We found 179269 price guide item(s) matching your search

Alabaster figure.  Late 18th century.26 x 8,5 x 6,5 cm. With plinth.

A Regency marble topped figured rosewood four-door breakfront chiffonier, with black veined marble top above three frieze drawers with two end cupboards flanking a central crescent recess below, the four doors with inset celadon green pleated watered silk panels and fitted with Bramah type locks, the whole supported by a conforming moulded plinth base. 150 cm wide x 38 cm deep x 95 cm high

A Japanese verdigris cast bronze seated Buddha, in Kalesavra Mudra upon a cupped single lotus socle showing remains of gilt decoration, set on an architectural plinth on a later green marble square base.18 cm high x 9 cm wide x 9 cm deep the figure alone.Some losses to the tops of the lotus leaves (as shown), no other major damage evident. Age-related wear and marks throughout.

A large and well-carved Chinese rouge soapstone figure of Guan Gong, late Qing Dynasty, holding his beard and an open tome, in his dual guise as a god of both war and literature, upon a carved rockwork base, 22 cm wide x 35 cm high, together with a large green soapstone figure of Guanyin in a contrasting soapstone base and wood plinth and a Chinese soapstone figure of a standing Buddha with flaming mandorla and pagoda in hand.

In the manner of Ambrose Heal, an Arts & Crafts oak linen press the upper section with a pair of deeply panelled doors with elaborate stylized copper hinges, the base with two short over short over two long drawers and box plinth,125 cm wide x 51 cm deep x 206 cm highGood order generally.The left-hand door has a slight twist across it, this is held in check by the lock on the other door The interior has four trays one of which has a clumsy block repair that could be improved upon. The top edge doesn't show signs of a former cornice but could have had a boarded top as some signs of glue blocks remain.The drawers run but the top drawers will need their runners replaced soonThe bottom section has NO keys, the locks are marked HLL Patent The bottom long drawer has the right-hand swan neck is missing but the back plate remainsThe sides are front panels and drawer fronts are intact and without splits or cracks.

Aharon Bezalel (1925-2012) Israeli, a group of five abstract bronze figures, monogrammed, the largest 18 cm x 12 cm, displayed on an ebonise wooden plinth.

David Gerstein (b.1944) Israeli, Two figures smoking, three-dimensional acrylic on wood, on a stepped circular base, signed to the underside and dated 1989, 65 cm x 48 cm, together with an associated perspex display plinth, 141 cm overall height.

A Regency pollarded oak partner's kneehole writing desk in the manner of Gillows, with an established tooled inset leather top fitted three frieze drawers to each side and a further six short drawers to the pedestals and two figured cupboard doors to the opposing side, supported by simple moulded plinth feet and castors. 153 cm long x 90 c.m deep x 74 cm overall height, 59 cm knee clearance

Three mid 19th century framed oval silk embroidered pictures, the first with a garlanded girl seated before a neo-classical plinth in landscape, 17.5cm high, and two small oval pictures one with Cupid, billing doves and hearts in landscape, the second with a Bacchic figure playing a pipe before goats, in landscape, 7.5cm high Condition ReportOverall the embroidered pictures are in good condition, but the larger one has some small brown marks starting to appear on the material and the smaller ones both each have a small stain. The sizes quoted in the description are excluding the frame. The ebonised frame is broken in parts , the large embroidery - the frame has a chip at the base.

A Capodimonte white bisque porcelain centrepiece, late 19th century, Naples, the centre urn, surrounded by four muses, to a plinth base, 40cm highProvenance: The property of the late Baron John Mauger Langin. Condition ReportWith minor nibbles possible restoration to the limbs of the muses. Some discolouration. Would benefit from a clean.

A Gothic Revival bronze desk stand, 19th century, French, the removable roof over a revolving triangular body, fitted with a silvered dial 'thermomètre’, seven-day initialled gilt note-holders and a paper calendar, on a triform claw foot plinth,11.5cm diameter35.5cm highProvenance: The David Morris Collection.Condition ReportWith wear.

A pink granite pedestal column 20th century, with a moulded base on a plinth,119cm highCondition ReportNibbles in places. Paint residue. The column is 32cm diameter.

A reconstituted marble figure late 19th century, of a seated goddess19cm wide17cm deep47cm highCondition ReportEvidence of repairs present. Brown marks to the right of the figure on the plinth and to the back. Chips and knocks associated with age.

A pair of obelisks, 20th century, resin, of typical design on a stepped plinth base.12.5cm wide12.5cm deep53cm high

Two Wedgwood stoneware vase, 19th century, in the Attic taste, the first of twin handled form, enamelled with classical figures, to a buff ground, 25cm high the second of footed ovoid form, enamelled with two figures between geometric bands, to a black ground, 25cm highProvenance: The property of the late Baron John Mauger Langin Condition ReportRestoration to the rim of the smaller example. Minor nibbles to the square plinth. Both with surface wear and minor losses to the decoration.

A hardstone model of a lion 20th century, modelled recumbant on plinth base,9.5cm wide7.5cm deep16cm highProvenance: The property of the late Baron John Mauger Langin.

▲ Alan Brassington (Irish, b.1959) a contemporary glazed stoneware head, modern, mounted on a cuboid plinth, 18cm wide18cm deep37cm hightogether with a glazed stoneware horse head, unmounted, 34.5cm wide (2)Condition ReportTarnished plinth, the horse head with chips to extremities.

A gilt metal lyre form mantel clock 19th century, the white enamel dial within a lyre form support on a swept plinth base, 35cm highProvenance: The property of the late Baron John Mauger Langin Condition ReportNo nut to fix bell. Not working. photos added

A Louis Philippe gilt and patinated-bronze mantel clock case, second quarter of the 19th century, French, surmounted by an equestrian archer, on a waisted plinth base and acanthus-cast bracket feet, housing a later quartz movement,34cm wide12cm deep49cm highCondition ReportGeneral knocks, wear and scratches to case. Top of bow lacking. Some light verdigris.

A French gilt metal mantel clock, 19th century, the circular dial surmounted by figure and rearing horse, on a leaf decorated plinth base 33cm highProvenance: The property of the late Baron John Mauger Langin

A bronze model of a dog, late 19th to early 20th century, modelled on a faux hardstone bronze plinth, 10.5cm high together with an Art Nouveau bronze bust, in the manner of Emmanuel Villanis, depicting a shoulder-length female, 21.2cm high (2) Condition ReportWear and losses to the finished in places. Knocks, scuffs and imperfections more noticeably to the bust.

A Victorian oak Wellington chest, the leaf carved moulded top above eight drawers on plinth base,61cm wide42cm deep93.5cm highCondition ReportKnocks and wear throughout.

A pair of brass 'Orient Express' table lamps 20th century, each with a conical shade, over a plain column labelled 'Paris Orient Express Istanbul', over a square plinth with paw feet, one complete with a glass chimney,50cm high (excluding chimney)Condition ReportOne lamp with some movement to the column. Knocks and wear to the lamps commensurate with age.PAT passed 27/10/24

A reconstituted stone urn on a plinth, 20th century, in four parts, 41cm diameter94cm high overallCondition ReportWeathered and worn.

A Wedgwood 'Dancing Hours' jasperware urn 20th century, the upper section decorated with a single band of neoclassical maidens in white to a black basalt ground, rising from a square plinth decorated with foliate motifs, complete with cover capped by an acorn finial, stamped 'Wedgwood Made in England',11.5cm wide25cm highCondition ReportThe acorn finial to the cover has been restored. Otherwise all in good order.

A gilt bronze and milk glass table lamp, with a pink tinted and etched shade, 46cm high;together with a gilt bronze urn-shaped lamp, with a marble plinth, no shade, 38cm high;and a pair of candlesticks, stamped 'F.L.V, 2019', 26.5cm high (4)Condition ReportFair overall. One missing the shade.PAT failed 13.9.24.

Victorian mahogany double wardrobe, the molded cornice above two panel doors opening to shelved and rail interior raised on a plinth base

Antique stained oak stick stand, the four compartments above a carved frieze flanked by square supports and raised on a carved plinth ending in bun feet. [87 x 117 x 34.5cm]

Reproduction document chest, the rectangular top above an arrangement of long drawers flanked by lockable sides raised on a plinth base [90 x 74 x 52cm]

§ Charles Vyse (1882-1971), The Falconer, a white glazed earthenware model of a youth on horseback and falcon on his shoulder, mounted to ebonised plinth base, incised signature and 1927 date to rear34.5 x 23 x 12cm exclusive of baseNot removed from plinth. In seemingly good condition, noting some all over fine crazing, heavier in places. No apparent damages or repairs, examined under UV light. Would benefit from a good clean. The spot on the rider's knee cleans off.

§ Ursula Edgcumbe (1900-1985), Classical Figures, an alabaster carved sculpture of two figures standing back-to-back with heads turned towards one another, mounted to later plinth base 19cm high overall Exhibited: London, The Leger Gallery, 1936Provenance: The collection of Quentin Stevenson

§ Charles Vyse (1882-1971), Leap Frog, a polychrome glazed earthenware Chelsea pottery figure group, modelled as a young boy leapfrogging over a Satyr, mounted to ebonised plinth base19cm high exclusive of baseA small number of minor chips and losses to hair of top figure, satyr's tail and base. Not removed from base and thus not examined from the underside.

An Art Deco walnut chest of drawers, the rectangular top above four long drawers with ivorine handles, raised on a plinth base83 x 71 x 41cmThere are several abraisions to the edges of the chest of drawers, There is a deep scratch/dent across the top drawer and several lighter ones across the top and one on the bottom drawer. Rocks slightly on its base but is in overall reasonable condition and strutually strong. There is also some raised marks on the top where it appears the varnish has cracked in a web-like fashion and dampness has caused it to raise. Please refer to the photos for further details. Measurements are displayed as Height x Width x Depth.

§ Karin Jonzen FRSA (1914-1998), a glazed terracotta bust of a boy, possibly the artist's son, impressionistically modelled and finished with a verdigris glaze, mounted to wooden plinth base26 x 13.5 x 14cm, exclusive of base

A pair of Art Deco walnut bow front bedside cupboards, each with single frieze drawer and cupboard below raised on a plinth base66 x 37 x 40cmThere is some slight bubbling/damage to the varnish on the top of one of the cupboards and slightly to the bottom of the other one (Please see the images)

B. Grundmann, an Art Deco bronze and ivory figure of a dancer, the patinated bronze figure wearing a square necked bodice over a fluted skirt with ivory head and arms, mounted to an octagonal verde marble base36cm highThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No GMZ6ZNJWThe tips of two fingers on her right hand are missing, lacks one of the six small pendants from headress, a couple of hairline cracks in the ivory, some surface wear and scratching, minor loss of finish. A couple of glued repairs to marble plinth base along with some minor chipping.

A Philips' 19in terrestrial globe, circa 1970, raised upon a chromed meridian and a stained wooden plinth base58cm high

§ Ursula Edgcumbe (1900-1985), The Majorcan Boy, a carved brown marble bust of a young man, mounted to integral oak plinth basethe bust 14.5cm high; 30.5cm high overall Exhibited: London, The Leger Gallery, 1936Provenance: The collection of Quentin Stevenson

A pair of Art Deco style birds eye maple side cabinets, each with a pair of cupboard doors opening to reveal shelves within and raised on plinth bases74 x 76 x 45cmBoth with cut-outs to backs, one with a large veneer chip to top of one door, general scuffs, stains and scratches from use, veneer blistering in places.

After Carl Milles (1875-1955), Head of Woman, a green patinated bronze sculpture of a female head, mounted to integral plinth base, stamped 'MILLES / GARDEN' to underside, 15.5cm high overall

§ Ursula Edgcumbe (1900-1985), The Flower Pickers, 1933, a Hopton Wood stone figure group of two relief carved figures stooping to pick flowers, mounted to oak plinth base, incised date and signature to the reverse 29.5 x 29.5 x 9.5cm inclusive of base Exhibited: London, The Leger Gallery, 1936Provenance: The collection of Quentin Stevenson

An Art Deco walnut cocktail cabinet, the fall front and rising top opening to reveal a fitted peach mirror glass line interior and simultaneously trigger a similarly mirrored brushing slide to either, a central frieze drawer above a pair of scalloped cupboard doors flanked by further cupboard doors to either side raised on a plinth base117.5 x 152.5 x 50cm

§ Elizabeth 'Betty' Muntz (1894-1977), Girl and Calf, a plaster maquette for a larger work held in Dorchester Museum, raised on an integral plinth base13.5 x 11.5 x 10.5cmProvenance:The collection of Quentin Stevenson

§ Ursula Edgcumbe (1900-1985), Carriers, an impressionistically modelled bronze figural maquette for a larger work, mounted to oak plinth base10.5cm high exclusive of baseProvenance:The collection of Quentin Stevenson

§ Charles Vyse (1882-1971), The Daffodil Seller, 1924, a polychrome glazed earthenware Chelsea figure, the female figure modelled standing and holding a bunch of yellow daffodils, a basket of yellow and whites beside her along with some tulips, raised on integral plinth base, painted marks to underside25cm highA number of small chips and losses to flower heads in both the bouquet in her hand and the bunches in the basket. A hairline crack running approximately 2cm through the undersid eof the base, up the plinth edge and in to the back of the basket (not visible in basket). Some all over fine crazing.

§ Rachel Reckitt (1908-1995), Nude figure with Bow, a carved hardwood model of the standing figure mounted to a hardwood plinth base 115cm high Provenance: Collection of the late Samuel Alper, OBE (1924-2002)

Lalique, a collection of five cendriers, to include three frosted and polished dishes in the Les Deux Cygnes pattern, each modelled to the centre with two swans, etched marks to underside, 8.5 x 10cm; a polished glass pin dish modelled to the centre with a cockerel, etched marks to underside, 10 x 10cm; Thalie, a polished and frosted glass cendrier centrally modelled with dove in flight, etched marks to underside, 9.5 x 10cm; together with Floreal, a Lalique frosted glass figurine of a kneeling maiden, mounted to black glass plinth base, etched marks to rim, 7cm high (6)All six pieces are in good condition, free from damage or repair.

§ Sir Eduardo Paolozzi CBE (1924-2005), Newton (after Blake), 1995, plaster relief, signed, dated and titled to reverse, 15.5 x 21cm; together with two plaster forearms clenching batons attributed to Paolozzi, 14cm long; and a plaster model of a shell to an integral rectangular plinth base with recessed well, also attributed to Paolozzi, 15.5cm wide (4)

A pair of Art Deco walnut bedside cabinets/chests, circa 1930, each with book-matched figured walnut tops with cylindrical cresting rail, the three drawers with chrome and ivorine handles and raised on an ebonised plinth to the front 74 x 36 x 45cmGood condition having been restored/repolished in recent yearsonly minor scuffs, and wear to the chrome handles as to be expected

An Art Deco fruitwood veneered cabinet, circa 1925, designed by Clément Goyeneche (1893-1984), inset with black and white marble top above a pair of cupboard doors with octagonal cast brass escutcheon depicting seated nude figures, signed Goyeneche and Gallé, opening to reveal adjustable shelves within and raised on a curved plinth base 131 x 101 x 45cmA number of scuffs and scratches commensurate with age and use, a split to plinth on front right corner, two splits to plinth on front left corner, a gouge to the rim beside inset marble to top right-hand side. There are two small bolts/threaded rods protruding through the front of the bronze, these appear original but intended purpose is unclear. Finish likely the orininal.  (Regrettably, we are unable to provide a weight)

An Art Deco mother-of-pearl inlaid birds eye maple centre table the rectangular top with inset mother-of-pearl decoration raised on central rectangular support and plinth base75 x 156.5 x 70cmOverall, this table is in good condition. There are some scuff-like marks to the varnish (Please see the image of the top).

A pair of Art Deco birds eye maple bedside cupboards, the curved cupboard doors opening to reveal a single drawer and shelves within, raised on ebonised plinth base69 x 35 x 48cmPlease see further images In good clean restored condition with only a few chips, abrasions, scratches and signs of wear. Replaced handles possibly - there is a matching tonal shadow on the front of each (see images)pin marks on the tops of both from fixing the top are likely original

A Victorian mahogany chest of two short and three long drawers with turned handles on plinth base 43" high x 42" wide

English School, (20th century)Serenity, carved wooden sculpture, signed in pencil with the initials “E. G.”, on square section oak plinth base, 27cm high overall.

AN OPPOSING PAIR OF STAFFORDSHIRE COWS WITH CALVES19th century, figured naturistically on a plinth base, 12cm high x 16cm wide (2)

A PAIR OF ENGLISH TREACLE-GLAZED TERRACOTTA LIONS each impressed 'D 1905 E', probably Staffordshire, seated on plinth bases, 18cm high x 15.5cm long (2)Provenance: The Les Watts Collection.Note: The initials D and E likely relate to that of the potter, with 1905 signifying the year produced.

A WALNUT LONGCASE CLOCK BY JOSEPH SMITH OF BRISTOL (act. 1725-1778) the eight day two train movement striking on a bell, the brass face with subsidiary second dial, date aperture and a rocking Father Time aperture bordered by script, 'Tempus Fugit Momento Mori', the case with a caddy top hood and a stepped plinth base, 235cm high x 53cm wide x 26cm deepProvenance: The Les Watts Collection.

A PAIR OF CHAMBERLAIN WORCESTER DESSERT TUREENS AND COVERS marked to the underside of the lids, the green grounds decorated with panels of flowers within gilt scrolled borders, with twin loop handles, on stepped plinth bases, 20cm high x 16.5cm wide (2)Provenance: By repute these tureens formed part of the dessert service made for Princess Mary, daughter of George III, on her marriage to the Duke of Gloucester. The service was then passed to a James Vickers and then by descent to the present owner.

A GEORGE III OAK LONGCASE CLOCK BY RICHARD HARDWICK OF ASHWICKthe eight day two train movement striking on a bell, the brass dial with Roman numerals, subsidiary second dial and date aperture, the case with a caddy top over a gilt tooled red leather frieze, a slender trunk above a stepped plinth base, 217cm high x 50cm wide x 24cm deep

A PAIR OF DRESDEN PORCELAIN FIGURES20th century, figured as a lady and gentleman with bouquets of flowers, floral encrusted bocage to the plinth bases, 42.5cm high (2)