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LIVERPOOL F.C., THREE EUROPEAN FINAL PROGRAMMES, comprising vs. Real Madrid 27th May 1981, Roma 30th May 1984, and Juventus 29th May 1985

REAL MADRID C.F. VS. CELTIC F.C., ALFREDO DI STEFANO TESTIMONIAL TICKET, 7TH JUNE 1967 escalera 24, sector I-13, vomitorio 36

CELTIC F.C., COLLECTION OF CHALLENGE MATCH TICKETS, comprising vs. Wolves 12th October 1959, Real Madrid 10th September 1962, Zargreb 7th February 1967, Spurs 5th August 1967, Man City 4th August 1970, Frank Beattie testimonial 1971, Feyenoord 9th February 1971, Nacional 1st September 1971, Spurs 7th August 1972, Billy McNeil testimonial 1974, Benfica 11th December 1974, Ron Yeats, Bobby Charlton and Jack Charlton testimonialsQty: 14

CELTIC F.C., COLLECTION OF PENNANTS, comprising two European Cup winners, vs.Real Madrid 1980, Real Sociedad 1982, Juventus 1981, Liverpool 1997, also an SFA examplelargest 41cm high

CELTIC F.C., COLLECTION OF PROGRAMMES, CIRCA 1960s including a signed programme vs. Barcelona 2nd December 1964 (Fairs Cities Cup), Leeds 15th April 1970, 1962 and 1964 League Cup Semi, 1965 SC Semi and Final, 1967 SC Final, Real Madrid 1962, Liverpool 14th April 1966, 1963 SC Final, 1964 LC Final

CELTIC F.C., FOUR COLLECTORS ALBUMS, 1975-90 comprising a display of items and text relating to the club including trading cards, programmes, tickets (including Celtic v Real Madrid home and away 1980, and more), photographs, signed postal covers and other related ephemera, names including Danny McGrain (testimonial ticket), Tommy Burns, John Doyle, Billy McNeil, Roy Aitken, Davie Proven, Joe Miller, Paul McStay, centenary year items and multiple signed examplesQty: 4

Real Madrid v. Reims first UEFA European Cup Final match programme, 13th June 1956, played at the Parc des Princes, Paris.

A white Real Madrid autographed shirt, the front bearing numerous player autographs 

Charles Buchans March 1958 Duncan Edwards on the cover, some paper loss, Arsenal v Manchester United programme, 28th February 1959, Aston Villa v. Manchester United, F.A.Cup final, 4th May 1957, England v USSR 1958, The Red Devils Manchester United Souvenir Magazine 1956-7. Manchester United v Real Madrid European Cup Semi-Final Programme (6)

Real Madrid v. Manchester United poster from the Spanish magazine Nuevo Diario from 1968, as they met in the Semi-Final of the European Cup., framed and glazed, 28 x 20in. 

Karl V. in der Schlacht zu MühlbergSilber. Auf rechteckigem Sockel mit Widmungsschild Kaiser Karl V. auf steigendem Pferd in der Rüstung zur Schlacht von Mühlberg (1547). Widmungsinschrift mit Datierung: "Al Excmo. Sr. Dr. Kurt Georg Kiesinger Canciller De La Republica Federal de Alemania Como Recuerdo De Su Visita A El Escorial E Dia 30 De Octubre De 1968 El Gobernador Civil De Madrid" (dt. "An den sehr geehrten Herrn Dr. Kurt Georg Kiesinger Bundeskanzler der Bundesrepublik Deutschland als Erinnerung an seinen Besuch in El Escorial am 30. Oktober 1968 Der Zivilgouverneur von Madrid (wohl José Manuel Pardo de Santayana y Suárez)"). Mit Box. H. 11 cm. 8 cm x 3,5 cm.Provenienz: Vormals Dr. Kurt Georg Kiesinger (von 1958 bis 1966 Ministerpräsident von Baden-Württemberg, von 1966 bis 1969 dritter Bundeskanzler der Bundesrepublik Deutschland), aus dem Nachlass seines Sohnes Dr. Peter Kiesinger (1942 - 2023).A small Spanish silver sculpture depicting the German Emperor Karl V at the Battle of Mühlberg. With box.Spanien. Madrid. Real Armeria. 1960er Jahre.

Luigi Amidani (Parma, 1591 - after 1629)“Martyrdom of St. Matthias”Oil on canvas. 206 x 125 cm.This is a painting that was previously unknown to the art market. This large format picture was already mentioned and reproduced in 1965, in an art magazine in Jerez de la Frontera, Spain. The private collection where this canvas was found, together with another (“Martyrdom of St. Andrew”), with which it was paired, is also located in the same town. It was then considered a Luigi Miradori, according to another scholar (Pérez Sánchez). And previously, in the 19th century, it had other and varied attributions. Professor Massimo Pullin made a study on Amidani (1591-1629) and an attribution to this Italian Baroque painter. He used the method of viewing and comparing as many paintings by the artist as possible from many world art galleries, cathedrals and private collections, as well as compiling all the writings and studies related to this Italian painter written until then, with opinions of scholars and curators of art galleries such as the Louvre itself.For his rigorous study, he observed and contemplated in depth all the work by Amidani that existed in Spain (the so-called “Iberian stage” of the painter in which he broke loose from being a mere copyist): on the one hand, a series of ten small paintings (0.43 x 0.35 cm) depicting the “Martyrdoms of the Apostles”, which were in the Royal Academy of San Fernando belonging to the novitiate of the Jesuits in Seville, (then attributed to Tintoretto) and which were in the Academy before 1796 (brought by Ponz); This attribution changed in 1804, in the "Inventario de Alhajas" (Inventory of Treasures), and the new attribution was to Pablo de Céspedes - a painter from Cordoba, as was then noted in ink on the back of the frames. This mistaken attribution was maintained throughout the 19th century, until it was modified by Alfonso Pérez Sánchez in the 1963/64 inventory in which, he proposed Luigi Miradori as the artist. Massimo Pullini in the 21st century (2020) disputed the previous authorship as he recognized the style of the Italian Baroque painter who accompanied Velázquez on his first trip to Italy, in most of this small series. In addition, Luigi Amidani was a favorite disciple of Bartolomé Schedoni, a painter linked to the Farnese family who, in turn, had a close relationship with Velázquez on the occasion of that first trip to Italy. Some of these small-format paintings, which were always on view to students and teachers at the Academy, served as inspiration for later paintings. Massimo, on the other hand, also studied the remains of what could have been another series of the same subject (martyrdoms of apostles) in a larger format, in Spain and in other art galleries around the world, which house the martyrdoms of St. Peter and St. Paul in the Museum of Fine Arts in Valencia, and those of St. Andrew and St. Matthias in a private collection in Jerez de la Frontera, (one of them, the painting we are commenting on).In the small format painting “The Martyrdom of St. Matthias”, the saint is shown lying down and dressed, being viciously stoned by his executioners. In the large format work we have here in our catalog, he appears half-naked, in the style of St. Andrew, St. John, St. Jude Thaddeus, St. Bartholomew..., the torsos are exposed and covered by peplos or remains of tunics or torn and hanging clothes. Professor M. Pullini observes the figures' morphology and expressions as being similar to those of the large format painting from Jerez de la Frontera, faces “that can well be defined as neo-Gothic, full of a hardness that at times borders on the grotesque”. In this large canvas the saint is depicted as being stripped between two soldiers, and in the foreground, kneeling, is the one who announces the method of martyrdom, carrying a basket full of stones. According to tradition, the saint was stoned in Judea around the year 80, after being condemned to death by the High Priest, and later beheaded with an axe for having opposed Caesar.His face does not lose courage or strength, and despite the intuition that he is going to die, he looks on with the strength of the One who fills him with his truth. The large vertical format of the painting must certainly have been chosen to complete the pictorial collection of some chapel or church. Crudeness in the images, pronounced foreshortenings, and violent effects of light are very reminiscent of the influences exerted by the master Caravaggio, and his mature style and the abrupt chromatic contrasts are very much influenced by Ribera.Two other canvases also studied by Massimo could come from this same large-format series.  No longer in Spain, the so-called “Stoning of an Apostle” which appeared on the London antique market and the “Martyrdom of St. Paul” that can be found in the Schloss Weißenstein in Pommersfelden (Germany). Reference bibliography:Bibliografía de referencia:- Luzón Nogué, José María (ed.) (2022). "Velázquez en Italia. Entre Luigi Amidani y Juan de Córdoba". Madrid: Real Academia de Bellas Artes de San Fernando.- Pulini, Massimo (Noviembre de 2020). “Luigi Amidani da Parma a Madrid, da pittore dei Farnese a ‘confidente’ di Velázquez”. About Art On Line.- VV. AA. (2000). Corpus velazqueño. Documentos y textos, 2 vols., bajo la dirección de J. M. Pita Andrade. Madrid. 

Francisco de Goya [Los desastres de la guerra. Madrid, Real Academia de Bellas Artes de San Frenando 1906]. • Erschütternder Bildzyklus Goyas • Entstand unter dem Eindruck des Guerillakrieges gegen Napoleon in Spanien • Vollständige und gut erhaltene Suite 'This edition is excellently printed on very suitable paper. The impressions generally are a little inferior to those of the second edition but are better than those of the third' (Tomás Harris) Die Serie wurde von Goya bereits 1810-20 angefertigt, die erste Ausgabe erschien allerdings erst 1863 in nur 500 Exemplaren. Die eindrucksvolle Suite gilt in ihrer apokalyptischen Darstellungsweise als die vollendetste Leistung Goyas auf dem Gebiet der Radierung. - Vierte Ausgabe, die in einer Auflage von 275 Exemplaren erschien. Auf festem Bütten ohne Wasserzeichen, mit allen Merkmalen der vierten Ausgabe, jedoch ohne Einband. Die Tafeln wurden vorsichtig aus der Bindung gelöst und unter dünnem Passepartout gerahmt. EINBAND: Lose Tafeln unter Passepartout, in 2 schwarzen Leinenkassetten. 25,5 : 34,5 cm. - ILLUSTRATION: Folge von 80 Orig.-Aquatinta-Radierungen. LITERATUR: Harris II, 121-200 und I, S. 139ff. - Gäßler 91-170. Dabei 2 der 3 zusätzlichen, nicht mit der Folge veröffentlichten Tafeln in sehr gutem Faksimile (Berlin, Loga 1907).  -4th edition. Complete set of images on strong laid paper without watermark. A great picture story was created under the impression of the guerrilla war against Napoleon in Spain. Series of 80 original aquatint etchings, mounted under passe-partout, in 2 cloth cases. 25.5 : 34,5 cm. - Without title page, introduction and binidng. Very occasionally foxing, all with small glue margin on the left side (due to the original binding). Otherwise nice clean leaves, all of which are mounted under passe-partout in two places on the verso of the upper edge. - 2 additions. Vollständige Beschreibung und Zustandsbericht https://www.ketterer-rarebooks.de/kunst/kd/details.php?detail=1&anummer=559&obnr=424000689 Dieses Objekt wird regel- oder differenzbesteuert angeboten. Complete description and condition report https://www.ketterer-rarebooks.com/details-e.php?detail=1&anummer=559&obnr=424000689 This lot can be purchased subject to differential or regular taxation.

KILMARNOCK Nine home programmes for European ties v Eintracht Frankfurt 22/9/1964 team changes and score entered, Real Madrid 17/11/1965, Nandori Tirana 29/9/1965, Lokomotive Leipzig 26/4/1967, Eintracht Frankfurt 12/4/1969, FC Zurich 30/9/1969, JSK Slavia 19/11/1969, FC Dinamo Bacau 17/12/1969, Coleraine 29/9/1970. Most are slightly creased. Generally good

2018 UEFA SUPER CUP FINAL Unused ticket for the match at Tallin, Real Madrid v Atletico Madrid, slightly creased. Generally good

1950'S WOLVES V EUROPEAN Seven programmes for matches at Wolves against 1954/5 Spartak, Honved scores entered, 1956/7 Borussia Dortmund, Red Banner, 1957/8 Real Madrid, 1959/0 Red Star and Vorwaerts. Folds and occasional team change. Fair

MANCHESTER UNITED Ticket for the home Grand Challenge match v Real Madrid 13/12/1961, horizontal crease. Generally good

MANCHESTER UNITED Nine programmes including 4 X home v Real Madrid 25/4/1957, European Cup Semi-Final, Red Star of Belgrade 14/1/1958, European Cup 2nd round, 1st Leg, Manchester City 13/4/1959, Manchester Senior Cup Final and Leicester City 19/12/1964, postponed, 2 X away v Wrexham 26/1/1957, FA Cup 4th round and Birmingham City 23/3/1957, FA Cup Semi-Final and 3 X pirate programmes, 1 X home v Real Madrid 25/4/1957, European Cup Semi Final, 2 X away v Birmingham City 23/3/1957, at Hillsborough FA Cup Sem-Final and Fulham 22/3/1958, at Villa Park, some with creases, minor tears and tape marks and repairs, staples removed, writing in pen, team changes and scores entered. Fair to generally good

2017 UEFA SUPER CUP FINAL / MANCHESTER UNITED Ticket for the match at Skopje v Real Madrid, slightly creased. Generally good

1964 EUROPEAN CUP FINAL / REAL MADRID V FC INTER MILAN Programme and 4 page insert for the European Cup Final tie at Praterstadion in Vienna, Austria 27/5/1964. Generally good

1998 UEFA SUPER CUP FINAL Ticket for the match at Monaco, Real Madrid v Chelsea, paper loss. Fair

2016 UEFA SUPER CUP FINAL Ticket for the match at Trondheim, Real Madrid v Sevilla, slightly creased. Generally good

2000 UEFA SUPER CUP FINAL Unused ticket with 2 counterfoils for the match at Monaco, Real Madrid v Galatasaray. Good

Goya y Lucientes (Francisco José de) Los Desastres de la Guerra, third edition, complete set of eighty etchings with aquatint, drypoint and engraving, on sturdy ivory wove paper without watermarks, title and text from the second edition, each platemark approx. 152 x 198 mm (6 x 7 3/4 in), sheets each approx. 235 x 335 mm (9 1/4 x 13 1/4 in), mounted on stubs, occasional marginal spotting, some surface dirt, later calf, rubbed and scuffed, oblong folio, Real Academia de Bellas Artes de San Fernando, Madrid, [1903]Literature:cf. Harris 121-200*** Goya's etchings illustrate events he witnessed in Madrid and Zaragoza, his birthplace and where these works were produced after he fled the court in 1810-15. These events were the result of the Peninsular War (1808-1814), in which Napoleon Bonaparte invaded Spain and was met with bloody resistance from the local population, before being defeated by British and Spanish troops. The images were kept in the artist's country estate, Quinta del Sordo, and were owned by Goya's son Javier until his death in 1854.  The war scenes are devoid of the traditional heroism and triumphalism of such representations; the artist focuses on the horror of the war in a modern and original way and surprises by not putting blame exclusively on either side. The French are condemned for the occupation and the Spanish for excessive violence.

Football pin badge collection - 35 metal badges for Spanish teams, includes Barcelona, Athletico Madrid, Athletico Bilbao, Deportivo Alves, Real Sociedad, Real Mallorca, Valencia and more. (35)

David Beckham Signed Real Madrid Shirt Display, Adidas Siemens mobile Home Shirt, Signed to front in black pen, with COA, framed 81x66cm.

Zinedine Zidane Signed Real Madrid Shirt - Zidane number 5 Adidas Real Madrid Home Shirt, Signed in silver pen on top of number 5, with Adidas tag, With COA.

Football; Gareth Bale; A signed Wales replica Home short sleeved Shirt, 2015-16 season, ink signature on reverse, on the number 11, with certificate from A1 Sporting Memorabilia, together with a Real Madrid signed replica shirt, with certificate from the retailer, a Tottenham Hotspur replica shirt, probably with Bale's signature, two other replica Bale shirts (5)

Spanish Football Shirts, Real Madrid Adidas Homes x 2 with Siemens logo sizes M & L. Valencia Nike Home and Away, both size L (4).

Tottenham Hotspur in the UEFA Cup Programmes, 1972 away at Arad (x 2), at Lyn, at Grasshoppers 1973, at Hajduk1984, Final v. Anderlecht - 2 of both legs, at Prague. At Real Madrid 1985, at Zimbru, at FRK1 and others approximately forty-five in a folder.

Alan Kennedy 16x12 signed colour photo, Autographed Editions, Limited Edition. Photo Shows Liverpool Legend Kennedy clutching the European Cup after his winning goal defeated Real Madrid in the 1981 European Cup Final. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Phil Neal 16x12 signed colourised photo, Autographed Editions, Limited Edition. Photo Shows Neal celebrating the Victory over Real Madrid in the 1981 European Cup Final at the Parc Des Princes. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Manchester United 12x16 Multi signed Colourised squad photo, Autographed Editions, Limited Edition. Signatures from: Bill Foulkes, John Aston, Pat Crerand, Nobby Stiles, Alex Stepney and David Sadler. Photo shows the Man United team line up prior to their historic 3-3 draw with Real Madrid in the 1968 European Cup Semi-Final 2nd Leg. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Antiquarisches zur Reitkunst, Pferdezucht & Pferdeschulen, Madrid 1805Francisco de Laiglesia y Darrac, Ensayos sobre los verdaderos principios de la Equitación, o Teoria de la Escuela de á caballo, adaptada al más exacto raciocinio y a las leyes que dictan la geometría, la anatomia y la mecánica..., mprenta Real,268 S., mit zahlreichen Stichen, Madrid, 1805, im Ganzleder

European Final Football Programmes, Real Madrid v Liverpool 1981 in Paris and Liverpool v Roma 1984 in Rome. [W]

CRISTIANO RONALDO 2014 UEFA SUPER CUP MATCH ISSUED #7 REAL MADRID JERSEYThe 2014 UEFA Super Cup was the 39th edition of the UEFA Super Cup, an annual football match organised by UEFA and contested by the reigning champions of the two main European club competitions, the UEFA Champions League and the UEFA Europa League. The match featured two Spanish teams Real Madrid and Sevilla, the winners of the 2013-14 UEFA Champions League and the 2013-14 UEFA Europa League, respectively. It was played at the Cardiff City Stadium in Cardiff, Wales, on 12th August, 2014. The date was moved from Friday in late August in previous years, to mid-August starting this year, following the removal of the August international friendly date in the new FIFA International Match Calendar. Real Madrid won 2-0 to win their second UEFA Super Cup, with both goals by Cristiano Ronaldo.The offered Adidas white long-sleeved white jersey features the name "RONALDO" and #7 applied on the back. The Real Madrid Club crest, Adidas logo, and sponsor together with matchday details are applied on front. Appropriate felt patches applied to both sleeves. The jersey has two buttons up front. The jersey type is adizero which is designed exclusively for players. Made in Vietnam. Sized 8.

CRISTIANO RONALDO 2008/09 MATCH WORN #7 MANCHESTER UNITED AWAY JERSEYPresented is a Cristiano Ronaldo Manchester United uniform from the 2008/09 Premier League season, his last season with the English football giants before his seismic transfer to La Liga contenders Real Madrid before the 2009/10 season. Possibly the most popular athlete in the world, "CR7" is one of the hottest tickets in soccer collecting, more than two decades after his professional debut. The offered blue jersey contains the icon Red Devils' team crest on the upper left chest, opposite a white Nike Swoosh manufacturer's logo on the upper right chest. The team's "AIG" sponsorship logo is printed in white across the front of the jersey. A pair of Barclay Premier League patches commemorating United's league title from the 2007/08 season rest on either sleeve. The name "RONALDO" and #10 are applied on the back in felt material. The wash label is applied on the inside of the jersey. Made in Morocco. Sized XXL. The jersey exhibits evidence of light use.

FERNANDO TORRES 2012 UEFA CHAMPIONS LEAGUE FINAL MATCH WORN #9 CHELSEA JERSEYThe 2012 UEFA Champions League final was an association football match which took place on Saturday, 19th May, 2012 between Bayern Munich of Germany and Chelsea of England at the Allianz Arena in Munich, Germany. The match was to decide the winner of the 2011-12 season of the UEFA Champions League, Europe's premier club football tournament. Bayern were making their ninth appearance in the competition's final, having won four and lost four, most recently losing in 2010. Chelsea were appearing in their second final, having lost their first in 2008.It was the first Champions League final to be held at the Allianz Arena (known as Fußball Arena Munich. for the final). As tenants of the Arena, this meant Bayern were the first finalists to have home advantage since 1984. Both teams progressed to the knockout stages by finishing top of their group. Bayern then beat Basel, Marseille and Real Madrid to reach the final, while Chelsea knocked out Napoli, Benfica and defending champions Barcelona.Bayern took the lead late in the second half through Thomas Muller, but Didier Drogba equalised for Chelsea five minutes later to take the game to extra time, in which Arjen Robben missed an awarded penalty, Petr ?ech saving the low drive. The teams stayed level at 1-1 and the match went to a penalty shoot-out, which Chelsea won 4-3 to clinch their first Champions League title. In doing so, they became the first London club to win the tournament, the fifth English club and 22nd overall.Presented is an Adidas blue jersey that was worn by Fernando Torres in the aforementioned match. The jersey features the name "TORRES" and #9 applied on the back. The Chelsea Club badge and matchday details are embroidered, while the Adidas logo and sponsor are heat-applied on front. The Champions League starball and the "RESPECT" patch are applied on right and left sleeves, respectively. The jersey brand is Techfit which is designed exclusively for players. Made in China. Sized 10. The jersey comes with an LOA which states that the jersey originates from the collection of the Atletico Madrid player Gabi Arenas.

Miguel Cabrera (Antequera de Oaxaca, Mexico, 1695 - Mexico, 1768)‘Virgin of Guadalupe with apparitions’.Oil on copper. Signed "Michl Cabrera pinxit"42,5 x 42 cm. Important representation of the Virgin of Guadalupe, which includes the apparitions and the Indian Juan Diego.It has handwritten legend in Latin: "Non fecit taliter omni nationi" (He did nothing the same with any other nation) in reference to the words pronounced by Benedict XIV when he was presented with the image of the Virgin of Guadalupe and admiring its beauty, he approved the works of the Guadalupe patronage in Mexico.Cabrera is considered the greatest exponent of 18th century Viceroyalty painting, with a production that the Dallas Museum of Art defines as "legendary: more than 309 works from his great studio have been documented".Miguel Mateo Maldonado y Cabrera was born on February 27, 1695 in Antequera, present-day Oaxaca, Mexico, a fact known from the painter's will in 1768.He was the son of unknown parents and godson of a mulatto couple. He moved to Mexico City in 1719, where he began his artistic training, passing through the workshop of Juan Correa in the capital of the Viceroyalty.Cabrera painted altarpieces in the Jesuit church of Tepotzotlán, State of Mexico, in the church of Santa Prisca in Taxco, Guerrero and in the cathedrals of Mexico City and Puebla.Cabrera was not only a painter, but he also participated in the attempt to found an academy of Arts in 1753 and in 1756 he was consecrated as an intellectual, not only as an artist, since he published a narration about the image of the Virgin of Guadalupe in 1756 entitled "Maravilla americana y conjunto de raras maravillas observadas con la dirección de las reglas del arte de la pintura", a narration about the image of the Virgin Guadalupe in the printing press of the Jesuit college of San Ildefonso.In addition to easel painting, his production includes the design of altarpieces, large format works, as well as small copper works and nun's shields. Cabrera's religious painting produces figures of remarkable beauty, a beauty understood under the ideological assumptions of the devotion of the time. It is a refined art that possesses a well-arranged chromatic richness, is sustained by a great work of composition and, no less important, a subtle and expressive drawing.Of all the painters of that time, Cabrera was the one with the greatest personality; the conventional treatment in his figures was undoubtedly the basis of his way of painting, because he placed in his paintings models that were not ideal, but corresponded to people that the artist knew and treated, as when he incorporated in some paintings, portraits of donors or the so-called "prelates" because he had the need to observe directly and copy from nature. He was appointed chamber painter of Archbishop Manuel Rubio y Salinas, who commissioned him to study and paint the image of Our Lady of Guadalupe, reproducing the ayate. The image was sent to Pope Benedict XIV, from whom he obtained the highest recognition as a painter of Guadalupe. Among the portraits he painted, the one of Sor Juana Inés de la Cruz, kept in the National Museum of History, and the one of Juan de Palafox y Mendoza, located in the Museum of Colonial Art in Morelia, Michoacán,Mexico.He was also a painter for the Society of Jesus, for whose churches he produced numerous works.In 1753 he was named president for life of the Academy of San Carlos.His work is preserved in many churches and convents in Mexico.It is also present in numerous public and private collections.Two of his images of the Virgin of Guadalupe are in the Vatican Museum.Another, made in 1756, for the temple of San Francisco Javier, is preserved in the National Museum of the Viceroyalty.The Museum of Art of Dallas, conserves a Santa Gertrudis La Magna by Miguel Cabrera and another representation of the Saint, also by Cabrera and dated in 1768, is part of the collection of the Museum José Luis Bello y Zetina of Puebla, Mexico.Likewise, we highlight an important series of the Caste paintings of 1763 that is conserved in the collection of the Museum of America in Madrid. They depict families, father, mother and child of the various castes and social strata, in everyday life situations. Finally, mention should also be made of the Pinacoteca de La Profesa or the Andrés Blaisten Collection in Mexico, as depositories of Cabrera's work.The Museum of America in Madrid is currently exhibiting a very important retrospective of the painter. Procedencia:- Antigua colección Pedro Vindel.Pedro Vindel fue un librero anticuario conquense, como informa la Real Academia de la Historia, “el que llegó a ser el primer librero anticuario español de su época”, con una de las colecciones más importantes de libros de horas. Tal como sigue la RAH, “Pedro Vindel, al estilo de los grandes libreros europeos, publicó sus catálogos desde 1895, y organizó varias subastas de libros, en locales por él alquilados, como la de 1913, cuyo catálogo hizo imprimir. También fue quien inició en España lo que él denominó la “bibliografía gráfica”, al incluir en sus catálogos […] reproducciones fotolitográficas de las portadas u otros elementos de los libros”.Para más información, recomendamos la lectura de “Pedro Vindel: Historia de una librería (1865-1921)”, de Pavl Cid Noé. Reference Bibliography:- Andres Blaisten Museum. (n.d.). https://museoblaisten.com/Artista/79/Miguel-Cabrera- Sánchez Mariana, Manuel. (s.f.). "Pedro Vindel Álvarez". https://dbe.rah.es/biografias/67005/pedro-vindel-alvarez

Collection of Football related figures / collectibles featuring boxed Kick O Mania Manchester United Wayne Rooney, boxed Hasbro Heroes Of Treble Manchester United Dwight Yorke, boxed Homewin Tottenham Hotspur Gnome, FTChamps Real Madrid Beckham 23 & a quantity of Corinthian collectibles carded and uncarded, vg overall (2 boxes)

A collection of table soccer teams, comprising six by Santiago Table Soccer, comprising Stenhousemuir, AFC Wimbledon 2nd, Unterhaching, Getafe Home, Getafe Away and Getafe Third Kit, six by Total Soccer comprising Liverpool FC, Cadiz CF, AS Roma, Real Madrid, Valenica CF and Team Total Soccer, and four by Zeugo comprising 91 Doncaster, 157 Wolverhampton, 292 Sheffield United and 113 West Bromwich Albion, all boxed.

Un seau à rafraîchir napolitain provenant du service Herculanum, Real Fabbrica Ferdinandea, vers 1780-82A Naples, Real Fabbrica Ferdinandea cooler from the 'Servizio Ercolanese,' circa 1780-82Decorated with a continuous scene of classical figures after the Excavations and taken from the prints published in Le Antichità di Ercolano Esposte, set against a naturalistic landscape including a temple and ruin architecture, decorated with moulded rim of scrollwork alternated with vignettes of birds in two-tone gilding, the rim with moulded heads of caryatides, the rim with a title in red script: MUS.ERCOL.SERIE DEI BRONZI VASO DI CORNELLAE SCHELIDONI.SERIE DI PITTURE IL BASSARO O SABADIO, with its original ormolu mounts with three winged griffins, 20cm. high, (two cracks running through the side)Footnotes:ProvenanceCharles III, King of Spain (1716-1788)The Servizio Ercolanese is one of the most famous services produced by the Real Fabbrica Ferdinandea, right at the beginning of its existence. The cooler was listed in September 1782 by Domenico Venuti, director of the factory, in his description of the service given by the King of Naples and the Two Sicilies, Ferdinand IV to his father Charles III of Spain:'Rinfrescatoio piccolo n. 2 Fig. rap. la Sacra Pompa di Bacco'[Small cooler n. 2 rep. the sacred rite of Bacchus].Both principal painters of the service, Giacomo Milani and Antonio Cioffi, accompanied the service to Madrid in 1782, where it was presented to the Spanish king. The decoration of the service was based on the newly discovered Triclinium of the Villa Cicerone in Herculaneum (see Turin, 2007, p.63). Most of these sources were derived from the highly influential publications of the findings of the excavations by the Royal Court under the title 'Le Antichità di Ercolano Esposte,' as published between 1757-1798 by the Stamperia Realeor Royal Printing Press.In her landmark 1986 publication on the Real Fabbrica Ferdinandea, Angela Caròla-Perrotti argues that the service was intended by Venuti to show the continuation between the ancien régime of Charles III, and that of his son, Ferdinand IV (p. 327). For Venuti, there was a personal interest; from 1740 onwards his father, Marcello Venuti, had been director of the Archaeological projects responsible for the excavations and indeed publication of the many volumes of 'Le Antichità di Ercolano Esposte'. Domenico Venuti himself, besides being director of the Real Fabbrica, was appointed Director General of the Excavations of the Kingdom. The service would have been completed with a series of twelve busts modelled by Filippo Tagliolini, all in biscuit, again taken from famous sculptures from the collection of Antiquities, now kept in the Museo Archeologico in Naples.Pieces from this service come to the market only very rarely and few are kept in private collections. For an ice pail from the same service see Angela Caròla-Perrotti, Fascination of Fragility, 2010, p. 323. A soup-tureen from this service was sold at Christie's London, 7 July 1997, lot 286 and the companion soup-tureen on 13 March 1989, lot 44. A plate from the service was sold by Christie's London on 27 April 1995, lot 144, two ice pails were sold at Sotheby's New York, 23 October 2004, lot 6, and a biscuit bust from the service was sold at Sotheby's Milan, 19 December 2006, lot 341. Most recently three pieces, including a plate, from this service were sold at Sotheby's, The collection of Giovanni & Gabriella Barilla, 14 March 2012, lots 228, 233 and 234. Another rare plate from the service was sold in these Rooms, 17 June 2015, lot 37.For further information on this lot please visit Bonhams.com

Autographed DAVID JOHNSON 12 x 8 Photo : Col, depicting a superb image showing DAVID JOHNSON celebrating with the European Cup in front of photographers following Liverpool's 1-0 victory over Real Madrid in the 1981 Final, signed in black marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Benfica v Real Madrid 1962 European Cup Final 2nd May Olympic Stadium Amsterdam vintage programme. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Football Vintage Real Madrid Football pennant, commonly referred to as Real Madrid, is a Spanish professional football club based in Madrid, Spain. Water stained. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Autographed ALAN HUDSON 16 x 12 Edition : Colorized, depicting Chelsea's ALAN HUDSON holding aloft the European Cup Winners Cup during a lap of honour following a memorable victory over Real Madrid in the 1971 Final in Athens, signed in black marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

PlayStation 2 (PS2) Slim Console [Black] (PAL) with games [20] and DualShock 2 Controller [Black] Games include: Off Road, Red Faction [Platinum], Red Dead Revolver, Real Madrid Club Football, Nitrobike, Ninjabread Man, Rally Fusion, Radio Helicopter, RedCard, Red Ninja, Red Faction II, Miami Vice, Rampage: Total Destruction, Meet the Robinsons, Maxxed Out Racing, Master Rallye, Kung Fu Panda, Knockout Kings 2001, Knights of the Temple - Infernal Crusade and Knight Rider 2 - The Game Console is loose and comes with power supply

2008 - 2009 Real Madrid Salgado Match Issued Football Shirt; White long sleeve with Champions League badging to one sleeve and Champions League Cup 9 to other sleeve with refers to previous cup wins. Spain badge to breast only used in Champions League matches. Issued for match v Liverpool. Number 2 M Salgado to rear. Autograph blurred as been washed. Salgado did not make the squad for both matches.

Manchester Home European Football Programmes: From 56/57 to 94/95 stored in Manchester United hand made binders. Programmes are excellent and include 56/57 Anderlecht, Dortmund writing, Bilbao, Real Madrid, 57/58 Dukla, Red Star Shamrock and AC Milan. (59)

Manchester United 56/57 Home Football Programmes: Includes Anderlecht, Bilbao, Real Madrid sof, Everton FA Cup and we believe all 31 league matches in very good condition unless stated. (24)

Arsenal Football Ticket Collection: Tickets from the 1960s to the 2000s. Includes big match European and domestic tickets. Finals include 1970 European Fairs Cup with the majority being 70s. 1962 Real Madrid and 1954 Spartak home included. (80)

Real Madrid Cased Rare Centenary Football Book: Cine Amos De Leyenda 1902 - 2002 is a very heavy book in embossed white case which has handling marks. Book itself is excellent and has nearly 600 pages.

West Ham Football Memorabilia Box: Programmes including 1967 Real Madrid in Houston with slight damage, testimonials, European, cup finals plus books, Directors reports, 1975 FA Cup final record, programme binders, signed cup final programmes, Di Canio signed mouse mat, press reports and more. Instructions to sell. (2 boxes)

1971 European Cup Winners Cup Final Football Programme: Real Madrid v Chelsea played in Athens in very good condition with no team changes.

Signed Real Madrid Football Shirts: White unworn replica home shirts two with tags still attached. One has Ronaldo 7 to rear with his signature the others with a few unknown autographs. Came in to a valuation day without authenticity so signatures remain unverified. (3)

Christiano Ronaldo 2015 - 2016 Signed Real Madrid Football Shirt: White home shirt with Ronaldo 7 to rear. Signed in marker pen to front of the large sized shirt.

Collection of Ipswich Town European competitions home match programmes to include 1973/74 Real Madrid (UEFA), FC Twente (UEFA), Lazio (UEFA), Lokomotive Leipzig (UEFA), 1974/75 FC Twente (UEFA), 1975/76 Feyenoord (UEFA), FC Bruges (UEFA), 1976/77 FC Antwerp (friendly), 1977/78 Landskrona Bols (Sweden) (UEFA), Las Palmas (UEFA), 1978/79 AZ Alkmaar (ECWC), Barcelona (ECWC), SW Innsbruck (ECWC), 1979/80 Skeid Oslo (UEFA), Grasshoppers Zurich (UEFA), 1980/81 Bohemians Prague (UEFA), St Etienne (UEFA), FC Cologne (UEFA s/f), Widzew Lodz (UEFA), AZ Alkmaar (UEFA Cup final), 1981/82 Aberdeen (UEFA), 1982/83 Roma (UEFA); good. (22)

European Cup Anglo Italian, European league and European /South American cup 1968 Football programmes, to include Manchester v Estudiates 1968, Ajax v Panathinkos 1971, Ajax v Milan 1969, Ajax v Independiete 1972, Club Bruge v Real Madrid 1976, RSC Anderlehtois v Southampton 1977, Bayern v St Etienne 1976, Anglo Italian cup Swindon Town Futari Magazine 1982

Cristiano Ronaldo signed Real Madrid home replica football shirt in white, Ronaldo #7 to the reverse, finely presented and professionally framed, with COA to reverse, 65 x 87 cm approx

1960-70 English League Football programmes, a mixed lot of league and a few cup matches with noted teams of Watford v Shrewsbury 21st Jan 1961, Wrexham v Shrewsbury 23rd April 1961, Arsenal v Newcastle 27th Feb 1960, Manchester United v Leeds 31st Dec 1966 (worn copy), Exeter v Luton 9th Jan 1960, Bolton v Nottingham 13th Feb 1960, Newcastle v Wolves 9th Jan 1960, Crystal Palace v Real Madrid 1962, plus lots more in mixed condition - fair to good (#145)