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Lot 138
Sir John Lavery RA RSA RHA (Irish, 1856-1941) 'La Belle Mère' - portrait of the artist's wife Hazel and his daughter, Eileensigned 'J Lavery' u.l., also signed, inscribed with title and dated '1911' verso, oil on canvas128 x 90cmProvenance: The artist, by descent to his granddaughter, Lady Ann Forbes-Sempill; with Pyms Gallery, London, c.1990.Exhibited: Royal Hibernian Academy, Dublin;Gallagher Galleries/Pyms Gallery, London, 'A Free Spirit', 1990, no 37.Literature: Kenneth McConkey, 'A Free Spirit: Irish Art, 1860-1960', Antique Collectors' Club/Pyms Gallery, 1990, pp.144-145.We are grateful to Professor Kenneth McConkey for his kind assistance with the cataloguing of this lot.Condition ReportFramed: 149 x 111.5cmThe painting is executed in oil on a canvas support which has not been lined. A supplier’s stamp for Reeves and Son is present on the reverse with a painted inscription recording the artist and title. There is extensive mould across the back of the canvas and stretcher; a small area is present on the surface of the painting at the lower right corner. The canvas tension is good, there are minor undulations across the surface typical of an unlined painting of this age including a slight deformation at the lower left corner. Cracks have formed in the canvas and paint layers, following the edge of the wooden stretcher behind. In some areas small losses have occurred along these lines, notable along the upper edge and lower left side, although the surrounding paint appears stable. The paint layers are secure overall but some small losses and cracks have occurred. These are mainly located at the edges of the picture and in some areas have been overpainted with quite large, free brushstrokes. The overpaint is well matched to the original and only evident under ultraviolet light, possibly having occurred early on in the paintings history. A thin varnish layer is present across the surface but the overall appearance of the work is matte.
Lot 103
Circle of Arthur Devis (1712-1787) Portrait of Sir Peter and Lady Dennis, full-length, in a wooded landscape, a sleeping pug at his feet, a man-of-war offshore and a castle in the distancea label verso is inscribed 'Sir Peter and Lady Dennis/He commanded the yacht/which conveyed the princess/of Mecklenburg-Strelitz/Bride of George 3rd of/England', oil on canvas56 x 63cmProvenance: Rosa Frances Johnson.Condition ReportFramed: 71 x 78cmThe painting is executed in oil on a linen canvas support which has been lined. The canvas tension is good and the picture is in plane. The paint layers are in a good, stable condition overall. There is some minor wear and abrasion in the thinly painted, darker areas of the picture which would be expected of a painting of this age. Areas of retouching are evident across the surface covering wear, age cracks and in some areas reinforcing the composition. The retouching is finely handled and well matched the original. The varnish has yellowed with age and is slightly dull but acceptable. A layer of surface dirt is adding to the matte appearance of the surface.
Lot 151
An original sixties black and white photograph of The Beatles taken at the photographic studio of Albert Marrion in Wallasey, Merseyside on the 17th December 1961. This was the group’s first ever professional photo shoot and was paid for by Brian Epstein who had telephoned Albert to ask if he could photograph the group as he had taken the wedding photos for Brian’s brother Clive Epstein. Marrion recalled: ‘At first, I was reluctant to accept the task. We were primarily a portrait and wedding studio. In fact, the reason Epstein called me was I had been the photographer for his brother Clive’s wedding.’ Albert took about thirty photographs of the Beatles but discarded all but sixteen negatives because many showed Lennon and McCartney acting up and spoiling the pose. No doubt, those negatives should have been kept, looking back. One of the images later became famous when it appeared on the front cover of Mersey Beat magazine in January 1962 and was used for promotional cards. The photograph measures 21cm x 16.5cm (8.3 inches x 6.5 inches). The condition is very good.
Lot 60
An exquisite miniature portrait in the French Rococo style, depicting a young aristocratic woman with a graceful, lighthearted expression. She is dressed in an elegant gown featuring a dark bodice adorned with fine lace trim and a ruffled collar, characteristic of 18th-century French fashion. The portrait is set within an ornate gilt metal frame marked Made in Italy, with intricate filigree detailing at the corners. The cream-colored background enhances the refined elegance of the piece. The back is covered with patterned fabric and features a brass hanging ring for display.Issued: 19th centuryDimensions: 6"HCondition: Age related wear.
Lot 21
A finely crafted Rosenthal porcelain plaque featuring a detailed portrait of a gypsy girl, inspired by Frans Hals' renowned oil-on-wood painting created circa 1628-1630. This stunning reproduction captures the essence of Hals' mastery with vibrant colors and lifelike expression. Set within an ornate gilded frame, this piece exemplifies Rosenthal's dedication to artistic excellence. The back of the plaque bears the Rosenthal hallmark and the title "Zigeunermadchen von Frans Hals 1580-1666." Frame size: 18"L x 20.25"H x 4"D. Sight size: 9.5"L x 11.75"H.Artist: Frans HalsIssued: 20th centuryDimensions: See DescriptionCountry of Origin: GermanyCondition: Age related wear.
Lot 58
An exquisite antique miniature portrait painting depicting a young woman with flowing golden hair, dressed in a white gown with a red sash. The finely detailed portrait is set within an oval brass frame with a decorative border. The surrounding rectangular frame is crafted with faux ivory inlay, meticulously pieced together in a geometric pattern with delicate engraved accents. The reverse of the frame is backed with aged paper featuring printed Latin text, adding to its historical charm.Dimensions: 5.5"L Condition: Age related wear.
Lot 57
This exquisite antique hand-painted miniature portrait features a finely detailed depiction of a noblewoman, framed in an elegant ivory and tortoiseshell-style frame. The portrait is delicately signed by the artist with Horn visible near the lower left. The oval-shaped painting is set within an intricately designed brass or bronze decorative bezel, enhancing its vintage charm. The reverse of the frame displays a marbled brown backing with a brass hanging hook, typical of 19th-century European craftsmanship.Issued: 20th centuryDimensions: 5.5"HCondition: Age related wear.
Lot 61
A finely detailed miniature portrait of a young lady set within an ornate filigreed metal frame. The oval portrait depicts a woman in a dark off-the-shoulder gown, accented with delicate white lace trim. Her soft, composed expression and the subtle background hues add to the charm of the piece. The portrait is bordered by an intricate oval frame, mounted on a cream-colored background, and surrounded by a decorative metal frame featuring elaborate openwork designs and floral corner motifs. The back is covered in plain paper and fitted with a hanging hook.Issued: 19th centuryDimensions: 6"HCondition: Age related wear.
Lot 62
A finely crafted miniature portrait of a noblewoman, displayed in an intricately inlaid ivory frame. The portrait captures a young woman adorned in an elegant white garment with pearl accents and a red drape, complemented by a gold brooch and matching pearl necklace. Her hair is styled in soft curls, crowned with a golden headpiece. The oval portrait is surrounded by a decorative brass frame, enhancing the delicate artwork. The back is covered with aged paper, showing subtle discoloration consistent with time.Issued: 19th centuryDimensions: 6"HCondition: Age related wear.
Lot 59
This antique miniature portrait features a finely detailed depiction of a regal woman dressed in an elaborate period costume, complete with an ornate ruffled collar and pearl-adorned attire. The oval portrait is set within an intricately designed gilt metal frame with decorative filigree corners, all mounted on a cream-colored background. The frame bears an impressed mark reading Made in Italy, suggesting Italian craftsmanship. The design reflects a blend of Victorian-era aesthetics with potential French Rococo influences, evident in the elaborate ornamentation and luxurious materials. The reverse side is lined with patterned fabric and fitted with a brass hanging mechanism and wire. The piece is displayed on a dark wooden easel stand.Issued: 19th centuryDimensions: 4"HCondition: Age related wear.
Lot 288
Sven BERLIN (1911-1999) Sleeping Woman - Study for Marble Graphite on paper, signed titled and dated '89, 21cm x 33cm; together with three further sketches, each signed and dated, a watercolour portrait study, signed 21cm x 15cm, and a bird study by Julia BERLIN (1942-2021), 19cm x 20.5cm framed.(6) Shipping is available from £25.22 to a UK Mainland address.
Lot 314
Elaine BLAMEY (Royal Society of Portrait Painters) A portfolio of works from the artist's studio Titles include 'Cornish Landscape in The War', Polkirt Point Mevagissey, A Splash of Colour (with Royal Institute Galleries label verso) and five further original works, mostly signed, largest 60cm x 48cm.
Lot 25
James Richard Cruikshank for Doulton Lambeth, a large faience stoneware charger, of typical form, hand-painted with a portrait of a Renaissance gentleman on a green ground, stamped and impressed marks to underside, further hand-signed with artist monogram and numbered 52535.5cm diameterIn seemingly good condition, free from damage or repair. A few minor glazing imperfections only.
Lot 462
A collection of unframed printed and original works from the Drian Gallery, to include fifteen original works by Guelfo Bianchini (1937 - 1997), various sizes; Ellen Kuhn, an indistinctly titled etching and aquatint, signed (lower right), artist's proof; Moris Gontard, Untitled, signed (lower right), numbered 26/300, lithograph; Sigmund Abeles, Self Portrait with Cats, signed (lower right), artist's proof, drypoint etching; Dora Basicio, two untitled etchings and aquatints; an etching and aquatint titled 'Hartgureter I', signed dated and numbered '5/5 GERRIT 67' (lower right); Long Thien Shih, three untitled etchings, variously signed and numbered; and Katerina Wilczynski (1894-1978) a group of eight ink studies of nudes and landscapes, mostly signed 'Wilc' (approx 32) Founded in 1957 by Halima Nalecz, the Drian Galleries played a transformative role in London’s art scene. Born in Lithuania, Nalecz fled war-torn Europe and settled in London in 1947. Initially co-founding the New Vision Centre in 1956, the following year she established the Drian Galleries as a means to support artists rejected by the elite Bond Street galleries.The Drian Galleries, located in Bayswater, became a launchpad for emerging talents like John Bellany, William Crozier, and Michael Sandle. Nalecz’s dedication to artistic innovation gave many their first major exhibitions in England, solidifying her reputation as a fearless advocate for the unconventional.
Lot 305
§ Clara Klinghoffer (1900-1979) Portrait of a lady in a green dress signed and dated 'Klinghoffer 1965' (lower right); further signed with monogram (lower left)oil on canvas, unframed 61 x 51cmProvenance: From the artist's studioCanvas is in plane but the tension is very slightly slack. Under raking light there are stretcher bar marks visible beneath the canva,smost notably along the top edge and left-hand edge. There are some very fine networks of drying cracks visible in the face and hair and some evidence of retouching under UV light. See additional images.
Lot 57
POLICING INTEREST - A group comprising a Metropolitan Police whistle by J.Hudson & Co, 94 Birmingham Street, Birmingham, with white metal clip, a pair of D-shaped handcuffs with key, a Victorian police truncheon with crown above VR monogram and red and black shield (decoration worn), with turned handle and leather wriststrap, 41cm long and two black and white portrait photographs of a police officer with in service uniform, one framed, 16cm x 21cm
Lot 162
A poignant First World War M.M Killed In Action medal group with death plaque and related letters. Corporal George Jay, Military Foot Police, No. 3 Traffic Control Company. Medals: Military Medal, 1914 Mons Star, 1914-18 War Medal and Victory Medal, named to "P-416 L.CPL G. JAY M.F.P". Death plaque to 'George Jay' with original envelope. With an extract from routine orders regarding the award of the Military Medal, "On 5th June 1917, A/Cpl. Jay was on traffic duty on a road which was being shelled. There was a convoy of lorries containing Gas Cylinders, one of which had been struck by a shell, and there were several casualties:- including two deaths. Cpl. Jay got the remaining lorries out of the way without delay, and sent for ambulances. He then assisted in rendering first aid to the wounded men and stayed with them until the ambulances arrived. Having seen the wounded men removed in the ambulances Cpl. Jay removed the bodies of the men who had been killed, and took charge of their effects. He then resumed his patrol on the road, which was still being subjected to heavy fire." Further included is a photograph of the temporary gravesite cross, three photographs of George Jay and his wife, two regimental photographs, four silk postcards home from George, and several heartfelt letters, clearly showing how much he meant to his fellow serving police: 1. Captain M Peace, Commanding No. 3 Traffic Control Company (Mobile Police), 26th March 1918: "It is with the most profound regret that I have to transmit to you the unhappy news that your husband was most severely wounded about midday on the 24th inst & succumbed to his wounds about two hours later. I feel his loss very severely for, not only by myself, but by everyone who came into touch with him, he was regarded as the very essence of courage and devotion. He joined my company a year ago, & during that time, by his untiring devotion to duty, his fearless bravery, he carried with him the men the men under him, & won the confidence & deepest respect of his officers. He was buried yesterday, in a little field cemetery close to the spot where he fell & with the full honours of a brave soldier..."2. Sgt. C Gray, 3rd T.C.C, condolences to his wife, 'he was one of the very best. Well liked by everybody and a more cheerful comrade one could never wish to meet. He gave his life for his King and Country and died whilst doing his duty in trying to look after others ... I am enclosing a sketch of the cross we have had erected over his grave. I am trying to get a photo taken and if I succeed I will be sure to get a copy. he N.C.O's and men of the 3rd Traffic Control Co and the Military Police in the immediate neighbourhood all join me in deep sympathy for you and the children and hope that the enclosed sum of £20-8- which has been contributed by them, will assist you in a practical way..."3. P.1261 Corporal F. Blythe, 2nd April 1918, similar contents, 'No N.C.O enjoyed greater love and respect than did Corporal Jay, from the rest of the N.C.Os & men and his loss has been deeply mourned by all but by none more than by myself. I am an old G.E. Ry policeman, a pal of poor old George in civil life as well as Army life ... As soon as I heard he was wounded I went to him at once, but he was unconscious & remained so till the end. He has been buried amongst other heroes, & a nice cross erected over the grave, which will always receive attention from us while we are here."4. Sympathy letter from Major A.C. Chauncy, Chief of Police of the Great Eastern Railway, 4th April 1918 Corporal Jay was born on 8th August 1879. He joined the Great Eastern Railway in 1911 and was one of the first to answer the call at the outbreak of war. He died from wounds sustained in action in France on 24th March 1918. He left behind his widow, Rosena, and four children. He is buried at the Ypres Reservoir Cemetary in Belgium, and his portrait can be viewed on findagrave.com. The British Transport Police History Group also recently worked with the Commonwealth War Graves Commission to get George Jay's Military Medal recognised on his headstone. Condition:Please see photos for the death plaque and the edges of the medals. There are some very minor small knocks and a couple of scratches to the edge of the MM. The Victory has the usual expected tarnishing and likewise some small edge knocks. The star has a small knock to the reverse of one point. No signs of any significant knocks, bruising, repolishing or renaming.
Lot 95
CRIMEAN WAR. Hume, Major-General John R. Reminiscences of the Crimean Campaign with the 55th Regiment, 1st edition, 1894, printed by Unwin Brothers, Ludgate Hill. With portrait frontispiece and plates including 3 folding, 190p, 12mo (large). With inscription to half title page, possibly by the author's daughter.
Lot 89
CRIMEAN WAR. A collection of books including Sandwith, Humphrey, The Siege of Kars, published John Murray 1856, re-bound in cloth-covered boards, with one map and engraved frontispiece pasted down to the front cover; Gowing, T (late Sgt Major 7th Royal Fusiliers) A Soldier’s Experience, or a voice from the ranks, etc; Crimea, Indian mutiny and Afghan campaign of 1863, portrait frontis, 15 plates (one fold out plate torn); Letters from Head-Quarters or, the Realities of War in the Crimea, Third Edition, Condensed, with Plans, John Murray, London, 1858; Hamley, General Sir Edward, The War in the Crimea, 4th edn, 1891; Tyrell, H. The History of the Present War With Russia 6 vols; and 9 other related works (box)
Lot 113
A small group of photographs and a newspaper relating to the King's Shropshire Light Infantry, comprising three of the 1st Btn in Poona, India, 1925: a horseback portrait of Lt. Col. J.C. Hooper D.S.O, Commanding Officer, photo measuring 18cm x 19cm; Regimental Football Team, 1925, 23cm x 14cm; and Regimental Hockey Team, 23cm x 13.5cm, unframed, mounted on card boards, together with a coloured portrait of a KLSI soldier, framed, overall 36cm x 31cm, a photograph of the H.M.T.S 'Aurana' by G.W Latter, 13 Bernard Street Southampton [the Aurania was used by Volunteer Service Company, 2nd KSLI to transport troops to South Africa during the Boer War, framed, overall 40cm x 33cm; two further photos including a group regimental portrait, and a newspaper, Bridgnorth Journal, April 3rd 1915, inscribed to Sergeant Dibble 83 Company 4th KSLI (group)
Lot 75
CRIMEAN WAR. Frederick Maxse (1833–1900), British Admiral Autograph letter signed, one page, 4to, dated Headquarters before Sebastopol, 17th June [1855], addressed to Sir George Brown of the Light Division. In the letter, Maxse conveys Lord Raglan's instructions to send Brown a Union Jack, stating: "I believe it is intended to wave over the Redan tomorrow & therefore I trust you will allow me to wish you every success in there planting it." The integral address leaf bears remnants of a seal, with a small fragment of the red, white, and blue silk Union Jack mentioned in the letter affixed to the page. Some minor foxing and light age-related wear, overall in very good condition. Sold together with printed portrait of Admiral Maxse.The letter was written on the eve of the planned assault on the Redan, a key Russian defensive fortification in the southern defences of Sebastopol. This attack, part of the Siege of Sebastopol (1854–1855), was one of the pivotal moments in the Crimean War. The Redan was targeted on several occasions, including the assault of 18th June 1855, which resulted in heavy British casualties and ultimate failure to capture the position. Only in September 1855, following the fall of the nearby Malakoff redoubt, did the Russians abandon the southern side of Sebastopol.Sir George Brown (1790–1865), recipient of the letter, was a distinguished British General noted for his service in both the Peninsular and Crimean Wars. As commander of the Light Division, he played a significant role in the campaigns, including the battles of Alma and Inkerman.
Lot 194
Royal Air Force interest - A group of WW2 items including two badged sidecaps, visor cap, pilot's goggles (no headstrap), leather and webbing belts and straps, RAF Permanent pass for Shandur Station, 1942, small quantity of medal ribbons and bars, dog tag, accumulation of brass and bakelite uniform buttons, rank chevrons, field dressing dated 1936, cap badges, shoulder titles and other insignia, split pin for a bomb, 1942 diary with small portrait photograph, named to 961280 LAC Almond, with daily entries for service in Suez, together with a plain wooden truncheon and a 20mm inert round dated 1940, housed in vintage brown suitcase (mixed group)
Lot 90
CRIMEAN WAR - Colonel Atwell, Kars and Our Captivity in Russia, first edition, half-title, portrait frontispiece, with Royal Warwickshire Regiment 1st Volunteer Battalion Officer's Mess bookplate, 8vo (spine much faded) together with Sandwith, Humphrey, The Siege of Kars, 2nd edition, published by John Murray 1856, complete with frontispiece and two fold-out maps 8vo (spotted) (2)
Lot 85
MILITARY INTEREST. A bundle of twelve assorted letters. Includes a party invite letter to Lieutenant-Colonel William Lee, 16th Light Dragoons, 25th June 1799; Admiral Dacres, ALS, 5th May 1881, with small portrait photograph; General Thomas Graham, Lord Lyndoch, ALS,10th November 1825; General Sir George Brown, ALS, Commander in Chief of Ireland, to General Sir Robert Gardiner, informing him of his new appointment; George Hay, 8th Marquis of Tweeddale, ALS, to Admiral Lord Keith, discussing pheasant breeding, February 1818; Sir David James Hamilton, ALS, December 1831, discussing financial matters; George Thomas Keppel, 6th Earl of Albermarle, ALS, January 1824 etc (group)
Lot 104
A group of five military-related photograph albums, including four relating to Major-General Sir Kenneth Gray Buchanan, Seaforth Highlanders Kt, CB, CMG, DSO (25 January 1880 – 7 June 1973). With North-West Frontier interest.The first album, inscribed 'India, 1905', includes several views in Pakistan, circa 1907-14, including troop marches, Captain F.E. Daniell's wedding group portrait, 8th April 1907 at Rawalpindi, a picket of Afghan Infantry at the boundary line between the British and Afghan Territory on the N.W Frontier, numerous personal smaller photographs, smaller photographs of the Kyhber Pass region, an inter-war portrait of Major-General Buchanan, ephemera including a Government House Peshawar table plan, 3rd February 1925, military Polo Tournament Programs in Rawalpindi and Peshawar, 1924 and 1925, newspaper clippings, family photographs, parades, earlier photographs in India including Garwhal, Kashmir, Rampur and Delhi, circa 1905-6. The remaining three smaller albums relating to Buchahan comprise India, 1911 and British home views circa 1915-18, with mainly family photos including Buchanan at home on leave.Sold together an only partly filled album of Colonial interest, with larger Indian views, circa 1891-96, including residence houses, Simla, marches from Faizabad, Mess Tent on March, Camp at Lucknow, a good troop portrait of the 4th B.J, Marriage group portrait, a pair of tableaux vivants and some newspaper clippings relating to Manchester Regt and an Indian earthquake. The larger hardcover albums with poor condition exteriors/boards and spines detached.
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277245 item(s)/page