We found 160545 price guide item(s) matching your search

Biddy PICARD (1922-2019) West Penwith View Print, signed in pen to mount, 16cm x 27.5cm, 32cm x 42cm framed.

Colin James CLARKE (1952) The Winch, Cadgwith Cove c.1900, Cornwall Pen and ink on paper, signed and titled verso, 40cm x 59cm, 53cm x 73cm framed.

MId-Century St Ives School MIxed media Assemblage Natural materials, paint, graphite and silver pen, text to verso dated June 1964, 'To Agnes, This is what we have been doing in St Ives', indistinctly signed, 14cm x 7cm, 30cm x 23.5cm framed.

A Parker fountain pen and matching biro, boxed, assorted other items (2 boxes)

A boxed set of four silver bridge pen markers, hallmarked for Birmingham 1995 by William Manton, with stamped playing card suits, in a fitted case. Condition Report: Total weight; 24 grams.

A Mabie Todd & Co 'Swan' fountain pen, with gilt finish, a 14ct gold nib, in original case. Condition Report:

A sterling silver cased ballpoint pen, hallmarked for 2000, together with a rolled gold yard of lead pencil and a gold finish fountain pen. (3) Condition Report:

A TURKISH LEATHER OVERLAID WOODEN PEN BOX, 22.5cm long.

Harry Epworth Allen RBA, PS (Sheffield 1894-1958) 'Subscription Concert held every week at the Victoria hall', pen and ink poster design, framed, 25cm x 12.5cm Provenance - mentioned in the artists book 'Harry Epworth Allen: Catalogue of His Works'

Four original 1950's American pen and ink caricature illustrations depicting Teddy Roosevelt, 'A playwright cop', 'Eileen Bennett the perplexed fiancée of harrassed Naughton Wane' and Edmund Hillard pointing the finger at Lilian Braithwaite and Mary Jerrol (4)

A Victorian horn rectangular snuff box, the tortoiseshell cover inlaid with stylised flowers, 8cm wide, c.1870;  another papier mache;  a Welsh brass love spoon;  a brass spill holder, in the form of a donkey;  Sevres style boat shaped inkwell, with pen and seal holders,  decorated with peonies on a yellow and black ground, 15cm wide'  etc

14 CARAT GOLD CASED PEN KNIFE, WEIGHT APPROX 18.9 GRAMS

Tracey EMIN (Né en 1963) The Kiss Was Beautiful,2016. Epreuve offset sur papier soie 250 mg., signé et numéroté au stylo feutre argenté. Edition de 500 exemplaires. 70 x 50 cm Poster on 250 gsm silk paper, Hand-signed by the artist, in silver pen. Signed and numbered.Edition of 500 Accompagné d’un COA.

Ca. AD 1880 - 1900. A pair of of round-ended rectangular formed pen cases. The vertical sides and top inlaid in silver with an engraved ground of floral spirals, the base with a similar engraved band. Size: 195-240mm x 35-40mm; Weight: 580g Provenance: Previous property of a UK Islamic art professional.

Ca. 18th - 19th century AD. A group of metalwork comprising a silver Ottoman pen holder of typical form with an attached inkwell, decorated with embossed and incised motifs, featuring two silver stamps above and below, with hinged lids. Included is a Mamluk Revival brass casket with silver inlay, of coffered shape, with a lid inlaid with silver calligraphy surrounded by six calligraphic panels; three sides adorned with geometric and floral designs, and the front panel inlaid in silver with five fantastical winged animals. Also in the group is a small steel hexagonal box, decorated with applied gold floral designs on each of the six sides, equipped with two rotating handles, hinged on one side and latched on the opposite side. Completing the set is a Toledo steel cane or umbrella handle with gold inlay, featuring three lozenges with depictions of fantasy birds amidst foliage, framed by matching panels on either side and three gold bands below.two rotating handles, hinged on one side and latched on the opposite side. Iran, Timurid period. Provenance: Henri René d’Allemagne Collection. 1979. Acquired by Ahuan U.K Ltd. from M. Roderick d’Allemagne, grandson of Henri René d’Allemagne. (1836 - 1950).Toledo Steel Cane or Umbrella Handle with Gold Inlay. The handle decorated with three lozenges containing fantasy birds in foliage with matching panels to either side, with three gold stripes below. Spain, 19th Century. Size: 9.3 cm x 10 cm. Size: 50mm-240mm, 20mm-80mm; Weight: 932g Provenance: Previous property of an Islamic art professional. Previosuly acquired by Ahuan U.K. Ltd. 19 February 1981 from E. Van Vleedenburgh. Provenance: Henri René d’Allemagne Collection. 1979. Acquired by Ahuan U.K Ltd.from M. Roderick d’Allemagne, grandson of Henri René d’Allemagne (1836 - 1950).

Ca. 12th century AD. A richly decorated silvered bronze portable pen case of triangular shape comprised of two pieces: an actual case with lobed cap and integral inkwell and an external, fitting cover with openings to the upper face and an inverted teardrop finial to the bottom. Size: L:33mm / W:134mm ; 65g Provenance: Private UK collection, formed since the 1990s on the UK and International Art market.

Victorian mahogany and brass mounted writing slope, the interior with velvet lined slope, pen tray, ink well compartments, H14cm

Peter Blake (British 1932-): 'Alphabets', hardback limited edition no. 482/600, signed in pen, in bespoke sleeve

Collection of pen knives and fruit knives, to include Mother of Pearl handled silver bladed example, hallmarked, miniature tortoiseshell example etc

Cross Classic Century 14kt gold filled ballpoint and propelling pencil set, together with Cross fountain pen

Vinyl - Brian Eno – Before And After Science LP on Polydor – 2302 071. Original UK 1977 early pressing A3 / B2 matrices with grey / light blue portfolio with four offset prints on rough paper by Peter Schmidt. VG+ (minor foxing and small pen mark at bottom of front sleeve) / Vinyl EX- (one non feelable mark on side B.) / Portfolio complete and in EX condition

A Mont Blanc 234½ Vintage Fountain Pen, model G532405 with 4½ nib, clip absent, 12cm long.

A Late XIX Century Italian Grand Tour Canted Marble Desk Top Inkwell, of fluted circular form, inset with seven lava cameos in gilt metal mounts, the inside lid with a painted scene of Vesuvius erupting and enclosing an inkwell, pomander and pen holders, 12cm diameter.Inside rim of lid with some small chips one cameo with crack, nibbles and 2 small chips to base fluting, base with surface scratching, glass inkwell with wear and bent to edge, no chips. One inkwell is misshapen to brass edge.

An Early XX Century Oak Travelling Writing Box, with brass carrying handle, the fall front opening to reveal a writing slope, stationary rack, pen holders, etc and a book 'The Court and City Register or Gentleman's Complete Annual Calendar 1793', printed for J. Joliffe. (2)

The British Isles, depicted by Pen and Camera, pub by The Waverley Book Company Ltd, London, vol II section I, vol II section II (x2), vol III section I and II, green cloth bindings and Fletcher [J.S.]: Picturesque History of Yorkshire, pub by Caxton Publishing Company, vols 1-3, 5-6. (13)

A Montblanc 'Meisterstuck' 4810 Fountain Pen, with box and outer sleeve and a matching roller ball pen, both with white snow cap trademark; together with two packets of cartridges and a packet of rollerball refills.

A Montblanc Meisterstuck Fountain Pen, with 4810 14k nib, cased.

A Moorcroft Pottery Pen Tray, painted in 'The Birth of Venus' design by Vicky Lovatt, limited edition No 7/20, signed, impressed and painted marks, 20 x 8.5cm.

FERNCLIFFE F.C., MEMBERSHIP CARD, 1906/07 gilt tooled red morocco boards, interior named and addressed in pen for ...John Mabon... 132 Renfrew St. No. 10. Secy P.S. Oct 29th 1906, further detail including GROUND: POSSILPARK. COLOURS MAROON AND WHITE. printer A. SMITH, ATHLETIC PRINTER, GREENOCK. OFFICE BEARERS Hon. President SIR JOHN STIRLING-MAXWELL, BART. President. MR JOHN MABON...Note: A most interesting membership card relating to a team for which there is very little to no information available online. The Honorary President is the famous Sir John Stirling-Maxwell. The card itself seemingly belongs to the President, John Mabon. A rare and early footballing survivor.

This glossy figural is part of the Peggy Davies Classic Series. Colored in variations of green with yellow golden sleeves. Royal Doulton backstamp. Signed in gold pen Michael Doulton 1996. Artist: Peggy DaviesIssued: 1964 - 1997Dimensions: 5"L x 5"W x 7"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

PERSIAN LACQUERED PEN BOX, ALONG WITH A FURTHER SIMILAR BOX the Persian box painted with various figures in garden settings, also containing a brass inkwellPersian box 17.5cm long Qty: 2

GEORGE V SILVER MOUNTED GLASS INKSTAND, MAKER H.S.M. BIRMINGHAM 1923 the hinged circular lid decorated with floral designs in coloured enamels in relief, the rectangular base with a pen recess7cm x 4.5cm Condition generally good, light wear.

VICTORIAN ROSEWOOD MINIATURE LAP DESK, LATE 19TH / EARLY 20TH CENTURY brass bound, with green velvet lined writing slope26cm wideIn overall fair condition. Scratches throughout. Age related wear. Would benefit from a clean. Some of the border surrounding the green fabric missing. Wooden pen tray with chip. Additional images now available.

A Hallmarked Silver Mounted Cut Glass Pen Rest, Ari D Norman, London 1996, of decorative pierced design, raised on four paw feet, with two hallmarked silver cased pencils. (3)

An Edwardian Hallmarked Silver Inkwell, (makers mark rubbed), Birmingham 1906, with circular spreading base, hinged top lid and blue liner; Together With a Decorative Fountain Pen. (2)

ATTRIBUTED TO GEORGE LESLIE HUNTER (SCOTTISH 1877 - 1931), LANDSCAPE pen and ink on paper, signed 'L Hunter' mounted, framed and under glassimage size 20cm x 28cm, overall size 50cm x 55cm Note: George Leslie Hunter (7 August 1877 – 7 December 1931), was christened simply George Hunter, but he adopted the name Leslie in San Francisco, and Leslie Hunter, became his professional name. Showing an aptitude for drawing at an early age, he was largely self-taught, receiving only elementary painting lessons from a family acquaintance. A Scottish painter, he also spent fifteen formative years from the age of fifteen in the USA, mainly in California. He was later regarded as one of the four artists of the Scottish Colourists group of painters. Following his youth in California, he returned to Scotland, painting and drawing there and in Paris. Subsequently, he travelled widely in Europe, especially in the South of France, but also in the Netherlands, the Pas de Calais and Italy. Hunter painted a variety of still-lifes, landscapes and portraits, and his paintings are critically acclaimed for their treatment of light and the effects of light. They became popular with more progressive critics and collectors during his lifetime and have grown to command high prices since his death, becoming among the most popular in Scotland. One hundred of his paintings are held in UK public collections.

DAVID GAULD RSA (SCOTTISH 1865 - 1936), TWO CALVES oil on canvas, signedframed and under glassimage size 39cm x 60cm, overall size 48cm x 68cm Note: David Gauld (7 November 1865 - 18 June 1936) was an important Scottish artist who worked in both oils and stained glass and was regarded as being one of the innovators within the Glasgow Boys group. Some of his works, such as St Agnes and Music are seen as precursors of the Art Nouveau movement. His works were seen as having both a Japanese and Pre-Raphaelite influence. Gauld was born in Glasgow and served an apprenticeship as a lithographer and then attended Glasgow School of Art from 1882 to 1885. He came to public notice in the 1880s when he supplied a series of Japanese-influenced pen and ink drawings for the Glasgow Weekly Citizen. Gauld shared the Castlemains Studio in Kirkcudbright with William Stewart MacGeorge and then in later life shared a studio with Harrington Mann at 31 St Vincent Street in Glasgow from 1891 to 1894. During this time he designed stained glass windows for Guthrie and Wells. Gauld then took new premises at 138 West George Street in Glasgow. He also lived at various locations in Kirkcudbright, Glasgow and North Berwick. In 1889 he returned to the Glasgow School of Art and also studied in Paris for a period that year. Like other artists from Glasgow, Gauld spent time at the artist's colony at Grez-sur-Loing in France. Forty-three examples of David Gauld's work are held in the collections of various UK public galleries including Glasgow Museums, The Hunterian, The Scottish National Gallery, Kelvingrove, Gracefield, Paisley, Kirkcaldy and The Fleming Collection (London).

Two boxed Globenfeld gent's sports watches, plus gold plated and vintage jewellery and accessories, including cuff links, pen and cuff link set and a skeleton dial sports watch

A tray of vintage ballpoint pens and propelling pencils, including a Parker Catherine Cookson pen

A bird's-eye maple cigar box with watch and pen contents.

FIVE ELGATE NODDY FIGURES, including White Christmas in Toyland, Noddy’s Car, three Noddy pen pots and a decorative wall platelargest box 21cm wideQty: 6

JAEGER-LECOULTRE DUOFACE NIGHT & DAY REF. 271.24.70 IN GOLD, 2000S ELEGANT AND TASTEFUL REVERSO IN GOLD WITH DOUBLE DIAL Case: signed, n. 63508, in 18K gold. Bracelet/Strap: signed, leather strap and 18K gold buckle. Dial: signed, 1) silvered, engine turned, Arabic numerals, small seconds; 2) silvered, flinqué pattern, applied indexes, 24-hour subsidiary dial. Movement: manual-winding caliber. Accessories: outer box, box, corrector pen, booklet, second hand purchase guarantee dated 2009. Size: 26 x 42 mm Note: running at the time of cataloguing.

A group of mixed collectables including a bakelite desktop pen and inkwell set, a hallmarked silver vesta case on chain, three plated spoons, a large plated chalice, height 22.5cm, cruet, 'Jolly' money bank and a technical drawing set in wooden box (af) (11).

Sheaffer rolled gold Phantom pen in case, a quantity of cufflinks and studs, including a silver and tiger's eye example, and various other items

Pair of Staffordshire pottery greyhound pen rests, each ochre coloured hound seated on a dark blue mound base, pierced with gilt circular aperture, with gilt lined footrim, 15cm wide

Mont Blanc Meisterstuck fountain pen, no.146 with matching ballpoint pen, in case with paperwork and writing ink Condition Reportplease see images of the nib

Pair of 18th century silver sugar nips with scissor action and shell bowls (mark rubbed), a pair of silver menu holders by Sampson Morden & Co Ltd, Chester 1904 and 1905, of circular design, engraved with crest and motto, two silver clips, two dressing table jars with silver covers, a  Cross cased pen and pencil set, and a manicure implement with silver handle, weighable silver approx 3ozt 

Louis Édouard Toulet (1892-1967) - Mediterranean town, watercolour and pen, signed below, 36 x 48 cm, framed

Peter Markham Scott (1909-1989) - A limited edition signed print of birds - Juvenile Prothonolary Warbler and Barn Swallow, signed and numbered 1/24 in pen below, 10 x 15 cm

Susan Townsend (Contemporary) - Two works and a print: 'Venice, Late Evening, March, Returning from Murano', oil on board, signed lower right and inscribed verso, 25 x 30 cm; 'San Marco', pen study, signed and titled below; with one other reproduction print of a pen drawing of San Marco (3)

'The Derby Ram', pen, gouache and pencil on paper, dated '1954' and inscribed 'NFWI' above, 21 x 22 cm, framed

A tin box containing silver plated cutlery, Parker pen, enamel box, costume jewellery, other sundry items etc

An articulated mother of pearl finish vintage pen knife, compacts, thimbles, etc

Large quantity of Sporting and Illustrated books, including: 6 volumes by R S Surtees; Lonsdale Library- fox-hunting; Doctor Syntax; Munnings' The Finish, 1st. DW; The Pinter's Pie magazine 1909; a number of books illustrated by Cecil Aldin; six Brush, Pen & Pencil series; ETC. (qty)

▲ Bert Thomas (1883-1966) A study of a dapper gentleman on his motocycle, signed and dated '15, pen and ink, with bodycolour,36.5 x 27.5cm, framedCondition ReportNo glass, framed, some marks, no vieweed out of the frame

Original Scripts: Trevor Preston: 11 folders: SWEENEY (7 Scripts): 1- No. 4 (Money Money), second draft, with and extra 3pp with additions and correction in ink by Trevor Preston?; 2- 'Abduction', First draft, 23-9-1974; 3- 'The Placer', first draft; 4- 'May', second draft, with a few corrections in pen and pencil; 5- 'Chalk & Cheese' second draft; 6- 'Bait' second draft; 7- 'Stay Lucky Eh?' Master copy, third draft 29 May, 1975; OUT..OUT..OUT (4 Folders); 1- Out Cuttings, Thames TN Press office, With compliments, Trevor. The folder contains photocopies of reviews; 2- 'OUT' Third draft, inscribed: 'To big Dave- the custodian of my work, with great affection, Trevor Preston'; 3- 'OUT 666' First draft, inscribed: 'Keep your shirt over it- Dave, Trevor Preston'; also with corrections in ink; 4- 'OUT 3' Third draft, inscribed: 'To big Dave, my friend, Trevor Preston' (11)

A brass oil lamp, inkwell and pen stand, together with assorted coloured glass

A silver pen and ink stand - 22cms wide

Assorted treen, including an inkwell and pen stand

WILLIAM HENRY MILLAIS - pair of 19th century watercolours of Isle of Wight scenes 10cm x 24cm, together with a pen and ink of Bembridge by Robin Guthrie