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Diego Quispe Tito (Cuzco, Peru, 1611 - 1681)"The Annunciation"Oil on canvas. It has lacks of painting.157 x 218,5 cm.Provenance: this lot is the couple of lot 81 from the auction, "Beauty and Devotion. Picasso between the Old and New World", 25th of April, 2024. A palace-house of an Andalusian marquisate, a Spanish noble family whose lineage dates back to the 12th century.Specifically, our painting was placed next to its partner, "The Holy Family in the workshop of Nazareth".It is obvious that these two pieces were a pair, because the model used to portray Mary is the same in both paintings, as well as the basket with clothes that we find centering the scene is the same in both paintings.As we read in the Real Academia de la Historia Quispe Tito "Member of a family of the Inca aristocracy, is considered among the main initiators of the Cuzco school for painting. He apparently came from the indigenous village of San Sebastián, which houses a significant part of his production. It is centred on the decorative works for the parish church in that town, for which he worked intensively between 1634 and 1669. During those years he produced four large pictorial cycles: Life of Saint John the Baptist, The Passion, Martyrdom of Saint Sebastian and The Doctors of the Church.These groups of canvasses summarise Quispe Tito's original maturity, characterised by an ingenious reinterpretation of European prints and by a precise, agile brushstroke with lively colours.His fame soon spread beyond the confines of Cuzco, and in 1667 he was commissioned by the churches of Potosí to paint Jesus among the Doctors of the Temple and The Betrothal of the Virgin, both of which are now in the Museo de la Casa de Moneda of that city.In the Inca capital itself, Quispe Tito's most ambitious work is the canvas of The Last Things or the Last Judgement, painted for the porter's lodge of the Convent of San Francisco in 1675.Here the Andean painter abandoned the dynamic formulas for depicting the Last Judgement, in force until the High Renaissance and early Baroque periods in Europe, to return to the ordered scheme, in the form of successive The Holy Family Returning from Egypt (National Museum of History), dated 1680, displays the virtuosity characteristic of his later works. Here the painter based himself on a widespread composition by Rubens, but Quispe Tito considerably reduced the proportion of the figures in relation to the background in order to place the scene of the sacred story within a vast idealised and fantastic landscape, thus heralding the emergence of one of the favourite genres of painting in Cuzco in the following century. At the same time he executed the well-known series of the zodiac, hung on the walls of the side naves of the Cathedral of Cuzco. Today only nine of the twelve signs exist, either because three of them were destroyed or because the artist died before completing the commission.It is a Christianised cycle, in which each of the zodiacal signs is identified with a parable of Christ or a Gospel story. In this case Quispe literally follows his Flemish graphic sources, while at the same time displaying a European-inspired pictorial craft, the high technical level of which is unsurpassed in the Cuzco context.In this way the artist, in the last stage of his life, seemed to adapt his work to the aesthetic preferences of a cultured, urban clientele, which may have attracted the attention of Bishop Mollinedo and his cathedral chapter.Bibliographic reference:- Wuffarden, Luis Eduardo. (n.d.). "Diego Quispe Tito". https://dbe.rah.es/biografias/54757/diego-quispe-tito

Novo-Hispanic School. 18th century."The vision of Saint Hubert"Oil on canvas.46 x 36 cm.The author, probably having seen the work through a print, was inspired by the theme and composition of “The Vision of St. Hubert” by Rubens with Jan Brueghel the Elder, exhibited in room 83 of the Prado Museum.Provenance: this painting has the same provenance as los 80 y 81 from the auction, "Beauty and Devotion. Picasso between the Old and New World", 25th of April, 2024. The chappel of a palace-house of an Andalusian marquisate, a Spanish noble family whose lineage dates back to the 12th century. 

Alberto Morrocco OBE FRSA FRSE RSW (1917-1998) Oil on canvas Beach hut at the lido, signed and dated ’90, with Richard Hagen receipt dated 1997 and inscribed 'Provenance: The Scottish Gallery, Edinburgh', 76cm x 76cm, with Fine Art Society 2007 exhibition catalogue  From the collection of the late Maurice Costley Alberto Morrocco was born in Aberdeen, Scotland to Italian emigre parents. He went to the Gray’s School of Art, followed by travelling and studying throughout Europe. He was known for being a superb draughtsman and spent many years as an art teacher in Dundee. In 1943 he won the Guthrie Award. He was a prolific artist. His work includes portraiture, still life, figure painting, interiors, landscapes and most notably beach scenes. With brilliant use of colour, his paintings are warm and inviting. Much of his work shows the lasting influence of early Picasso and Braque. Morrocco also painted murals for St Columba’s Church, Glenrothes and Liff Hospital Dundee, producing some of his best work later in life. He had over 30 solo exhibitions in London, Scotland and elsewhere and can been seen in numerous public collections. Condition ReportIn good order overall. A very minor linear surface mark to one of the beach hut doors and another towards the top of the beach hut, these are minor, a very small flake to canvas to one of the other beach hut doors. Uninspected out of frame. 

Easton Press: A New, Authentic, and Complete Collection of Voyages Round the World, Undertaken and Performed by Royal Authority…l Account of Captain Cook's First, Second, Third and Last Voyages, 2 Vols. Limited edition, No. 324 of 800; Baudelaire; R Wild (ill): Petits Poemes en prose. 1942, Numbered Limited edition, Signed binding; Boeck, W: Picasso. Barcelona, 1958, (4)

Lithographie Pablo Picasso1881 Málaga - 1973 Mougins "Balzac" 1952 u. re. sign. Picasso u. re. im Druck dat. 25.11.52. Exemplar 7/25, 70 x 53 cm (Darstellung) 76 x 56 cm (Blattmaß) Wkvz.: Mourlot 226, Bloch 724 insges. etwas gebräunt und braunfleckig

LithographiePablo Picasso 1881 Málaga - 1973 Mougins "Le Mains Liees VI (IV)" 1952 einer der nicht signierten u. nummerierten Abzüge für den Künstler, außerhalb der nummerierten Auflage von 50 Stck.auf Arches (mit dem Wasserzeichen) 50,5 x 66 cm (Blattmaß), verso nicht bezeichnet. Wkvz.: Bloch 711, Rau 546 leicht, unregelmäßig gebräunt, auf den säurefreien Auflagekarton montiert

Lithographie Pablo Picasso1881 Málaga - 1973 Mougins "Faune musicien - No. 5" 1948 u. re. sign. Picasso Exemplar 48/50, 76 x 56 cm (Blattmaß) 69 x 50 (Darstellung) Wkvz.: Bloch 523; Rau 351 Provenienz: Privatsammlung Frankfurt Recto leicht durchscheinende Montagespuren, an den oberen Ecken, linke Seite mit einem geschlossenen kleinen Einriss, etwas gebräunt, minimal fleckig.

*AURELIO DE FELICE (1915-1996) 'Battaglia di Ragazzi', (Battle of the Boys), 1941, bas-relief panel, bronze, 100cm x 160cm, Note: This work is represented in the permanent collection of the Museo Aurelio De Felice, Terni, Umbria, Italy.De Felice was born in Torre Orsina, a small town on the hills around Terni. Of humble origins, he began his studies in contrast with his family at the Scuola Romana in the 1930s. He earned a degree at the Academy of Fine Arts of Rome, becoming a professor there. De Felice alternated lessons and artistic activity with many personal exhibitions. The most important in that period was the one in the Gallery of Rome, introduced by Renato Guttuso.At the end of the Second World War, De Felice started to travel across Europe. In those years he exhibited in Switzerland, Germany and France, where he created, in Paris, on behalf of the Italian Ministry of Foreign Affairs, the School of Italian Art. There he met Pablo Picasso, Fernand Léger, Jean Cocteau, Kees van Dongen, Ossip Zadkine, Mark Tobey and Constantin Brâncuși. He did not allow himself to be involved in the big debate between realism and formalism in the 1950s, continuing on his own road.In 1961 De Felice created the Institute of Arts in Terni. In those years he continued to exhibit all over Europe (Italy, Germany, Switzerland, France). In 1967 he was in charge of the Italian Institute of Culture in Hamburg and the Center of Italian Studies in Zurich.In 1977 he was invited to the National Museum of Modern Art, Tokyo, for a conference on Orneore Metelli, a "painter-shoemaker" from Terni, and father of the Naïve Italian movement, whose art had become famous thanks to De Felice's work.His last exhibition took place in 1982; after that, disease forced the sculptor to limit his activity. He spent the last years of his life in the quiet of his house on the hills of Torre Orsina, where he died on June 14, 1996.The celebrated Italian artist and politician Renato Guttuso (1911-1987) commented on the impact of the work offered here, in a letter to De Felice, remarking "I remember a work of yours from that time, a relief, which was your contribution to the approach of the two directions of research. The relief represents a battle. But a battle of boys. You had found the only possible poetic key (not heroic) to depict a battle! Even today, after twenty years, thirty years, reviewing your work, following its path, observing the changes, I find the same emotion in looking at your sculptures".

§ Pablo Picasso (1881-1973) A Los Toros, 1961the book comprising the set of four lithographs, one printed in colours, hors-texte, with title page and text in German, on wove from the unnumbered edition printed by Mourlot Frères, Paris, published by Andre Sauret, Monte Carlo, bound as issued and housed red slipcase26 x 33 x 3cmProvenance:Sale; Bonhams, 5 July 2017, lot 129Appears in very nice overall condition. The red slipcase with some minor knocks and edge damage. The book in clean and four lithographs in very nice, clean condition.

Pablo Picasso and Jean Cocteau an autographed Bull Fight Program signed by Picasso and Cocteau15 x 10.5cmProvenance: Signatures obtained by socialite Caroline Clothurst (1935-2010)With Newmarket Galleryunexamined out of frame, programme likely dates to 1950-60.

§ Pablo Picasso (1881-1973), Visage No.127, (Alain Ramie 478), 1963, the glazed white earthenware body painted in black and green, numbered 67/150, inscribed 'no. 127 Edition Picasso Madoura' on the underside25.5cm diameterThere is a glaze chip to rim and a small chip to footrim, otherwise condition is good.

λ&nbspMARIE LAURENCIN (FRENCH 1883-1956) L'ESPAGNOLE Oil on paper laid to canvas, oval Signed (lower right) 53 x 43cm (20¾ x 16¾ in.)Provenance: Peter Meltzer, Canada, Private Collection, where purchased by Count Manfredi della Gherardesca Exhibited: Toronto, Art Gallery of Ontario, on loan in memory of Elise and David Meltzer, 1979 Literature: Daniel Marchesseau, Catalogue raisonne de L'oeuvre peint, Volume II, Paris, 1999, no. 1362 Marie Laurencin's exposure to avant-garde movements at the turn of the 20th century in Paris were integral to her artistic development and heavily influenced her journey to find her unique and distinctive style. Her relationship with the poet Guillaume Apollinaire and introduction to Georges Braque, Pablo Picasso and important figures of l'ecole de Paris introduced Laurencin to artistic movements such as Cubism and Fauvism. Laurencin rose to prominence in Paris as a notable figure within the Cubist group and exhibited with the Section d'Or at the Salon des Independents in 1910-11. Following this, Laurencin was represented by Paul Rosenberg from 1913-1940.  Despite this, Laurencin remained on the periphery of Cubism and Fauvism borrowing elements of stylisation such as simplified lines and segmenting the subject into planes of colour and shapes but with her own interpretation and approach, the image remained realistic and immediately familiar. Her dreamlike colour palettes became integral to her work and this contrasted with piercing eyes conjures an emotional response, melancholic and erotic.  Marie Laurencin's ethereal female figure of a Spanish lady fills the oval composition. Her elongated face is balanced by the dramatic head piece which drapes across her forehead. The viewer is immediately struck by the jet-black eyes which penetrate through the canvas. Laurencin has used her distinctive colour palette of muted colours, blue, pink and pastel tones juxtaposed against the bold black lines which appear to represent the figure's mantilla held high upon the head traditionally by a peineta. Laurencin was exiled to Spanish with her husband at the start of the First World War until 1919, it is possible that this period inspired the present lot.  By 1920, Laurencin settled back in Paris and rose to prominence as an established portrait painter and illustrator. The strong female figures which sat at the heart of her subject matter were also the driving force behind her art. Laurencin strove to promote creativity and artistic endeavours amongst women in a male dominated society. Laurencin supported the Société des Femmes Artistes Modernes and exhibited with the group on several occasions between 1931-1938.  The Marie Laurencin Museum was opened in Japan in 1983 becoming the first museum in the world dedicated to a female painter. Condition Report: Oil on paper laid to canvas. Evidence of old craquelure visible to the headdress and background. Ultraviolet light reveals infilling to the craquelure in addition to scattered spots of retouching throughout. Condition Report Disclaimer

▲ Pablo Picasso (Spanish, 1881-1973), 'Oiseau au Ver', (AR 172), a white earthenware ashtray with black oxide and white glaze, stamped and marked 'Edition Picasso', 16cm diameterThis design was conceived in 1952 and executed in an edition of 500.Condition ReportChip to rim and outer rim. Some rubbing. There is also small cip to the underside of the rim and to the underside of the base, commensurate with use. Some slight bubbling to pale blue glaze. There is also some faint black marks to the rim of the bowl again commensurate with use. Please see additional photos.

Pablo Picasso ( 1881-1973 )- graphic, Toreros , aqua tinta on paper, numbered 11/50 . 51x36 cm

Pablo Picasso ( 1881-1973 )- graphic, Colombe volant colour lithography on paper, signed and dated in the stone, on the back numbered and stamped , 49x65 cm .

After Picasso, 'Mains aux Fleurs', colour lithograph, 16" x 13" (41 x 33cm), unframed.

Pablo Picasso, convex wall plaque, three figures on a trampoline on a black ground, edition of 500, 1956, with the Madoura Plein Fue stamp verso (wear to the black glazing), 190mm square Wear to black glazing, as shown in photos.

After Pablo Picasso (Spanish, 1881-1973), pair of prints, figures including mother and child, 40 x 55cm. Condition - good

A SMALL QUANTITY OF PAINTINGS, PRINTS AND PICTURE FRAMES, to include abstract expressionist watercolours by Anne Garstone (1931-), a William Lee Hankey signed lithographic print 'Rue de Mercier, Rochelle', published 1937 by Frost and Reed, Ann Blockley watercolour of a Poppy flowerhead, Judy Linnell watercolour of yellow flowers, vintage Picasso print 'girl with dog', a Victorian beadwork panel in the form of a flower, assorted picture frames etc

Beautiful clear crystal round centerpiece with a delicate etched design of a the Picasso Peace Dove. Issued: c. 1995Dimensions: 1''H x 13.25''diaCondition: Age related wear.

Tiffany & Co 18k Yellow Gold Jewelry Including a Paloma Picasso 'Love Kisses' brooch pin and an open curved leaf earring set (all marked 'Tiffany & Co.', earrings marked '750') Property from: an Estate, Chicago (Near North), Illinois Width: 2 3/4 inches (brooch)Weight: 18k gold: 12.44 dwts. Condition: minor wear overall, earrings missing backers, pin unmarked but XRF tested as 18k gold Category: Fine Jewelry > Earrings Estimated Sale Time: 12:14 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2

PABLO PICASSO, Francoise Gilot 2, lithograph on wove paper, printed by Mourlot 1954, vintage French frame, 36cm x 26cm.

After Pablo Picasso (French, 1881 - 1973), woman with a crow, oil on panel, indistinctly inscribd verso, 30 x 26cm

Picasso (Pablo) (1881 - 1973), Toros Y Toreros, Editions Cercle D'Art, text Luis Miguel Dominguin, second edition 1962; Lautrec Par Lautrec, Huisman (P.H) and Dortu (M.G), Edita Lausanne 1964; Paris Et Ses Alentours, Préface D'Henry De Montherlant, Hachette 1961(3)

Pablo Picasso, after, a group of five lithographs, Don Quixote and Sancho Panza, 47cm x 31.5cm; Toros Y Toreros, I, II, III, and IV, Minerva Publications, Copenhagen, 1968, etc, (5).

Art Books - a large quantity of art books, David Hockney, Alexander Calder, L. S. Lowry, Bob Carlos Clarke, Henry Scott Tuke, Toulouse Lautrec, Picasso, etc.

Pablo Picasso - A folio of seven Lithographic prints - Tête de Femme, Figure, Figure Noir, La Fille au Chapeau, Faune Musician, Jacqueline au Mouchoir noir, Buste de Profil, published by Cosmopress Genf, Germany, 1969, 53.5cm x 43cm, (7).

A collection of Villeroy & Boch Montserrat Paloma Picasso designed dinner, tea and coffee ware

Ceramic plate by Pablo Picasso. 1881 - 1973. No. 24/100. Edition Picasso. Size: 32,5 - 39 cm. In good condition. (Artist-right applies, +4% on hammer price)

Picasso in London by Kathleen Adler paperback book. Good condition. Sold on behalf of the Michael Sobell cancer charity. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

λ&nbspHERMENEGILDO ANGLADA CAMARASA (SPANISH 1871-1959) SOLA EN EL PALCO - 'ALONE IN THE BOX' Oil on panel Signed 'H. Anglada Camarasa' (lower right) 32 x 34cm (12½ x 13¼ in.) Painted in 1911- circa 1952. Provenance: Mir Amorós, Barcelona (by 1981) with Galeria Manel Mayoral, Barcelona where purchased by the present owner in 1997 Literature: F. Fontbona and F. Miralles, Anglada-Camarasa, Barcelona, 1981, p. 298, no. G12 as Proyecto para un retrato Exhibitions: Barcelona, La Pinoteca, H. Anglada Camarasa, June 1952, as Proyecto para un retratoAfter training in Barcelona, the Catalan painter Hermenegildo Anglada-Camarasa, moved to Paris in 1894 where he attended the Académie Julian. He painted numerous pictures of Parisian night-life, concentrating on pallet and light effects. His paintings were visibly influenced by Toulouse Lautrec, Gustav Klimt and Kees van Dongen. A significant turning point in his style came in 1909, with the arrival in Paris of impresario Sergei Diaghilev's Ballets Russes, featuring Vaslav Nijinski and Anna Pavlova. They became a social and artistic sensation that revolutionised both tastes and customs. Camarasa was deeply moved by the sets and costumes of vibrant oranges, purples and greens, to the extent that from then on the pale shades in his female portraits were replaced by brilliant multicolours. His influence also reached young artists like Pablo Picasso, ten years younger than him and with whom he was in contact during his stay in Montmartre, or María Blanchard, who was his student between 1908 and 1913.The present lot is accompanied by a certificate from F. Fontbona and F. Miralles dated 24 February 1998, no. 403.    Condition Report: Some light craquelure throughout however the paint surface appears stable. Rubbing and abrasions to the framing edges with some associated paint loss and subsequent retouching along the upper edge (this is visible in a natural light). One or two superficial surface scratches and spots of surface dirt throughout. There is a black line running diagonally above the sitter's right shoulder however this appears to be original to the work rather than a condition issue. Inspection under UV light reveals some patches of retouching throughout; these are largely contained to the sitter's nose, right arm, and along the upper framing edge. Condition Report Disclaimer

A group of six framed lithographs after Klee, Kandinsky, Picasso and Cezanne, largest frame size 42 x 52cm.

Sophisticated authentic Paloma Picasso black patent leather crocodile pattern clutch bag with kiss-lock closure, iconic X logo, and gold chain shoulder strap. The interior includes a side pocket and is lined with the X monogram logo and By Paloma Picasso pattern. Authentication number: BL 1017835. Measurement w/o shoulder strap: 6.50"L x 7"H x 2"W. Chain dimensions from center: 21"H. Issued: c. 1980Dimensions: See DescriptionCountry of Origin: ItalyCondition: Age related wear.

Tiffany & Co. A pair of 18ct gold X 'kiss' ear clips, designed by Paloma Picasso, 29mm h, maker's marks, designer's signature and 750, import marked London 1991, 11.2g, maker's case Good condition

Tiffany & Co. An 18ct gold X 'kiss' bangle, designed by Paloma Picasso, 54mm (internal), maker's marks, designer's signature and 750, import marked London 1991, 80.2g, maker's case Good condition

Tiffany & Co. An 18ct gold 'Scribble' brooch, designed by Paloma Picasso, 68mm h, maker's marks, designer's signature and 18K, import marked London 1990, 20g, maker's case Good condition

Tiffany & Co. A freshwater pearl torsade necklace, designed by Paloma Picasso, of twelve strands, with silver hook-and-eye, 40cm l, maker's mark, designer's name, London 2000, 106g, maker's silk lined suede folding enclosure Good condition

Asturias. Ce livre oeuvre collective d'un groupe d'artistes espagnols peintres sculpteurs écrivains poètes est présenté hors collection par les ed. Cercle d'Art. Traduction en français de Claude Couffon et Robert Marast. 50 Bl. Mit 44 Abb. nach Lithographien von P. Picasso u. a. 30 x 28 cm. OKart. mit OUmschlag. Paris, Éditions Cercle d'Art, 1964.Erste Ausgabe. Literarische und künstlerische Beiträge von Alcalde, Arroyo, Aub, Fenosa, Izcaray, Ortiz, Picasso, Roldan, Semprun u. a. Die Texte in spanischer und französischer Sprache. - Sehr gut erhalten.

Küppers, P. E. (Vorwort). Französische Malerei bis 1914 und Deutsche Künstler des Café du Dôme. Gemälde - Graphik. 20 Bl. Mit mehreren blattgr. Abbildungen. 20 x 14,5 cm. Illustr. OBroschur (etwas gebräunt und leicht fleckig). Hannover, Kestner-Gesellschaft, (1919). Katalog der XXVII.-XXVIII. Sonderausstellung im vierten Quartal 1919 der Kestner-Gesellschaft. Gezeigt wurden u. a. Werke von Gauguin, van Gogh, Monet, Braque, Bonnard, Cézanne, Delaunay, Dérain, van Dongen, Dufy, Ensor, Laurencin, Léger, Manet, Matisse, Rousseau, Pissaro, Signac, de Vlaminck, Vuillard - außerdem 18 Werke von Pablo Picasso. - Gut erhalten.

Picasso, Pablo, und André Villers. 3 Le corrigan du littoral aus "Diurnes. Découpages et Photographies". Lichtdruck mit rotem und blauem Fettstift und mit Signatur in der Platte. 39,5 x 30 cm. Um 1962.Der Lichtdruck stammt der Mappe "Diurnes. Découpages et Photographies", die Text und 30 Werke beinhaltete. Pablo Picasso (1881-1973) und André Villers (1930-2016) lernten sich im Sanatorium in Vallauris kennen und begannen ihre fotoexperimentelle Zusammenarbeit. - Leicht berieben und Kanten etwas bestoßen. Dekorativ.

-- Mit einer Widmung von Jean Cocteau-- Picasso, P. - Ramié, Suzanne und Georges. Céramiques de Picasso. 8 Bl. Text und 1 Porträt Picassos sowie 18 Blatt farbigen Abbildungen, alle auf Karton montiert. 39 x 28,5 cm. Lose Blatt in illustr. OBroschur (leichte Gebrauchsspuren, Rücken etwas lädiert, minimal fleckig). Genf, Albert Skira, 1948.Innenspiegel mit einer siebenzeiligen Widmung in Bleistift des französischen Schriftstellers, Regisseurs und Graphikers Jean Cocteau (1889-1963) in Bleistift "le secret des secrets...".Umschlagillustration von Picasso für diese Publikation entworfen, ferner mit 18 farbigen Reproduktionen seiner Keramik. - Ränder geringfügig gebräunt. Tafeln in gutem Zustand.

Varga, Ferenc. Cercle Volney - Exposition du 4 au 20 Mai 1956. 8 Bl. Mit einer doppelblattgr. signierten und nummerierten Farbserigraphie von F. Varga, einem Handschrift-Faksimile von Jean Cocteau und mehreren Abb. 33 x 24,5 cm. OBroschur (etwas gebräunt und unfrisch). Paris 1956.Eines von 200 nummerierten Exemplaren (Gesamtauflage: 600 Ex.) des Ausstellungskataloges. Druckvermerk von dem ungarisch-französischen Maler und Bildhauer, dem Freundeskreis um Cocteau und Picasso zuzurechnenden Varga (1906-1989) signiert. Mit einer beigegebenen farb. Reproduktion (20,5 x 24,5 cm) von Varga, signiert und datiert (1956). - Leichte Knickspur in der rechten unteren Ecke, leichte Gebrauchsspuren.

Picasso, Pablo. Exposition Vallauris-57. Linolschnitt in Rostbraun auf festem Velin, links unten mit Auflagenbezeichnung, rechts vom Künstler in rotem Farbstift signiert. 63 x 53 cm (Darstellung), 80 x 61 cm. 1957.Bloch, 1277. Czwiklitzer, 24. - Eines von 175 nummerierten Exemplaren. Der Linolschnitt zeigt Motive aus einer Keramikwerkstatt. Die südfranzösische Gemeinde Vallauris, berühmt für ihre jahrhunderte alte Keramiktradition, wurde in den 1950er Jahren durch Picassos Aufenthalt künstlerisch nachhaltig bereichert und geprägt. - Sehr winzige Knickspur rechts am Rand, verso Montierungsreste, insgesamt in sehr guter Erhaltung.

Picasso, Pablo (nach). La dame à la collerette. Farblithographie von Henri Deschamps auf Arches nach einem Linolschnitt Picassos von 1963 (Ausstellungsplakat der Borstahusens Konstförening). 65,5 x 60 cm. 1973. Vgl. Bloch 1147. Czwiklitzer 448. - Eines von 200 Exemplaren (Gesamtauflage). - Einwandfrei.

Brassai (d. i. Gyula Halasz). Paris de nuit. 6 Bl. Text und 62 photographische Abbildungen in Kupfertiefdruck. 25 x 19 cm. Illustrierte OBroschur mit Spiralbindung (Ränder berieben, Umschläge mit schwachen Knickspuren) in privatem Pappschuber. Paris, Arts et métiers graphiques, (1933).Parr-badger 134. Roth 76f. The open book 110f. - Erste Ausgabe des eindrucksvollen Bildwerkes vom nächtlichen Paris. Die Behauptung, der Photograph hätte seine nächtlichen Aufnahmen stets ohne Kunstlicht gemacht, gilt durch Tim Gidal als widerlegt. Das erste Photobuch des aus Ungarn gebürtigen Malers und Schriftstellers. Er zieht 1923 nach Paris, lernt dort Dali und Picasso kennen und macht 1928 die ersten Photographien. Die Aufnahmen vom nächtlichen, intimen Paris, zeigen den Blick in Seitenstraßen, die erleuchteten Fenster eines alten Hauses, ein Liebespaar, einen Clochard, Dirnen etc. "One should think of it as amongst the best produced and influential photobooks ever. It demonstrates that the urban flaneur was a crucial figure in the 1930s documentary photography, perhaps as important as the social reformer. The book took a definitive step into new territories" (Parr-Bdger). - Wohlerhalten.

Clergue, Lucien. - Eluard, P. Unvergeßlicher Leib. Zwölf Fotos. 33 S., 1 Bl. Mit 12 ganzs. Fotografien von Lucien Clergue. 27 x 18,5 cm. Roter OKunstlederband mit illustr. OUmschlag (dieser mit einigen wenigen minimalen Randeinrissen und leicht berieben) von P. Picasso. Bonn, H. M. Hieronimi, 1963. Heidtmann 5882. - Erste deutsche Ausgabe der ersten, im franz. Original 1957 erschienenen Buchpublikation des Fotografen. Druck in Rot und Schwarz. Vortitel mit mehrzeiliger eigenhändiger Widmung von Lucien Clergue (1934-2014) an einen Berliner Galeristen (datiert: Berlin, 20.01.1998). Mit einem beiliegenden Zettel des Verlages ("Dieses Buch ist ein Werk von höchstem literarischem und ästhetischem Anspruch, gehört jedoch nicht in die Hände von Jugendlichen. Wir bitten die Kollegen beim Buchhandel, entsprechend zu verfahren.") - Gutes Exemplar.

Y After Georges Braque (French, 1882-1963)Derniers Messages, 1963 or 1967Lithograph on in 6 colours on Arches watermarked paperMounted, framed & glazed With Innocent Fine Art, Bristol label to back Georges Braque (French, 1882-1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso.Measures approx. 61cm x 45cm (24" x 17.5")

Y After Pablo Picasso (1881-1973)Woman in Hat, c.1980sLithograph on Arches paperNumber 22/500Signed & number in pencil by Marina PicassoAfter Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate Collection. The lithographs were meticulously created after the original works (Oil Paintings, Watercolors, Pastels, Charcoal Drawings, etc.) by Master Chromist Marcel Salinas, who worked closely with Picasso in his lifetime. They are printed in an edition of 500 on first-quality Arches paper. To ensure authenticity, each print is signed and numbered in pencil by Marina Picasso and embossed with the estate and chromist's seals, along with the legend on the reverse 'Approved by the heirs of Pablo Picasso'.Measures approx. 37 x 28cm (14.5" x 11").

Pablo Picasso (Spanish, 1881-1973), 'Mostra di Picasso, Milano, Palazzo Reale, Settembre Novembre 1953', lithographic poster Michel Graglia 21 Rue Maufoux 21 200 Beaune France, original Picasso print of a clown (his son), 138 x 95cm. Condition - fair

Artist: Pablo Picasso & Alain Ramie (20th Century). Title: "Picasso: Catalogue of the Edited Ceramic Works, 1947-1971 [Alain Ramie, author]". Medium: Book (catalogue raisonne). Date: Composed 1988. Dimensions: Overall size: 11 3/4 x 9 3/4 in. (298 x 248 mm).Pricing:   Starting Price: $800  Reserve Price: N.A.  Auction Sale Price Estimate: $1,200/1,500Lot Note(s): Published by Galerie Madoura, Madoura, France. Original English edition. Hardcover in tan cloth boards with white lettering with red pictorial dust jacket. Contains 320 pages with 570 color plates and 75 b&w illustrations. Includes Bibliography and list of Ceramic Exhibitions. Very good+ condition; a solid, tight, clean copy without any previous owner stamps, signatures, dedications, etc.; not ex-library; not a working copy; lower right front corner bumped; slight tanning to the page edges; in a very good+ dust jacket showing creasing where bumped and two horizontal lower center verso creases. The jacket is notoriously color-fragile with the jacket spine often found highly faded, our copy without a hint of fading. Overall a highly desirable copy of the scarce hardcover first edition. Comment(s): The first edition hardcover by Madoura has become very scarce, with a corresponding rise in the price. The most recent auction record we could find is a sale for $6,250 at Christie's New York, Noverber 15, 2022, with the dust jacket exhibiting a highly sunned spine. Edition copyright © Galerie Madoura. [30445-19-800-NA]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Portrait du père et du fils". Medium: Color pencil drawing on paper. Date: Composed 1972. Dimensions: Overall size: 8 x 5 in. (203 x 127 mm).Pricing:   Starting Price: 1,000  Reserve Price: No reserve  Auction Sale Price Estimate: $18,000/25,000Lot Note(s): Signed in pencil, upper left; dated in pencil, lower right. Drawn on cream wove paper. Very good to fine condition. Provenance: The work comes from the collection of Urbano Quinto and was acquired directly from Picasso at his studio in Cannes, France, in 1972. A noted Italian art historian, art dealer, and art collector, Urbano Quinto acquired works from classical artists of the 20th Century as well as Jean-Michel Basquiat, Keith Haring, Andy Warhol, and other Pop and Graffiti artists, often directly from the artists themselves during the 1950’s through the 1980’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): The complete title of the work, in English, is “Portrait of Urbano Quinto and Mauro Urbano with the gaze united in unison towards the same future to represent the Roman numeral “Five” that alludes to the name Quinto.” Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Picasso image copyright © Artists Rights Society (ARS), New York. [30557-2-2000-NR]

Artist: Various Artists (American/European, 20th Century). Title: "San Lazzaro et ses amis [15 original lithographs by Calder, Magritte, Picasso et al]". Medium: Original color lithographs. Date: Composed 20th Century. Dimensions: Overall size: 10 1/4 x 14 in. (260 x 356 mm).Pricing:   Starting Price: $2,400  Reserve Price: N.A.  Auction Sale Price Estimate: $3,500/4,000Lot Note(s): Number 389 of 575. Lithographs printed on light cream high quality Velin d' Arches paper. Full margins. Fine impressions. Printed by Fernand Mourlot. The prints are in fine condition, the clamshell box in very good to fine. Comment(s): With 15 lithographs by Max BILL, Georges BRAQUE, Alexander CALDER, Marc CHAGALL, Max ERNST, Lucio FONTANA, Hans HARTUNG, Alberto MAGNELLI, Rene MAGRITTE, Joan MIRO, Henry MOORE, Pablo PICASSO, Serge POLIAKOFF, Graham SUTHERLAND, and Zao WOU-KI. Published by XXe Siecle, Paris, 1975, as a tribute to Gualtieri di San Lazzaro, the founder of the publication XXe Siecle. In original wrappers and cloth clamshell box with the portrait of San Lazzaro mounted on the inside. Text by Gualtieri di San Lazzaro, Pierre Volboudt, Nina Kandinsky, Marc Chagall, Andre Verdet, Marino Marini et al. [30644-18-2400-NA]

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Un paysage volcanique". Medium: Pencil drawing on paper. Date: Composed n.d. Dimensions: Overall size: 9 1/16 x 11 5/8 in. (230 x 295 mm).Pricing:   Starting Price: $3,000  Reserve Price: No reserve  Auction Sale Price Estimate: $8,000/12,000Lot Note(s): Hand-signed in pencil, lower right. Drawn on cream wove medium weight paper. Very good to fine condition. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from Pablo Picasso at a meeting in 1953 at the Café de l'Hotel Negresco, Nice, France. A noted ltalian art historian, art dealer, and art collector, Urbano Quinto acquired works from classical artists of the 20th Century as well as Jean-Michel Basquiat, Keith Haring, Andy Warhol, and other Pop and Graffiti artists, often directly from the artists themselves during the 1950’s through the 1980’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). [30641-2-3000-NR]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Graft". Medium: Crayon, marker, pen, and pencil drawing on paper. Date: Composed 1984. Dimensions: Overall size: 12 x 9 3/16 in. (305 x 233 mm).Pricing:   Starting Price: $5,000  Reserve Price: No reserve  Auction Sale Price Estimate: $30,000/40,000Lot Note(s): Signed and dated in black marker, lower right. Drawn on light cream wove paper. Very good condition; several very minor tears, one very slightly into the image, right edge; some very minor fading, upper edge; else fine, and presents very well. Provenance: The work comes from the collection of Urbano Quinto (Rhodes, Greece, 1933 – Novara, Italy, 1997) and was acquired directly from Jean-Michel Basquiat in 1984 during a meeting at Basquiat's studio located at 57 Great Jones Street, New York City. The noted Italian author, art dealer, and art collector Urbano Quinto met Jean-Michel Basquiat in 1984 at the Andy Warhol ‘Factory’ at 33 Union Square West in New York City. Quinto acquired drawings from Pablo Picasso, Jean-Michel Basquiat, Keith Haring, and Andy Warhol, as well as other notable artists, directly from them beginning in the 1950's and continuing through the 1980's. A copy of the Letter of Authenticity by Mauro Urbano pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Basquiat image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [30268-2-5000-NR]

Artist: Keith Haring (American, 1958 - 1990). Title: "Angry Robot". Medium: Black marker drawing on paper. Date: Composed 1983. Dimensions: Overall size: 20 x 24 13/16 in. (508 x 630 mm).Pricing:   Starting Price: $5,000  Reserve Price: No reserve  Auction Sale Price Estimate: $25,000/30,000Lot Note(s): Signed and dated, upper right. Drawn on cream wove paper. Good condition; the work has several issues which conservation, if desired, should successfully resolve: the lower right corner is lacking, apparently with no loss to the image; the center left edge of the sheet bears discoloration and a small paper loss; the upper center edge has one small area of paper loss; a hard crease near the lower right corner, within the image but not affecting a drawn area; scattered mild foxing overall. Provenance: The work comes from the collection of Urbano Quinto (Rhodes, Greece, 1933 – Novara, Italy, 1997) and was acquired directly from Keith Haring in 1983 during the mid-October to mid-November 1983 exhibition of Haring's work at the Robert Fraser Gallery, London. The noted Italian author, art dealer, and art collector Urbano Quinto met Haring in the early 1980s at the Andy Warhol Factory at 33 Union Square West in New York City. Quinto acquired drawings from Pablo Picasso, Jean-Michel Basquiat, Keith Haring, and Andy Warhol, as well as other notable artists, directly from them beginning in the 1950's and continuing through the 1980's. A copy of the Letter of Authenticity (‘COA’) by Mauro Urbano pertaining to this work accompanies the lot. Comment(s): This exceptional and large drawing is the precursor to Haring’s finished drawing that was used as the image for the Robert Fraser Gallery’s exhibition’s poster of 1983, provided here as image #3. Also please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Haring image copyright © The Keith Haring Foundation. [30270-5-5000-NR]

PABLO PICASSO, ‘Portrait of a Lady after Cranach the Younger’, Linocut 1962 Suite: Linogravures Distressed French vintage frame 26.5 x 22 cm. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, Toro y Torres ceramic tile plaque, 15cm x 11cm, (each tile approx 4cm) on frame, 22cm x 26cm with engraved label.

AFTER PABLO PICASSO, ‘The Bulls’, a set of six collotypes, 20 x 14cm each. (6)

PABLO PICASSO, ‘L’Homme’ lithograph numbered verso 1964 – Editions Cercle D’Art – Edition size 1000 Fernand Chenot. (Subject to ARR - see Buyers Conditions)

AFTER PABLO PICASSO (1881-1973), 'Visage', ceramic plate, 40cm D.