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A picture frame and assorted other items (9 boxes)

A 19th century sampler, worked by Elizabeth Clayson, Brafield (sic), 1850, 30 x 30 cm, in a birdseye maple frame, and a needlework picture, of a young girl with attendant parrot and dog, 50 x 30 cm (2)some holes, mostly to the borders, re mounted and possibly re framed (you cannot see all the meander border), colours generally okay - please see images

ARR LEONARD RUSSELL SQUIRRELL (1893-1979) *ARRFarm Buildings Amongst Trees, a church beyond, watercolour, signed and dated 1946 lower left,27 x 50cm. (Needs realigning in the frame) The picture has moved in the frame so lies diagonally, we can't see the whole picture, it appears to be in good condition.

ARR STANLEY ANDERSON (1884-1966) *ARRRural Landscape with Farmstead, Cattle and Drover, watercolour, signed lower right,23 x 32cm. good condition, private vendor, there is a modern frame but the picture has come out of frame

OLIVER CLARE (1853-1927)Still Life - Apples, Grapes and Gooseberries on a Mossy Woodland Bank, oil on canvas, signed lower right,13 x 20cm. Picture coming away slightly at bottom left, frame with some cracks, chips and wear.

WWII Medal Group, comprising 1939-1945 Star, Africa Star, with 1st Army bar, Italy Star, Defence Medal and War Medal 1939-1945, cloth insignia, identification tags and photograph, all presented in a picture frame, plus solider's pay bok and other ephemera relating to the War Service of 4806474 Sergent J. Bavin 6 Battalion, Lincolnshire regiment,

A large modern framed picture of a young girl, 127cm x 94cm including frame

A large early 20th century gilt picture frame, overall 81 x 96cm, picture display area 44 x 59.5cm.

An Iranian portrait miniature painted on camel bone, depicting lady and gentleman, indistinctly signed lower right 'Rsadht', 20 x 9.5cm, in elaborate bone and inlaid frame, glazed, and a bone and inlaid picture frame, 34.5 x 41cm (2).

A large 19th century gilt gesso picture frame with moulded laurel leaf decoration, interior dimensions: 64 x 85 cm, frame dimensions: 98 x 119 cm

William Mineard Bennett (1778-1858) - 'La Cloaca Massima in Rome', watercolour, titled lower right with inscribed label verso, 13.5 x 22 cm; Together with an empty 19th century gilt gesso picture frame bearing a Christie's label attributing a work to David Teniers the Younger titled 'Two Peasants with a Bottle', inscribed 'bought at Christie's 6 Dec 1952[?], interior dimensions: 14.5 x 18 cm (2)

Two good brass picture frames to hold 4 x 6 inch photos One frame 20cm x 28cm, other 22cm x 32 cm

Tortoiseshell effect picture frame, with ebonised inlay, containing a portrait print depicting a gentleman, 52.5 x 44cm overall

Late 18th century silkwork picture, depicting a shepherdess and lamb, in rosewood frame, later inscribed 'worked in 1792 by Hannah Price' verso overall 31cm x 27cm; together with a Victorian framed needle sampler, with 'Jesus permit thy gracious name' verse, dated 1843, in birds-eye maple frame, overall 41cm x 38cm (2)

Y  JAMES EARL OF MASSACHUSETTS (AMERICAN 1761 - 1796) PORTRAIT OF MR JANNER Oil on canvas Signed, inscribed and dated 'Mr Janner Aged 41 by J. Earl 1793 No 5A Newham Street Oxford Street ' (verso) 35 x 30.5cm (13.75 x 12 in.) Another oil portrait by James Earl is in the Royal Ontario Museum, Canada, of William Jarvis with his son Samuel Peter Jarvis (Inv. no. 981.79.1) James Earl was an American portrait painter to the American royalists who spent the greater part of his career working in England as many of his sitters were former American colonists who had fled to London during and immediately following the end of the American Revolution. His ancestors were Quakers who emigrated from Exeter to Rhode Island in about 1634. At the beginning of the 18th century his grandfather settled in Worcester Country Massachusetts and James Earl was born in a village called Paxton in 1761. Ralph Earl (1726 - 1808), the father of James and his elder brother Ralph, was a farmer who joined the local militia during the Revolution in which he achieved the rank of Captain. However his son Ralph (1751 - 1801) became a loyalist and because of his activities in this cause left America and established himself as a painter in England from 1778 to 1785. It is thought that he taught his younger brother James and as he was also a loyalist, encouraged him to go to London. In April 1787 James exhibited two portraits at the Royal Academy and was resident at 6 Sweetings Alley, Royal Exchange. In 1789 he married Georgiana Caroline Pilkington (1759 - 1838) the widow of Joseph Brewer Palmer Smyth, an American loyalist from New Jersey. Both James Earl and the Smyths lived at 42 Great Peter Street, Westminster. In 1787 Smyth returned to North America to substantiate claims for his lost property. In a letter he wrote in August 1788 from Niagara to his wife he said 'I hope Mr Earl is well in health and Desire my Best Respects to Him'. Smyth died shortly before returning to England and Caroline was left with two children, Elizabeth Ann and William Henry. Earl enrolled in the Academy schools March 24th 1789 and is thought to have been a pupil of Benjamin West. He was an accomplished and popular painter and thirty four of his portraits painted during his seven years in England have been recorded so far. Many of his pictures have been misattributed to better known artists such as Sir William Beechey, George Romney, Mather Brown, Joshua Reynolds or to his brother Ralph Earl. Indeed four of his portraits of the Beauclerk family were attributed to Beechey, and those of Lord Aubrey and his wife to George Romney when they were sold by Sotheby's in 1949. Another portrait of Lady Massereene in the collections of the Virginia Museum of Fine Arts in Richmond USA was until recently attributed to Sir Joshua Reynolds. His portraits are not as stylised as those by his brother, and his subjects are portrayed with an almost photographic individuality. His portraits of men are direct and without flattery, and he had a particular interest in portraying the eyes of his subjects with an almost jewel-like quality. In 1794 he travelled to Charleston Carolina an expanding, affluent town, leaving his family in London. His obituary states that he had 'resided for nearly two years in this city'. He died of yellow fever and had made a will two days before his death. James Earl had a remarkable ability to capture a likeness, and his pictures are important additions to the body of 18th century American portrait painting. He was also the father of Augustus Earle (1793 - 1838) who lived a life of exploration as a draughtsman on board ship, and who famously was the artist on board the Beagle with Charles Darwin when he sailed to the Galapagos. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning.Set in a 19th century rosewood frame with gilt slip measuring 45 by 40cm, canvas size 36 by 30.5cm The picture has had light sensitive professional clean within the last 5 years. Former old tear to right of his head has been sensitively repaired, under UV scattered small areas of retouching notably to margins and corners of the images, background, small spots to forehead, right cheek and running under his chin and down into cravat. Craquelure throughout and surface dust and fibres Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Υ CITES REGULATIONS Please note that lots marked with the symbol (Υ) in the printed catalogue and the online catalogue may be subject to CITES Regulations when exported. Relevant CITES Regulations information may be found here. The refusal of any CITES licence or permit and any delay in obtaining such licences or permits shall not give rise to the rescission or cancellation of any sale, nor allow any delay in making full payment for the Lot. Condition Report Disclaimer

Brass coal helmet, stoneware one gallon brewery barrel with tap and a picture frame

A furnishing picture in gilt frame

An oil on canvas of fishing boats on shore, a classical tapestry in frame & a signed picture of Richard Branson

Leigh Davis (b.1976)Mousehole, 2021signed (lower right), titled and dated (to reverse)oil on panel39 x 59cm.29 x 59cm. Generally good condition with light scuffing to the frame. 39cm high x 59cm wide to the edge of the picture as it sits in its frame.

Cambridge, Cambridgeshire copper Halfpenny token, David Hood (DH 19a). Obverse:  wheat sheaf, 'PEACE PLENTY & LIBERTY' around. Reverse: 'DAVID HOOD PRINT SELLER CARVER GILDER & PICTURE FRAME MAKER CAMBRIDGE'. Edge: plain. Weight: 14.02g. Diameter: 30.7mm. Grade: gEF - good Extremely Fine with lustre.

A George III sampler by Alice Hall, born the 16th of 6 month 1786 now 1797, depicting motif of the alphabet, numbers, a ship, swans, butterfly's, flowers and trees, glazed in a walnut frame, picture size 8" (20.25cm) x 12" (30.5cm)

A Victorian sampler by Mary Sobys Holsworthy School Dec 8th 1851 with prayer and various motifs including angels, deer and trees, glazed and in modern frame, picture size 12½" (31.5cm) x 17" (43cm)

A Victorian English naive watercolour depicting a young girl in red dress holding a rope, unsigned, glazed and in walnut frame, picture size 4¾" (12cm) x 6½ (16cm) (P9)

An oval Victorian watercolour depicting a young Frances Blaikie with ringlet brown hair, wearing a dress with flowers to centre, glazed and mounted in gilt frame, reverse to picture stating the lady in the picture is Frances Blaikie, wife of my GT GT Uncle Alexander Dyce Davidson, Niwisto Aberdeen. Given to me by my mother Helen Dorothea Lakin (July 1963), great niece of Frances Blaikie & Alexander Dyce Davidson, picture size 2¾" (7cm) X 6" (16.5cm)

A Victorian silhouette depicting three children, one young girl holding a doll, a young girl holding a glove and a young boy with a dog and holding a stick, glazed, gilt surround and in maple frame, picture size 9¾" (25xm) X 8" (20.5cm) (P24)

A Victorian sampler by Rebecca Withington Toddington July 2 1849, depicting a house with garden, a stag, dogs, hearts and various trees, glazed and in wooden frame, picture size 13¾" (35cm) X 11" (28cm)

A Victorian English naive watercolour depicting a young girl in white dress holding her doll and with skipping rope on the ground, unsigned, glazed in a gilt frame, picture size 6½" (16.5cm) x 8½" (21.5cm (P7)

A Victorian silhouette depicting three children, one young girl riding a hobby horse, one young girl holding a doll, and one young girl holding a whip, glazed gilt surround and in maple frame, picture size 10½" (26.5cm) x 8" (20.5cm) (P23)

A Victorian English naive watercolour depicting a young girl in pink dress holding a whip, unsigned, glazed, gilt surround and mahogany frame, picture size 4½" (11.5cm) x 5½" (14cm) (P11)

A Victorian sampler by Elizabeth Smith (undated) depicting a hymn surrounded by silk floral decoration and a bow, glazed and in black wooden frame, picture size 12¾" (32.5cm) X 15" (38cm), heavily mothed (Provenance Bonhams Lot 316 14387)

A Victorian English naive watercolour depicting a young girl in blue dress, holding her doll with flowers in the background and doll standing on a cushion, unsigned, glazed, gilt surround and burr walnut frame, picture size 7½" (18cm) x 9" (23cm) (P10)

Three samplers, one Victorian sampler by Zurah Sarah Tompkins, aged 11 years, with prayer, Adam and Eve, birds and tree motifs, glazed, gilt surround (part missing) and an oak frame, picture size 12" (30.5cm) x 13" (33cm), a Victorian sampler by Constance Poole 5 February age 11 1886, depicting the alphabet and floral decoration, glazed and in mahogany frame, picture size 9¾" (25cm) x 11" (28cm and a sampler by Henrietta Ford, with prayer, dog, stag, heart and tree motifs, glazed an in later frame, picture size 17" (43cm) x 16½" (42cm)

A Victorian naive watercolour depicting a seated young boy and a young girl patting a dog, within a landscape background, glazed, gilt surround and black wooden frame, picture size 3¾" (9.5cm) x 3" (7.5cm) (P15)

A George IV sampler by Jane Gubbins age 7 1827 Trillacott North Petherwin, with prayer, alphabet, crown, lions, hearts and various trees, glazed and in gilt and mahogany frame, picture size 12½" (32cm) x 13½" (34.25cm)

George III sampler by Agnes Grunmill aged 8 years 1792, with prayer, alphabet and lion bird and tree motifs, glazed and in later oak frame, picture size 12" (30.5cm) x 16" (41cm) (Provenance Phillips Lot 730 K1442)

A Victorian sampler by Mary Oates aged 11 years March 12th 1850, with prayers and various motifs including Adam and Eve, a house, various trees and flowers, glazed and in wooden frame, picture size 12½" (32cm) X 17" (43cm)

A Victorian English naive watercolour depicting a young boy in red dress playing a drum with a black and white spaniel dog looking on, signed in pencil William Thomas Ultley, born January 27th, 1853, glazed and in gilt frame, picture size 7½" (19cm) x 9½" (24cm) (P8)

A collection of 5 silhouettes comprising one Victorian silhouette depicting a young girl holding a doll, glazed, gilt surround and in a rosewood frame, size 4" (10cm) x 5" (12.5cm), one Victorian silhouette depicting a young girl holding a doll and one young girl holding a crop, glazed, gilt surround and in rosewood frame, tear to picture, picture size 8½" (21.5cm) x 7½" (18.5cm), a Victorian silhouette depicting a young girl holding a doll and a cat at her feet, glazed surround and in black wooden frame, picture size 4" (10cm) x 5" (12.5cm), a Victorian silhouette depicting 2 young girls, one holding a doll and one holding a posy of flowers, picture size 3½" (8cm) x 5¾" (14.5cm) and a silhouette of a child holding a teddy bear, inscribed on reverse "For my precious auntie from her little girl Francis and doll Sept 1826", picture size 4½" (11.5cm) x 9½" (24cm), glazed and in a black wooden frame (P27)

A Victorian English naive watercolour depicting a seated young girl holding a horse crop, unsigned, glazed and in mahogany frame, picture size 6" (15cm ) x 8" (20cm) (P14)

A Victorian silhouette depicting a family scene with a young girl holding a doll, a young boy with a whip and a young child seating on its mothers lap, glazed, gilt surround and in rosewood frame, picture size 9¼" (3.5cm) X 8" (20.5cm) (P25)

A Victorian silhouette with gilt detail depicting three children, one girl holding a doll, one girl holding a boat and one boy holding a bird, glazed, gilt surround and in rosewood frame, picture size 8½" (21.5cm) x 10½" (26.5cm) (P22)

A Victorian English naive watercolour depicting a young girl holding her doll in an interior setting, signed J.E. Bosanollet 1829, glazed and in an oak frame, picture size 7½" (19cm) x 10" (25.5cm) (P29)

A Victorian English naive watercolour depicting a young girl in blue and cream floral dress holding her doll, unsigned, glazed, gilt surround and mahogany frame, picture size 5" (12.5cm) x 6½" (16cm) (P13)

Victorian sampler by Charlotte Fisher Uffington School aged 13 years 1838, with prayer and bird and floral motifs, glazed and in rosewood frame, picture size 12" (30.5cm) x 13" (33cm)

A naive watercolour depicting a young child holding a whip, writing on reverse is indistinguishable, glazed and in ebonised frame, picture size 2" (5cm) x 2¾" (7cm) (P30)

A George IV English sampler by Jane Oxley aged 8 years 1823 with prayer and motifs of dogs, birds and various trees, glazed and in mahogany frame, picture size 12¾" (32.5cm) x 15½" (39.5cm) (Provenance Bonhams Lot 418 14186)

A Victorian silhouette with gilt detail depicting a young girl holding a doll and a boy seated with a dog, glazed, gilt surround and in maple frame, picture size 8" (20.5cm) x 6" (15cm), together with a Victorian silhouette depicting one young girl with pull along horse and a young girl holding a cat with a pencilled house and garden background, glazed and in a maple frame, picture size 8" 20.5cm) x 6" (15cm) (P26)

A William IV silk sampler on linen background, by Ann Archer aged 11 years 1836, with prayer "Though rough and thorny be the road let us make our peace with God, present trials are but small Heaven will make amends for all" and various motifs including dogs, birds and trees, glazed and in wooden frame, picture size 12¾" (32.5cm) x 12½" (31.5cm), some holes to sampler

A good quality Victorian English watercolour depicting three siblings, one sister seated in gold upholstered chair and a white dress with pink ribbon, the other sister in blue dress and the brother in white dress, unsigned, the siblings named on reverse Ellen Cooper, Alice Cooper (Lady Green) and William Cooper (Sir W. Cooper Bart), glazed, gilt mount, and in decorative gilt frame, picture size 4" (10cm) x 5½" (13.5cm) (P17)

A Victorian silhouette with gilt detail depicting a young girl with pull along horse and a young girl holding a whip, inscribed on reverse Guoll-Oclin Francis Worthington about 1850, glazed, gilt surround and in rosewood frame, picture size 10" (25.5cm) x 7" (17.5cm) (P28)

A George III sampler by Ann Franklin aged 11 years November 4th 1814, with a prayer, alphabet and various trees and flowers, glazed and in mahogany frame, picture size 12" (30.5cm) x 15" (38cm), some moth holes

A Victorian English naive watercolour depicting four children. One girl in blue dress holding her doll, one girl with blue and white check dress holding her pull along horse and one young boy holding a young girl, signed H.C. Mornwick 1850, reverse of picture in ink Kityhty Lee (M. Nelson), Rosa Alice (died 1908), Oclarion RJ Lee, Fred B Roper Lyler, died indistinguishable numbers, glazed and in gilt frame, picture size 14" (35.5cm) x 10" (25.5cm) (P6)

A Victorian watercolour depicting three young children, one with pulling along a toy horse on wheels, with figure sat on top,. The children named on reverse Peregrine Prince, Elizabeth Anne Prince and Maria Prince, signed J. Hodges. D, 1845, glazed with gilt surround and burr walnut frame, picture size 10" (25.5cm) x 7½ (19cm) (P1)

A Victorian watercolour depicting a young girl sewing for her doll in a cradle, signed W. Derby del, glazed with gilt surround and burr walnut frame, picture size 6" (15cm) x 8" (20cm) (P2)

An English rare etching after Morland, Circa 1860 entitled "The Infant Nursery" from the original in the Pofscfsion of William Lynn Esq. picture size 10½" (26.5vm) x 8¾" (22.5cm), glazed an in gilt and ebonised wooden frame and a black and white print of a girl holding a muff entitled "The English Girl" from Cory Publications July 1st 1791 in gilt oval frame, 3" (7.5cm) x 2½" (6.5cm) (P31)

A Victorian silhouette with gilt detail depicting one young girl seated with a begging dog, one young girl holding a basket of flowers, one young girl holding a spade and one young girl holding a wheelbarrow with garden tools, glazed and in gilt frame, glass broken, picture size 15" (38.5cm) x 10¾" x 27.5cm) (P21)

An unusual watercolour of three siblings, one depicting Cuthbert Druitt aged 1 year 4 months, once depicting Herbert Druitt aged 4 years 9 months and Charles Druitt aged 3 years 2 months, with locks of hair tied in red ribbon to reverse, painted by J.D. January 1852, gilt mounted and decorative gilt frame, overall picture size 11" (28cm) x 9" (23cm) (P20)

Three Victorian and George V samplers comprising a George V sampler by Annie Daining aged 12 22 July 1893, depicting a train, alphabet, dog and floral motifs, glazed and in burr walnut frame, picture size 12" (30.5cm) x 12" (33cm), a Victorian sampler by Ada A Brown aged 11 1879m, depicting the alphabet, birds, dogs and floral motifs, glazed, gilt surround and wooden frame, picture size 8" (20.5cm) x 10½" (26.5cm) and a Victorian sampler by Charlotte East Watford Herts September, year indistinguishable, glazed and in black wooden frame, size 13" (33cm) X 10¾" (27.5cm)

A Victorian naive watercolour depicting a young girl in blue dress, seated upon a red cushion holding her doll, unsigned, glazed, gilt surround and walnut frame, picture size 6½" (16.5cm) x 8½" (21.5cm) (P5)

A Victorian naive watercolour depicting a young girl in a blue dress holding her doll in a background of trees, signed A. Stuart 1824, glazed with gilt surround and mahogany frame, picture size 7" (17.5cm) x 9" (23cm) (P4)