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Dr Christopher Dresser (1834-1904), 'The Empire Quilt', 1887, a Barlow & Jones satin appliqué produced for Queen Victoria's Golden Jubilee, unbleached cotton, decorated with heraldic devices from the British colonies around a central royal coat of arms, embroidered 'Patent No. 2196.A.D.1881.', 280.5 x 246cm Provenance: From the collection of Dr William Lind. Literature: Widar Halén, 'Christopher Dresser', Phaidon, 1990, p.114, pl.113. Condition ReportIt has been professionally restored and in very good order with very few signs of marks or issues.
Six vintage cushions including three cotton red Paisley Victorian cushions made from Welsh quilt, a Vaughan needlepoint cushion, a green Watts of Westminster cotton velvet cushion and matching cushion cover, and seven covers with no pads including a pair of blue linen floral covers and two needlepoint colourful blue and white linen covers (13).
A large Victorian cotton patchwork quilt, 90 x 100", a Victorian silk and velvet boxwork bed cover with green, red and cream fringing, a woollen Paisley cashmere shawl with fringed edging, a large Edwardian chenille tablecloth, two deep red bedspreads with fringing, and a Paisley quilted bedspread (7).Condition Report: General wear, fraying, stains minor holes and minor rips throughout.
Wearing a knit beige sweater, blue jeans, blue captains hat, and black boots. Sitting on a black chair and holding an orange quilt blanket. Royal Doulton backstamp. Artist: G. TongueIssued: 1997 - 2000Dimensions: 4"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
RYAN MCLAUGHLIN (AMERICAN B.1980) COLLAGE BY C. NEELY, 2007 Oil on linen laid to board Signed, titled and dated 2007 (verso) 60.5 x 69cm (23¾ x 27 in.) Unframed Provenance: Loraini Alimantiri/Gazonrouge, Athens Acquired from the above in 2007Primarily a painter, Ryan McLaughlin works between Germany and the United States. He has exhibited at Adams and Ollman, Laurel Gitlen, Koenig & Clinton, and David Petersen Gallery. McLaughlin interrogates the materiality of his medium, covering his canvas with abstracted layers of paint. Some passages recall the graphic clarity of Ruscha; others evoke the flatness of Manet's surfaces. The artist often incorporates the visual language of advertising and signage, though his understated practice suggests an ambivalent attitude towards modern information culture. This picture's title and iconography is an homage to Cam Neely, an ice hockey player who wore the #8 jersey for the Boston Bruins. McLaughlin's is a syncretic set of symbols, however: patchwork fabrics suggest other, less explicit affiliations, and the daisy affixed to the wooden pole only complicates the ensemble. Ultimately, Collage by C. Neely can be read as a commentary on the composite nature of identity, stitched together and altered like a quilt. Condition Report: There is paint loss to the tips of the upper right and lower left corners and three further losses to the lower left edge and bottom edge. Otherwise, the work appears to be in good original condition. Condition Report Disclaimer
An unfinished silk patchwork quilt in silk fabric in a variety of colours and patterns - striped, floral, checked and plain in all the colours of the rainbow. (It has not been lined.) Made and worked from 1820 to 1840 - completion took over 20 years - some small damage in places, edge resewn).
An American quilt 19th century, the off-white ground with stylised leaf and flower decoration in red and yellow230 x 237cmCondition ReportThe applique is well-stitched and is in good condition This is a handstitched quilt, late 19th century, possibly dating c.1880. With a few small marks and stains, one mark to the red binding. A repair with white thread to the top of the quilt- not visible from the reverse. It appears some of the quilting stitches may have come loose in places, it does not appear to be an ongoing concern. The quilt has some fading, particularly to some of the red sections. Please see the additional images, please note the close up photographs are reading as darker than in person. The photographs that were taken on the bed are more true to life. If you would like to view the quilt, please make an appointment with our reception.
A collection of Dartington Pottery Quilt pattern studio pottery - with painted and impressed potter's marks, including a teapot; a coffee pot (19cm high); two milk jugs; two mugs; a 15.5cm vase; one large and two small pentagonal bowls (the larger 25cm diameter); two large square platters, 25.2cm square; three smaller square plates; and two 13.4cm circular bowls. (17 pieces)
Cotton quilt designed with florals and vines in red, green, pink and grape colors. Parts of the design appear to be hand stitched. American Pacific Ent tag. Issued: 20th centuryDimensions: 80"L x 64"WManufacturer: American Pacific EntCountry of Origin: United StatesCondition: Age related wear.
An Edwardian double bedspread in embroidered pink linen with bobbin lace (some damage to lace in areas but generally good), an early 20th century patchwork quilt (double) unfinished, needs batting and backing (some damage to some of the patches), two 1930s/40s quilted toppers, a 1930s blue rayon bedspread with tambour embroidered butterflies, bulrushes and water lilies, two hand painted silk cushion covers (a/f) and an early 20th century hand made lace table cloth, (qty 1 box)
Atlanta 1996 Olympic Games participant's medal, designed by M. Grear, bronze, the obverse with official torch logo with Olympic rings and legend GAMES OF THE XXVI OLYMPIAD 100 ATLANTA 1996, the reverse with a quilt of leaves and legend CENTENNIAL OLYMPIC GAMES, diameter 60mm., with original green felt pouch and case
Quilt - A small quilt possibly for a baby's cot, a simple square patch design with a boarder bound from behind, the middle of each square it tied with green yarn, the wadding is made from a jacket or coat length pieced to some other material, the seam can be felt and there is evidence of buttonhole stitching 37" x 33". Buyer collects.
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