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Ca. 100 BC - AD 100. A carved from limestone, a high-relief stela featuring a prominent abstract face with a slender triangular nose, deep-set ovoid eyes beneath thin brows, a broad forehead, rounded cheekbones, a tapered mandible, and a petite, expressionless mouth. Russet-red pigment colours the face as well as the lateral plaque sides and the chalky white material within the eyes suggest they were once inlaid with attractive fragments of colourful stones. Shallow grooves on the verso indicate how the plaque would have been suspended, perhaps on a slanted surface. For similar see: Sotheby's, Ancient Sculpture and Works of Art, Part I, 7 December 2021, Lot 1. Size: 360mm x 200mm; Weight: 11.02kg Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
New Kingdom, Ca. 1550 - 1070 BC. A faience plaque of the conventional type found in foundation deposits of this period. The glaze was originally brilliant blue but is now considerably deteriorated. For additional information, see: J. Weinstein, 'Foundation Deposits in Ancient Egypt' 258 (unpublished thesis, 1973); B. Porter & R. Moss, 'Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings' III. Size: 90mm x 40mm; Weight: 35g Provenance: Prince collection, 1990s-2014, acquired from H. Nowes, Ancient Art.
New Kingdom, Ca. 1550 - 1069 BC. A turquoise plaque depicting the flower of the Lotus plant in a stylised fashion and black colour. The internal part of the tile is in a white mixture. For similar see: The Metropolitan Museum of Art, Accession Number: 26.7.906. Size: 55mm x 45mm; Weight: 44g Provenance: Prince collection, 1990s-2014, acquired from Galerie Gunter Puhze, 2008. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 100 BC - AD 100. A mosaic glass revetment plaque with a rectangular, flat surface featuring slightly faceted sides and rounded corners. The design includes a red background with orange patches and black dots. A revetment plaque is a decorative or protective panel used as a facing on walls, columns, or other architectural surfaces. For similar see: The Metropolitan Museum of Art, Accession Number: 26.7.1254. Size: 26mm x 19mm; Weight: 7.6g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.
Ca. 8th - 7th century BC. An ivory plaque, likely Phoenician craftsmanship, carved in openwork, depicting a Levantine tribute bearer. The face framed by a short beard, is well-defined with large eyes and sligthly aquline nose. The hair is long, and the figure wears a short kilt. On his shoulder, he carried a small monkey whose hind legs are still visible. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 60mm x 25mm; Weight: 15g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Round wall plaque of the Warsaw Uprising, embossed on a brass plate. The plaque depicts a young insurgent during the battle, with the inscription "1st August 1944 Warsaw" below. The reverse features a countermark and a suspension loop at the top.Diameter: approx. 23 cmOverall condition as shown in the pictures.
A Hallmarked Silver Ladies Cigarette Case, inset with an oval panel painted with a dog, London 1881, monogrammed, 8.5cm long; a white metal shield shaped pendant inset with a portrait of a gentleman, 3cm long, a porcelain plaque painted with a child in yellow metal pendant mount, 4cm long. (3)1, cigarette case does not close correctly, silver is very scratched. 2, oval plaque - chip to top, wear to face. 3, shield pendant scratches
MIKE GALLOWAY OF CELTIC F.C., LEAGUE CUP RUNNERS-UP GOLD MEDAL 1994, 1994 the obverse with central shield shaped plaque with red enamel lion rampant motif, within blue enamel border inscribed Scottish Football League, the reverse inscribed Coca Cola Cup 1994 RUNNER-UP, in nine carat gold3.8cm highQty: 9.3gNote: Celtic lost the cup to Raith Rovers on penalties after a 2-2 draw.
CELTIC F.C., LEAGUE CUP RUNNERS UP GOLD MEDAL, 1970/71 the obverse with central shield shaped plaque with red enamel lion rampant motif, within blue enamel border inscribed SCOTTISH FOOTBALL LEAGUE, the reverse inscribed LEAGUE CUP Season 1967-68 Runner up, in nine carat gold, in boxNote: It has been believed and is possible that this medal was awarded to Bobby Murdoch.It comes from a sore 1-0 loss to Old Firm rivals, Rangers. The game is often remembered for the goal, scored by then 16-year old and future star, Derek Johnstone. 4cm high including suspension Qty: 6g
ALEX SCOTT OF RANGERS F.C., GLASGOW CUP GOLD MEDAL, 28TH SEP 1959 the obverse with central enamelled shield shaped plaque below thistle motif, within enamelled border inscribed Glasgow Cup Glasgow Football Association, the reverse inscribed Season 1959-60 Winners Rangers F.C. A. Scott, in nine carat gold3.5cm highQty: 11.4g
OWEN ARCHDEACON OF CELTIC F.C., RESERVE LEAGUE CUP RUNNER'S UP GILTMETAL MEDAL, 1987/88 the obverse with central shield shaped plaque with red enamel lion rampant motif, within blue enamel border inscribed SCOTTISH FOOTBALL LEAGUE, the reverse inscribed RESERVE LEAGUE CUP Final Tie 1987-88 RUNNER-UP OWEN ARCHDEACONNote: 'Owen Duncan Archdeacon (born 4 March 1966 in Greenock) is a Scottish former footballer. He began his senior career at Celtic before going on to play for Barnsley, Carlisle United and finally Greenock Morton. Archdeacon played on the left-wing for the majority of his career, although dropped back into a more defensive role in his later years.' 4.4cm high including suspension
JOHN HUGHES OF CELTIC F.C., GLASGOW CUP WINNERS GOLD MEDAL, 1967/68 the obverse with central enamelled shield shaped plaque below thistle motif, within enamelled border inscribed Glasgow Cup Glasgow Football Association, the reverse inscribed CELTIC F.C. 1967-68 JOHN HUGHES, in associated boxNote: Yogi. In his own words 'I would just want it to be known that I was a Celtic man.'Following their year of triumph, Celtic would win a domestic double, as well as the Glasgow Cup after defeating Clyde 8-0. 3.3cm high Qty: 10g
A tableVarious woods Inlaid ivory and wood decoration of geometric patterns Central sgrafittoed ivory plaque depicting the Triumph of Galatea Resting on cabriole legs joined by turned element and scalloped central stretcher Bun feet Italy, 19th century (wear, chips, minor losses, fissures)72x116x58 cm*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10958C
An Italian cabinetEbony of inlaid ivory filleted decoration Two doors, seven inner drawers and central alcove door Part painted ivory plaques decoration featuring vineyards with putti picking grapes, cartouche border, angels, war trophies, amphorae and foliage scrolls Inner central door of ivory plaque depicting figure holding shield, on the inner side doors surface a putti with caduceus and cornucopias of plenty and on the doors fronts foliage scrolls and frowning faces Turned ivory drawer pulls 17th century (restoration, chips, losses and minor faults)44x48,5x26,8 cm*This item is not legal to sell in the UK*CITES CERTIFICATE: 24PTLX10961C
This plaque, available from 2008 to 2010, complements the Endangered Wildlife Trilogy. It features the pawprints in clear and green crystal, with the text Endangered Wildlife 2008 to 2010 painted above them. This item has its original box. Box measures: 6.25"H x 3.25" dia. Issued: 2008 - 2010Dimensions: 3.5"L x 2"W x 1.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
AFTER BARTOLOMÉ ESTEBÁN MURILLO (SPANISH, 1617-1682), KPM PORCELAIN PLAQUE, LATE 19TH CENTURY hand painted, impressed KPM mark, pencilled numbers and signature to verso, framed 41.5cm x 35.5cm overall, the panel 32cm x 25.5cmPlaque in good condition, without crazing or damage to front - two nibbles to top left edge of the reverse. Wear to frame.
WWI Canadian Infantry Memorial Plaque Death Penny, complete with card envelope to Martin Carabine, 402288 Private Martin Carabine 1st battalion Western Ontario Regiment, was killed in action on 22 September 1916 and commemorated on The Vimy Memorial, France, plus a rolled gold locket containing a photograph of Canadian soldier.
VICTORIAN MARINE CHRONOMETER, JOHN POOLE OF LONDON the silvered dial inscribed John Poole Maker to the Admiralty 57 Fenchurch St London, and numbered 4730, the minute band framing Roman numerals in black, the subsidiary power reserve dial at XII running from 0-54 in 6 hour increments and instruction to wind at 24 hours, large observatory-style seconds subsidiary between V-VII and engraved PRIZE MEDALS, LONDON 1862, PARIS 1855 in red, the chronometer housed in a three-part wood case: the lid with brass mounts and shield to centre, the centre section with brass button above an ivory signature plaque inscribed Sold by W.H. Moralee, 2 Union Street, North Shields, the lower part of the case with key and handles.This lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference TQVELZES. the case 17.4cm wide, 17.4cm deep, 18.5cm high Condition good to fair. Winds and Ticks at time of testing. Typical wear commensurate with age, including discolour and tarnish, surface wear. The case has some splits. Additional images now available. Not possible to access the movement.
* MARION HARVEY (SCOTTISH 1886 - 1971), SPARK & MUFFIE pastel on paper, signed, titled in presentation plaqueframed and under glassimage size 55cm x 48cm, overall size 62cm x 54cm Note: Marion Rodger Hamilton Harvey was a very accomplished animal painter born in Ayr in 1886. She lived and worked in Glasgow and specialised in dog and horse painting. Marion often worked in Kirkcudbright and enjoyed close friendships with Hornel, Taylor and King and the four became known as the “Close Coterie”. She exhibited frequently at the Royal Scottish Academy, the Royal Glasgow Institute of Fine Arts, the Society of Women Artists, the Royal Scottish Society of Watercolour Painters as well as the Walker Art Gallery in Liverpool. Her works are in many collections worldwide but most notably in the collections of HM The Queen and late Queen Mother. Her work occasionally surfaces at auction with the highest price recorded for a pastel by the artist of US$7000 (currently £5184).
JOHN PHILLIP RA HRSA (BRITISH 1817 - 1867), THE PET OF THE FAMILY oil on panel, titled in presentation plaque framedimage size 32cm x 24cm, overall size 55cm x 46cm Note: Scottish painter, active mainly in London. He began as a specialist in paintings of Scottish life and character in the manner of Wilkie, but following visits to Spain in 1851, 1856, and 1860 he became celebrated for picturesque Spanish genre scenes and was known as ‘Spanish’ Phillip or ‘Phillip of Spain’. His style was fluent and colourful, often with a picture postcard flavour. He also painted portraits. One hundred and sixty-one of his paintings are held in UK public collections.
* MARION HARVEY (SCOTTISH 1886 - 1971), TOWSER pastel on paper, signed and dated 1954, titled in the presentation plaqueframed and under glassimage size 45cm x 37cm, overall size 52cm x 44cm Note: Marion Rodger Hamilton Harvey was a very accomplished animal painter born in Ayr in 1886. She lived and worked in Glasgow and specialised in dog and horse painting. Marion often worked in Kirkcudbright and enjoyed close friendships with Hornel, Taylor and King and the four became known as the “Close Coterie”. She exhibited frequently at the Royal Scottish Academy, the Royal Glasgow Institute of Fine Arts, the Society of Women Artists, the Royal Scottish Society of Watercolour Painters as well as the Walker Art Gallery in Liverpool. Her works are in many collections worldwide but most notably in the collections of HM The Queen and late Queen Mother. Her work occasionally surfaces at auction with the highest price recorded for a pastel by the artist of US$7000 (currently £5184).
JAEGER-LECOULTRE ATMOS, 70S Case: gilded brass and glass panels, applied plaque with inscription. Dial: signed, white, Roman numerals. Movement: signed, caliber 526. On the back the bellow containing the ethyl chloride to wind up the mainspring with the climate change. Accessories: – Size: 22 x 18 x 13.5 cm Note: running at the time of cataloguing.
A group of collectors' items comprising a hallmarked silver fruit serving dessert spoon, length 21cm, a pair of small shell salts, length 4.8cm, height 2cm, a small hardstone cylindrical flask with silver cap, a vintage leather wallet with hallmarked silver corners, a Masonic hardwood gavel/mallet with silver rim and presentation plaque inscribed 'Presented to Solomon Harker by George H Mason the Plumber', length 21cm, and an early 19th century white metal ladle, no hallmarks, with impressed name 'S Walter', length 35cm (5).Condition Report: The wallet and the ladle are in poor condition, the other items just need a polish.
A heavy gauge cast metal heraldic shield shaped plaque with hand painted finish approx 95 cm high x 85 cm wide (af). We beleve this is the coat of arms of Emma of Waldeck and Pyrmont (Adelheid Emma Wilhelmina Theresia; 2 August 1858 – 20 March 1934) as Queen Consort of the Netherlands (1879-1890) as wife of King William III or as Regent (1890-1898) of the Netherlands on behalf of her daughter, Queen Whilmena.
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152308 item(s)/page