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Manner of Cecil SKOTNES (1926-2009) Two Woodblock Prints Each unsigned, 66cm x 52cm.One piece has a tear within it - please see photographs.

Ray BARRY (1931-2022) Ten Cornish-Related Prints Each from the 'Mysterious Cornwall' series, nine 40cm x 29?5cm, 54cm x 42.5cm mounted and cellophaned, with one smaller work (10)

Ray BARRY (1931-2022) Thirty Giclee prints of differing designs Including work from his 'Mysterious Cornwall' series, 'Kitchen Still Life' and 'Hidden Gold' abstract. Each either mounted and cellophaned or framed. Most 42.5cm x 53cm.Ray Barry loved Cornwall and art. A Director of the St Ives Society of Artists, appointed in 2010, and Associate of both the Newlyn and Penwith Society of Artists, Ray originally started painting in the 1950s while working for Cable and Wireless in the Sudan. He exhibited at the Red Sea Club, Port Sudan and The New Stanley Gallery, Nairobi as he began to cultivate his artistic talent. Subsequent to his career with Cable and Wireless, Ray settled in Cornwall and evolved his art style while scooping top prize as the winner of 3 Spires Arts Festival, Truro. He solo exhibited at Falmouth Arts Club, Penzance Arts Club, The Crypt Gallery St Ives, The Cornerstone Gallery St Ives, Bakehouse Gallery St Ives, as well as jointly exhibiting with fellow artists Jenny Woodhouse, Bob Devereux, Rachel Kantaris, Patricia Dearden, Stephen Dove, John Beer and Victor Bramley. An established artist locally by the 1990s, Ray Barry graduated Falmouth School of Art in 1997 (with other alumni graduating that year including Paul Wadsworth and Jenny Woodhouse), with a degree in Fine Art and had a studio in St Ives before relocating his studio to Ludgvan. An established fellow artist among his peers, a hand-written invite to Bryan Pearce’s 75th birthday lay amongst his treasured possessions. Ray Barry constantly strove to explore colour and textural values with passion, working primarily in oils and acrylics. Of his work, he quoted, “I enjoy creating order out of chaos and conversely 'deconstructing' order to the point of meaningful abstraction….I paint with a sense of adventure rather than premeditation…I love the poetics of Abstraction “. Away from his career as an artist, Ray was also a keen stamp collector with his talent and interests overlapping when he created, established and designed stamps for Gugh Island, Isles of Scilly, with the designs of these sold in our Stamps and Collectors auction earlier this year.

After Henri MATISSE 'Memory of Oceania' and 'Creole Dancer' Prints, 54cm x 54cm and 75cm x 55cm, 102cm x 77cm framed.

Amanda HOSKIN (1965) 'Pages from the Sketchbook- Dozmary Pool' and one other Prints, 48cm x 55cm including frames.

Ray BARRY (1931-2022) Thirty Prints of Differing Designs Including work from his 'Mysterious Cornwall' series, 'Lanyon Quoit' and other figurative and abstract works. Most 43.5cm x 35cm.

Ray BARRY (1931-2022) Thirty three giclee prints of differing designs Including work from his 'Towards Godrevy', and 'Guardian', some signed and titled in pencil, most 35cm x 43cm.Ray Barry loved Cornwall and art. A Director of the St Ives Society of Artists, appointed in 2010, and Associate of both the Newlyn and Penwith Society of Artists, Ray originally started painting in the 1950s while working for Cable and Wireless in the Sudan. He exhibited at the Red Sea Club, Port Sudan and The New Stanley Gallery, Nairobi as he began to cultivate his artistic talent. Subsequent to his career with Cable and Wireless, Ray settled in Cornwall and evolved his art style while scooping top prize as the winner of 3 Spires Arts Festival, Truro. He solo exhibited at Falmouth Arts Club, Penzance Arts Club, The Crypt Gallery St Ives, The Cornerstone Gallery St Ives, Bakehouse Gallery St Ives, as well as jointly exhibiting with fellow artists Jenny Woodhouse, Bob Devereux, Rachel Kantaris, Patricia Dearden, Stephen Dove, John Beer and Victor Bramley. An established artist locally by the 1990s, Ray Barry graduated Falmouth School of Art in 1997 (with other alumni graduating that year including Paul Wadsworth and Jenny Woodhouse), with a degree in Fine Art and had a studio in St Ives before relocating his studio to Ludgvan. An established fellow artist among his peers, a hand-written invite to Bryan Pearce’s 75th birthday lay amongst his treasured possessions. Ray Barry constantly strove to explore colour and textural values with passion, working primarily in oils and acrylics. Of his work, he quoted, “I enjoy creating order out of chaos and conversely 'deconstructing' order to the point of meaningful abstraction….I paint with a sense of adventure rather than premeditation…I love the poetics of Abstraction “. Away from his career as an artist, Ray was also a keen stamp collector with his talent and interests overlapping when he created, established and designed stamps for Gugh Island, Isles of Scilly, with the designs of these sold in our Stamps and Collectors auction earlier this year.

Robert HEINDEL (1938-2005) 'Ballet' and one further work Each limited prints 253/500 and 321/500, each signed, one with New Bridge Gallery label verso, 59cm x 40cm and 68cm x 59cm, 86cm x 64cm and 89cm x 78cm framed (2)

After Henri MATISSE 'Les Codomas' and 'White Alga on Orange and Red' Prints, 40cm x 62cm and 57cm x 43cm, 62cm x 82cm and 83cm x 63cm framed (2) Shipping is available from £42.50 to a UK Mainland address.

Ray BARRY (1931-2022) Three prints Minescape III, 27.5cm x 37cm, 48cm x 58.5cm; Mysterious Cornwall, one-off giclee print on canvas, initialled in graphite, 38cm x 30.5cm, 55cm x 45cm framed; and Pay The Piper, 38cm x 29cm, 58cm x 48cm framed (3)

Ian HARROLD (XX-XXI) Four prints Each a digital edition from the exhibition 'St Ives - The New Pier', printed with archival pigment inks of museum quality fine art paper, each 41cm x 49cm mounted.

A mahogany display table, 53 cm wide and three prints (4)

A mahogany and brass bound writing box, 46 cm wide, a set of three wall lights, and three prints

Assorted ceramics, glass, prints, pictures and other items (qty)

A faux metal book, containing assorted gramophone needles, a vintage radio assorted prints and pictures (qty) Provenance:  A single owner collection, from the studio of a seamstress

A 19th century French print, two ladies and a child in a park, 25 x 26 cm, and assorted other fashion prints (box)  Provenance:  A single owner collection, from the studio of a seamstress

A 19th century French fashion print of two ladies, 28 x 19 cm, and assorted other fashion prints Provenance:  A single owner collection, from the studio of a seamstress

A set of ten French fashion prints (box) Provenance:  A single owner collection, from the studio of a seamstress

A Vanity Fair print, Albert Hall, in a painted inscribed Royal Albert Hall frame, 44 x 33 cm, assorted prints (6) Provenance:  A single owner collection, from the studio of a seamstress

A SERIES OF FIVE JAPANESE PRINTS, depicting different figures, each uniformly framed and glazed, (5).

A group of pictures, prints, etc., to include MM Loxton Chateau Palmer, signed limited edition print, number 53/1950, 24cm x 32cm, etc. (a quantity)

A group of pictures and prints, etc., to include an Egyptian style papyrus print, after Leonardo Divinci The Virgin and Child with St Anne and St John, print, 60cm x 48cm, etc.

Pictures & Prints - by and after Eugene Richard Sturgeon,  a set of four, including Bakewell Bridge, signed in pencil to margin; By and after Alan Ingham 'This England', titled, signed and numbered in pencil to margin (5)

A set of 19th century brass and iron leather hide scales; a Salter Pocket balance, to weigh 100LB; another, 25lb; a similar 20th century German pocket balance, 25lb; 19th century brass revolving meat jack and bracket;   a cast iron candlestick, 42cm high; pewter mugs;  ;  set of 19th century brass and iron leather hide scales; a Salter Pocket balance, to weigh 100LB; another, 25lb; a similar 20th century German pocket balance, 25lb; 19th century brass revolving meat jack and bracket;   a cast iron candlestick, 42cm high; pewter mugs;  Francis Wheatley, after, Luigi Schiavonetti, by, a set of six, Criers of London, coloured prints, 25cm x 20cm;   other engravings and prints

SELECTION OF VARIOUS FRAMED PICTURES, PRINTS, SEWING SILK, ORIENTAL PANELS ETC

5 ALASTAIR CLARK WORKS FRAMED PRINTS, TWO SIGNED WITH RECEIPTS

2 GILT FRAMED MIRRORS, QUANTITY OF VARIOUS FRAMED PICTURES/PRINTS

BOX CONTAINING VARIOUS CHINA FIGURE ORNAMENTS, JAPANESE STYLE TEA WARE, MONTY PYTHON SKETCH BOOKS, DECANTER & STOPPER, 2 FRAMED PRINTS

QUANTITY OF VARIOUS FRAMED SIGNED PRINTS ETC

QUANTITY OF VARIOUS FRAMED PRINTS, PAINTINGS ETC

including a lithograph self portrait and a lithograph of a letter, as well as two colour prints 'Women with Fish Baskets' and 'Seated Boy in a Doorway' all unframed the largest 40cm x 31cm Provenance: Studio of Alberto Morrocco Note: This lot is offered without reserve

oil on canvas, signed framed image size 60cm x 100cm, overall size 77cm x 117cm Note: Donald Shearer specialised in the landscapes and seascapes of the North of Scotland. Being a keen golfer and a leading Scottish painter, it is natural that one of his favourite subjects was golf courses of which there are many in his part of the world. But it is for his highly detailed and striking landscapes that he is best known, his original work and limited edition prints being collected by enthusiasts all over the world. Born in the Kyle of Lochalsh, on Scotland’s West Coast, Donald Shearer studied painting in Aberdeen at Grays School of Art where he achieved the RSA Award. He exhibited widely including at the RGI and at The Royal Scottish Academy. RSA records show his first painting was shown in 1959 when his address was 7 Simpson Place, Dingwall and from 1979 onwards he was living at "Rossal", Seabank Road, Invergordon. After more than thirty years, his final painting at the RSA was exhibited in 1990.

Two prints of German propaganda photographs against the USSR for the population of the occupied Polish territories.Dimensions: 18.8 cm x 8.5 cm, 11.4 cm x 8.4 cm.Overall condition as shown in the pictures.

Collection of Vanity Fair cricket prints, together with original watercolours and oils to include D Beaumont, Gillian Parsons, Mary McCurtrie etc (14)

Two 19th century prints of Scarborough (2)

Peter Blake (British 1932-): 'An Alphabet', hardback signed to label on title page, containing a portfolio of reproduced prints from the alphabet series

Vinyl - Brian Eno – Before And After Science LP on Polydor – 2302 071. Original UK 1977 early pressing A3 / B2 matrices with grey / light blue portfolio with four offset prints on rough paper by Peter Schmidt. VG+ (minor foxing and small pen mark at bottom of front sleeve) / Vinyl EX- (one non feelable mark on side B.) / Portfolio complete and in EX condition

AFTER ERIC RAVILIOUS (1903-1942)Four unframed prints 'Double Crown Club Cafe Royal 1935', 'Cockerell GCP 1933', 'The Golden Cockerell Press Spring 1930', and 'Twelfth Night Golden Cockerell Press 1931' and a framed alphabet print. (5)

ARR LEONARD RUSSELL SQUIRREL (1893-1979) *ARRThe Picnic, watercolour, etching, signed and titled in the margin, unframed,27 x 38cm.Two other signed prints, by the same hand. (3)

A Miniature Painted on Paper, signed T. Stitch, with a military gentleman, oval, 5 x 4cm, a miniature of a lady, painted on paper, wearing a white dress, 13 x 10cm, a pair of miniatures of girls, signed Heald, boxed and another pair. (6)Both pictures in circular frames at bottom are prints.

Military Aviation Mostly WWI/WWII Theme Card Prints Only, after various artist including Robert Taylor, J.W Mitchell and Gerald Coulson, different dimensions 59cm x 84cm to 21cm x 27cm, contained within large art carry case, twenty-five in total some duplicates.

Assorted pictures and prints, comprising Freda Ward 20thC Stamford town scene, farmyard scene by same artist, and a tulip watercolour unmarked. (a quantity)

Assorted pictures and prints, comprising town scenes, landscapes, etc.

* KATHARINE (KATE) CAMERON RSW RE (SCOTTISH 1874 - 1965), FOUR COLOUR PRINTS four colour prints on papereach framed and under glassimage size 23cm x 8cm and 28cm x 7cm Qty: 4

ALEXANDER BROWNLIE DOCHARTY (SCOTTISH 1862 - 1940), FIELD AND FARM oil on canvas, signed, titled indistinctly versoframed and under glassimage size 41cm x 62cm, overall size 53cm x 73cm Note: Alexander Brownlie Docharty (1862–1940) was a Scottish painter, mainly in oils. He was the second son of Joseph Docharty and Elizabeth Brownlie. Joseph Docharty was a designer of calico prints; Alexander left school at the age of thirteen to join his father. He studied part-time at the Glasgow School of Art, attending Robert Greenlees' evening classes. In 1878 Docharty's watercolour On The Cart- Pollockshaws was exhibited at the Royal Glasgow Institute of the Fine Arts. The Royal Academy accepted his painting Arran Cottages for exhibition in 1882. In the early 1880s Docharty was a designer for Inglis and Wakefield, a printing firm based at Busby. He left that firm some time before 1885, when he was based at James Docharty's studio in Bath Street, Glasgow. James was Alexander's uncle. Docharty moved to Paris in 1894 to study at the Academie Julien under Benjamin Constant and Jean-Paul Laurens. He subsequently lived at Kilkerran, Ayrshire. His Glen Falloch was exhibited in 1906 at the Glasgow Fine Arts Institute. Twenty-two of his paintings are held in UK public collections.

ALEXANDER BROWNLIE DOCHARTY (SCOTTISH 1862 - 1940), EN PLEIN AIR watercolour on paper, signedframed and under glassimage size 14cm x 19cm, overall size 38cm x 43cm Note: Alexander Brownlie Docharty (1862–1940) was a Scottish painter, mainly in oils. He was the second son of Joseph Docharty and Elizabeth Brownlie. Joseph Docharty was a designer of calico prints; Alexander left school at the age of thirteen to join his father. He studied part-time at the Glasgow School of Art, attending Robert Greenlees' evening classes. In 1878 Docharty's watercolour On The Cart- Pollockshaws was exhibited at the Royal Glasgow Institute of the Fine Arts. The Royal Academy accepted his painting Arran Cottages for exhibition in 1882. In the early 1880s Docharty was a designer for Inglis and Wakefield, a printing firm based at Busby. He left that firm some time before 1885, when he was based at James Docharty's studio in Bath Street, Glasgow. James was Alexander's uncle. Docharty moved to Paris in 1894 to study at the Academie Julien under Benjamin Constant and Jean-Paul Laurens. He subsequently lived at Kilkerran, Ayrshire. His Glen Falloch was exhibited in 1906 at the Glasgow Fine Arts Institute. Twenty-two of his paintings are held in UK public collections.

* IAN FLEMING RSA RSW RGI (SCOTTISH 1906 - 1994), UNTITLED etching on paper, studio stamp verso, no. 161mounted, framed and under glass image size 37cm x 50cm, overall size 52cm x 62cm Provenance: the artist's studio sale.Note: Ian Fleming was born in Glasgow and studied drawing, painting and printmaking at Glasgow School of Art. After graduating, he worked with etcher Charles Murray, and then travelled on an art school scholarship to London, Paris and Spain. In 1931 Fleming started teaching at Glasgow School of Art. During this time he met William Wilson, with whom he exchanged print-making ideas. He served in the police and army during the second world war and continued sketching and printmaking throughout. Notable are the prints he made of the Glasgow blitz. After the war Fleming taught again at Glasgow School of Art and at Hospitalfield, Arbroath. At this time he moved towards painting, rather than print-making, producing landscapes, harbours and portraits both in oil and watercolour. Fleming was principal of Gray's School of Art between 1954 and 1971. He continued in printmaking after his retirement. He died at Aberdeen.

* OSCAR DROEGE (GERMAN 1898 - 1983), TWO WOODCUTS WIND-SWEPT BIRCHES and SPRING IN THE TYROLtwo woodcut prints on paper, each signed and titled label versomounted, framed and under glass image size 36cm x 24cm each, overall size 64cm x 45cm Qty: 2Label verso (Wind-Swept Birches): The Art Cellar, Edinburgh

* IAN FLEMING RSA RSW RGI (SCOTTISH 1906 - 1994), UNTITLED etching on paper, studio stamp verso, no. 171mounted, framed and under glass image size 37cm x 50cm, overall size 61cm x 77cm Provenance: the artist's studio sale.Note: Ian Fleming was born in Glasgow and studied drawing, painting and printmaking at Glasgow School of Art. After graduating, he worked with etcher Charles Murray, and then travelled on an art school scholarship to London, Paris and Spain. In 1931 Fleming started teaching at Glasgow School of Art. During this time he met William Wilson, with whom he exchanged print-making ideas. He served in the police and army during the second world war and continued sketching and printmaking throughout. Notable are the prints he made of the Glasgow blitz. After the war Fleming taught again at Glasgow School of Art and at Hospitalfield, Arbroath. At this time he moved towards painting, rather than print-making, producing landscapes, harbours and portraits both in oil and watercolour. Fleming was principal of Gray's School of Art between 1954 and 1971. He continued in printmaking after his retirement. He died at Aberdeen.

ALEXANDER BROWNLIE DOCHARTY (SCOTTISH 1862 - 1940), WINTER - THE GLEN oil on canvas, signed, titled versoframedimage size 70cm x 90cm, overall size 109cm x 126cmHandwritten artist's label verso.Note: Alexander Brownlie Docharty (1862–1940) was a Scottish painter, mainly in oils. He was the second son of Joseph Docharty and Elizabeth Brownlie. Joseph Docharty was a designer of calico prints; Alexander left school at the age of thirteen to join his father. He studied part-time at the Glasgow School of Art, attending Robert Greenlees' evening classes. In 1878 Docharty's watercolour On The Cart- Pollockshaws was exhibited at the Royal Glasgow Institute of the Fine Arts. The Royal Academy accepted his painting Arran Cottages for exhibition in 1882. In the early 1880s Docharty was a designer for Inglis and Wakefield, a printing firm based at Busby. He left that firm some time before 1885, when he was based at James Docharty's studio in Bath Street, Glasgow. James was Alexander's uncle. Docharty moved to Paris in 1894 to study at the Academie Julien under Benjamin Constant and Jean-Paul Laurens. He subsequently lived at Kilkerran, Ayrshire. His Glen Falloch was exhibited in 1906 at the Glasgow Fine Arts Institute. Twenty-two of his paintings are held in UK public collections.

A cloth bound album, containing nine original Indian paintings depicting Ganesha and other subject matter, plus coloured prints of similar designs

Three framed RAF squadron plaques and various prints

Two boxes of glass paperweights, laced soft goods, prints and tankards

Two signed limited edition Military prints

Five coloured prints and aquatints, including artwork by Chris Noble, largest 60cm x 105cm

A group of six albums of military prints.

A large modern chrome and velvet framed printed photograph of Marilyn Monroe, 49 x 69cm, framed and glazed, and a further printed photograph of Marilyn Monroe, 50 x 38cm, framed and glazed (2).Condition Report: Condition of both images is good, no signs of any damages or imperfections, unfortunately we do not have any Provence for these items as they have been consigned from a a storage unit where they have been stored for some years. We do not have any information regarding the photographer, however we do not think these to be original photographs, but later re prints.

T OSWALD; oil on board, lady and gentleman, signed and dated 82 lower right, 39 x 29.5cm, framed, a charcoal drawing by Stoltenberg, unsigned but inscribed with title 'Merchant King - London' lower left, 31x 44cm, framed and glazed, a further unattributed signed print, 18.5 x 14cm, framed and glazed, and a set of four prints of birds, all 32 x 23cm, framed and glazed (7).

A pair of early 20th century Japanese woodcut prints, both with three character marks, both 34 x 23cm, framed and glazed (2).

† JOHN D. EDWARDS; a signed limited edition print, 'Love at Laguna', signed and dated 1986 lower right and numbered 14/100, 58 x 76cm, framed and glazed, an oil on canvas, still life of teapots and books, one of the books titled 'La Fontaine Choix de Fables', 87.5 x 59cm, unframed, and five further framed prints, all donated by the Calouste Gulbenkian Foundation, largest 62 x 50cm, framed and glazed and a unattributed modern abstract oil on board, rural scene, 34.5 x 29cm, framed, a watercolour, rural stream, 17 x 24cm, framed and glazed, a print of a tiger, etc (11).