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Assorted pictures and prints

A pair of pine bedside tables, with two drawers, 50 cm wide, a pair of teak folding garden chairs, a set of four folding chairs, a nest of tables, assorted prints, a standard lamp, a lamp, and a towel rail (qty)

A pine chest, having three drawers, 90 cm wide, a pine chest, having five drawers, a pine side table, a pine wardrobe, a painted overmantel mirror, assorted prints, and two units (qty)

A Foley China 1937 Coronation mug and plate, and other assorted ceramic, prints, and glass (qty)

A part dinner service, a two branch candelabrum, assorted pictures, prints and other items (qty)

After Cecil Aldin, a set of four prints, The Hunt Supper, Revoked, The Hunt Breakfast, and Mated, each 36 x 59 cm (4)

Diego Quispe Tito (Cuzco, Peru, 1611 - 1681)"The Annunciation"Oil on canvas. It has lacks of painting.157 x 218,5 cm.Provenance: this lot is the couple of lot 81 from the auction, "Beauty and Devotion. Picasso between the Old and New World", 25th of April, 2024. A palace-house of an Andalusian marquisate, a Spanish noble family whose lineage dates back to the 12th century.Specifically, our painting was placed next to its partner, "The Holy Family in the workshop of Nazareth".It is obvious that these two pieces were a pair, because the model used to portray Mary is the same in both paintings, as well as the basket with clothes that we find centering the scene is the same in both paintings.As we read in the Real Academia de la Historia Quispe Tito "Member of a family of the Inca aristocracy, is considered among the main initiators of the Cuzco school for painting. He apparently came from the indigenous village of San Sebastián, which houses a significant part of his production. It is centred on the decorative works for the parish church in that town, for which he worked intensively between 1634 and 1669. During those years he produced four large pictorial cycles: Life of Saint John the Baptist, The Passion, Martyrdom of Saint Sebastian and The Doctors of the Church.These groups of canvasses summarise Quispe Tito's original maturity, characterised by an ingenious reinterpretation of European prints and by a precise, agile brushstroke with lively colours.His fame soon spread beyond the confines of Cuzco, and in 1667 he was commissioned by the churches of Potosí to paint Jesus among the Doctors of the Temple and The Betrothal of the Virgin, both of which are now in the Museo de la Casa de Moneda of that city.In the Inca capital itself, Quispe Tito's most ambitious work is the canvas of The Last Things or the Last Judgement, painted for the porter's lodge of the Convent of San Francisco in 1675.Here the Andean painter abandoned the dynamic formulas for depicting the Last Judgement, in force until the High Renaissance and early Baroque periods in Europe, to return to the ordered scheme, in the form of successive The Holy Family Returning from Egypt (National Museum of History), dated 1680, displays the virtuosity characteristic of his later works. Here the painter based himself on a widespread composition by Rubens, but Quispe Tito considerably reduced the proportion of the figures in relation to the background in order to place the scene of the sacred story within a vast idealised and fantastic landscape, thus heralding the emergence of one of the favourite genres of painting in Cuzco in the following century. At the same time he executed the well-known series of the zodiac, hung on the walls of the side naves of the Cathedral of Cuzco. Today only nine of the twelve signs exist, either because three of them were destroyed or because the artist died before completing the commission.It is a Christianised cycle, in which each of the zodiacal signs is identified with a parable of Christ or a Gospel story. In this case Quispe literally follows his Flemish graphic sources, while at the same time displaying a European-inspired pictorial craft, the high technical level of which is unsurpassed in the Cuzco context.In this way the artist, in the last stage of his life, seemed to adapt his work to the aesthetic preferences of a cultured, urban clientele, which may have attracted the attention of Bishop Mollinedo and his cathedral chapter.Bibliographic reference:- Wuffarden, Luis Eduardo. (n.d.). "Diego Quispe Tito". https://dbe.rah.es/biografias/54757/diego-quispe-tito

Painter of the Andean viceroyalty. Attributable to Francisco José de Lerma y Villegas (Caracas, Venezuela. 18th century. Active between 1719 and 1753).“Patronage of Our Lady of Mercy over the Order of the Mercedarians”Oil on canvas.The canvas has some damage.52,5 x 39,5 cm. (with frame: 100 x 61 cm.)The painting with the same subject matter as this one, ‘The Patronage of the Virgin of La Merced’, which is kept in the Museo de Arte Colonial de Caracas Quinta de Anauco, is also by Lerma and is based on an engraving by Cavalli. The two have great similarities.As we read in the Royal Academy of History, ‘In his pictorial works we can observe careful drawing, harmonious colouring and an adequate knowledge of light and shade, as well as the combination of various stylistic features resulting from the imitation of prints and engravings from a wide variety of sources’. Our work is based on the engraving by Pieter de Jode I (1565 - 1639) ‘Our Lady of Mercy’ (PI 626A/3935B).Wonderful canvas from New Spain, richly framed, depicting one of the most popular themes in New Spanish art, the so-called "Patrocinio" (Patronage), which shows the Virgin Mary (in this case) or a saint (cf. parallels with the Patronage of Saint Joseph in this same auction, lot 62) protecting communities, religious orders, corporations and authorities under her mantle (with a clientelistic and corporate scheme typical of the Ancien Régime), as the main recipients of her heavenly benefits.Our Lady of Mercy and the Redemption of the Captives is the Queen and Lady of the Order of Mercy (Latin: Ordo Beatæ Mariæ Virginis de Redemptione Captivorum), a Catholic mendicant religious order, founded in 1218 by Saint Peter Nolasco (ca. 1180-1245) for the redemption of Christian captives in the hands of Muslims.  The Mercedarians committed themselves with a fourth vow, to liberate others who were weaker in the faith, even if their lives were endangered by it.This Virgin of Mercy, crowned ‘as queen’ of heaven under the Holy Trinity who contemplates and blesses the moment, protects the order of the Mercedarians, the Pope and the King under her wide mantle, raised and supported by two angels.The Pope we see is Gregory IX, who approved this religious order in 1235 with the Papal Bull "Devotionis vestrae"; next to him is Saint Raymond Nonnatus, another of the ‘principals’ of this order; the king, James I of Aragon, known as ‘the conqueror’ and, next to him, its founder Saint Peter Nolasco, and Saint Mary of Cervelló, left, founder of the female branch of this order, with some more of these Mercedarian sisters.All, without exception, are prostrate on a period checkered tiled floor: the king, the Pope and his bishops, and the entire religious order, kneel before the Virgin Mary and Lady Queen with both knees, an external gesture that expresses the greatest sign of submission.On the floor are scattered shackles, symbols of the redeemed captives.The painting has an imposing period frame, richly carved and gilded, with sections in painted glass (the polychrome is posterior). It is polychromed in blue, with flowery poinsettia, enclosing and completing the beauty and devotion of the painting. Bibliographic reference:- Ojeda, Almerindo. 2005-2024. Project for the Engraved Sources of Spanish Colonial Art (PESSCA). Website located at colonialart.org. Date accessed: 21/10/2024.

Three Large Darkroom Developing Trays, to include a tray suitable for up to 20" x 24" prints, with two smaller trays to take up to 16" x 20" prints, all in white, G condition,

Albums 2 large, leather bound photograph albums containing a mixture of images, mainly church, cathedral, architecture and topography of UK, Germany and France. Including Glendolough, Wicklow, Northumberland, Edinburgh, Braemar, Cambridge, Ely, Rheims, Dresden. Included are 4 platinum prints by Frank Meadows Sutcliffe of the Whitby area. Images by G.W.Wilson, W. Lawrence and James Valentine. + loose prints. Albums are complete and clean, some scattered foxing on leaves. Images are generally very good.

Nicolette Savage  Etching "Pigwig", signed in pencil lower right and numbered 45/150, 10cm x 13cm  P Thomas Black and white print "Cyclist, County Clare", signed in pencil and numbered 7/75 After Modigliani Colour print Female nude After Maud Earl Pair of colour prints  "The Long Vacation", foxhounds and gun dog and duck (5)  From the collection of the late Maurice Costley

"Bob Dylan Mondoscripto" set of 10 limited edition lithographs, Hors Commerce 4/30, all signed by the artist, published by Washington Green Fine Art after handwritten original drawings with lyrics, four within black frames, mounts and glazed "All Along the Watchtower", "Blowin' in the Wind", "Mr Tambourine Man", "Lay, Lady, Lay" and six unframed "It's All Over Now Baby Blue", "The Times They Are A'Changin", "Forever Young", "Knockin' on Heaven's Door", "Like a Rolling Stone" and "Maggie's Farm", each 44.5cm x 73cm, the unframed prints each within black folder, all with certificate, box and booklet 

Billy Connolly "Born on a Rainy Day" set of six giclee on paper, 2020, 94/295, published by Washington Green Fine Art, all signed, 57cm x 77cm, two framed "Scotty Poser" and "The Wreck Room" and four unframed prints each within black folder viz:- "First Position", "Roman Candles", "Martial Art" and "Egyptian Love Story", all with certificates, box and booklet 

A World War I French F Marshal's kepi, a pair of slippers, gold braided and leather, 29cm long, together with two Herbert Olivier coloured prints, 'Bomber Command Conference 1943' and 'Laying on the Target' each signed in pencil, 66 x 53cm an Indian waistcoat, a GWR cap (7)Provenance: from the family of Herbert Arnould Olivier, RI (1861-1952).In 1917, Olivier was appointed an official War Artist and in 1924 he presented to the nation, for display in 'the new War Museum at South Kensington', a number of paintings, including The Supreme War Council (the original of which was given to the French Government and displayed in the Palace of Versailles), The Armistice Meeting, The Military Representatives in Conference, The Peace Signature Table, and various portraits. The paintings now form part of the collections of the Imperial War Musuem. He also painted a number of studies, one of Marshal Joffre (1852–1931), Commander-in-Chief, French Armies. Condition ReportPrints faded. Frames knocked. Kepi - with wear and ridigity lost. Slippers fair

Four reverse-printed glass pictures, 'Summer and Autumn', two, reverse prints on glass, framed, 31 x 42cm, Charles of Orange, framed, 48.5 x 37cm, and 'Reflections on Clarissa Harlow',framed, 35.5 x 30cm (4)Condition ReportOval - flaking. Orange - cracked. Worn frames.Provenance: From a private property.

Two Japanese woodblock prints, comprising one with landscape, the other possibly from the first Sino-Japanese War,35 x 24 and 34 x 22cm, framed and glazed (2)Condition ReportDid not examine outside of the frames. Both with creasing and cockling, Colours faded.

A collection of five Japanese woodblock prints, 20th century, each with bijin and other figures, 28 x 19cm, framed and glazed (5)Condition ReportDid not examine outside of the frames. No obvious faults.

A collection of four Japanese woodblock prints, 20th century, comprising:one after 'Thunderstorm Beneath the Summit' from the series Thirty-six Views of Mount Fuji by Hokusai, 19 x 30cm, two after 'Izumi' and 'Omi' from the series Famous Views of the Sixty-odd Provinces by Hiroshige,28 x 19cm, and another after Utamaro,28 x 19cm, framed and glazed (4)Condition ReportDid not examine outside of the frames. No obvious faults.

10 FRAMED RUSSELL FLINT PRINTS 

LARGE QUANTITY OF VARIOUS FRAMED PICTURES, PRINTS, OLEOGRAPHS, FRAMED WATER COLOUR 

QUANTITY OF VARIOUS FRAMED PRINTS INCLUDING SIGNED STURGEON PRINT, WATER COLOUR ETC 

LARGE QUANTITY OF VARIOUS FRAMED PRINTS/PICTURES ETC 

ARTS- SIGNED: 1- Baron, Wendy (SIGNED): SICKERT. Paintings and Drawings. 2006, 1st. Edn. Dw. SIGNED BY BARON. FINE; 2- Anthony EYTON (SIGNED): Jenny Pery: Anthony Eyton, a life in painting. Dw. SIGNED BY EYTON. FINE; 3- Andrew Lambirth (SIGNED): The Dove in the toolbox, 2006. Limited edn. #79 of 50, Signed by author. Fine; 4- Grayson PERRY: (SIGNED): Guerrilla tactics. Rotterdam, 2002, 1st. SIGNED, with his motif. VG+; 5- WEIGHT, Carel (SIGNED): A Haunted Imagination. By R.V. Weight. 1994, 1st. Edn. Dw. IINSCRIBED, SIGNED & DATED BY CAREL WEIGHT. FINE; 6- ROSENTHAL, T. G: (SIGNED): L.S. Lowry: The Art and the Artist. 2010, 1st. Edn. Dw. SIGNED & DATED. FINE; 7- Philip JACKSON (SIGNED): Sculpture since 1987. 2002, 1st. Edn. Dw. IINSCRIBED & SIGNED; 8- Shepherd, David (SIGNED): My painting life. 1995, 1st. Edn. Dw. INSCRIBED & SIGNED. Fine; 9- Shepherd, David (SIGNED): An artist in Africa. 1986 repr. Dw. PLUS: Chettle House: A weekend with David Shepherd. SIGNED BY SHEPHERD; 10- Hamilton, Richard (SIGNED): Prints 1939 - 83. SIGNED. Original wrapper. FINE; 11- Philip D. Hawkins (SIGNED): Tracks on Canvas: The Railway Paintings. 1998, 1st. Edn. Dw. INSCRIBED & SIGNED. FINE; 12- Gilbert & George (SIGNED): New Normal Pictures, by Michael Bracewell. 2021, 1st. Edn. INSCRIBED & SIGNED BY BOTH. VG+; 13- Grayson PERRY (SIGNED): Unpopular Culture. 1st. Edn. Fine; 14- Davies, Peter (SIGNED): Arthur Ballard: Liverpool Artist and Teacher; 15- John W Mills (SIGNED): Sculptor & Printmaker. 1994. Card cover- Inscribed & SIGNED; 16- Hambling, Maggi: The Works: And Conversations with Andrew Lambirth. 1st. Edn. Dw. Fine; & Shepherd, David: An Artist in Conservation. Repr. DW. Fine. (17)

The BEATLES (SIGNED): Boyd, Pattie: Wonderful Tonight: George Harrison, Eric Clapton, and Me. 1st. US edn. DW. Inscribed, dated and Signed by Pattie Boyd. Fine; Bedford, David: Liddypool: Birthplace of the 'Beatles'. 2009, 1st. Edn. DW, SIGNED by Bedford. 4to. Fine; Sutcliffe, Pauline: The Beatles' Shadow: Stuart Sutcliffe & His Lonely Hearts Club. 1st. Edn. DW, Inscribed & Signed; Fine; Gelly, D; Homer Sykes (Photo): The facts about a Pop Group featuring Wings. 1st. Edn. SIGNED and dated by Homer Sykes, VG; Mike McCartney: Silk-Screen prints 1990. The Flower gallery, 1990. Inscribed and SIGNED. Vg; McCullin, Don: A day in the life of the Beatles. Cape, 2010, 1st. Edn. Pictorial boards, endpapers and clamshell box lining designed by Peter Blake. A fine copy; and Paul McCartney: 1964: Eyes of the Storm: Photographs and Reflections by Paul McCartney. Unopened copy, shrink-wrapped. Published at £60 (7)

HERALDRY, Etc: Debrett: 1- The peerage of the United Kingdom of Great Britain & Ireland, In 2 vols. 1826, Frontis & plates; Cont. full calf, VG; 2- The Baronetage of England, in 2 vols. 1824. With plates. Cont. full calf, VG; Lodge, Edmund: Portraits of Illustrious Personages of Great Britain, 12 Vols. Bound in 6. Harding, 1835. 4to. Cont. full leather gilt, aeg; The National Gallery of pictures by the great masters. Jones, nd, c1836. Numerous engraved plates. 4to. Cont. half leather; one cover detached; Trimmer, Mrs: A New Series Of Prints Accompanied By Easy Lessons: 1- Scripture of old testament, 1808 (2 copies); 2- Roman History, 2 editions, 1803 & 1804; 3- New Testament, 1805 (2 copies); Ancient history, 1803 (2 copies). A collection of engraved plates in each volume. Cont full calf some covers detached; The Magazine of Art, Volumes 1 & 2. Cassell, nd, (1878-78). Cont. half leather; Cattermole: book of the cartoons. 1837. Covers detached. (22)

s/w Fotografie Murray Garrettgeb. 1926 "Marilyn Monroe surrounded by reporters and fans outside Grauman's Chinese Theater in Hollywood, California" 1953 u. re. sign. Murray Garrett verso bez. u. dat. 1953 späterer Abzug auf Ilford Silbergelatinepapier. Exemplar 29/75, 25 x 25,4 cm (Darstellung), o.R. Mit einem Zertifikat von Galerie Prints, London. Provenienz: Galerie Prints London; Privatsammlung Frankfurt.

Persian painting of warriors and three Japanese prints

Collection of assorted paper ephemera including children's book illustrations and prints, newspapers and a Melody Maker for December 1980 with John Lennon tribute supplement

Two William Russell Flint prints

Five various watercolours and prints

Three German block prints, signed and dated 1927.[40x33cm]

Artist portfolio by A.M Forbes also to include large mounted prints of Edinburgh and other symbolic scenes.

A pair of antique prints within ornate frames.[28x33cm]

Mixed lot of collectable porcelain, prayer mat, book of religious prints and a bottling of alcohol

Six Framed pictures to include etchings and prints dipicting water scene

Pair of antique coloured prints dated 1930 and signed.[60x70cm]

Eight Vintage Prints to Invlude Two Maps, Canada and Cape Colony, Landscapes and two Prints of Sepulchre.

*JOHN PIPER (1903-1992) 'Alpilles', signed and numbered 51/70 in pencil to the margin, etching with aquatint, printed at the Kelpra Studio. published by Marlborough Fine Art in 1990, the image 40cm x 61cm,  Framed dimensions: 65cm x 85cmExhibited: 'John Piper Retrospective', Bridport Arts Centre, Dorset, 6th December 1993-15th January 1994, number 44, Provenance: Purchased from the above exhibition, 14th January 1994 Deceased estate, Dorset, Literature: 'The Prints of John Piper, A Catalogue Raisonné, 1923-91', Levinson, Orde, publ. Lund Humphries, number 425.

*DAME ELISABETH FRINK (1930-1993) 'Bull', 1986, signed and numbered 35/100 in pencil to the margin, etching with aquatint in grey, printed at Kelpra Studio and with their blindstamp, on Velin Arches paper, 29.8cm x 27.4cm (sheet), Framed dimensions: 37.5cm x 36cmpublished by Harpvale Books as the frontispiece for the 1984 deluxe edition of 'Elisabeth Frink: Sculpture', a copy of which is included in this lot, signed to the frontispiece and further inscribed "Brian and Dorothy, with love from Alex and Lis" to the flyleaf, both in the hand of the artist (2), Provenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024)Literature: 'Elisabeth Frink, Original Prints, Catalogue Raisonne', Caroline Wiseman, 1998, number 136

*NORMAN STEVENS (1937-1988) 'Orchard Gate', 1976, signed, dated, titled and inscribed "For Brian with best wishes" in pencil to the margin, etching, the image 11.4cm x 16.1cm,  Framed dimensions: 45cm x 39cmProvenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024).Note: Lifelong friends with David Hockney, Norman Stevens was described as "one of the most particular and distinguished painters and printmakers of his generation" by William Packer. His prizewinning prints were the focus of solo exhibitions at the Arnolfini and Tate during the 1970s, and a posthumous retrospective was held at the Royal Academy of Arts in 2014.

*LAURENCE STEPHEN LOWRY (1887-1976) 'Sailing Boats', signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 706, limited edition offset lithograph from the edition of 850 printed in 1975 by Venture Prints Limited of Bristol, the image 29cm x 34cmFramed dimensions: 55cm x 59cm

*NORMAN STEVENS (1937-1988) ‘Laurel Tree, Nettlecombe Court’, 1985, signed, titled, dated and numbered 93/150 in pencil to the margin, screenprint, printed by Brad Faine at Coriander Studio, London, and published by Christie's Contemporary Art, London, the image 63.5cm x 79cm,  Framed dimensions: 84.5cm x 98.7cmProvenance: Purchased from Redfern Gallery, St. James's, London, 17th May 1985 The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024). Note: Lifelong friends with David Hockney, Norman Stevens was described as "one of the most particular and distinguished painters and printmakers of his generation" by William Packer. His prizewinning prints were the focus of solo exhibitions at the Arnolfini and Tate during the 1970s, and a posthumous retrospective was held at the Royal Academy of Arts in 2014.

THE VINYL FACTORY PRESENTS: 3D AND THE ART OF MASSIVE ATTACK, a visual history of a band who have sold over 11 million records worldwide, compiled and designed by 3D using images from a personal archive and original artefacts scanned by the artist for the recordNote: Robert Del Naja, also known as 3D, is a British artist and musician, best known as a founding member of trip hop collective Massive Attack. He began his visual art career as a graffiti artist in the 1980s while collaborating with the Wild Bunch collective in Bristol. Del Naja’s visual art is integral to Massive Attack’s identity, designing album covers and tour visuals that combine mixed media and digital elements​. His notable artworks include the “War Paint” series, consisting of paintings about global conflict and political themes, which were exhibited at Lazarides Gallery in London​. In 2021, Del Naja debuted Code Temporal, an audiovisual work created in collaboration with AI artist Mario Klingemann and fashion brand Valentino​​. Del Naja has also created limited-edition prints to raise funds for charities during the COVID-19 pandemic and for humanitarian efforts in Ukraine​​.

*DAVID HOCKNEY (b. 1937) 'Pretty Tulips', 1969, signed, titled, dated '70 and numbered 28/200 in pencil to the margin, lithograph in six colours, on Crisbrook handmade paper, published by Petersburg Press, London and New York, 1970, 70.6cm x 49cm,  Framed dimensions: 73.3cm x 51.5cmProvenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024). Literature: 'David Hockney, Prints 1954-77', The Midland Group and the Scottish Arts Council in association with Petersburg Press, 1979, pl. 115.

FUTURA (LEONARD HIILTON MCGURR) (FKA FUTURA 2000) (b. 1955) 'The 4 Elements', 2019, a complete set of 4 screen prints in colours on 300gsm Somerset Satin archival paper, all signed and numbered 37/100 in pencil to the margin, published by Urban Spree,sheets: 50 x 50cm each,Framed dimensions: 53cm x 53cm each (4)Note: Futura (American, b.1955), the pseudonym of Lenny McGurr, is a Graffiti Artist best known for his Abstract approach to Street Art. Born in New York, he began painting on the subway system as a teenager in the early 1970s, and over the course of his career was associated with the groups 3YB, CIA, FBI, Interpol, and KGB. While other Graffiti artists of the 1970s and 1980s focused on lettering, Futura 2000 was unique in his Abstract style. In the 1980s, he began to work on canvas, and exhibited along with American artists Keith Haring (1958–1990), Jean-Michel Basquiat (1960–1988), and Kenny Scharf (b.1958).In 1981, he painted the backdrops for The Clash’s European tour and designed the sleeve for their This Is Radio Clash single, and in 1982, hand wrote the sleeve notes and lyrics sheet for their Combat Rock album. He continued to tour with the band and spray paint backdrops during the performances. More recently, Futura has transitioned into working as a graphic and commercial artist. He has worked with companies such as Nike, Recon, and Medicom Toy, and designs clothing for his label Futura Laboratories. His work has been exhibited at MoMA PS1 in New York, the Grotinger Museum in the Netherlands, and the Gallery Du Jour in Paris. He lives and works in New York.

*LAURENCE STEPHEN LOWRY (1887-1976) 'Landscape with Farm Buildings', signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 298, limited edition offset lithograph from the edition of 850, printed in 1974 by Venture Prints Limited of Bristol, the image 40cm x 50cm, Framed dimensions: 79.8cm x 85.7cm

*NORMAN STEVENS (1937-1988) ‘View from my Window’, monogrammed and dated '81 lower right, further signed, titled and dated verso, oil on board, 11.8cm x 14.7cm,  Framed dimensions: 26.5cm x 28.7cmProvenance: Purchased from Redfern Gallery, St. James's, London, June 15th 1982 The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024), Note: Lifelong friends with David Hockney, Norman Stevens was described as "one of the most particular and distinguished painters and printmakers of his generation" by William Packer. His prizewinning prints were the focus of solo exhibitions at the Arnolfini and Tate during the 1970s, and a posthumous retrospective was held at the Royal Academy of Arts in 2014.

*DAME ELISABETH FRINK (1930-1993) 'Man and Horse I', 1971, signed and numbered 46/70 in pencil, lithograph, on J Green mould-made paper, printed at Curwen Studio, published by Leslie Waddington Prints Ltd., the sheet 60.2cm x 79.8cm, Framed dimensions: 64.5cm x 83.5cm Provenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024), Literature: 'Elisabeth Frink, Original Prints, Catalogue Raisonné', Caroline Wiseman, 1998, number 50,

§ Gertrude Hermes OBE, RA (1901-1983) Welcome to the Avocetssigned and dated 'Gertrude Hermes 1948.' (lower right); artist's prooflithograph38.5cm diameterExhibited:London, Gertrude Hermes: Wood Engravings, Colour Prints, Drawings, and Sculpture 1924-1970, 12 January-11 February, 1993, cat. no.44Not examined out of the frame, outermost margins are obscured by the mount and are, therefore, not available for inspection. The paper support has an overall undulating appearance which should be corrected by reframing. There is some very negligible foxing noted in the lower margin. There is some possible fading to the palest values in the print, otherwise appears in nice condition overall.

Roy Tyson A.K.A Roy's People, two photographic prints, to include: Room For Two, signed 'Roy' (lower right) and numbered 49/50, 47 x 46cm; and Work's Every Time, signed 'Roy' (lower right) and numbered 26/30, 27.5 x 39cmBoth images are in excellent condition, the frames with a number of scuffs and marks.  Non-reflective glass.

§ William Greengrass (1896-1970) Christmas, 1959signed 'WGreengrass' (lower left); numbered 19/100linocut18.5 x 11.5cmProvenance:Sale; Bonhams, Discovery Prints, 20 April, 2023, lot 14

A pair of late 19th Century coloured prints depicting Mediterranean scenes with figures, framed and glazed

A selection of small picture frames, sketches, prints, three pocket books containing a selection of various prose and sketches etc

A pair of coloured limited edition prints of nude females No. 194/200 indistinctly signed, framed and glazed

A coloured print of a race horse "Sceptre Winner of the St Ledger" and four other various horse racing prints

Two prints, child with puppy and dogs, largest 84 cm x 62 cm

Two limited edition Judy Boyes prints, "The Hamlet of Watendlath" and "Wallend Farm Langdale", each 55 cm x 43 cm

Four pictures and prints

Three large prints of trains, "Witherslack Hall" etc, largest 92 cm x 67 cm

Pictures, prints, pencil drawings, watercolours etc