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Rock & Roll - A collection of twenty-four 10" 78rpm shellac records, predominantly Rock and Roll titles, to include Elvis Presley- 'All Shook Up / That's When Your Heartbreak Begins' (HMV POP.359), 'Santa Bring My Baby Back Home (To Me) / Santa Claus Is Back In Town' (RCA.1025), 'Party / Got A Lot O' Livin' To Do' (RCA.1020, x2 copies), 'King Creole / Dixieland Rock' (RCA.1081), 'Hound Dog / Don't Be Cruel' (HMV POP.249, x2 copies), 'All Shook Up / That's When Your Heartbreak Begins' (HMV POP.359) and 'Jailhouse Rock / Treat Me Nice' (RCA.1028), Fats Domino- I'm Walkin' / I'm In The Mood For Love' (London HLP.8407) and 'Ain't That A Shame / La La' (London HL-U.8173), Bill Haley and His Comets- 'See You Later, Alligator / The Paper Boy' (Brunswick 05530) and 'The Saints Rock 'N Roll / R-O-C-K' (Brunswick 05565), Buddy Holly 'Peggy Sue / Everyday' (Coral Q.72293), Johnny Duncan and The Blue Grass Boys- 'Last Train To San Fernando / Rock-A-Billy Baby' (Columbia DB.3959), Paul Anaka- 'Diana / Don't Gamble With Love' (Columbia DB.4063), Brother Bones And His Shadows- 'Sweet Georgia Brown / Margie' (Oriole L.B. 1030), Tommy Steele And The Steelmen- 'Butterfingers / Cannibal Pot' (Decca F.10877) and 'Rock With The Cavemen / Rock Around The Town' (Decca F.10795), Connie Francis- 'I'm Sorry I Made You Cry / Lock Up Your Heart' (MGM Records MGM.982), Hank Williams With His Drifting Cowboys- 'Mind Your Own Business / Nobody's Lonesome For Me' (MGM Records MGM.553), Phil Harris And His Orchestra- 'The Dark Town Poker Club / Woodman, Spare That Tree' (HMV B.D.1176), The Chas McDevitt Skiffle Group- 'Freight Train / The Cotton Song' (Oriole CB 1352) (24)
A COLLECTION OF BRASS AND COPPER ITEMS, to include two brass candelabra style ceiling lights (not tested and both appear to have damage to areas and some fixtures loose), a tall column style square base brass table lamp height 59cm, a Duplex copper oil lamp with funnel glass shade height 50cm, copper and brass fireside companion set with a brush, tongues, and poker (the pan is missing), a wooden flower vase with brass and copper inlay design (has a small crack in the wood on the side) (Condition Report: individual damage mentioned in main description) (6)
THREE BOXES AND LOOSE BRASS AND METALWARE, to include a large set of brass fire dogs, poker, tongs and shovel, two Mappin & Webb Mappin Plate milk jug impressed 29945 on the base and inscribed Luigi's, a quantity of Westmark 'Cracky' crab and lobster crackers made in West Germany, six Elkington silverplate sugar bowls, a quantity of Arthur Price cutlery inscribed Luigi's, three vintage cast irons, a Mappin & Webb gravy jug, a quantity of Arthur Price silverplate goblets, a large quantity of Arthur Price silverplate escargot plates (some inscribed Luigi's) and a quantity of copper plated escargot/mushroom dishes made by Helve, etc. (s.d) (3 boxes + loose)
A SET OF GEORGE III STEEL FIRE TOOLS LATE 18TH CENTURY Comprising poker, shovel, and tongs the poker 73.5cm long Condition Report: Surfaces have been polished previously and some surface remains, but now with pitting, wear, corrosion, and tired in appearance overall Condition Report Disclaimer
§ Edward Ardizzone CBE RA ARWS RDI (British, 1900-1979) If you were a farmer's boy, I'd like to be the farmer's wife and beat you with a poker,Unsigned, Pen, ink and watercolour, 10cm x 12cmIllustrated: Robert Graves, Ann at Highwood Hall: Poems for Children, London: Cassel, 1964, page 38 - 'Caroline and Charles'Provenance:Chris Beetles LtdExhibited: 'Edward Ardizzone: The Human Comedy' - October 2016 - January 2017In a clear and clean condition with no visible signs of markings or damage. The colour pigment has retained well with very little fading.
A late Victorian silver open-faced pocket watch having a crown-wound pin-set movement and white enamel face with Roman numerals, blued-steel poker hands and subsidiary seconds dial, movement engraved James Ballantyne & Son of Glasgow, J Player & Son Ltd, London, 1900, 54 mm excluding stem, crown and bow, (running when catalogued, accuracy and reliability untested)
An early 20th Century Waltham rolled-gold pocket watch, having a crown-wound Traveler movement and enamel face with Roman numerals, blued steel poker hands and subsidiary seconds dial, the case having a milled edge and rose-engine-turned back with vacant shield cartouche within a garter, (running when catalogued, accuracy and reliability not tested), 51 mm
ROCK & POP; a good quantity of vinyl singles, to include Johnny Mathis 'The Best Days of My Life', The Jacksons 'Show You the Way to Go', George McCrae 'You Treat me Good', Sex Pistols 'Pretty Vacant', Art Garfunkel 'Looking for the Right One', Barry Manilow 'Somewhere in the Night', Boney M 'Still I'm Sad', Electric Light Orchestra 'Poker', Brian and Micheal (Burke & Jerk) 'Matchstick Men and Matchstick Cats and Dogs', etc.
A selection of late 18th century / early 19th century bone gaming pieces and dice. To include: a nice quality small mahogany box with slide away lid, containing 25 carved fish shaped gaming counters, 24 of which with red painted decorations, and 1 with blue decoration and detailed fins. Also, a carved bone die for playing the dice game of Crown and Anchor, with the die faces being inscribed with, hearts, spades, clubs, and diamonds, plus an anchor and a Maltese cross symbol from the top of a crown. A carved bone large die, likely Napoleonic prisoner of war work, 15 small carved bone dice, and 5 x 20th century poker dice. Condition: overall good. Fine colour and patina to the wooden box, with good colour to the fish gaming pieces. Some old age related fracture lines to the Crown and Anchor die, but these don’t detract. The remaining die are in overall good condition for their age.
Hornby 0 Gauge smaller Trains and Accessories (qty), No. 20 c/w loco with No. 30 tender, two M1 Pullman coaches, three MO/No. 20 rolling stock items, M series station and halt, French M level crossing, M telegraph pole, pre-war trackside hut, two Fogmen's shelters with braziers, one with repro shovel and poker, and boxed set of 6 post-war station hoardings, two repro Meccano/Hornby advert boards (faded) and other items, varying P-VG (qty)
Broadside.- 'Machine for taking likenesses'.- Pinion (Raphael) Limomachia. By His Majesty's Royal Letters Patent. The new-invented machine for taking likenesses, by which the usual objections to the art, viz. time, trouble, and expence, are entirely removed, etched vignette at head, letterpress text below, on wove paper with watermark date '1822', sheet 373 x 194 mm (14 3/4 x 7 5/8 in), restoration to upper left edge and upper edge, old folds, some toning and discolouration to paper in places, minor surface dirt, framed, no printer, [circa 1820s].*** Rare, with ESTC recording only two copies at Harvard, and WorldCat seemingly not adding to the tally. Another copy is in the BM, and another sold in these rooms in 2023. Pinion is described as a 'portrait-grinder, at his manufactory, in Liecester [sic] Square, opposite the aequestrian [sic] statue of the King'. Also offered are 'portraitures in worsted, human-hair, and hot poker'.
Jack Butler Yeats RHA (1871-1957) On the Hazard (1911) Oil on panel, 29 x 38cm (11½ x 15”) SignedProvenance: Acquired directly from the artist by Serge Philipson, Dublin, May 1948; Christie's, London, 20 May 1999, lot 132; Sotheby's, London, 6 May 2010, lot 39; Sotheby's, London, 19 November 2013, lot 81; Sotheby’s, London, 19 November, 2019, lot 32, where purchased by the present owner.Exhibited: Dublin, Royal Hibernian Academy, 1911, no.134; Dublin, National Gallery of Ireland, 'Jack B. Yeats, A Centenary Exhibition', September - December 1971, no.28Literature: Hilary Pyle, 'Jack B. Yeats, A Catalogue Raisonné of the Oil Paintings', London, 1992, no.27, illustrated p.26This early oil by Jack B. Yeats shows a group of cabbies playing cards by candlelight on the side of a carriage. The title, ‘On the Hazard’ is a pun on the role of chance and unpredictability, and perhaps even the dangers of gambling, in the outcome of the game, and on a Dublin expression, ‘on the hazard’. This refers to the place where cabs waited for hire. James Joyce used it in Ulysses, (1922), when he wrote, ‘Mr Bloom went round the corner and passed the drooping nags of the hazard’.Four men sit around the cab, one is perched on the top, and leans over to watch the game. Two, their faces lit by the candlelight, are engrossed in their cards. A fourth sits with his back to the viewer and is shown as a dark silhouette wearing a large hat and cloak. To the right the wheels and horse trappings of the vehicle and part of the waiting horse can be deciphered. The composition is cut-off adding a modern note to the subject.Hilary Pyle has suggested the influence of Caravaggio in the dramatic use of chiaroscuro (light-dark) in the composition. But also, and more feasibly, that of the French realist and political cartoonist, Honoré Daumier.[i] Yeats, who owned few art history books, had a copy of Henri Frantz’s book on the artist, which was given to him and his wife, Cottie, by his father and sisters in 1904.[ii] Yeats shared Daumier’s interest in the lives of working class men and women and in the depiction of the impact of poverty on urban dwellers.The painting is dominated by deep brown tones which are alleviated by the bright yellow light and by flashes of intense blue and green, as seen in the neck scarf of one of the cabbies and in the design of the playing cards. To the right a dash of strong red indicates the reflection of light on the cab wheel. The light is skillfully used to delineate the poses and expressions of the cabbies who sit in a relaxed and companionable fashion. The face of the man looking down takes on a ghostly quality as its features are transformed by the shadows into a mask-like form. The two players, whose features are clearly presented, appear to be ‘poker-faced’ with clenched expressions that indicate their deep involvement and enjoyment of the game. The painting is a rare depiction of a forgotten aspect of Irish urban life, one that was also found across Europe and North America. Here Yeats’s vivid and original composition, its close-up view of the interaction results in an intense and captivating work of art.The painting was acquired from the artist by the noted collector, Serge Philipson, a Frenchman who settled in Ireland, in 1948.Dr Róisín KennedyAugust 2024[i] Hilary Pyle, A Catalogue Raisonné of the Oil Paintings, London, 1992, no.27.[ii] This is now in the Yeats Archive, National Gallery of Ireland, Y1/JY/24/1/6/66.
Set of two Arts & Crafts steel fireirons, attributed to Norman Bucknell, to a design by Ernest Gimson, comprising poker and shovel, the shovel embossed and chased with a flowerhead, both with trefoil hooped terminals, finely worked handle grips and outlines, shovel length 48cm, poker length 57cm.Qty: 2
A collection of swords and sticks A modern basket-hilted dress sword with a star of David on the blade near the hilt; a fencing foil; an Indian tourist sabre; a stainless steel Samurai style sword; a sword stick; a poker with a twisted metal handle; a fruit picking stick; and four further walking sticks.In generally good condition throughout, commensurate with age and use. The basket-hilted dress sword with oxidisation down the scabbard and the blade. The foil with oxidisation down the blade, of generally sound construction. The Indian tourist sabre with the faux velvet around the scabbard coming away. The fruit picker working as intended.
A 19th Century muzzle loading pistol, hammer action, the metal work signed "Waters", 43 cm long, together with a wrought iron fire poker and a beaten brass shoe horn by Sigg of Switzerland, a box of miniature plastic toy soldiers and two toy heavy guns, a small modern telescope, pair of silver and engraved clothes brushes, a modern Russian CCCP hip flask and matching beaker, set of fish knives and forks with faux ivory handles, a set of six steak knives with antler handles and a plated dessert fork, together with a hand-coloured map of "The Barichway 100", 23 cm x 30 cm, two decorative bark pictures, one of a Badger and the other of a Hedgehog, AFTER M WOOD "French bench", limited edition colour print, No;d. 251/325, signed, titled and numbered in pencil, 40.5 cm x 53 cm and a further modern framed picture
FEMALE POP ICONS - 90S/2000S - 7" COLLECTION. An iconic selection of 26 x 7". Artists/ Titles include Girls Aloud inc Something New, Untouchable, Love Machine, The Loving Kind, The Promise, Wake Me Up, La Roux - Bulletproof, Lady Gaga - Poker Face, Florence & the Machine - You've Got The Love, Spice Girls - Wannabe, Lily Allen inc Smile, LDN, The Fear, Not Fair, Littlest Things and Shame For You, Amy Winehouse, Sophie Ellis-Bextor, The Audience and Emili Sande. The condition is generally Ex+/ As New.
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7852 item(s)/page