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Hand modeled and hand painted military figure in dress uniform. He is shown leaning against the stair railing holding a letter from a loved one. His other hand petting the dog beside him. Dark blue, red, and gilded colorations. Michael Sutty backstamp. Model number 143. Artist: Michael SuttyIssued: 20th centuryDimensions: 5.75"L x 4.75"W x 9.5"HManufacturer: Michael SuttyCountry of Origin: EnglandCondition: Age related wear.
Former Bristol Zoo Gardens - After Sir Alfred Pugsley - two original sections of the iconic 1956 Bristol Zoo Garden's gorilla enclosure grille. The grille was designed to be far removed from the traditional bars that adorned most other enclosures in zoos around the world, and its unique curved design allowed for more space inside the enclosure. Surrounding the enclosure were several 'flat' versions of the grille, in the same style. When the Gorilla house closed c1983 sections of the grille were repurposed around the Gardens, notably the Herbaceous Border, as attractive fencing and dividers. These two flat rectangular panels adorned a small bridge near the Herbaceous Border. These two railing sections measure 110cm high and 260cm long, each (x2). Removed since photography (July 2024).Note: this lot will be available for collection / courier from our Bath saleroom (BA1 7LR) from Wednesday 27th November onwards
Former Bristol Zoo Gardens - After Sir Alfred Pugsley - two original sections of the iconic 1956 Bristol Zoo Gardens gorilla enclosure grille. The grille was designed to be far removed from the traditional bars that adorned most other enclosures in zoos around the world, and its unique curved design allowed for more space inside the enclosure. Surrounding the enclosure were several 'flat' versions of the grille, in the same style. When the Gorilla house closed c1983 sections of the grille were repurposed around the Gardens, notably the Herbaceous Border, as attractive fencing and dividers. These two curved panels adorned a small bridge opposite the Herbaceous Border. Removed for the auction. These two railing sections measure 111cm high at the mid-point and 311cm long, each (x2).Note: removed since photography (July 2024). Additional photographs of removed panel added 7.11.24.Note: this lot will be available for collection / courier from our Bath saleroom (BA1 7LR) from Wednesday 27th November onwards.
A large 20th century mahogany haberdashery shop display cabinet. The cabinet having a pediment atop with fitted frieze below. Glazed twin doors to front with glazed back & sides. The doors revealing a shelved interior with three glass shelves and brass tubular railing. Raised on short tapered supports. Lacking one glass side panel.Measures approx. 210cm x 162cm x 43cm.
Bob Dylan, American b.1941- The Drawn Blank Series (Bell Tower in Stockholm; Carbondale Motel; Trailer; Backstage Dressing Room; Iron Railing; Corner Flat), 2013; each giclée print on Hahnemühle 350gsm Museum Etching wove,each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, contained within the original grey folio, (unframed) (6)Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
A FINE VICTORIAN PRESENTATION TABLE CENTER 'THE STERN OF H.M.S. HOWE. An unusual presentation piece with engraved plaque 'The Stern of H.M.S. Howe to Captain Assheton Gore Curzon Howe R.N. C.B. From a few old friends on board H.M.S. Howe. 25th February 1892.' With two brass models of the 30 caliber breech loading guns that the ship carried, deck details, railing and white ensign. 44 cm x 26 cm. 10 cm high.H.M.S. Howe was an Admiral-class ironclad battleship built for the Royal Navy during the 1880's. Sir Assheton Gore Curzon-Howe KCB CMG CVO, 13th child of Richard Curzon Howe, 1st Earl Howe. He rose to the rank of Admiral ending his illustrious career as Commander-in-Chief Portsmouth. *CR Engraved plaque detached, loss to area behind plaque, light damage and loss in places, gun mounts loose.
Gründerzeit-Etagère. Ende 19. Jh. Buche, massiv und gebeizt. 93 x 60 x 29,5 cm. 3-etagiges Gestell mit rechteckigen Ablageböden und Drechselsäulen, oberste Ablage mit Geländer. Leichte Alters- und Gebrauchsspuren. Abholung erforderlich.Aufrufzeit 25. | Okt. 2024 | voraussichtlich 19:09 Uhr (CET)Gründerzeit étagère. Late 19th century Beech, solid and stained. 93 x 60 x 29.5 cm. 3-tier frame with rectangular shelves and turned columns, top shelf with railing. Slight signs of age and wear. Collection required.Call time Oct. 25 | 2024 | probably 19:09 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
An attractive and fine quality Louis XVI style kingwood Bureau de Dame, the recessed top with crossbanded shelf with pierced ormolu railing, above a centre opening with mirror back flanked either side by panelled doors with Serves type porcelain plaques, the base with serpentine edge with ornate brass mouldings, over a frieze with three drawers on cabriole legs with decorative mounts, approx. 122cms wide x 114cms high x 61cms deep (48" x 45" x 24"). (1)
A GEORGE III GILTWOOD ARMCHAIR CIRCA 1800 Covered in Aubusson tapestry, on fluted legs 90cm high Provenance: The Hon. Claude John Yorke, and thence by descentIllustrated: The Connoisseur, May 1965, p.4 Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe aubuson covering with marks and some discolouration from use, this appears to be later applied, there are signs of re-railing and additional elements to some of the rails of the chair beneath this. Seat cushion with sagging, some loss to the decorative braids and trimGilt with rubbing and wear, some losses to the rear of the top of the back, and also areas of scratching and loss, unevenness in placesPlease see additional images for visual reference to condition Condition Report Disclaimer
A needlework sampler performed by Mary Ann Thomas, aged 12, 1846, with country house, garden and railing, in a rosewood and gilt frame54 x 50cmCondition ReportSome browning to the linen backing, and some degree of fading and staining. Large hole to the centre. Please see the additional images.
Tri-ang Hornby 00 gauge track and controllers with some Hornby Dublo items (qty), comprising in original boxes Hornby Zero 1 R950 Master control unit, R951 Slave control unit (2), R408U Electric Turntable, P5A Controller, System 6 track straights (20) Very long straights (10) curves (20) points/crossings (10), Super 4 track Straights (32 Curves (55), Hornby Dublo 2400 TPO set coach dented and fitted with Tri-ang couplings, Dublo railing ramp, Dublo 3-rail straight track (6), SEC Electronic simulator, F-G, boxes P-G, (qty)
A collection of books on firearms and gun makers to include BLACKMORE (H); A DICTIONARY OF LONDON GUN MAKERS 1350-1850, 1986, SMITH (W); SMITH’S STANDARD ENCYCLOPAEDIA OF GAS, AIR & SPRING GUNS OF THE WORLD, 1978, DUNLAP (J); AMERICAN, BRITISH AND CONTINENTAL PEPPERBOX FIREARMS, 1964, HOGG (I); MILITARY SMALL ARMS OF THE 20TH CENTURY, 1991; with RAILING (R); THE POWDER FLASK BOOK, Bonanza Books (13)
Hand painted figure of a beauty in a long white dress sitting on a balcony railing overlooking crashing waves. She is shown holding a parasol, and other hand resting over an open book. The figure is attached to a wooden base. Giuseppe Armani marked, Capodimonte backstamp and Florence Giuseppe Armani plaque on base. Artist: Giuseppe ArmaniIssued: 1986Dimensions: 10"L x 6.25"W x 15.5"HManufacturer: Florence Sculture d'ArteCountry of Origin: ItalyCondition: Age related wear.
Eight boxed Hornby OO gauge items of rolling stock to include R4928 Network Rail MK2F, R4901 Network Rail MK2F, R4902 BR MKI Tool Van BSK, R4903 BR Re-Railing MKI BG Coach, 2 x R4418 Pullman Bar Car The New Century Bar, R4384 Pullman 1st Class Kitchen Car Monaco and R4220A Hogwarts Express Brake Coach, plus boxed Hornby R3755 BR 0-4-0 Diesel Shunter Locomotive
A fine Second War ‘Battle of Kohima’ M.M. awarded to Private K. G. Williams, Royal Army Medical Corps Military Medal, G.VI.R. (7517259 Pte. K. G. Williams, R.A.M.C.), in its named card box of issue and forwarding box, and named Buckingham Palace forwarding letter, extremely fine £1,800-£2,200 --- M.M. London Gazette 22 March 1945. The original recommendation for an immediate award states: ‘Whilst at Kohima on 5 May 1944, Private Williams went forward with Staff Sergeant Davies on F.S.D. [Field Supply Depot] Ridge under heavy automatic weapon and mortar fire and succeeded in getting back a wounded N.C.O., Lance-Corporal Harris of the 1st Battalion, Royal Welch Fusiliers. On the same day, when it was impossible to evacuate casualties from the Advanced Dressing Station (A.D.S.), owing to small arms fire, on his own initiative he went alone down Hospital Hill and contacted a tank, which he brought back to the A.D.S. to give cover to the stretcher bearers while carrying down the hill. Note: Private Williams was recommended for a Mention in Despatches for services in the Arakan Campaign on 20 May 1943; this recommendation, however, was not approved by higher authority.’ Kenneth George Williams, who was born in December 1917, enlisted in the Royal Army Medical Corps as a Nursing Orderly in September 1939. By the time of the above cited deeds at Kohima in May 1944, he was serving in 6 (British) Field Ambulance, R.A.M.C., a component of 6th Brigade, 2nd Division, 33 (Indian) Corps. The Second Battle of Kohima, May-June 1944 With the lifting of the siege of Kohima in mid-April 1944, another major battle for that famous ridge commenced, only on this occasion the British and Indian forces found themselves on the offensive against an enemy who excelled in defensive warfare. Defending every bunker with extraordinary determination, the surviving elements of Sato's 31st Division reaped heavy casualties on the men of 4th, 5th and 6th Brigades who had been allotted the unenvious task of taking the Allied advance forward. In scenes reminiscent of the famous siege, fierce hand-to-hand fighting, sniping, grenade/phosphorous bomb attacks and bayonet charges were all part of everyday life, with Williams’ 6th Brigade being given the task of clearing the area of the District Commissioner's bungalow, the scene of so much bloody fighting in the original siege. Unsurprisingly, the men of the R.A.M.C. found themselves working round the clock, often in great danger and always in atrocious conditions. Of earlier exploits by the Medics on this very ridge, one historian described such courageous deeds being carried out amidst ‘horrible scenes of carnage ... in a welter of severed limbs, blood, excrement and scattered entrails’, facts no doubt well known to Private Williams. The 5th May found 6th Brigade embroiled in fierce fighting on the Field Supply Depot ridge, its component Infantry in the form of the Royal Welch Fusiliers, Royal Berkshires and Durham Light Infantry taking terrible casualties - it was on this day that Williams rescued a Lance-Corporal of the former Regiment, in addition to laying on protection for the gradual evacuation of the Advanced Dressing Station. But, as summed up in Kohima, by A. Swinson, worse was to come: '7 May and the three days that followed were probably the bitterest time in the whole battle of Kohima. After thirty-four days and nights of close and bloody fighting, after hunger, thirst, discomfort, after appalling casualties, the enemy still held the main bastions of their position. No bombs, shells, mortars, flame-throwers, or grenades could seem to shift them. The 3.7 howitzers which could have reached many of their positions were silent through lack of ammunition; no amount of railing, correspondence, argument or anything else, could produce any. The Japs had lost thousands upon thousands of men, and reports kept saying they were weak and diseased and running short of ammunition. But all the British, Gurkhas and Indians knew was that as soon as they got near a bunker, the fire poured out of it as mercilessly as ever. The British Battalions were now reduced to three or four hundred men; some had less ... It would be untrue to say that the Division had faltered; but in these days, Officers and men would sometimes look at the great ring of mountains encircling them, and wonder how on earth it could be taken, how flesh and blood could possibly stand much more'. It would not be until early June that General Sato and his 31st Division were finally put to flight. Williams was discharged at Hereford in February 1946. Sold with the recipient’s original Soldier’s Release Book, Class ‘A’, together with a letter of reference from Major R. E. Johnson, R.A.M.C., dated 1 September 1944, in which he refers to Williams’ gallantry in the Imphal and Kohima actions.
Faller, Roco, Brawa & others, HO large group of layout items. To include Faller 120174 Level Crossing kit (sealed), Pola Fence / railing sections, Roco 05080S Wooden Hut, Brawa lighting units, layout scenic materials & other items, see photo, kit contents are unchecked. Conditions: Excellent to mint in Good to Mint boxes & packaging. (Qty)
Bachmann HO gauge Thoroughbred electric train set with E-Z Track System, set appears in very good little used condition with power controller (please note one set of wheels missing from Southern branded open wagon, no damage to bogey) and an unboxed Rivarossi HO Big Boy American steam locomotive (please note damage to front railing area and a piece snapped off above boiler door, overall fair condition)
A MATCHED PAIR OF CHARLES II WALNUT AND NEEDLEWORK UPHOLSTERED SIDE CHAIRS LATE 17TH CENTURY With close nailed woolwork upholstery and plain linen upholstered backs the largest 104cm high, 54cm wide, 60cm deep Condition Report: The chair frames with marks, knocks, scratches, abrasions consistent with age and use, signs of old woodworm, some splicing to the frames and legs and other repairs, Dreweatts cannot guarantee the originality of any frame elements beneath the upholstery, some re-railing Overall frames appear solid and stable The upholstery has had repairs and stabilisations, the backs especially with hessian in fill, the seats with some areas of wear and loss where the ends are frayed and open revealing calico below The seats are 45 and 44cm high from the floor Please see additional images for visual reference to condition and appearance Condition Report Disclaimer
20th century Benin bronze figural chair. The base of the chair with two tiers of standing figures. The back of the chair with two more tiers of standing and squatting figures. Incised and applied geometric decoration throughout the arms and the seat of the chair.Height: 46 in x width: 24 in x depth: 31 in. Weight: 144 lbs 3 oz.Condition: The chair is stable and sturdy. Tarnishing throughout. There are two missing figures along the base. One side of the chair is bent with cracks along the feet of the figures and along where the arm meets the chair. There are some losses along the edges throughout. There is a large crack to the center of the top railing. Dust and debris gathered in the recessed areas throughout. Areas of high polish along the arm rest.
LEAR, Edward (1812-88). Illustrated autograph letter, signed ("Edward Lear"), to Mrs Digby Wyatt, San Remo, 6 February 1871. Two-pages, 210 x 265mm, illustrated with three self-caricature drawings.LEAR, Edward (1812-88). Illustrated autograph letter, signed ("Edward Lear"), to Mrs Digby Wyatt, San Remo, 6 February 1871. Two-pages, 210 x 265mm, illustrated with three self-caricature drawings depicting the positions adopted by Lear while observing beans growing. "But my recent occupation is one so onerous in nature that I have little time and capacity for any but me favrit, which is Beans". Lear describes his newfound passion for beans, both runner- and green, in vivid and comic detail, writing also with news of his progress on three drawings which he doubts will ever be exhibited, and thanking Mrs Wyatt for sending him news of his Nonsense Songs ("[I] wished I could have heard you & Digby reading it. Endless letters have come to me all rejoicing in its nonsense, & I begin to think myself a useful member of society in my old age"). He amusingly relays the many difficulties he has experienced moving into his new residence, the Villa Emily ("the many incidents of bother now going on daily … I have got a violently bandy-legged little gardener who’s now digging up the terrace before the house … then there is a pebble watercourse and all kinds of other absurdities to make"). "I can think of nothing else [but beans], & pass my time almost wholly in watching for the first bean as comes to the Surfis. At first I sat on the bare ground, a la baboon, patiently watching for the first symptom of green. But after 4 days I found I began to get rheumatic, & so I gave up this mode of inspection & took to looking hard at my ground from a railing which surrounds it; thus. This plan however I was obliged to desist from, as it was so difficult to keep my equilibrium, & I more than once fell flat on the Bean ground. And so I have latterly adopted a position which bids fair to enable me to wait till the beans actually come up, – nameley by exactly balancing myself on the top rail over them." Lear’s villas in San Remo were successively named "Villa Tennyson" and "Villa Emily" in recognition of his close relationship with the family. Lear would live there from 1870 until his death in 1888. Provenance: Collection of Dr B.W. Paine; Sotheby's, London, 15 & 16 December 1980, lot 337.
William Henry Pike, British (1846-1908) "Police Watch," O.O.B., Busy Scene with Police Officers and Multiple Figures by railing, approx. 16cms x 24cms (6 1/2" x 9 1/2)ÿsigned lower right, m/ss label on reverse 'by W.H. Pike to his friend Dr. P.S. Abraham, M.A., M.P.,' in contemporary gilt frame. (1)
An ebonised mantel clock, c.1870, by Lewis Foreman Day (1945-1910), the cornice modelled as a tiled roof, with a painted porcelain dial decorated in floral motifs, with brass hands and Arabic numerals, flanked to either side by further painted porcelain panels, the case with panelled sides, manufactured by Howell & James, striking on the quarters, the movement marked 'GV 39718 491 77', 31cm wide22cm deep49.5cm high Provenance: The Estate of Max Clendinning and Ralph Adron, purchased from Berrywood Antiques, 14 March 1972.Condition ReportPieces of the railing have been replaced. With casts in wax to model new bobbins after, as well as some replacement bobbins. The case with some knocks and marks throughout.
A George III 'Gothick' mahogany open armchairAfter designs by Robert Manwaring and certainly influenced by a Thomas Chippendale design, with restorationsThe square back with re-entrant upper angles and blind fretwork rails of elongated double-sided cusped arches interspersed with quatrefoils, the open rose form splat comprised of a central rosette encompassed by eight radiating flared cusped arches, with matching arms and with associated gros and petit needlework seat upholstery, on cluster column front legs terminating in block feet, with splayed square section rear legs, largely re-railed, one original section of the railing remains, approximate depth of the seat: 52cm, 68cm wide x 94 cm high.Footnotes:In 1754, a 'Gothick' fretted parlour chair was invented for the author, antiquarian, academic, collector and connoisseur Horace Walpole for his castellated villa, Strawberry Hill, in Twickenham. In the same year Thomas Chippendale issued patterns for related 'Chinese' railed chairs in his seminal publication, The Gentleman and Cabinet-Maker's Director, pl. XXIII. Subsequently, the third edition of Chippendale's Director, published in 1762, features an engraving, itself dating to 1761, of a 'Gothick' chair with a similar cusped 'rose' splat to that on the present lot, pl. XXV. Alongside this design Chippendale notes that it would be 'proper for a library'. This same plate also appears in Pictorial Dictionary of British 18th Century Furniture Design, compiled by E. White, 2000, Woodbridge, p. 67. However, the offered example, with its distinctive rose window form splat and elegant cluster column legs, is arguably more closely related to a 'Gothick' design executed by Robert Manwaring. This Manwaring drawing is illustrated in the c.1765 second edition publication by the London based 'Society of Upholsterers' called Genteel Household Furniture in the Present Taste, pl. 15. Indeed, the latter is replicated in Pictorial Dictionary of British 18th Century Furniture Design, op. cit., pl. 15.Two further comparable models of 'Gothick' chair designs which originally appeared in Robert Manwaring's 1765 publication, The Cabinet and Chair-Maker's Real Friend and Companion, pl.'s 14 and 15, also again feature in the Pictorial Dictionary, op. cit., pl.'s 14 and 15, p. 79.An identical armchair to the offered lot sold Christie's, London, Important English Furniture, 14 June 2001, lot 29. A pair of very closely related chairs, of the same approximate date and likewise evidently after a Manwaring design, sold Christie's, New York, 16 April 2002, Important English Furniture, lot 3. Another chair of this general type sold Christie's, London, 26 February 1981, lot 60. Whilst a set of eight, including two armchairs, which have similar quatrefoil panelling to their frames sold Enniskerry, Co.Wicklow, Ireland, Christie's house sale, 23 January 1978, lot 97.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A set of four George III 'Gothick' mahogany open armchairsAfter a design by Thomas Chippendale and after designs by Robert Manwaring, with restorationsEach with a square back and channelled pointed arched toprail centred by a boss, above a vertical splat comprised of four pointed cusped arches with pierced shaped trefoil-form spandrels, with curved, scrolled shaped arms and roundel headed octagonal form cappings, on square section legs with scrolled foliate ears, on splayed rear legs, upholstered with associated gros and petit-point needlework seats depicting various pastoral scenes, signs of re-railing, each approximately: 62.5cm wide x 56cm deep x 91cm high, (24 1/2in wide x 22in deep x 35 1/2in high) (4)Footnotes:As with the previous lot, the precursor for this type of 'Gothick' chair is one that was supplied in 1754 to Horace Walpole and installed at his castellated extravaganza, Strawberry Hill, in Twickenham.A design for an armchair with a closely comparable multiple interlaced cusped arched and trefoil pierced splat to those on the chairs comprising the present lot appears in the third edition of Thomas Chippendale's renowned The Gentleman and Cabinet-Maker's Director, pl. XVII, 1762. This seminal work was reproduced by Dover Publications, Inc., 1966, New York. Chippendale notes therein that such a 'Gothick Back' chair would be suitable for 'Halls, Passages or Summerhouses'. Whilst this same drawing is replicated in C. Gilbert, The Life and Work of Thomas Chippendale, Vol. I, 1978, London, fig. 138, p. 85. Three similar designs were also originally illustrated in the second edition of Genteel Household Furniture in the Present Taste, published circa 1765 upon behalf of 'A Society of Upholsterers', pl.'s 2, 14 and 15. These engravings were executed by Robert Manwaring and then subsequently formed part of a 1766 publication by Sayer called The Chair-Maker's Guide. All three are also reproduced in Pictorial Dictionary of British 18th Century Furniture Design, compiled by E. White, 2000, Woodbridge, pp.'s 69 and 72.The general outline or overall form of the back on each of the offered chairs seems closest to the Manwaring design for what he referred to as a 'Parlour chair', featuring in Genteel Household Furniture in the Present Taste, pl. 2. However, in terms of the cusped pointed arched or arcaded splat, the inspiration and influence for this was possibly more likely taken from the two other Manwaring designs, Ibid, pl.'s 14 and 15, both of which are much more akin to the above examples than the former.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
FIVE MATCHING SECTIONS OF CAST IRON WALL RAILING AND ONE OTHER, FROM AN OLD CHURCH YARD, WITH POINTED DETAILING, EACH SECTION APPROX 130CM (H) X 240CM (W), BARS ARE 20MM SQUARED / ALL LOTS ARE LOCATED IN SL0 9LG, REGRETFULLY WE DO NOT OFFER SHIPPING, BUYERS MUST COLLECT OR MAKE SUITABLE ARRANGMENTS - FOR FURTHER INFO PLEASE CHECK OUR IMPORTANT SALE INFO
Bob Dylan, American b.1941- Iron Railing, 2008; mixed media on paper, signed in pencil, sheet: 76 x 61 cm, (framed)Note: this work is a very rare mixed media work and is unique. Dylan's expressive paint handling and use of colour is clearly visible and this work would complement any important Dylan collection. This work comes with a certificate of authenticity from Halcyon Gallery, London.
Y A NEST OF FOUR ROSEWOOD QUARTETTO TABLES 19TH CENTURY 76cm high, 53cm wide, 38cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and use Old splits and cracks, chips and losses, some later re-railing to the underside of the tops to secure and allow for smooth running, some pegged repairs Some colour variation to the topsSome losses to veneers Please see additional images for visual reference to condition Condition Report Disclaimer
Monogrammist "K": Junges LiebespaarBronze patiniert. Mit Monogramm bezeichnet/datiert (19)76, unter der Plinthe angeklebte Messingplakette "Rundfunk der DDR, Hörspielpreis 1983". H 32 cm. 7,5 kg. Am Geländer lehnendes bzw. sitzendes Paar. Aufrufzeit 13. | Juni 2024 | voraussichtlich 15:39 Uhr (CET) Monogramist "K": Young loversBronze patinated. Inscribed/dated with monogram (19)76, brass plaque "Rundfunk der DDR, Hörspielpreis 1983" affixed under the plinth. H 32 cm. 7.5 kg. Couple leaning or sitting on the railing. Call time 13 | June 2024 | probably 15:39 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A CHINESE RED CINNABAR LACQUER CARVED SQUARE DISH MING DYNASTY, 16TH-17TH CENTURY Decorated to the interior with the Tang dynasty poet-scholar Li Bai leaning against the railing from the upper terrace of an elegant pavilion, gazing thoughtfully up at a full moon, with two young attendants standing nearby, the border with squirrel and fruiting vines, exterior of the dish decorated with a band of peony sprays 18.5 cm square Provenance: Purchased by William Alexander Palmer, 1925-2020 (purchase date unknown) 明 剔紅太白望月圖倭角盤拍品來源:英國帕瑪家族顯赫私人收藏,為W. A. Palmer所購 Condition Report: piece missing .3cm x 6mm and the piece adjacent to it glued crack to base of rocks on left hand side approximately 4cm long the rim with five cracks approximately 3cm long and smallerCondition Report Disclaimer
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687 item(s)/page