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A cold painted bronze novelty pin cushion, in the form of a parrot, 10 cm high

Set of 2 round slings 2T rated and 3 heavy duty screw pin anchor shackles.

A Meissen part tea set, outside decorated in pink with a bird perched on flowering branches, gilt highlighted, comprising a lobed dish, sixteen saucers and fifteen teacups, together with a shaped oval small dish, similarly decorated, blue cross marks to base, with cancellation mark.Spill vase has been damaged and broken during viewingThe saucers are all in good order without chips or cracks and all have cancellation marksThe cups are all in good order without chips and cracks but slight rubbing to the peaks of the wavey edge, all have cancellation marksThe cake plate is in good order without chips or cracks and has cancellation marksThe small pin dish is in good condition and is not cancelledI couldn't see any crazing, the glaze and paste seemed bright and clear.

A novelty silver pin cushion, in the form of pig, 5 cm wide, another in the form of a chick (2)

A Continental silver and blue enamel pin dish, import marks for London 1908, 72g (all in)

A collection of 18 stick pins, early 20th century, comprising: a stick pin set with three cushion-shaped diamonds; one set with a ruby and seed pearls; one set with a star sapphire; one set with a pale blue chalcedony; one composed of the entwined intials SF in bicoloured gold, fitted case with tooled initials SF to exterior; one with a shell cameo of a Bacchante; one with pietra dura inlay depicting a forget-me-not; one with a lava cameo; one set with a tiger's eye cabochon; one set with bloodstone; one with a quartz cat's eye; one set with a faceted rock crystal and cabochon pale green stone, possibly beryl; one with a micromosaic panel depicting the Colosseum; one inlaid with jasper an hardstone depicting a crown over the letter X; one set with a cabochon sapphire; two set with lines of half pearls; and one with a glazed locket compartment within a quatrefoil border, variously mounted in gold and silver, some pins of base metal, four cases

A collection of jewels, late 19th and 20th century, comprising: a pair of brilliant-cut diamond stud earrings totalling approximately 0.40 carats, mounted in 18ct white gold, post fittings, British hallmarks; a diamond ring, stamped 18CT; a synthetic blue spinel and diamond cluster ring in 18ct gold, British hallmarks; a step-cut emerald and baguette diamond ring in white gold, stamped 14K; an oval amethyst brooch; a pair of amethyst and diamond cluster stud earrings mounted in gold, stamped 9K; a cultured pearl necklace with a cultured pearl and diamond clasp modelled as a bow, stamped 14K; an amethyst and white chalcedony-handled desk seal mounted in gold, length 5.2cm; a horseshoe stick pin set with half pearls; a rose quartz and diamond pendant, stamped 375; a portrait miniature brooch in 18ct gold, British hallmarks; a gold brooch designed as a Rococo scroll frame; four gold lockets; a fox head bar brooch; a lady's gold Rotary watch with gilt metal bracelet; and a collection of jewels in gold, silver and gilt metal, in a wooden jewellery box

A silver and gold stick pin, France, late 19th century, designed as a bearded guardsman drawing a sword, possibly intended to represent D'Artagnan from the 'Three Musketeers', mounted in silver and gold, length 9.7cm, French assay mark for silver, French maker's mark F&B, fitted case stamped SJ Phillips

A pearl and diamond stick pin, late 19th century, designed as a flower, set with pearls and a cushion-shaped diamond, mounted in gold, length 6.8cm, stamped 15CT, pearls untested

A diamond stick pin, collet-set with a cushion-shaped diamond of brown tint weighing 0.68 carats, mounted in rose gold, length 6.1cm

A carved onyx and diamond stickpin, late 19th century, set with a carved onyx head of a 'Blackamoor', in a gold collar set with rose-cut diamonds, the pin of base metal, length 7.5cm

A garnet and gold stick pin, Russia, late 19th century, designed as an acorn, set with a cabochon garnet, mounted in gold, the pin of gilt metal, length 11cm, Russian 56 zolotnik mark, partial maker's mark, numbered 93

A Victorian diamond brooch/hair ornament, late 19th century, designed as a butterfly, its wings and body set with cushion-shaped diamonds, its eyes set with cabochon rubies, mounted in silver and gold, wingspan 5.4cm, detachable brooch fittings and hair pin, fitted case stamped Gilliam & Co.

A pair of Georgian paste shoe buckles, late 18th/early 19th century, each of curved form, set with calibré-cut pastes in foiled settings, mounted in silver, length 9.5cm each, later brooch fittings, one pin deficient

A diamond stick pin, mid 19th century, designed as a hand in a lace cuff holding a cushion-shaped diamond between thumb and forefinger, mounted in gold, connected by a length of chain to a smaller stick pin capped with a cube motif, mounted in gold, longest stick pin 7.4cm, case

A collection of four brooches, 19th and 20th century, comprising: a late 19th century amethyst and seed pearl brooch, length 2.4cm, stamped 18CT; an early 20th century seed pearl and rose-cut diamond bar brooch, length 3.9cm; a gold and simulant pearl stick pin, length 7.2cm, French assay mark for 18ct gold, French maker's mark, base metal stopper; and a gold abstract cluster brooch set with turquoise cabochons and half pearls, length 2.6cm, detachable brooch fitting, pearls untested, case stamped Ogden

A natural pearl stick pin, early 20th century, set with a pearl measuring 6.5 x 6.5 x 7.4mm, to a plain platinum pin, length 6.3cm, numbered 43535, fitted case stamped Primavesi Bros.Accompanied by Gem & Pearl Laboratory report no. 21102, dated 29th January 2022, stating that the pearl is natural saltwater.

Two masonic jewels, comprising: a stick pin designed as a square and compass set with brilliant-cut diamonds, mounted in gold, length 6.5cm, gilt metal stopper; a gold and gilt silver pendant opening to reveal a star engraved with masonic symbols, length 3cm, stamped REG682301, and an Edwardian pink tourmaline and seed pearl pendant, length 41cm

A rock crystal and seed pearl mourning brooch/pendant, 1830s, designed as a floral cross, set with oval and pear-shaped rock crystal in pink foiled settings, accented by seed pearls, mounted in gold with beaded borders, to a similar rock crystal bail, the reverse with a glazed compartment containing hairwork, length 5.5cm, pin deficient, pearls untested

Various 19th century bonnets/caps - to include a lace cap, Ayrshire style embroidery, three cotton mob caps with lace trim, ruched sides and ribbon ties, two small net and embroidered caps, and eight mixed lace and cotton babies' bonnets, and a cotton baby petticoat and another with pin tucked hem, a pair of cream kid long evening gloves and various other leather gloves (1 box)

Campbell Archibald Mellon (1878-1955) Oil on board “Children on the Beach at Gorleston 1929”, figures on beach, with Mandell's Gallery label verso and Mandell's Gallery copy invoice dated 1979, 22cm x 29cm From the collection of the late Maurice Costley Campbell Mellon was born in Berkshire and began his artist’s career in 1903. Moving to Norfolk he was taken under the wing of Sir John Arnesby Brown. He is known for his coastal scenes which are impressionistic, light and breezy, usually including busy little figures enjoying the beach. He was a member of the Royal Society of Oil Painters and exhibited at the Royal Academy. Condition ReportRecto: Paint surface overall good but slight pin prick paint loss in sky left side. Small restoration in sky - right hand side. Frame good condition, canvas slip fraying upper left hand and lower right hand corner. Verso: Board in good condition, pin and cork with no tape covering. Dealer's label, inscribed Mid September 1929. 3.30 pm 

An embroidered large fichu that the vendor has added that was 'embroidered to wear on her wedding day in 1819, Polly Mercy Riley...' , a Honiton undyed lace collar, a small Honiton lace piece, another small scarf, parts of an embroidered lappet, part of net and lace veil, a pair of lace cuffs with drawstring fastening, a pair of cotton and embroidered sleeves with crochet trim, a pair of cotton and pin tucked sleeves, an embroidered shawl, part of an embroidered shawl modified to a fichu, and other lace and cotton pieces ( 1 bag)

Six Victorian beadwork pincushions and the front panel from a beadwork offertory bag, including a pink velvet cushion embroidered with A Happy New Year, two with clear and coloured beadwork depicting birds and vases, two with floral designs in faux pearls and beadwork, with beadwork tassels, a small pink velvet pin cushion with yellow and green flowerhead and silver sequins, the offertory bag decorated in coloured glass beadwork with flowering leaves below a swagged tasselled border, on perspex stand, 3cm high overall (7) Property of Dunkirk Manor, Theescombe, Stroud

Three Victorian nightgowns to include lace and pin tuck detail, crochet bodice, a full sleeved and collared nightgown, a pair of Victorian bloomers, another pair of Victorian bloomers, a child's nightgown with ruffled bib front, collar and sleeves, and three baby gowns (9)

A collection of Wedgwood Jasperware items, 20th century, comprising, a pair of jugs, 11cm high, a straight-sided example, two cups and saucers, teacups 5.7cm high, a pair of side plates 16.5cm diameter, cabinet plate 23.7cm diameter, a pair of squat candle sticks, pot pourri pot and cover, a pin dish, an ashtray, each with classical figures to a buff ground (qty.)Provenance: The property of the late Baron John Mauger Langin Condition ReportMarks and wear commensurate with use.

A FINE ANGLO-INDIAN CARVED SANDALWOOD PORTABLE WRITING DESK Mysore, Karnataka, Southern India, 19th centuryOf rectangular shape with a stepped profile, with a hinged lid at the top and a forward-opening writing slope on the front, the lid concealing several square and rectangular compartments, some with their own lids, meant to be used for writing tools and stationary storage, the writing slope lined in green velvet, presenting two different storage units for documents underneath the velvet, one easy to access by lifting a circular hoop, the latter concealed under the fabric and with a recessed pin mark, possibly an added security measure to avoid the slope lid from being lifted too easily, the exterior an impressive tour-de-force of high-quality sandalwood carving featuring two overlapping registers on the body livened with wild animals and Hindu deities seated or standing under lobed arches, all set against lush vegetal meanders, the panel covering the writing slope decorated with a rectangular figural frieze showcasing the Churning of the Milk Ocean (Samudra Manthana), the subjects flanked by female deities slaying demons, possibly a reference to the Goddess Durga, the lid decorated with a single rectangular frieze with Sarasvati, the Goddess of Knowledge and Arts, flanked by musicians and winged apsaras with pairs of peacocks on the sides.14.5cm x 30.5cm x 43cm 14.5cm x 30.5cm x 43cm Qty: 1

3 DECANTERS AND STOPPERS , QUANTITY OF VARIOUS CUTLERY, PIN DISHES ETC Condition

ORTAK SILVER CHAIN WITH CROSS PENDANT, VARIOUS SILVER BROOCHES , EARRINGS, WHITE METAL KILT PIN, SILVER RENNIE MACKINTOSH STYLE LOCKET & CHAIN, SILVER NECK CHAIN Condition

BOX CONTAINING BRASS EWER , MALING BOWL, PAIR OF GLASS LANTERN SHADES, BRASS TOASTING FORKS, HORSE BRASS, BRASS CANDLESTICKS, SMALL EP TURTLE PIN DISH, CUT CRYSTAL DECANTER AND STOPPER, SET OF CUT CRYSTAL STEMMED GLASSES, BRASS LANTERN ETC Condition

Art Deco chrome plated golfer pin tray

Steiff Birthday Bear (Beige 26cm) Dressed in a dress with white pinny, blue shall with safety pin and three matches in pocket in original bag and with certificate [No. 00558], together with Kastelruther Spats, dressed in his traditional costume - his shirt, waistcoat & leather trousers come from Kastelruth and his tie is from Vienna - musical box plays Spatzen hit " White Rose"[No.01879] in original box

Two yellow metal stick pin brooches, one marked 9ct with centre stone, other hallmarked but faded

15ct gold stick pin brooch, pearl moon crescent and diamond centre starWeight 1.62g

Two yellow metal stick pin brooches, one with pearl centre and surrounded with small diamonds other with one larger centre diamond

Philip Jones (1933-2008) Veiled Shroud, Gambia signed and dated 'Philip Jones 08' (lower left)oil on canvas61 x 61cmTwo minor accretions located to the top right quadrant and three further negligible (pin prick sized) accretions to the top left corrner; the lower right quadrant with a small drip mark. Otherwise appears in very nice and presentable condition

Lalique, a collection of five cendriers, to include three frosted and polished dishes in the Les Deux Cygnes pattern, each modelled to the centre with two swans, etched marks to underside, 8.5 x 10cm; a polished glass pin dish modelled to the centre with a cockerel, etched marks to underside, 10 x 10cm; Thalie, a polished and frosted glass cendrier centrally modelled with dove in flight, etched marks to underside, 9.5 x 10cm; together with Floreal, a Lalique frosted glass figurine of a kneeling maiden, mounted to black glass plinth base, etched marks to rim, 7cm high (6)All six pieces are in good condition, free from damage or repair.

§ Peter Sedgley (1930-) Untitledmixed media on card, unframed30 x 30cmThe reverse with some abrasions to the paper support (top left-hand corner and top centre) and three pieces of tape where the support was previously affixed to the mount board. The image itself in good order, a small pin prink hole to the top left corner and some minute pieces of dust/debris on the surface, otherwise in good condition.

A pair of Art Deco birds eye maple bedside cupboards, the curved cupboard doors opening to reveal a single drawer and shelves within, raised on ebonised plinth base69 x 35 x 48cmPlease see further images In good clean restored condition with only a few chips, abrasions, scratches and signs of wear. Replaced handles possibly - there is a matching tonal shadow on the front of each (see images)pin marks on the tops of both from fixing the top are likely original

Hannah Webb (Contemporary) Pin Mill Barges at High Watersigned and dated 'Hannah Webb March 2005' (lower right)oil on board53 x 57cm

A Moorcraft pottery tapered vase with poppy and wheat sheaf decoration on cream ground 9½" high and a damaged Moorcraft rectangular pin dish with floral decoration (2)

A 10ct gold signet ring with masonic emblem and tigers eye stick pin (2)

A 9ct gold stick pin inset with a small diamond (1.9g)

A Moorcroft pottery rectangular pin dish with floral decoration on cream ground, 8" long

Two silver decorated pin dishes, two silver napkin rings and three plated napkin rings

Royal Crown Derby Imari lidded trinket pot and two pin dishes in pattern 1128

A 9ct yellow gold Jade & seed pearl brooch, steel pin on the back, 42mm long, weight 1.6 grams

A 9ct yellow gold pin bar brooch with blue stone, 48mm long approx, weight 1.9 grams approx

A 9ct yellow gold pin brooch, green stone pin brooch, 56mm long,weight 1.3 grams

A 9ct yellow gold sapphire pin bar brooch, 48mm long, weight 1.4 grams approx

A 9ct yellow gold large coral brooch, 50mm x 40mm, weight 24.8 grams approx, pin back

A 9ct yellow gold turquiose stone set pin bar brooch, 36mm long, very pretty brooch, 2.5 grams weight approx

A 9ct gold vintage cabochon amethyst tie pin, 58mm long, 1.5g approx weight, 7mm x 8mm stone, hallmarked

A 9ct yellow gold citrine stone set pin bar brooch, very nice brooch, weight approx 2.7 grams

A 9ct yellow gold sapphire stone pin bar brooch, 42mm long approx, weight 1.5 grams approx

A vintage gold military brooch, Welsh fusiliers, the pin is 15ct gold, the badge is gold on silver, 6.1g in weight approx

Algernon Mayow Talmage (1871-1939)A sandy bay with figures reclining on the beach, signed and dated '25, oil on canvas, 59 x 72cm There is a slight vertical stretcher mark to the centre of the work. Slightly patchy varnish with some possibly minor retouching, pin holes to the corners, surface dirt ande splash marks.

A QUEEN'S SOUTH AFRICA MEDAL with Ladysmith clasp, awarded to 5631 Cpl. Percy Brind, Gordon Highlanders; together with Regimental kilt pin (2)Provenance: By family descent.

AN ITALIAN CEDAR WOOD CASSONE 17th century, the pin hinged lid opening to an interior fitted with a candle box, the façade and sides incised with floral decoration, 32cm high x 60.5cm wide x 32cm deepProvenance: The Les Watts Collection.

WALTER SICKERT (BRITISH 1860-1942) THE OLD SOLDIER Oil on canvas Signed (lower right), inscribed and dated Le Pollet. 1912. (lower left) 41 x 33cm (16 x 12 in.)Provenance: Sale, Christie's, 1950s (sale unknown) Private Collection, A.D. Peters Private Collection, J.B. Priestley (a gift from the above in 1964 for Priestley's 70th birthday) Sale, Sotheby's, 18 June 1997, lot 63 The Collection of The Bowerman Charitable TrustLiterature: Wendy Baron, Sickert, 1973, cat. 302, fig. 211 Wendy Baron, Sickert Paintings & Drawings, 2006, cat. 390., p.393 (illustrated)The present work was referenced in letters dated 1913 between Walter Sickert and Ethel Sands. 'I have happily decided to hold over the finishing of the blind sailor. It won't do for me to come our just now with an important sentimental work unfinished or à peu près.'The work was painted during a visit to Dieppe in 1912. Sickert was a regular visitor to the area and took up permanent residence in Dieppe between 1898-1905. In 1912 Sickert and his new wife Christine Angus Drummond bought the Villa d'Aumale in Envermeu, a village set in the valley of the Eaulne ten miles inland from Dieppe. Condition Report: Not relined. Pinhole to the upper left corner. The canvas is quite thin in areas and there are some scattered holes, these are hardly noticeable and they are extremely small (fine pin holes). The work may have been cleaned by Simon Gillespie in 1997 (according to label verso).Condition Report Disclaimer

λ&nbspCECIL BEATON (BRITISH 1904-1980) 'ASCOT COSTUMES' VIII Ink, crayon and watercolour with swatches of material (upper right) Signed twice and inscribed (to lower edge) 45 x 31cm (17½ x 12 in.)Provenance: The Redfern Gallery, London, no. 94 Private Collection, C.B. Shackleton Esq (acquired from the above 8 December 1964) Guy Reed, Copgrove Hall Guy Reed Will Trust Condition Report: Unexamined out of glazed frame. Discolouration to the sheet throughout. Would benefit from remounting. Thunderbugs scattered across the sheet trapped under the glass. Some light handling creases. 4 pinholes to the lower left corner with a small associated crease. Two further pin holes to the lower right corner. Condition Report Disclaimer