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watercolour on paper, signed, titled and inscribed (White Eared Pheasant, Red Panda, Polar and Dead Fish) mounted, framed and under glass image size 55cm x 45cm, overall size 79cm x 67cm Note: Glasgow School of Art graduate Janice Gray’s highly decorative, amusing and beautifully observed works combine birds, animals, fruit, handbags, high-heeled shoes, teacups with witty writing commenting various aspects and foibles of her real and imagined menagerie of animal characters and her collection of props. A long time observer and lover of animals, Janice worked for a period as Artist in Residence at Edinburgh Zoo. “I tend to choose my subject (usually animal) for their decorative quality which can be explored through the medium of watercolour and collage. I don’t normally know what the finished painting is going to look like, I don’t plan or do any preliminary sketches, I suppose it is a bit hit or miss! I like to start with one object then add as necessary, sometimes there is a link but normally there isn’t. The unlikely collections of objects in my work makes people think, making up their own links. I love to hear how differently my work is interpreted. My paintings are often described as ‘quirky’ which I like, as life is all too often a bit of a downer, so I enjoy creating daft paintings which can make people a wee bit cheerier!”
Film props - Collection of original Ron Perlman Hellboy movie props to include headpiece residing on a vacuform plastic mould with “Perlman” cast into the plastic, 2 x sets of lips residing on vacuform mould with 'Perlman Chin 2' cast onto plastic, and 2 x horn stubs, plastic moulds feature small stickers/pen note from production,
* WILLIAM GEAR RA FRSA RBSA (SCOTTISH 1915 - 1997), BLACK FIGURE ON RED NO. 3 oil on canvas, signed and dated '56, titled versoframedProvenance: the family of William Gear.image size 38cm x 56cm, overall size 49cm x 67cm Note: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world. In our auctions of 1st August and 12th September 2024, five examples of William Gear's work were offered and sold achieving £2000, £2400, £2400, £4000 & £4000 (all hammer prices).
* JONATHAN HOOD (SCOTTISH b. 1957), DANCERS oil on board, signed, titled and dated 2006 versoframedimage size 48cm x 46cm, overall size 65cm x 62cm Note: Jonathan Hood was born in 1957 in Edinburgh, and grew up in Fife and Tayside. He was artistically trained at Duncan of Jordanstone College of Art, Dundee and at the Ecole des Beaux Arts, Paris. Jonathan became a full time painter in 1986, mostly working in watercolour and collage. He is a keen art teacher, regularly running children’s workshops as well as adult night-classes. In 2006, he conducted a collage and painting workshop in Morgan Academy, Dundee for the Racial Equality Commission enabling 2 school pupils to reach the final. Since 2006, Jonathan has also run the WASPS studio open weekend in Dundee. Currently, Jonathan is working mostly in oil, using bright colours and painting on board. He has been exhibiting regularly in galleries around the UK, and in Holland, France and Italy. Jonathan uses dramatic blocks of colour to create depth and texture within his works. His clever compositions create narratives through the interaction between figures, and the addition of carefully selected props to be interpreted by the viewer. It is a testament to his artistic skill that he can convey strong emotion with only the simplest of brushstrokes to represent facial features.
* WILLIAM GEAR RA FRSA RBSA (SCOTTISH 1915 - 1997), BLACK SPECIMEN IV oil on canvas, signed, titled and dated '57framedProvenance: the family of William Gear.image size 38cm x 61cm, overall size 44cm x 67cm Note: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world. In our auctions of 1st August and 12th September 2024, five examples of William Gear's work were offered and sold achieving £2000, £2400, £2400, £4000 & £4000 (all hammer prices).
* WILLIAM GEAR RA FRSA RBSA (SCOTTISH 1915 - 1997), ENIGMA NO. 1 oil on canvas, signed and dated '54, titled versoframedProvenance: the family of William Gear. image size 56cm x 38cm, overall size 68cm x 49cm Label verso: Gimpel Fils Gallery, LondonNote: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world. In our auctions of 1st August and 12th September 2024, five examples of William Gear's work were offered and sold achieving £2000, £2400, £2400, £4000 & £4000 (all hammer prices).
* WILLIAM GEAR RA FRSA RBSA (SCOTTISH 1915 - 1997), BLACK FIGURE ON RED NO. 5 oil on canvas, signed, titled and dated '56framedProvenance: the family of William Gear.image size 38cm x 55cm, overall size 49cm x 68cm Note: William Gear was a painter born in Fife, Scotland, on 2nd August 1915, the son of Janet Gear and Porteous Gear, a coal miner. He studied at Edinburgh College of Art from 1932 – 6, gaining a postgraduate scholarship that enabled him to study art at Edinburgh University from 1936 -7. Winning a travelling scholarship enabled him to visit Italy, Greece, and the Balkans and to study in Paris with Fernand Leger. After serving throughout the Second World War as an officer in the Royal Corps of Signals he settled in Paris where he met many of the leading post-war Parisian artists. After meeting Appel, Constant, Corneille and Jorn, he joined the COBRA group, Europe’s most important avant-garde movement of the mid – twentieth century. COBRA is an acronym based on Copenhagen, Brussels and Amsterdam in acknowledgement of the founders’ nationalities and to emphasise the internationalism of their attitude. The COBRA painters emphasised spontaneity – an image, they felt, should appear on the canvas as naturally and quickly as a sudden change of weather in the world beyond the window. And it ought to be as impersonal as a thunderstorm. William Gear exhibited with the group in Amsterdam and Copenhagen in 1949; however, beyond his association with COBRA he had a long and successful career in his own right. For example, he was awarded a Festival of Britain Purchase Prize in 1951 and his work appeared at the 1954 Venice Biennale. He became a Senior Royal Academician in 1995 and his work is held in many major public and private collections around the world. In our auctions of 1st August and 12th September 2024, five examples of William Gear's work were offered and sold achieving £2000, £2400, £2400, £4000 & £4000 (all hammer prices).
A pair of production-used Batman license plate/number plate props. Used on blown-up vehicles in the Christopher Nolan Dark Knight trilogy. The license plate reads Gotham - 912 3158 - City of Gotham. On the back of each plate, some handwriting reads 'parked blown-up cars' as demonstrated by their appearance as they appear as though they have been subject to an explosion. Also included is a 35cm x 44cm sticker decal for the "Gotham Fire Department" Training Division.License plates measure 30.5 x 15cm.
Lady’s Monthly Museum (The), vol. 10-16 first series and 1-7 second series, together 14 vol., 13 titles, 187 plates, few folding, few detached, occasional duplicates, plates trimmed, light offsetting and some browning, foxing, spotting and occasional surface marks, occasional chip to margins, ink ownership inscription to front pastedowns, uniform contemporary calf, spine gilt, slight bumping to corners, minor splitting to vol. 1 lower joint, some scuffs, 12mo, 1803-1809; sold as a periodical, not subject to return (14)
Registration No: YT59 JPO Chassis No: SALLDVBS7AA785154 MOT: February 2025 Visually imposing with external 'off-road' accessoriesFitted with solar panels for leisure useInvoices evidence over £8,000 spent in servicing and repair over the last 3 yearsEquipped with 'ghost immobiliser' and a Clifford alarm systemThe Land Rover was launched in 1948 and, incredibly, production of the traditional Defender only finished in January 2016 after a continuous run of 67 years. Outwardly, there is little to distinguish the post-1983 vehicles from the Series III Land Rover. Internally, coil springs offered a more comfortable ride and a permanent four-wheel-drive system derived from the Range Rover featuring a two-speed transfer gearbox with a lockable centre differential. A modernised interior and a new series of progressively more powerful and modern engine characterised things under the skin. The Defender was fitted with an all-new 2.5-litre, five-cylinder in-line turbo/diesel engine and is mated to a six-speed manual transmission.First registered on 14th September 2009, this visually imposing Defender 90, with its external 'off-road' accessories, has a 'ready for adventure' appearance. Displaying a credible 137,000 miles on the odometer, this 2009 Defender has benefitted from upgrades that include a ‘ghost immobiliser’ and a 'Clifford' alarm system, a front and rear dash cam, solar panels connected to leisure battery, roof rack, spot lamps (front and rear), bull bars, headlight guards on the LED headlights, bumper LEDs, 18” Gloss Black sawtooth-style alloys wheels and a snorkel. There are invoices for over £8,000 spent in servicing and maintenance over the last 3 years. This year, some £1,173 was spent on rust treatment to the off-side ‘A’ post and rear panel with rust-proofing subsequently added. £680 was spent on the handbrake and prop shaft bolts and £1,945 spent on a ‘major service’ (March 2024 at 131,000 miles), greased props, drive flanges, universal joints and lock stops, renewed front differential oil, replacement rear shocks and poly-bushed rear trailing and triangle arm bushes. In 2022, £1,505 was spent on the clutch assembly, handbrake shoes and prop nuts, £4,059 spent on the rear axle, exhaust, wheel bearings, brake system and a ‘major service’ that included engine, gearbox oil, differential oil and coolant fluid. There are two service books tracking nine main dealer services up until c.91,000 miles, it has since been serviced every c.10,000 miles by Land Rover specialists. It is being supplied with numerous invoices, an owner’s handbook, the two service books and a current V5C. For more information, please contact: Oliver Fernyhough-Martin oliver.fernyhough-martin@handh.co.uk 07483 361000
MATT DAMON & GREEN ZONE Film pack including a number of Call-sheets, original props, wristband, advertising photograph and sticker; (1)Green Zoneis a 2010 Britishactionthriller film[2]directed byPaul Greengrassand written byBrian Helgeland, based on the 2006 non-fiction bookImperial Life in the Emerald Cityby journalistRajiv Chandrasekaran, starring Matt Damon.Provenance: from the collection of a former supporting actor working in the film industry, amassed over a number of years.Condition Report: CR:- In very good condition, all within an orange folder.
Exodus: Gods and Kings (2014) A Pair of Original props - comprises: Joel Edgerton screen used blood knife, L. 33cm; together with, Joel Edgerton screen used brass torch with fitted wire and gas attachment, L. 17.5cm. The special effects crew made this larger version of the torch, operated by gas, so the flame effects were bigger and more vivid on screen. In Edgertons night scenes, he can be seen holding this torch (2) Provenance: The vendor worked on the film and is listed in the films credits. features Condition Report: some light scratches to blade, with a break/repair to handle.
ATV - The Muppet Show (1976-1981) AND HBO Hallmarks Peter Pan (Mia Farow. Danny Kaye) Christmas Special (1976). 44 x 22 x 13 inches (max), Large Seahorse figurehead used on a Muppet Pirate Ship in The Muppet Show (1976-81) and Captain Hooks ship in the 1976 HBO Hallmarks Christmas special of Peter Pan starring Mia Farrow and Danny Kaye made for US television. In the 1970s/1980s, these HBO Christmas specials drew huge TV audiences across the nation. Both The Muppet Show and HBO Hallmarks Peter Pan were made at Elstree studios / Borehamwood by ATV and props were often utilised from one production to another, this case being one of those scenarios. Made to appear to look as if made from weathered wood, the Seahorse is carved from Polystyrene and then painted and sealed for durability. An interesting and striking piece of 1970s British and US television. Condition Report: Some small areas broken to seahorse spines. In otherwise good production used condition in relation to age.
DOCTOR WHO (T.V. SERIES, 2005-PRESENT) - Exhibition K-9 - An exhibition K-9 from the sci-fi television series Doctor Who. This K-9 was used in the "Doctor Who Up Close" exhibition in Land's End, one of a few exhibitions of its kind, which displayed numerous props and costumes from the series. The K-9 is in the style it appeared in during the episode School Reunion, after which the K-9 Mark III was destroyed and replaced with a newer model. The K-9 is made of resin, painted to look like metal that is rusting in places, and is hollow inside. Around its neck is a tartan collar with a blank dog tag. The tail and ears move, but all other parts are static. There is an array of lights on the K-9's back panel, though these are unwired and do not illuminate. The side panel reads "K-9". Dimensions: 116 cm x 40 cm x 70 cm (45.75" x 15.75" x 27.5")Estimate: £2,000 - 4,000 M Bidding for this lot will end on Saturday, November 16th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th or Sunday, November 17th.
JAMES BOND: NEVER SAY NEVER AGAIN (1983) - Sean Connery-autographed Call Sheet - A call sheet autographed by Sean Connery from the production of Irvin Kershner's Bond film Never Say Never Again. The film was Connery's return to the role of James Bond, and this call sheet has been autographed in blue ink by Connery. It is dated "10th December, 1982" and lists which members of the cast, props and equipment were needed for the shoot that day. Dimensions: 29.5 cm x 21 cm (11.5" x 8.25")The autograph in this lot has been professionally authenticated by expert Garry King; see notice in the Buyer's Guide.Estimate: £400 - 800 Ω Bidding for this lot will end on Saturday, November 16th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th or Sunday, November 17th.
JOHN WICK FRANCHISE - Collection of Prop and Weapon Replicas - A collection of replica props and weapons from Chad Stahelski's John Wick franchise. The large collection includes replicas of some of John Wick's (Keanu Reeves) personal items and some of the weapons used to mete out pain and destruction throughout the franchise.The replica props include a collection of coins, John's rosary, two blood oath markers, John's Ruska Roma medallion, gold ingots, a bloody pencil, and paperwork including photographs of John and his wife Helen (Bridget Moynahan) and John's certificate of excommunication. The weapons include knives, various pistols, an assault rifle, a pump action shotgun, a grenade launcher, various knives, various grenades, a claymore, and dynamite. The collection is held in a trunk decorated with more photographs and paperwork from the franchise.The claymore is currently in two separate pieces. Dimensions: 51 cm x 91 cm x 36 cm (20" x 35.75" x 14.25)Restricted ownership; see replica firearm notice in the Buyer's Guide.Estimate: £3,000 - 6,000 M Bidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.
MIGHTY MORPHIN POWER RANGERS: THE MOVIE (1995) - Set of Six Production-made Power Coins - Six power coins from the production of Bryan Spicer's Mighty Morphin Power Rangers: The Movie. The Power Rangers used individual power coins forged by Ninjor as their main power sources.This set of resin power coins engraved with Tyrannosaurus, Triceratops, Pterodactyl, Mastodon, Sabre-toothed Tiger, and White Tiger symbols and painted gold-colour was created from the production moulds by production manufacturer Global Effects Inc., who also produced props and costumes for the promotional campaign. They exhibit chipping to the paint and in the resin along the edges. Dimensions: (each) 3.25 cm x 3.25 cm x 0.5 cm (1.25" x 1.25" x 0.25")Estimate: £3,000 - 6,000 Ω Bidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.
STAR WARS: THE FORCE AWAKENS (2015) - Propshop Rey Staff Replica - A Propshop Rey staff replica staff from J.J. Abrams' Star Wars: The Force Awakens. Propshop, the industry prop and set decoration fabricator that created many props for The Force Awakens, released limited-edition prop replicas in partnership with Disney and Lucasfilm. The pieces were made from original 3D scan data from the production to ensure utmost accuracy.Used in marketing events, the 3D-printed staff is painted grey to resemble aged metal and features linen and leather wraps that have been distressed to simulate age and a brown woven cotton strap. Also included is one original Propshop crate, a grey metal medallion emblazoned with "Star Wars," a cleaning cloth, and one stand. The staff exhibits some scuffing to its finish. Dimensions: 183 cm x 7.75 cm x 7.75 cm (72" x 3" x 3")Additional Provenance: Certificate of Authenticity from Propshop.Special shipping required; see notice in the Buyer's Guide.Estimate: £3,000 - 6,000 Ω Bidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.
STAR WARS: THE FORCE AWAKENS (2015) - Propshop Chewbacca Bowcaster Replica - A Propshop Chewbacca bowcaster replica from J.J. Abrams' Star Wars: The Force Awakens. The loyal Wookiee, Chewbacca (Peter Mayhew), wielded his signature laser crossbow against representatives of the First Order.Propshop, the industry prop and set decoration fabricator that created many props for the film, released only 500 made-to-order replicas of Chewie's bowcaster in partnership with Disney and Lucasfilm. Each was made from original 3D scans of the original production bowcaster to ensure the utmost accuracy. This black bowcaster is constructed from high-density resin with metal and acrylic elements, including a binocular scope, circular side greebles, and a pressable trigger. Also included is a custom display stand printed with the film's production logo. It exhibits visible scuffing on its butt and barrel from handling. Dimensions: 80 cm x 77.5 cm x 23 cm (31.5" x 30.5" x 9")Estimate: £3,000 - 6,000 Ω Bidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.
STAR WARS: THE FORCE AWAKENS (2015) - Propshop Melted Darth Vader Helmet Replica - A limited edition Propshop replica of the melted Darth Vader helmet from J.J. Abrams' Star Wars: The Force Awakens. In the film, Kylo Ren (Adam Driver) brooded over the charred remains of Lord Vader's (David Prowse) helmet. Propshop, the industry prop and set decoration fabricator who created many props for The Force Awakens, released only 500 made-to-order, 3D-printed replicas of the melted helmet in partnership with Disney and Lucasfilm. Made from original 3-D scan data from the production to ensure accuracy, this helmet is constructed of a range of proprietary synthetic materials, hand-painted in Vader's signature charcoal-black, sanded and affixed with metal details near the damaged breathing apparatus. Also included is a display stand with a plaque and a certificate of authenticity medal. Dimensions: 45.75 cm x 30 cm x 41 cm (18" x 11.75" x 16.25")Estimate: £1,500 - 3,000 † ΔBidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.
STAR WARS: THE FORCE AWAKENS (2015) - Propshop Kylo Ren Helmet Replica - A limited edition Propshop replica Kylo Ren (Adam Driver) battle-worn helmet from J.J. Abrams's Star Wars: The Force Awakens. Propshop, the industry prop and set decoration fabricator who created many props for The Force Awakens, released made-to-order, 3D-printed helmet replicas in partnership with Disney and Lucasfilm.The pieces were made from original 3D scan data from the production to ensure the utmost accuracy, and this helmet is constructed of a range of proprietary synthetic materials. It has a padded lining and a black mesh insert on the inside of the visor. The helmet has been expertly hand-painted, with silver-coloured inlay detailing and intentional weathering applied. The lot comes with a black plastic display stand with a plaque. An authenticity medallion from Propshope also accompanies the lot. The helmet exhibits wear in the form of the outer decorative line being slightly detached from the helmet on the right side near the bottom. Dimensions (displayed): 33 cm x 23.25 cm x 50 cm (13" x 9.25" x 19.75")Estimate: £1,000 - 2,000 † ΔBidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.
TITANIC (1997) - J. Peterman-made Rose DeWitt Bukater (Kate Winslet) Boarding Costume Replica - A replica of Rose DeWitt Bukater's (Kate Winslet) boarding costume from James Cameron's Titanic made by J. Peterman. Rose wore her dress when she boarded the Titanic. In the spring of 1998, the J. Peterman Company released its own line of Titanic memorabilia that replicated props and costumes from the film. This lot consists of a replica costume consisting of a cream wool jacket with purple velvet trim (Size 8); a black silk charmeuse tie; a cream cotton shirt with lace trim (Size 8); and a cream wool skirt (Size 8). The interior of the jacket, shirt, and skirt feature a "J. Peterman's Movie Legends" tag. This costume exhibits minor discoloration on the shirt.Estimate: £3,000 - 6,000 Ω Bidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.
MAD MAX: FURY ROAD (2015) - Max Rockatansky's (Tom Hardy) Screen-matched Hero Muzzle - Max Rockatansky's (Tom Hardy) screen-matched hero muzzle from George Miller's dystopian action sequel Mad Max: Fury Road. Max was fitted with a muzzle after his capture by Immortan Joe's (Hugh Keays-Byrne) War Boys. He wore it while strapped to the front of Nux's (Nicholas Hoult) car and was only able to remove it once he joined up with Furiosa (Charlize Theron) on the War Rig. Its distinct markings and imperfections screen-match it to the scene just before Max and Furiosa fight by the War Rig.Many of the props in Fury Road were created from 'found objects', so the muzzle is a repurposed garden hand fork. It is made of steel and intentionally distressed to look weathered. It features some foam padding at the back of the head to decrease discomfort, and comes on a custom-made display.The lot is accompanied by two copies of a revised script page dated "5/10/2012", a collection of locks and keys, and nine behind-the-scenes photos, three of which feature Hardy, five feature Richard Carter (The Bullet Farmer), and one features an Imperator.Estimate: £15,000 - 30,000 Ω Bidding for this lot will end on Thursday, November 14th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 15th, Saturday, November 16th or Sunday, November 17th.
THE DARK KNIGHT (2008) - Police Badge and Evidence Ticket, Wayne Enterprises Labels, Gotham Number Plate and Promotional Bill - A collection of props and promotional materials from Christopher Nolan's superhero sequel The Dark Knight.This lot consists of one badge, one bill, one number plate, two labels, and one evidence ticket. Gotham Police badges were worn on officers' jackets throughout the film, including during the parade, with the Joker (Heath Ledger) also wearing one while in disguise. The printed evidence ticket was designed to contribute towards the overall set design of Gotham Police Station. Plastic Gotham City number plates were seen on vehicles driving throughout the city's streets. The five-dollar bill features hand-drawn and handwritten pink doodling on both sides. Dimensions (number plate): 30.5 cm x 15.5 cm x 0.75 cm (12" x 6.25" x 0.25")Estimate: £1,000 - 2,000 † ΔBidding for this lot will end on Saturday, November 16th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th or Sunday, November 17th.
AN ILLUMINATED QUR'AN, OTTOMAN TURKEY, BY SALIM AL-ZAGRAVI, DATED 1876-7 A.D., a manuscript in arabic, with a opening double page illuminated in gold and colour, a further illuminated page at the end of the text, sura headings in white on a gold ground, elaborate illuminated markings in the margins throughout, verse endings indicated by gold roundels, the text in 15 lines of fine naskh within a broad gold margin lined in blue and red, marbled end papers, a morocco leather binding with impressed geometrical decoration, approximately 300 ff., folio 13.6 x 9.3 cm., text 8.7 x 4.9 cm.The nisba Zagravi is either from Eski (Old) Zagra, a quarter of Filibe (Plovdiv), or Yeni (New) Zagra in Sliven, also in Bulgaria.
(Signed) Bevan, John The Infernal Diver The lives of John and Charles Deane, their invention of the diving helmet and its first application to salvage, treasure hunting, civil engineering and military uses. Signed and inscribed to Richard and Bridget Larn from the author/diver, limited edition 42/1000, 1996, London: Submex.
Shipping Companies History Interest O’Donoghue, K. and Appleyard, H.S. (1986) Hain of St. Ives. Kendal [England]: World Ship Society; Carvel, John, (1950) Stephen of Linthouse - A Record of Two Hundred Years of Shipbuilding 1750-1950, a compliment slip from the chairman of the publishers, Alexander Stephen & Sons, dedicated to Richard Larn on ffep; Thompson, M., Newton, D. and Robinson, R. (eds) (1999) Cook, Welton & Gemmell: shipbuilders of Hull and Beverley 1883-1963. Beverley: Hutton Press; Spaldin, Bert (1986) Shipbuilders of the Hartlepools. Hartlepool Borough Council; With further works. (Q)
Maritime History Blackman, Ramond (1964) Jane’s Fighting Ships - 1962-3. London: Sampson Low & Marston Co. Ltd; Macintyre, Donald; Bathe, Basil (1968) The Man o’War. Italy: Methuen & Co. Ltd; Boullet, F.et C. (1976) Ex-VOTO-shipsand crews lost at sea with images or models in French chapels and churches in memoriam. Editions Maritimes et d’Outre Mer; Brouwer, N.J. (1987) International register of historic ships. Oswestry: Nelson; Together with other books.
Maritime History Bouquet, M.R. (1971) Westcountry sail: merchant shipping ; 1840 - 1960. Newton Abbot: David & Charles; Ashley, Clifford. (1981) The Ashley Book of Knots, Faber & Faber Limited; ‘Guns from the Sea - ship’s armaments in the age of discovery, current research and new discoveries in early artillery’ (1986). The Royal Armouries; McGuane, J.P. (2002) Heart of Oak: a sailor’s life in Nelson’s navy. 1st ed. New York: Norton; Together with other books and reports related to the subject.
Of Theatre interest: items relating to the actor Fred Terry, including a framed autograph letter, dated Haymarket T. 13th Sept. 1900, framed cravatte and eyeglass props worn by Fred Terry in his performance as the Scarlet Pimpernel and a period advertising poster for the same production. (3)
Carry On Screaming (1966). Original production used shooting script for the 1966 movie. Dated 20th October 1965, Iver, Buckinghamshire: Pinewood Studios, 1965. Shooting script for the 1966 film. Movie shot in location in Berkshire and Buckinghamshire. Copy belonging to an unknown crew member, with their annotations throughout, underlining props. Title page present, noted as SHOOTONG SCRIPT with credit for screenwriter Talbot Rothwell. 120 pages, last page numbered 119. In wrapper and bound.
Jurassic Park (1993) replica prop cane – based on the design used by Richard Attenborough as John Hammond for the Universal film production, features a mosquito encased in a faux amber resin knob, and carved to resemble rigid dinosaur bone, L 83.5cm, laid on a wooden display with removable wire fastening and plaque beneath reads "Jurassic Park 1994 Making Video History", 95 x 9cm overall Provenance:The vendor worked as a receptionist for 15 years with Cinema International Corporation (CIC) film distribution company (started by Paramount Pictures and Universal Pictures in the early 1970s) and purchased this replica cane from a Paramount Studios Props Auction in 1994.
ABI OLA (BRITISH / NIGERIAN B. 1996) ⊕ A PEACEFUL EVENINGsigned, titled and dated Abiola 2018 versomixed media on canvas59 x 84cm; 23 1/4 x 33inunframedProperty from a Private Collection, LondonAbi Ola, born in London, is a multidisciplinary artist whose creative odyssey draws from a rich tapestry of influences, including family photographs, tribal art, African and British textiles, William Morris designs, emojis, and her vivid imagination. Her interests encompass fabric collage, installation, oil and acrylic painting, screen printing, and photography.Ola’s canvases feature faceless figures, a deliberate choice aimed at enabling viewers to connect with the idea of acquainting oneself with distant, never-met relatives. Her enigmatic subjects invite viewers to overlay their own identities or those whom they cherish.The artist’s work transcends conventional notions of expression, offering a universally resonant lexicon that spans time and culture. She forges a visual language that defies temporal and spatial boundaries, igniting conversations on cross-cultural exchange.Ola holds a BFA from Goldsmiths, University of London and an MFA from the Slade School of Fine Art at University College London. Recent exhibitions include solo shows High Street Happenings at Arbeit Studios Palmers Green, 2024, and I’ll Be Your Mirror at the Kupfer Gallery, 2023. Group shows include: New Contemporaries at the South London Gallery, Humber Street Gallery, and Ferens Art Gallery, 2022-23; Ferens Open at the Ferens Art Gallery, 2023; and The Good Eye Projects end of residency group exhibition at Christie’s, 2022.
MARWAN RECHMAOUI (LEBANESE B.1964) BUILDINGcement, iron and wood60 x 18 x 18.8cm; 152 1/2 x 45 3/4 x 47 3/4inProperty of a Private Collector, New YorkBorn in Lebanon, Marwan Rechmaoui studied sculpture and painting in Boston and New York.Rechmaoui’s work reveals, through unapologetically formalist methods, the violence of nationalism, collective identity, and social class structures in his hometown Beirut. A multi-media artist, Rechmaoui employs materials such as rubber, concrete, tar and wood as informed archival records that reflect the sweeping and visceral history of Beirut as a multi-layered city; its native, exiled, and refugee inhabitants can identify their respective pasts, investigate a shared present, and speculate on their future. Rechmaoui is the recipient of the 2019 Bonnefantenmuseum Award for Contemporary Art, and his works reside in international collections such as MoMA, New York; Tate Modern, London; Centre Pompidou, Paris; Guggenheim Abu Dhabi, and Sharjah Art Foundation.
ABSTRACT COMPOSITIONsigned HOURANI lower leftacrylic on canvas91.44 x 63.5cm; 36 x 25inunframedProperty of a Private Collector, New YorkProvenanceAcquired from the artist's studio by the present ownerPalestinian artist Khaled Hourani is the co-founder of the International Academy of Art Palestine in Ramallah and the initiator of the 2011 Picasso in Palestine project that brought an original Picasso painting to the West Bank for the first time in history: the Buste de Femme, 1943, from the Van Abbemuseum in Eindhoven, The Netherlands, and debuted documentation of the project at DOCUMENTA (13) in 2012. Hourani has curated and organised several exhibitions such as the Young Artist of the Year Award in 2000 and 2002 for the A.M. Qattan Foundation. He was the curator of the Palestinian Pavilion for São Paolo Biennale, Brazil and the 21st Alexandria Biennale, Egypt.He writes critically in the field of art and is an active member and founder of a number of cultural and art institutions. Recently he was awarded the Leonore Annenberg Prize for Art and Social Change.
BENCHsigned and dated in Arabic Amer Al Obaidi / 2008 lower rightgouache and wash over pen on laid paper48 x 48cm; 19 x 19in77 x 77cm; 30 1/4 x 30 1/4in (framed)Property of a Lady, LondonAl Obaidi studied art in Baghdad at the Fine Art Academy and graduated in 1968. He then worked for several years in Saudi Arabia before returning to Baghdad and assuming the position of Director of the then National Museum of Modern Art from 1975 until 1995. The artist has exhibited in solo shows across the globe and has large murals in public institutions in Iraq and in the Arab world. Today he lives and works in Iowa, USA. Qty: 1
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