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Set of 4 steel Acrow adjustable builders props, measuring approx 6' on lowest length.

Jurassic Park (1993) replica prop cane – based on the design used by Richard Attenborough as John Hammond for the Universal film production, features a mosquito encased in a faux amber resin knob, and carved to resemble rigid dinosaur bone, L 83.5cm, laid on a wooden display with removable wire fastening and plaque beneath reads "Jurassic Park 1994 Making Video History", 95 x 9cm overall Provenance:The vendor worked as a receptionist for 15 years with Cinema International Corporation (CIC) film distribution company (started by Paramount Pictures and Universal Pictures in the early 1970s) and purchased this replica cane from a Paramount Studios Props Auction in 1994.

Collection of 12 plastic science fiction film props, machine guns and revolvers

John Seifert (20th century), a brown patinated bronze, The Variety Club PROPS Award, signed in the maquette, 37.5cm high

Folk Art & Commedia dell’Arte - a pair of 19th century Italian wooden puppet show props, as peasant women, painted in polychrome, mounted on a later base and rotating, the tallest 23cm high overall

Sherriff (R. C.) Mr Birdie's Finger, original typescript with annotations and notes by the author, including script changes, stage directions, blocking diagrams on pages verso, and extensive props list, manuscript title in black and blue ink, light finger-soiling marks, original programme of the first performance loosely inserted (a little browned), endpapers lightly toned, contemporary cloth, a little rubbed, 1925; and another typescript of Profit and Loss by the same, also with original performance programme loosely inserted, 4to (2)   *** A unique Sherriff item - a full typescript of Sherriff's play, published just before A Journey's End which would find him recognition and awards. 

Registration No: TTW 865N Chassis No: GAECPU01693 MOT: August 2025Bespoke conversion by BSCC champion, engineer and entrepeneur Jeff UrenBelieved the only MkII Capri-based Stampede of 8 builtIncorporating a Ford Boss 302 ‘G Code’ engine with a close ratio Toploader transmissionPaintwork created by Mechspray of Kent, known for movie-car and custom paintA British Saloon Car champion and engineer, Jeff Uren, is probably more well-known for his bespoke conversions of Fords in the late ‘60s and early ‘70s by his company Race Proved Performance and Equipment Ltd. Originally built in June 1974 as a 3 Litre Ghia Automatic for the Ford Motor Co management fleet, after a year 'TTW' was sent for the 3-month conversion in the summer of 1975 and destined for a Mr Stamos Fafalios. Believed to be the only MkII Capri-based Stampede, post-conversion, Mr Fafalios sent 'TTW' to receive the ‘Frosted Grape Pearl’ custom paintwork from Mechspary, known for their efforts on movie cars and film props. It was the subject of a refresh by them c.2013. The car’s impact saw it featured in the full-colour centrefold of Hot Car magazine in 1977 and was road-tested by Classic and Sports Car in 2014. Mr Fafalios kept the car until 2013, by which time the Stampede displayed c. 21,500 miles. Incorporating a Ford Boss 302 (5.0 Litre) ‘G Code’ homologation engine designed for Trans Am racing, it’s married to a Toploader close-ratio 4-speed manual transmission - renowned for high-performance strength and durability - and an Atlas rear axle, appropriately uprated suspension and period F1-style Lockheed 4-pot caliper brakes, with a final set-up by Uren and his friend ex F1 driver John Miles.Recently benefitting from an engine overhaul using Peter Knight Racing internals, the engine is said to be capable of 8,000rpm, although currently set-up with a 7,000rpm limit! The original engine parts are included in the sale. An extensive paperwork file supports the provenance and accompanied by an original handbook, service book and press articles. The Stampede is a unique combination of American muscle and European automotive design and is very much a European Mustang and a performance car that is still very tractable. Expected to be driven to the sale, this is a great opportunity to acquire a very interesting fast Ford! For more information, please contact: Stewart Parker info@handh.co.uk 07836 346875

China. William Saunders Albumen print, 270mm x 210mm mounted on thin card. The image is titled "Barbers at Work" c1875. This appeared as an engraving in the London Illustrated News on 2nd December 1876 and on Page 334 in History of Photography in China, Western Photographers 1861-1879, by Terry Bennett. William Thomas Saunders (1832–1892) was a prominent British-born photographer who established himself in China, gaining renown as the foremost photographer in Shanghai during the late Qing dynasty. Pioneering the introduction of hand-colored photographs in China, Saunders left an indelible mark on the photographic landscape of the time. Born in Britain in 1832, Saunders initially travelled to China in 1860, as an engineer. Subsequently, after returning to Britain and immersing himself in the study of photography, he equipped himself with photographic apparatus and returned to China in January 1862. There, he established one of Shanghai's inaugural photography studios, strategically positioned in close proximity to Astor House Hotel at the epicenter of Shanghai's commercial district. Over the course of twenty-five years, Saunders' studio thrived, a testament to his amalgamation of significant photographic talent, business acumen, and marketing prowess. While primarily recognized for his expertise in portraiture, Saunders' enduring fascination with China motivated him to document current events, local scenery, and the indigenous population. His photographic endeavors encapsulate a pivotal juncture in Chinese history, coinciding with Shanghai's ascendancy as an international commercial hub. Saunders' collection of photographs provides an intimate portrayal of Shanghai's diverse populace, elucidating their traditional lifestyles and occupations. Studio portraits by Saunders frequently incorporated props emblematic of the subject's trade or social standing, with an evident emphasis on the subjects' attire and hairstyles. Despite the posed nature of many of Saunders' depictions of everyday life, dictated by the limitations of photographic processes, they authentically capture the essence of 19th-century Chinese existence. Moreover, his work significantly contributed to the dissemination of knowledge regarding Chinese customs and traditions in Western spheres. Retiring to England in the late 1880s, Saunders maintained a regular travel schedule to China. During a return voyage to Shanghai, his health declined precipitously, culminating in his demise in December 1892 at the age of sixty, succumbing to bronchitis. Saunders' enduring legacy is encapsulated in his pioneering contributions to the field of photography, capturing the essence of a transformative period in China's history and facilitating cross-cultural understanding through his compelling visual narratives. Excellent image, good contrast and colours.

China William Saunders Albumen print 270mm x 210mm with image in oval form. Mounted on an album page, showing a Chinese cooper at work. William Thomas Saunders (1832–1892) was a prominent British-born photographer who established himself in China, gaining renown as the foremost photographer in Shanghai during the late Qing dynasty. Pioneering the introduction of hand-colored photographs in China, Saunders left an indelible mark on the photographic landscape of the time. Born in Britain in 1832, Saunders initially travelled to China in 1860, as an engineer. Subsequently, after returning to Britain and immersing himself in the study of photography, he equipped himself with photographic apparatus and returned to China in January 1862. There, he established one of Shanghai's inaugural photography studios, strategically positioned in close proximity to Astor House Hotel at the epicenter of Shanghai's commercial district. Over the course of twenty-five years, Saunders' studio thrived, a testament to his amalgamation of significant photographic talent, business acumen, and marketing prowess. While primarily recognized for his expertise in portraiture, Saunders' enduring fascination with China motivated him to document current events, local scenery, and the indigenous population. His photographic endeavors encapsulate a pivotal juncture in Chinese history, coinciding with Shanghai's ascendancy as an international commercial hub. Saunders' collection of photographs provides an intimate portrayal of Shanghai's diverse populace, elucidating their traditional lifestyles and occupations. Studio portraits by Saunders frequently incorporated props emblematic of the subject's trade or social standing, with an evident emphasis on the subjects' attire and hairstyles. Despite the posed nature of many of Saunders' depictions of everyday life, dictated by the limitations of photographic processes, they authentically capture the essence of 19th-century Chinese existence. Moreover, his work significantly contributed to the dissemination of knowledge regarding Chinese customs and traditions in Western spheres. Retiring to England in the late 1880s, Saunders maintained a regular travel schedule to China. During a return voyage to Shanghai, his health declined precipitously, culminating in his demise in December 1892 at the age of sixty, succumbing to bronchitis. Saunders' enduring legacy is encapsulated in his pioneering contributions to the field of photography, capturing the essence of a transformative period in China's history and facilitating cross-cultural understanding through his compelling visual narratives. Very good condition. The page is slightly warped.

Thirty WWF Blu-ray discs in cases, nineteen WWE figures, unboxed, and two WWF ring props, items are in excellent condition. UK P&P Group 3 (£30+VAT for the first lot and £8+VAT for subsequent lots)

Five hand made Papier Mache fish (used for theatre props) appox 60x40cm, shipping unavailable

Pirates of the Caribbean: The Curse of the Black Pearl (2003) - a screenplay signed by Orlando Bloom, Geoffrey Rush, Johnny Depp and Keira Knightly, with certificate of authenticity from Paramount Props Online; together with a collection of framed and loose photographs of members of the cast bearing signatures, a number with accompanying certificate of authenticity  Condition Report:Available upon request

*******TO BE REGROUPED WITH LOT 8 & 12 AT £40-60 FOR BISHTON ANTIQUE SALE 29TH OCTOBER*****  A French white metal double spouted punch ladle, stamped 'metal blanc' 'AF' and '5G' 34cm long. (1)

A George III brass faced moon phase clock in a later Victorian carved oak and barley twist case, with an 8-day key wound striking movement, weights and pendulum. This clock is untested and as found.  

A George III oak and mahogany longcase clock with conch shell wooden inlay to the door. Associated 8-day key wound striking movement and painted face bearing the maker's name; Obed Wickens Rye, with second hand and date hand. This clock is untested and as found.  

Three 1940's era Ceramic Electric Fires. To be considered as props only. See photos.

Benny The baby Chimp. Artist: Hannah Gaulton.Artist Info: Hannah Goulton began her career in childhood education, working in a nursery and as a Teaching Assistant for Key Stage One, before transitioning to her husband's business. She has always had a passion for the creative arts, incorporating paint and textiles into educational settings, and crafting wall displays, school props, and leading art lessons. Inspired by Scotland's rugged landscapes, Hannah has recently focused more on painting. For the art trail, she chose to present "Baby Chimp," inspired by the innocent and playful nature of young chimpanzees, embodying themes of nurturing and childhood joy. Sponsor: Blackbrook Interiors.Selling a curated collection of home and lifestyle products.Sponsor website: www.blackbrookinteriors.co.ukSponsor Facebook: blackbrookinteriorsSponsor Instagram: blackbrookinteriors Approx animal weight (Kg): 2.Approx animal size (cm): 30 x 20 x 24.

Film props Titanic Twentieth Century Fox 1997, porcelain plate White Star LineFilmrekwisiet Titanic Twentieth century Fox 1997, porseleinen bord White Star Line42 x 34 cm (the frame)

Matchbox, Models of Yesteryear a boxed group of Woodgrain Models from Y7 to Y16 to include, Y7 1912 Rolls-Royce, Y8 1945 MGTC, Y16 1928 Mercedes SS Coupe and others similar with many duplicates and minor variations noted. Conditions appear Excellent to Near Mint in generally Fair to Excellent boxes. (30+) 

Matchbox Models of Yesteryear a mixed boxed group of Mainly Commercials to include; Y25 "Duckhams" Renault Type AG with closed grab handles, Y27 1922 Steam Lorry "Guinness" and others similar, various minor variations noted. Conditions appear Excellent to Near Mint in generally Good to Excellent Maroon boxes. (45+) 

Matchbox Models of Yesteryear a mixed boxed group of Mainly Commercials to include; Y19 "Brasso" Morris Cowley Van with 1st Type roof casting, Y12 Crossley "Carters Seeds" and others similar, various minor variations noted. Conditions appear Excellent to Near Mint in generally Good to Excellent Maroon boxes. (45+) 

Matchbox Models of Yesteryear a mixed boxed group of Mainly Cars to include; Y5 Talbot "Menier" with red tyres, Y6 Rolls-Royce Fire Engine and others similar, various minor variations noted. Conditions appear Excellent to Near Mint in generally Good to Excellent Maroon boxes. (45+) 

Matchbox, Models of Yesteryear, a mixed boxed group of Steam related vehicles, to include, Y1Alchin Traction Engine, Y9 Fowler Showman's Engine "T" Shaped under boiler, Y13  American "General" Class Locomotive "Santa Fe" and others similar. Conditions appear Good Plus to Near Mint in generally Good boxes.  

Matchbox, Models of Yesteryear, a mixed boxed group to include, Y3 "E" Class Tramcar, Y4 Shand Mason Horse Drawn Fire Engine with black horses, "London Fire Brigade", Y12 Horse Bus. Conditions appear Excellent to Near Mint in generally Good boxes.   

Harvey Harrison Props Lord of the Rings (ROTK) Extended Version Mouth of Sauron1:1 scale Prop Replica Helmet, Near Mint

Star Wars New Image Props ROTJ Biker Scout 1:1 scale Prop Replica Helmet, Near Mint.

Paired and other earrings with Jewellers display material such as ring holders, necklace stands and other props. (a lot)

Wright (Lewis).The Illustrated Book of Poultry …. Cassell, Petter, Galpin, 1880, revised edition, quarto, fifty chromolithographic plates (the tissue guard of one plate has adhered to the plate), minimal marginalia and underlining in red crayon, top edge gilt, original cloth gilt binding in outstanding condition.

Yorkshire Manuscript.Yorkshire Pedigrees and Names of Barons of England. A bound and interleaved manuscript of family pedigrees and histories, notes, etc. No date found, possibly 18th century. Comprises:Thirty-eight numbered leaves, inscribed on both sides, predominantly pedigrees in latin; Twelve leaves, unnumbered, inscribed on both sides except the last, predominantly pedigrees in latin; Twenty-one leaves, unnumbered, inscribed on both sides except the last with names of the Barons of England, English script; Thirteen leaves, unnumbered or with non-consecutive numbers, inscribed on both sides except the last, including latin pedigrees and an index, written in English on smaller width leaves, followed by a single page of latin script, Each section separated by blank leaves, all leaves tipped in to bound leaves (laid paper). Top edge gilt, later full vellum binding with gilt lettering to front board and spine, armorial shield of Frederick Arthur Crisp (1851-1922) to rear board.

Pratt (Anne).The Flowering Plants of Great Britain. SPCK, no date, five volumes, monochrome frontis, 242 colour plates (numbered to 238); idem, The British Grasses and Sedges.SPCK, no date, 35 colour plates numbered 238* to 272; idem, The Ferns of Great Britain and Their Allies The Club-Mosses, Pepperworts, and Horsetails.SPCK, no date, third edition, 41 colour plates (numbered 273 to 313); Top edges gilt, uniform half morocco bindings by Hatchards. (7)

Payne-Gallwey (Sir Ralph).The Book of Duck Decoys, Their Construction, Management, and History.John van Voorst, 1886, presentation copy from the author, small quarto, [xii], 214 pages, fourteen chromolithographic plates (2 folding) as called for, top edge gilt, half morocco binding by Hatchards.Armorial bookplate of S.C. Lister of Swinton Park. Pencil shelf ref. to fly leaf. Pencil annotation to head of pps 97 and 100. A few spots to edges but contents generally VG. Uneven fading to board cloth, light fading to spine and adjacent leather at head of upper board. Collated complete.

Tweedie (Major-General W.).The Arabian Horse, His Country and People, with Portraits of Typical or Famous Arabians and other Illustrations, also A Map of the Country of the Arabian Horse, and a Descriptive Glossary of Arabic Words and Proper Names.William Blackwood, 1894, first edition, quarto, xx, 412 pages, seven chromolithographic plates with tissue guards, four monochrome plates (two double page), large folding colour map, top edge gilt, half morocco binding by Hatchards (some scuffing to spine).

A collection of small and large acro props.

James Bond The World is Not Enough (1999) - Props from Zukovsky's Casino in The World is Not Enough, with chips and cheque, including COA, framed and glazed 20x16 inches. Condition Report: In good condition however please note chips and cheque have become loose therefore need to be re-stuck to mount.

James Bond Dr No (1962) - Le Cercle 2 x £1 casino jetons. Le Cercle plaques were used as film props in the scene where Sean Connery utters the characters name for the first time: Bond, James Bond. Plus later dated Les A LC silver card box + matchbook. These jetons were previously owned by Robert Mills, son of Le Cercles owner: John Mills.

James Bond Casino Royale (2006) airport scenes (filmed at Dunsfold Aerodrome) green and red danger obstruction warning light marker film props; with coloured reflector caps and canvas ballast bag plus COA and supporting documentation including inventory document, order form and invoice from the original film prop hire company.

James Bond Thunderball (1965) - Original £100 + £50 Casino Plaques / chips from the 1960s, made by Bourgogne Et Grasset, similar in design to the Thatched Barn / Playboy plaques used as film props, with colour reference photos. Cubby Broccoli and Harry Saltzman frequented Crockford's Casino.

James Bond - Goldeneye (1995), Societe Des Bains De Mer 20,000 francs Casino Plaque / chip. Societe Des Bains De Mer gaming chips were used as film props in Goldeneye. Where Xenia Onatopp and James Bond meet at the Casino de Monte-Carlo. Bond beats her at baccarat before joining her for a drink at one of the private bars. These gaming chips also featured in Never Say Never Again.

WILLIAM GEAR RA FRSA RBSA (SCOTTISH 1915 - 1997), ORANGE FIGURE oil on board, signed and dated '57, titled versoframed image size 82cm x 122cm, overall size 86cm x 127cm Provenance: Family of William GearExhibition label verso: Guggenheim March 58, Gimpel Fils Gallery, London; 12th Sao Paulo Biennial (partial label); City of Manchester Art GalleryNote: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world.

* JONATHAN HOOD (SCOTTISH b. 1957), DANCERS oil on board, signed, titled and dated 2006 versoframedimage size 48cm x 46cm, overall size 65cm x 62cm Note: Jonathan Hood was born in 1957 in Edinburgh, and grew up in Fife and Tayside. He was artistically trained at Duncan of Jordanstone College of Art, Dundee and at the Ecole des Beaux Arts, Paris. Jonathan became a full time painter in 1986, mostly working in watercolour and collage. He is a keen art teacher, regularly running children’s workshops as well as adult night-classes. In 2006, he conducted a collage and painting workshop in Morgan Academy, Dundee for the Racial Equality Commission enabling 2 school pupils to reach the final. Since 2006, Jonathan has also run the WASPS studio open weekend in Dundee. Currently, Jonathan is working mostly in oil, using bright colours and painting on board. He has been exhibiting regularly in galleries around the UK, and in Holland, France and Italy. Jonathan uses dramatic blocks of colour to create depth and texture within his works. His clever compositions create narratives through the interaction between figures, and the addition of carefully selected props to be interpreted by the viewer. It is a testament to his artistic skill that he can convey strong emotion with only the simplest of brushstrokes to represent facial features.

WILLIAM GEAR RA FRSA RBSA (1915 - 1997), BLACK/RED FIGURE NO. 2 oil on canvas, signed and dated '57, titled versoframed image size 122cm x 81cm, overall size 128cm x 87cm Provenance: Family of William GearExhibition label verso: Rotterdam March '58 & Zurich 1958, Gimpel Fils Gallery, LondonNote: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world.

WILLIAM GEAR RA FRSA RBSA (1915 - 1997), YELLOW SPECTRE oil on canvas, signed and dated '57, titled versoframed image size 89cm x 117cm, overall size 94cm x 122cm Provenance: Family of William Gear Exhibition label verso: Rotterdam '58 & Zurich '58, Gimpel Fils Gallery, LondonNote: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world.

WILLIAM GEAR RA FRSA RBSA (SCOTTISH 1915 - 1997), RED IDOL, NO. 2 oil on canvas, signed, further signed, titled and dated '59 versoframedimage size 123cm x 82cm, overall size 128cm x 87cmProvenance: Family of William GearNote: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world.

Comics; Memorabilia: Assortment of framed photographs and memorabilia, including: signed photograph of/by Laura Vandervoort; Discworld print signed by Terry Pratchett; The Prop Store of London framed props, including Terminator 3, Underworld and Star Wars Return of the Jedi; plus 'Brazil' movement order, and others; also including Star Wars Collectors Edition Monopoly (not checked for completeness); Good to Excellent.

Two extendable locking props and a Purdy decorators extending pole

A Collection of Auction Catalogues, all referring to Staffordshire figures, 19 Christie’s. One Drewett Neate, various dates from 1991 to 2002 

Gordon Pugh Book of Staffordshire Portrait Figures 

2pc Harmony Kingdom Boxes, Beppo and Barney the Clowns, and Henry the Human Cannonball. Beppo and Barney depict them spinning each other over with clown props, while Henry prepares to be shot out of a cannon, holding a beer and wearing aviators and a pilot's hat. Crown backstamp. Dimensions of the largest item: 2.5"L x 2.25"W x 2.5"H. Artist: David LawrenceIssued: 1996Dimensions: See DescriptionManufacturer: Harmony KingdomCountry of Origin: EnglandCondition: Age related wear.

Steiff Danbury Mint Flying Scotsman teddy bear, EAN 004230, mohair, comes with a model of the Flying Scotsman Locomotive, with chest tag, swing label (detached) certificate, Good to Good Plus, missing box, 10.25"/26cm. 

Ninco Track system, in good condition (some in box), 40+ pieces of snow and dirt track including props and side rails

Doctor Who (BBC science fiction series) - The Runaway Bride (2006 Christmas Special from the Tenth Doctor era) - two original production used prop bank notes, made for the scenes in which money is seen spewing from ATMs. Each bank note was custom printed by the props department, and these examples are based on a ten-pounds note. A depiction of David Tennant replaces the Queen's head and various text changes alluding to the production feature. Measures 8cm x 15cm each. 

The Outlaws (2021-2024 TV Series by Elgin James & Stephen Merchant) - a collection of original production used photograph props from Series One and Series Two, all production made and used during filming. Comprising: a sequence of photobooth images showing Rani (Rhianne Barreto) and Christian (Gamba Cole), a mugshot photograph of Malaki (Charles Babalola), and two photographs of Greg (Stephen Merchant) with his ex-wife. Largest 19cm x 13cm.  

Doctor Who (BBC science fiction series) - The Runaway Bride (2006 Christmas Special from the Tenth Doctor era) - two original production used prop bank notes, made for the scenes in which money is seen spewing from ATMs. Each bank note was custom printed by the props department, and these examples are based on a ten-pounds note. A depiction of David Tennant replaces the Queen's head and various text changes alluding to the production feature. Measures 8cm x 15cm each.

The Outlaws (2021-2024 TV Series by Elgin James & Stephen Merchant) - two original production used props, comprising a business card for Gregory Dillard (Merchant) and a photograph of Gregory and his ex-wife. Both exist in used but excellent condition. Largest item 16.5cm x 11.5cm. 

Doctor Who (BBC science fiction series) - The Runaway Bride (2006 Christmas Special from the Tenth Doctor era) - two original production used prop bank notes, made for the scenes in which money is seen spewing from ATMs. Each bank note was custom printed by the props department, and these examples are based on a ten-pounds note. A depiction of David Tennant replaces the Queen's head and various text changes alluding to the production feature. Measures 8cm x 15cm each.

Bob the Builder: Original production 'BIBLE' and a pair of early Scripts for the British animated childrens television series, 1998-1999 - Includes: Bob the Builder, 'BIBLE', HIT Entertainment Plc, 1999, Produced at HOT Animation Ltd. This definitive Bible features Episode Titles and Synopses for Series one to five, Series Outline, Episode Brief, Character List, Character Height Chart, Puppets, Sets Descriptions, Props List, Costume List, Writing Guidelines, General Rules, Useful Information & Sample Scripts/Video Reference, and Camera Style Guide, illustrated throughout, 69-pages, unbound (paperclipped) on white sheets, 21 x 30cm; Bob the Builder, Original script, Episode 1, Pilchard in A Pickle by Chris Trengove, Hot Animation Ltd., with the original title Missing Moggy crossed out and Ep 1. handwritten in black marker pen on front page, 17-pages ring bound on white sheets, 21 x 30cm. The episode aired September 12, 1998 (Series 1, Ep. 4); Bob the Builder, Original script, Episode 2, Muck Gets Stuck by Chris Trengove, Hot Animation Ltd., with Ep 2. handwritten in black marker pen on front page, 16-pages ring bound on white sheets, 21 x 30cm, The episode aired September 21, 1999 (Series 1, Ep. 5); together with, a Letter of Authenticity, Signed by Chris Trengove. (4) Provenance: The Collection of Chris Trengove, who co-developed the show with one of the producers, and wrote the scripts for numerous episodes.Condition Report: light creasing and marks and a clean edge tear to top of the front page of the Bible, otherwise internally clean and bright.both scripts are in good condition.

AN ASSORTMENT OF ACRO PROPS AND A LINTEL ETC

Follower of Pierre Mathurin PETRAUD (1808-1880) A self-portrait of the artist in costume accompanied by an African attendant Oil on wooden panel, 40cm x 30cm, 51cm x 37.5cm framed. Shipping is available from £25.22 to a UK Mainland address.

Matchbox Superfast a large boxed group of Mattel Wheels issues to include, #9 BMW Z8, #26 Mercedes E420 Police, #56 Dodge Viper GTSR Concept and others similar. Conditions appear Excellent to Mint in generally Good to Excellent window boxes. (60+) 

Matchbox, Models of Yesteryear a mixed boxed group of Early Issues to include, Y2 1911 Renault, Y4 1909 Opel Coupe, Y15 Rolls-Royce Silver Ghost with grey tyres. and others similar. Conditions appear Excellent to Near Mint in generally Good to Excellent boxes. (9)