (with base) Condition: no damage to art noted Category: Fine Art > Sculptures Estimated Sale Time: 11:04 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6
Lot 300
A group of Wedgwood wares including a tobacco jar and cover, decorated with the Dancing Hours within ivy border, (original receipt for £490) together with a further vase with a painted Hummingbird design and a large Wedgwood jar and cover with floral design with Wedgwood card and artists initials stating collection is available for purchase only from BarlastonLot 300 Good condition with impressed factory marks (20th century), lot 355 also in good condition
Loading...-
19973 item(s)/page