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A LARGE COPPER BRONZE STANDING BUDDHA, mounted to a square form plinth, 61cm high overall.

A Ducal Furniture waxed pine breakfront dresser, three shelves to centre flanked by glazed cupboards holding glassinset shelves, stepped to base with further cupboards, plinth base, 192cm x 174cm x 40cm

A Victorian mahogany and satinwood inlaid secretaire bookcase, the oversailing dental cornice above two fretwork panelled glazed doors enclosing three shelves, fall front bureau, two short over three graduated drawers, plinth base c.1900, 217cm x 104cm x 51cm

An early 20th century carved German Shepherd, rectangular plinth, 31.5cm high;   a pottery Shih Tzu terrier (2)

A contemporary Doric column plinth / jardiniere stand, painted white, 97cm high

20" BRONZE GREEK SOLDIER SCULPTURE ON WOODEN PLINTH

Late Period, Ca. 664 - 30 BC. An exceptionally rare faience figurine of a standing mouse. Moulded from faience, the mouse stands atop an integral rectangular plinth, pressing its snout against its front paws. For similar see: The Metropolitan Museum of Art, Accession Number: 26.7.899. Size: 50mm x 30mm; Weight: 90g Provenance: Prince collection, 1990s-2014; Ex. Tajan, 23 Apr. 2007, Lot 25. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, Ca. 600 BC. A cast leaded-bronze figure of Anubis in a classic striding pose atop an integral rectangular plinth. Anubis presents with arms draped to his hips, wearing a shendyt (kilt), with a bare chest beneath his prominent canine physiognomy. A pair of perky ears protruding from atop the wig, and the wig lappets drape down to his chest and frame the long muzzle. On the frontal part, there are traces of gilt. For similar see: The Metropolitan Museum of Art, Accession Number: 38.5. Size: 100mm x 40mm; Weight: 165g Provenance: Prince collection, 1990s-2014; Ex. Bonhams, Sale 28955, 07 November 2002, Lot 65; Ex. German private collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Northern Wei Dynasty, Ca. AD 386-534. A terracotta ox. Standing on a rectangular plinth, the animal is depicted with its head tilted upwards, flaring nostrils, slightly opened mouth, eye wide open and gently curved horns. Size: 400mm x 470mm; Weight: 5.86kg Provenance: UK private collection; formerly acquired in the early 1990s in Hong Kong. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece has been precisely dated using a thermoluminescence analysis carried out by Ralf Kotalla. The report will accompany the lot.

Ca. AD 200 - 300. A Gandharan schist, depicting the seated figure of Maitreya, exuding an aura of profound spirituality and grace. The figure assumes a tranquil posture, with hands placed in the dhyana mudra. In his lap, he holds a delicately shaped, pear-like flask. Maitreya sits in the lotus position atop a clothed plinth with two enigmatic beasts, each positioned on opposing corners, serving as emblematic guardians. Behind his head, a halo emanates. For similar see, Christie's LIVE AUCTION 1265 INDIAN AND SOUTHEAST ASIAN ART, lot 15. Size: 470mm x 350mm; Weight: 23.45kg Provenance: From the collection of a London gentleman; formerly acquired in the early 2000s in France; previously in 1970s European collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Mid-20th century light oak cabinet, rectangular form with twin cupboard doors and recessed pulls, interior fitted with single shelf, on plinth baseDimensions: Height: 66cm  Length/Width: 56cm  Depth/Diameter: 53cm

Bronze figure after Milo, a 'Power Of Silence', modelled as a male athlete crouched with arms outstretched upon a marble plinth, signed Milo, H15cm

Bronze Sagittarius figure, modelled as a nude female figure with bow and arrow, signed Pino to base, upon marble plinth, H25cm

Art Deco style bronze figure, depicting a female dancer, upon a black circular stepped marble plinth, after Dimetri H Chiparus, signed and with foundry mark, H37cm

Potonie of Paris - early 19th century c1820 French pendule D'officier campaign clock, in a rectangular ebonised case with carrying handle and glazed lozenge viewing panels to the sides, on a rounded plinth with contrasting inlay, enamel sheet dial with Roman numerals, minute track and steel trefoil hands, going barrel movement with a silk suspension and countwheel strike on a bell. With pendulum.Dimensions: Height: 23cm  Length/Width: 18cm  Depth/Diameter: 13cmCondition Report:Dial cracked in places and dial frame and glass missing.

Bronze figure group, modelled as two male hares boxing, raised upon marble plinth base, with foundry mark, H24cm

Bronze Aquarius figure, modelled as a nude female figure holding a water jug, signed Pino to base, upon marble plinth, H20cm

Fattorini of Bradford - oak cased early 20th century mantle clock with alarm, rectangular case with a broken pediment, turned finial and matching carved pilasters to the front, on a broad stepped plinth with a flat base, circular dial with an ivorine chapter within a decorative gilt bezel, Arabic numerals , spade hands and alarm setting disc to the centre, two train spring driven movement striking a coiled gong and bell. With key and pendulum. Dimensions: Height: 44cm  Length/Width: 31cm  Depth/Diameter: 19cm

Beswick Connoisseur model of Champion, a Welsh Mountain pony, upon a wooden plinth, H23cm

Bronze Libra figure, modelled as a nude female figure holding balances, signed Pino to base, upon marble plinth, H30cm

Bronze Taurus figure, modelled as a nude female with horns, signed Pino to base, upon marble plinth, H27cm

Bronze Virgo figure, modelled as a nude female with floral wreath and holding knees to her chest, signed Pino to base, upon marble plinth, H24cm

Art Deco style bronze, Starfish dancer, upon a black marble plinth, after Dimetri H Chiparus, signed and with foundry mark, H47cm

An Early XX Century Mahogany Specimen Cabinet, the top with moulded edge over cupboard door with inlaid panel, internal drawers with glass tops, on a plinth base, 100cm high, 52cm wide.

An Early XX Century Mahogany Pedestal Desk, the upper section with centre rail, turned spindles, shaped shelf and two small drawers, leatherette sciver, three top drawers and flanking pedestals each with three drawers to plinth base, 100cm high, 108cm wide.

* BENNO SCHOTZ RSA (ESTONIAN 1891 - 1984), THE GOALKEEPER, 1973 bronzed plasterExhibited:Edinburgh, Benno Schotz Retrospective, Touring Exhibition, 1971, no. 144. Edinburh, Royal Scottish Academy, Annual Exhibition, 1973, no. 61. A smaller bronze version of this sculpture was exhibited: Glasgow, Royal Glasgow Institute of Fine Arts, Annual Exhibition, 1968, no. 54. Glasgow, Royal Glasgow Institute of Fine Arts, Annual Exhibition, 1985, no. 20.Note:Benno Schotz was born to Jewish parents, Jacob Schotz, a watchmaker, and Cherna Tischa Abramovitch, in Arensburg, Russia (now Kuressaare, Estonia) in 1891. He was educated at the Boys Grammar School of Pärnu, Estonia. Later he studied at the Grossherzogliche Technische Hochschule in Darmstadt, Germany. In 1912, he immigrated to Glasgow, where he gained an engineering diploma from the Royal Technical College and from 1914–23 worked in the drawing office of John Brown and Company, Clydebank shipbuilders while attending evening classes in sculpture at the Glasgow School of Art. Schotz became a full-time sculptor in 1923 and subsequently a member of the Royal Scottish Academy, Head of Sculpture at the Glasgow School of Art (a post he held from 1938 until his retirement in 1961), and later, in 1963, Her Majesty's Sculptor in Ordinary for Scotland. His pupils included Hannah Frank, Paul Zunterstein and Inge King (née Neufeld). His homes at West Campbell Street and later Kirklee Road were a focus for meetings of artists, writers, actors, and politicians. His first solo Glasgow exhibition was at Reid's Gallery in 1926 and his first in London at Alex Reid and Lefevre Ltd (Lefevre Gallery) in 1930. He was also a member of Glasgow Art Club, alongside recently arrived refugee artists Jankel Adler and Josef Herman, for whom he organised local Jewish community support. In 1942 he organised the important 'Jewish Art Exhibition' at the Glasgow Institute as an act of Jewish cultural identity during the Second World War. In 1981 Schotz was made a Freeman of the City of Glasgow and in the same year, Gordon Wright published his autobiography, Bronze in My Blood. During his career, Schotz produced several hundred portraits and compositions including figure compositions, religious sculptures, semi-abstracts and modelled portraits, the majority located in Glasgow and the surrounding area. A major retrospective exhibition of his works was held at the Royal Scottish Academy, Edinburgh in 1971. He was Life-President of the Royal Glasgow Institute of the Fine Arts as well as Honorary Member of both the Royal British Society of Sculptors and the Royal Institute of Architects in Scotland. His last sculpture was executed less than six weeks before his death, aged 93. He was a committed Zionist and was buried in Jerusalem. His work is represented in numerous UK collections including The National Galleries of Scotland, Edinburgh City Art Centre, The Kelvingrove Art Gallery, Aberdeen Galleries, The Scottish National Portrait Gallery, BBC Scotland, The Scottish National Gallery of Modern Art, Glasgow Museums & Galleries, The Peoples Palace (Glasgow), The Scottish Jewish Archives Centre, Ben Uri Gallery & Museum (London) and the House of Commons (London). His work is also held in various public collections in Israel. Christie's held a major Studio Sale of Benno Schotz's work in Glasgow in 1997. 59cm high including wooden plinth

PARSIFAL, CONTINENTAL MARBLE AND ALABASTER BUST, LATE 19TH / EARLY 20TH CENTURY modelled in helmet and chainmail, title inscribed to baseNote: Richard Wagner started work on his opera 'Parsifal' in 1857, but it was not given its first performance until 1882. Wagner loosely based his work on Wolfram von Eschenbach's 13th century poem, Parzival, which told the story of the Arthurian Knight, Percival, and his quest for the Holy Grail. 30cm high (including plinth)

TAXIDERMY, WATER BUFFALO SKULL AND HORN DISPLAY, mounted on a wooden plinth82cm wide

AFTER ISIDORE JULES BONHEUR, RECUMBENT LION, BRONZE the plinth inscribed Bonheur Paris, on a stepped marble base37cm long Condition overall is good, the marble stand has a chip present on the front of the lower step.

BORDER FINE ARTS, HORSE FIGURE, SUFFOLK STALLION on a wood plinth, limited edition number 881 / 950, with certificate24cm high overall

BORDER FINE ARTS, FIGURE GROUP, TEAM WORK on a wood plinth, with certificate of authenticity47cm long

AFTER ANTON ENDSTORFER, ART DECO BRONZE FIGURE, modelled as a nude female with a hoop, signed but indistinct, raised on a marble plinth43cm highCondition generally good. Rich patination and verdigris. Nibbles to corner of base.

BORDER FINE ARTS, FIGURE GROUP, THE DRIFT on a wood plinth, limited edition number 456 / 750, with certificate44cm long

BORDER FINE ARTS, HORSE FIGURE, PERCHERON SUPREME CHAMPION on a wood plinth, limited edition number 568 / 950, with certificate26cm highCondition overall is good, no obvious signs of any damage or repair

BORDER FINE ARTS, HORSE FIGURE, SUFFOLK PUNCH STALLION on wood plinth25cm high

BORDER FINE ARTS, FIGURE GROUP, NO WAY THROUGH limited edition number 620 / 1500, with certificate, along with Element of Surprise, each on a wood plinththe larger 38cm longQty: 2

BESWICK, HORSE FIGURE, number 2689, raised on a ceramic plinth20cm high

WWI Era Laminated Mahogany Propellor Blade, on plinth with 'Blackburn Aeroplane and Motor Co. Ltd Leeds' decal, approximately 138cm height.

19th century cast iron hallway hat and coat stand, the arched frame decorated with overlapping foliage, central oval mirror surrounded by trailing oak leaves and acorns, with extending umbrella and stick stand, the curved plinth base decorated with acanthus leaves, with impressed and mounted R.d. lozengesDimensions: Height: 167cm  Length/Width: 72cm  Depth/Diameter: 30cm

Early 20th century oak stacking barrister's bookcase, moulded cornice over two glazed compartments each with lift-and-slide doors, raised on plinth baseDimensions: Height: 85cm  Length/Width: 87cm  Depth/Diameter: 32cm

Large traditional pine dresser, shaped cornice over three open shelves, base fitted with four drawers above four panelled cupboards, each with turned wooden knobs, on plinth baseDimensions: Height: 198cm  Length/Width: 183cm  Depth/Diameter: 42cm

Late Victorian walnut bow-fronted credenza, central inlaid panelled cupboard door, flanked by curved glazed doors enclosing velvet-lined shelves, gilt-metal mounts throughout, raised on a shaped plinth baseDimensions: Height: 105cm  Length/Width: 150cm  Depth/Diameter: 38cm

H Jones of Oswestry - Early19th century oak and mahogany eight-day longcase clock, with a swans neck pediment and central brass ball and spire finial, break arch door beneath with detached reeded pilasters, trunk with recessed pilasters and a full-length wavy topped door with inlay, square plinth with a raised crossbanded panel on padded feet, early Wilson painted dial with Roman numerals, matching steel hands, five minute Arabic's, seconds dial and date aperture, floral spandrels with gesso borders and an oval to the arch depicting a country girl gathering kindling, dial pinned via a Wilson falseplate to a rack striking weight driven movement, sounding the hours on a bell. With weights, pendulum and key. Dimensions: Height: 220cm  Length/Width: 45cm  Depth/Diameter: 25cm

Late 19th century stripped pine blanket box, rectangular hinged lid enclosing main compartment with fitted candle box, wrought iron strap hinges and lock, black-painted side handles, on a shaped plinth baseDimensions: Height: 44cm  Length/Width: 99cm  Depth/Diameter: 45cm

George III small mahogany chest, moulded rectangular top over two short and three long cockbeaded drawers, on bracket feet; free-standing mahogany swing dressing mirror, on shaped plinth base (2)Dimensions: Height: 77cm  Length/Width: 79cm  Depth/Diameter: 45cm

Late 19th century Gothic Revival pine dresser, the upper section with pierced cresting rail above open shelving and four small drawers, lower section fitted with two cupboards, each with pointed arch panels and carved embellishments, raised on a plinth baseDimensions: Height: 218cm  Length/Width: 92cm  Depth/Diameter: 46cm

Victorian flame mahogany bow-fronted chest, moulded top over full width frieze drawer, fitted with two short and three long drawers flanked by turned pilasters, on plinth base raised on bun feetDimensions: Height: 122cm  Length/Width: 130cm  Depth/Diameter: 57cm

Mid-19th century figured mahogany single wardrobe, stepped cornice over mirrored single panelled door enclosing hanging hooks, base fitted with single drawer, on plinth baseDimensions: Height: 204cm  Length/Width: 146cm  Depth/Diameter: 51cm

Victorian mahogany cylindrical bedside pot cupboard, circular top with marble inset, enclosed by single door, on moulded plinth base Dimensions: Height: 68cm  Depth/Diameter: 37cm

Victorian mahogany chest, rectangular top with rounded front corners, fitted with two short over two long cockbeaded drawers, on plinth base with bun feetDimensions: Height: 88cm  Length/Width: 90cm  Depth/Diameter: 48cm

Victorian mahogany twin pedestal desk, moulded rectangular top with inset leather writing surface, nine drawers each fitted with two turned handles, on moulded plinth base Dimensions: Height: 75cm  Length/Width: 122cm  Depth/Diameter: 85cm

Victorian figured walnut single wardrobe, the moulded cornice with a central diamond motif over a pair of arched panelled doors with striking book-matched veneers, enclosing a fitted interior with hanging rail and hooks, on a plinth baseDimensions: Height: 195cm  Length/Width: 87cm  Depth/Diameter: 53cm

Mid-20th century modular teak wall unit, comprising four sliding glazed display cabinets, open shelving, drop-front storage, sliding cupboards and two rows of drawers, fitted with recessed pull handles throughout, raised on plinth base

Edwardian walnut bookcase on cupboard, projecting moulded cornice over two glazed doors enclosing three shelves, lower section fitted with two drawers over two panelled cupboards with carved floral decoration, on plinth baseDimensions: Height: 216cm  Length/Width: 121cm  Depth/Diameter: 47cmCondition Report:No key, right door in "locked" position

Contemporary pine bookcase, projecting moulded cornice with dentil frieze over three adjustable shelves, flanked by fluted uprights, on plinth baseDimensions: Height: 125cm  Length/Width: 62cm  Depth/Diameter: 29cm

19th century figured mahogany chiffonier, raised two-tier back supported by turned columns and scroll brackets, rectangular top over two frieze drawers, double cupboard below with arched panelled doors flanked by turned pilasters, on plinth baseDimensions: Height: 133cm  Length/Width: 83cm  Depth/Diameter: 35cm

Pine chest, rectangular moulded top over four long drawers each with turned knob handles, on shaped plinth baseDimensions: Height: 90cm  Length/Width: 108cm  Depth/Diameter: 47cm

Victorian pine corner cabinet, upper section with twin panelled doors inset with six floral wallpaper panels, opening to reveal two triangular shelves within, lower section with twin paneled doors enclosing an additional shelf, raised on a plinth baseDimensions: Height: 194cm  Length/Width: 102cm  Depth/Diameter: 58cm

Contemporary light oak sideboard, rectangular top over three short and six long drawers each fitted with chrome handles, on plinth baseDimensions: Height: 82cm  Length/Width: 124cm  Depth/Diameter: 45cm

Contemporary cherry wood corner TV unit, canted top over central glazed double doors opening to shelves for media storage, flanked by side storage compartments, on a plinth baseDimensions: Height: 58cm  Length/Width: 100cm  Depth/Diameter: 59cm