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R. Taylor, an early 19th-century 8-day oak long-case clock, the painted broken arch dial bearing the portrait of Queen Caroline, the hood with swan neck pediment, 47 cm wide x 25 cm deep x 220 cm overall height.Formerly of Donnington Castle House, near Newbury, Berkshire Formerly of Donnington Castle House, near Newbury, Berkshire The glass of the hood is cracked. There are no weights or pendulum, so not in working order.Updated:The movement looks very clean and looks as if it has been recently restored and re-gutted.The cheeks that support the movement are uneven. It would seem that a packing block is missing from the right-hand side. This causes the dial to sit awkwardly in the hood/mask. It is common for these to be replaced.The hood door has a cracked glass panel, the clock has some patches to the veneers.The trunk door does not have a key.The clock does not have either weights or a pendulum.In short this clock would need some work to make good but it looks as if most of the horological work has been done, but sadly it will require a pendulum and weights.

A George III mahogany stick barometer by Gilbert Wright & Hooke, London, with a break arch pediment, above the silvered dial, with a turned reservoir cover,97cm longCondition ReportWith minor knocks and wear, the brass finial to the top a little loose. With cracks to the veneer surrounding the dial. Mercury present. Please see the additional images. 

A gilt bronze Empire style photograph frame 20th century, with a ribbon-tied pediment and foliate motifs to a blue cloth ground,42 x 26.5cm, aperture 28 x 16.5cmCondition ReportMinor knocks and wear. Some marks to the gilding. Some slight wear to the blue cloth.

A REGENCY MAHOGANY ARCHITECTURAL CLOCK STAND the superstructure with ivory urn finials and broken arch pediment over inlaid fenestrations, the hinged central panel mounted with a Swiss-made timepiece, the base with three short drawers on bracket feet, 56cm high x 61cm wide x 27cm deepIvory Submission Reference: XBK4WTBEProvenance: The Les Watts Collection.

A GEORGE III MAHOGANY BOOKCASEthe upper section with a moulded pediment over astragal glazed doors opening to a shelved interior, the base with two faux drawer fronts and cupboard doors opening to a shelved interior, on shaped bracket feet, 230.5cm high x 128.5cm wide x 51cm deep

AN EDWARDIAN WALNUT AND MARQUETRY CYLINDER BUREAU the upper section with an arched pediment over cupboard doors opening to a shelved interior, bevelled oval mirrors either side and four short drawers beneath, the lifting front inlaid with an urn issuing leafy tendrils and opening to reveal short satinwood drawers and pigeon holes, the sliding surface inset with gilt tooled leather writing panels that open to vacant compartment, five short drawers beneath, on tapered square legs terminating in brass caps and castors, 179cm high x 102cm wide x 52cm deepProvenance: The Les Watts Collection.

A 19th Century miniature mahogany bookcase on chest, apprentice piece/salesman's piece, broken pediment, astragal glazing with two drawers below, 79cm high, 38cm wide, 26cm deepsome losses to the wood, this item has suffered damage during the view days. The glass to the right hand door is broken, the pediment present but not attached currently.

A Monumental Italian Cabinet with StandIn ebony and ebonized wood, featuring an architectural-inspired structure, pietra dura inlays, and gilt bronze mounts. The front of the cabinet presents a symmetrical arrangement with a central niche, flanked by two rows of six drawers richly adorned with pietra dura panels, including various semi-precious stones and different types of marble, such as lapis lazuli, agate, jasper, brocatello rosso, rosso antico, alabaster, cipollino, and porphyry, arranged in geometric patterns. The central niche, also lined with pietra dura panels depicting shell-shaped cartouches, is decorated with architectural elements, including lapis lazuli columns and a portico with a triangular pediment supported by two gilt bronze Atlas figures. The ceiling of the niche is painted in trompe l'oeil, and the base is adorned with parquetry work. The sides of the cabinet, with pietra dura panels, replicate the composition of the central panel, framed by the portico. The top, with a row of five drawers decorated with red porphyry panels, is surmounted by four putti playing musical instruments. The base, with four drawers and a small central drawer, features a carved apron decorated with carved volutes. The original construction of this cabinet dates back to the 17th century, showing evidence of alterations, possibly during the 19th century, with the addition of decorative elements and structural modifications. The stand, of later construction, with four drawers and volute-shaped front legs, maintains decorative consistency with the cabinet, featuring the same type of panels with pietra dura inlays. A small drawer at the base of the cabinet has an interior label reading 'Ant.(?) Burg(...)rgasse.Graz,' with a handwritten note in French stating: "Furniture from the imp(?) Palace of Burg(?)... brought here by Archduchess Maria of Bavaria 1571-1616, with all her luxury objects from Munich." Although uncertain, this reference seems to suggest a connection between the cabinet and Maria Anna of Bavaria (1574-1616), daughter of William V, Duke of Bavaria, and wife of Ferdinand II (1578-1637). The piece also bears two other inscriptions: one in black ink at the bottom of the left drawer of the cabinet base — "Stockholm(...) 18/8 - 1947/ H HALKJAER./ Dansk" and "HÖRN 1955-1965/ CORMÉRY"; and another handwritten in pencil in Swedish, at the bottom of the left drawer of the stand — "The cabinet was bought in the 1940s from Consul General Jean Jahnsson, formerly at the Van Der Nootska Palace, when we moved to Östermalmsgatan 21 Stockholm/ A big move when Stensund and Van der Nootska were left./ Eugène CORMERY/ Strangnäs July 1996." (minor losses and defects)193x204.5x62 cmNote: The pietra dura technique has its origins in the Florentine Renaissance, reaching its peak at the end of the 16th century. This technique is characterized by the meticulous use of semi-precious stones, such as lapis lazuli, jasper, agate, and porphyry, carefully cut and arranged to create intricate decorative patterns. The development of pietra dura as an art form was strongly promoted by the Medici family in Florence, culminating in the foundation of the Galleria dei Lavori in 1588, which became a center of excellence for the refinement and dissemination of this technique. In the context of the cabinet now presented for auction, the presence of pietra dura panels is a testament to the mastery of this technique, highly valued by the European aristocracy of the 17th and 18th centuries. This cabinet shares similarities with a distinct group of pieces produced in Rome in the 17th century. Notably, a particularly significant cabinet was sold by Sotheby's in London on 6 July 2011 for £668,450. Other comparable cabinets are part of renowned collections, such as that of the Duke of Hamilton, the Demidoff Cabinet (sold by Sotheby's in 1992), and an impressive example in the Kunsthistorisches Museum in Vienna. The central niche of the cabinet, with lapis lazuli columns and shell-shaped cartouches—likely an addition or later alteration—as well as elements like the central arched panel, its pediment, and the design and decoration of the side drawers, remain faithful to the style of the aforementioned cabinets, making it a monumental example of the extraordinary decorative craftsmanship developed in pietra dura furniture. Robert de Balkany Collection Carlucci Gallerie Antiquarie, Rome Jean Jahnssen Collection, Van der Nootska Palace, Stockholm

19th century Biedermeier figured mahogany cylinder bureau cabinet, the raised super structure with stepped pointed pediment over hidden cupboard and hinged fall front, the interior fitted with pigeonholes and secret drawers behind rusticated inlay, curved flanking cupboards fitted with internal drawers, the cylinder top opens to reveal small drawers, document divisions and secret compartments, sliding desk with central hinged writing surface, inlaid with satinwood bands and draped festoons, fitted with three long drawers, on bracket feetDimensions: Height: 223cm  Length/Width: 126cm  Depth/Diameter: 65cmCondition Report:Bone handles.

Large early 20th century French gilt metal mounted vitrine, serpentine and bombe form, C-scroll pediment decorated with extending flower heads, shaped front enclosed by single glazed door and glazed with shaped glass panes with foliate cast edging, floral pattern silk lined interior fitted with two glass shelves and one lined shelf, hand painted with Vernis Martin design panels depicting garden courting scene and putti, on cabriole supports mounted by shell and C-scroll mounts Dimensions: Height: 243cm  Length/Width: 162cm  Depth/Diameter: 55cm

Early 20th century inlaid hardwood Damascus easel mirror, shaped and pierced pediment, inlaid with mother of pearl and carved with trailing foliage, on cabriole feet Dimensions: Length/Width: 69cm  Depth/Diameter: 148cm

Florentine design gilt wall mirror, bevelled oval mirror plate surrounded by scrolling and interlaced acanthus leaves, curled leaf pediment Dimensions: Height: 87cm  Length/Width: 72cm 

Late 19th century giltwood and gesso bergère bedroom chair, curved back with ribbon twist upper rail and scrolled acanthus leaf pediment, cane seat, back and sides, upholstered squab cushion in blue striped fabric, ribbon twist frieze rail over turned and stop-fluted supports Dimensions: Height: 80cm  Length/Width: 91cm  Depth/Diameter: 66cm

James Shoolbred & Co. (London: 1814-1934) - late 19th century French design giltwood framed two-seat bergère settee, moulded frame with trailing twist ribbon and scrolled acanthus leaf pediment, reverse bow-fronted cane seat and cane sides, squab cushion upholstered in blue striped fabric, on turned and fluted supports Dimensions: Height: 96cm  Length/Width: 105cm  Depth/Diameter: 72cm

Large Victorian gilt wood overmantle mirror, shaped cresting rail with curled acanthus leaf pediment, the corners decorated with foliate C-scrolls and flower heads, curled foliage lower corner brackets, plain mirror plate Dimensions: Height: 270cm  Length/Width: 216cm 

Edwardian Adam Revival green-painted and parcel gilt cheval mirror, shaped pediment painted with urn and flower head festoons, turned supports with carved finials decorated with acanthus leaves and draped festoons, on out splayed supports with spade feet and brass castors Dimensions: Height: 177cm  Length/Width: 58cm 

Victorian walnut bedroom chair, pierced and scroll carved pediment over spiral turned supports, upholstered in floral pattern fabric (W44cm, H110cm); early 20th century mahogany stool with upholstered drop-in seat (W71cm); Victorian figured walnut Sutherland table, rectangular drop-leaf top, gate-leg action base on turned supports (91cm x 91cm, H73cm); small walnut drop-leaf Sutherland table (W51cm) (4)

Late 19th century French walnut bread safe or Panetière, shaped pediment with turned finials carved with central urn and extending foliate branches, enclosed by single door carved with ribbon tied wheat bunch and bird, spindle turned front and sides, the lower shaped apron carved with wheat stalks and central cartouche, on acanthus leaf and scrolled cabriole feet Provenance:Nidd Hall: acquired by Guy Reed fromRichard Butler, 17th ViscountMountgarret, in 1968Dimensions: Height: 102cm  Length/Width: 96cm  Depth/Diameter: 45cm

Late XVIII Century Oak and Mahogany White Dial Eight Day Longcase Clock, hood with a swan neck pediment, column supports, trunk with a shaped crossbanded door, panelled base, the white dial with minute and date apertures.Pendulum is present

XVIII Century Style Mahogany Double Corner Cupboard, with a stepped pediment, blind fret frieze, glazed astragal doors, shaped shelves, on bracket feet, 72cm wide, 184cm high (key).

XIX Century Walnut Cased Vienna Wall Clock, pediment with a carved eagle, half round pilasters, dial with Roman numerals, gadrooned base, turned finials, 120cms approximately.

A PAIR OF LATE 19TH CENTURY BOHEMIAN GARNET EARRINGS The articulated trefoil pediments above pear shaped drop panels pavé set throughout with rose cut bohemian garnets, unmarked Size/dimensions: 5.2cm long Gross weight: 8.8 grams Condition Report: The settings are base metal but the hooks are testing as gold. One garnet is missing from one of the drops, there is some old glue visible behind some garnets, the pediment of the other earring has got some glue visible . A patch of Verdigris to the reverse of one drop, some general wear commensurate with age and use Condition Report Disclaimer

A DIAMOND BROOCH The scrolled pediment set throughout with brilliant cut diamonds, with tapered baguette cut diamonds and brilliant cut drops below, approximately 1.30 carats total Size/dimensions: 3.4cm long Gross weight: 5.6 grams Condition Report: One diamond deficient, there is tarnish and blooming to the setting, some possible repairs, the brooch fitting is later Some damage to gallery. Diamonds average estimated clarity I1, average estimated colour L-M+ Condition Report Disclaimer

Y &nbspA REGENCY ROSEWOOD AND BRASS INLAID BOOKCASE IN THE MANNER OF GEORGE OAKLEY, CIRCA 1820 With a triangular pediment above a pair of wire grille doors enclosing three adjustable shelves, the base with three long mahogany and blue paper-lined drawers on a parcel-gilt beaded plinth, patent locks 226cm high, 125cm wide, 54cm deep Provenance: The Hon. Claude John Yorke, and thence by descent Condition Report: Good, structurally secure with dents marks and scratches and shrinkage cracks due to age and use. Top and bottom in two parts - top 145cm high, 35cm deep, bottom part 82cm high, 54cm deep. minor lifting to brass inlays, loose element to the corniceCondition Report Disclaimer

A MAHOGANY HANGING BOOKCASE IN GEORGE III STYLE 19TH CENTURY With 'Chinese Chippendale' fretwork throughout, the architectural pediment above a pair of two doors enclosing shelves, and with two drawers below, atop conforming wall brackets 127cm high overall, 74cm wide, 25cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe red fabric to the doors is worn and torn, also discoloured and marks - this is loose and could be replaced Some splits and cracks, chips and losses, fretwork to one sides with a loss to upper angle - this part is present but detached at time of report, there are also some cracks ands splits through - lattice doors appear to be intact, fretwork supports appear to be later these are in presentable order but have some domestic paint marks and depositsOne upper support for the broken-swan-neck pediment is loose and needs gluing back in place The shelves appear to be later, the backboards also, there are holes through these to secure to the wall as well later brackets and hooks - it will be up to the buyer to decide how best to secure for installation Please see additional images for visual reference to condition Condition Report Disclaimer

A GEORGE II MAHOGANY CLOTHES PRESS CIRCA 1750 With a broken pediment centred by a plinth above a pair of shaped, fielded panelled doors enclosing six oak-lined slides, above two short and two long drawers on ogee bracket feet 205cm high, 130cm wide, 63cm deep Condition Report: Marks, knocks, scratches, abrasions,consistent with age and useSplits and cracks, chips and losses Good, structurally secure with dents marks and scratches and shrinkage cracks due to age and use. Marks around the door escutcheons which are probably replaced, the drawer handles possibly also replaced and also the locks. No keys present but all elements unlocked at time of report - some other knocks and losses to edges and extremities.It has its slides which have had labels stuck to them previouslyPlease see additional images for visual reference to condition and appearance Condition Report Disclaimer

Y&nbspAN EARLY 20TH CENTURY PEARL AND DIAMOND MINIATURE PENDANT OF MARY SUSAN YORKE CIRCA 1910 The circular panel painted with a sleeping baby, the only daughter of The Hon. Claude Yorke, within a closed back setting, pearl border and a diamond set M shaped surmount, with swivel hoop attachment, unmarked; with an associated surmount with initials J and C set with rose cut diamonds below a seed pearl and enamel accented coronet, unmarked Size/dimensions: 4.5cm wide Gross weight: 17.7 grams Please note the pearls are untested and unwarranted as natural pearlPlease note: Dreweatts have applied for a de minimis exemption for this lot. Ref: KX8RCXF6 Condition Report: The diameter of the frame is 4.5cm, the length including the M pediment is 6cm. There is wear to the setting commensurate with age and use, a few light scratches to the glazingCondition Report Disclaimer

An 18th Century oak longcase clock, the hood with pagoda pediment and turned pillars, full length door and reeded side columns to the trunk, on bracket feet with circular dial and 30 hour movement, by Kidd Malton, height 227cm.

An early 19th Century oak longcase clock with mahogany cross banding, the hood, with swan neck pediment and turned columns, full length door to the trunk with 1/4 turned reeded pillars, arched painted dial and 30 hours movement, by Foxtan Sutton. Height 216cm.

Georgian eight-day oak cased longcase clock by James Coates, Horncastle, with painted broken-arch dial, indistinctly signed, decorated with fruits and flowers, featuring rocking sailing ship flying the red ensign, roman numerals, subsidiary seconds dial and arched date aperture, eight-day movement cased in hood with swan neck pediment and fluted pillars, broken arched door with moulded surround, 215cm high Condition ReportClock comes with two weights and a pendulum. Door opens and closes, lock doesn't appear to work. Base is split on one corner. Surface marks, scratches and wear visible throughout the dial and case commensurate with age and previous use. Ship and its backing are well worn with signs of rust. All clocks are sold untested for timekeeping accuracies.  

Late 17th/early 18th century 30-hour oak longcase clock, the 10" brass square dial with roman numerals on silvered chapter ring, the inner etched with foliate themes, the cast brass spandrels featuring classical urns and foliate decoration, indistinctly signed (see photo), the plain case topped with classical pediment hood, brass escutcheon to the door, 208cm high 

W. Edwards, Bishops Castle an oak longcase clock the thirty-hour plated movement striking the hours on a bell with the twelve-inch square painted dial having Arabic numerals, decorative birds to the centre, 'false' winding holes, a subsidiary seconds dial and date aperture, anchor style spandrels painted to the four corners and signed W. Edwards, Bishops Castle, with decorative gilt-brass hands, the oak case having fluted pillars to the hood with cast-brass capitals, a swan-neck pediment, three cast-brass urn finials and standing on bracket feet, height 212cms.Note: William Edwards is recorded as working in Bishopsgate, Shropshire. He was baptised in December 1776 being the son of the clockmaker Edward Edwards, recorded as working in Bishopscastle from before 1771, and Susannah. William was unmarried and lived in Church Street where he is shown with his sister in the census of 1841 and 1851. Douglas J. Elliott Shropshire Clock & Watchmakers Pub. Phillimore & Co Ltd, 1979.

A balloon shaped late-Victorian mahogany moonphase mantel clock having an eight-day duration movement striking the hours and half-hours on a bell with the white enamel dial having black Roman numerals, blued-steel moon hands with the inset centre having three subsidiary dials for Day/Date/Year and with a phases of the moon disc below XI o'clock, the mahogany balloon case with inlaid boxwood stringing, a pediment top and standing on cast-brass bracket feet, height 46cm.

A French Victorian black marble mantel clock having an eight-day duration timepiece movement, the round ivorine dial with black Arabic numerals and blued-steel spade hands, the black marble case having inset variegated brown panels and a pediment top, height 27.5cm.

Junghans, Wurttenberg, an oak mantel clock having an eight-day duration movement chiming the quarters on four gong rods with the silvered arched dial having black Arabic numerals and two subsidiary dials to the arch for Chime/Silent and Regulation, the oak flat-top case with gadrooned moulding to the pediment, fluted canted corners, and carved decoration to the top corners, height 39cm. Hamburg American Clock Company an oak mantel clock the eight-day duration movement striking the hours on a gong with the backplate stamped with the cross-sword trademark of the maker, the square brass dial having black Arabic numerals, the oak case having a gadrooned pediment, three turned finials, fluted pillars and bracket feet, the interior of the door having a paper label for H.A.C, with the cross-sword trademark, height 47cm.

A Georgian mahogany stick barometer the silvered dial engraved with barometric markings, vernier gauge, hygrometer and signed Bellatty, the mahogany stick case with inlaid shell decoration to the trunk, a turned cistern cover and inset barometer to the trunk, surmounted by an architectural pediment with brass finial.

An Edwardian satinwood and mahogany three tier hanging bookcase, with swan neck broken pediment to the three quarter gallery, 69cm width, 69cm height, 20cm depth, also an Edwardian satinwood and mahogany wall mounted three prong rack, 69cm width (2).

Junghans, Germany, an oak Westminster chiming mantel clock having an eight-day duration movement chiming the quarter-hours on four rods and the hour on a further rod, the backplate stamped with the trademark for Junghans and numbered A06, the arche brass dial with silvered chapter set with black Arabic numerals and blued teel fleur-de-lys hands, with two subsidiary dials to the arch for Chime/Silent and regulation, the flat-topped oak case with turned pillars, moulded base and top, all standing on pad feet, height 45cm.Junghans, an oak mantel clock having an eight-day duration movement striking on a gong, with the backplate stamped with the Junghans trademark, the square dial with silvered dial having black Roman numerals and blued-steel fleur-de-lys hands, the oak case with carved decoration and a pediment top, height 39.5cm.

Gugeri, London, a mahogany stick barometer the silvered dial signed Gugeri, London and engraved with stylised barometer markings and vernier gauge, the mahogany case with visible tube and having inlaid boxwood and ebonised stringing, a turned cistern to the base, glazed door to the dial and surmounted by an architectural pediment with brass finial, height 98cm.Gugeri were a well-known family of barometer makers including Andrew working in Holborn and Hatton Garden in the early-to-mid 1800s and Felix working in Leather Lane, London from circa 1850.

Elliott, London a contemporary ebonised 17th century-style bracket Golden Jubilee clock the eight-day duration movement having a platform lever escapement set between the movement plates and striking the quarters and hours on two gongs with the fully engraved backplate signed F.W. Elliott London, Reg. No. 80, the square brass dial having a silvered chapter ring engraved with black Roman numerals with cast cherub-head spandrels to the four corners and engraved decoration to the edge, the centre having an applied silvered plaque engraved F.W. Elliott, the ebonised case with a cast-brass basket top pediment, corner finials and applied mounts to the front, all surmounted by a cast handle, the interior of the door with plaque engraved Supplied Exclusively to Garrard & Co., Ltd, Crown Jewellers, height 34cms inc. handle.

A miniature oak wardrobe in Art Deco style, circa 1930; possibly an apprenticeman's piece, with moulded top above a beaded blind pediment; the twin doors each with a bevelled oval glass pane, opening to a fitted interior; on cylindrical front feet; 52cm high, 33cm wide

Payne & Co. London a walnut bracket clock the eight-day duration, double-fusee, five-pillar movement striking the hours on a bell and numbered 5013, the eight-inch round painted dial having black Roman numerals, blued steel spade hands and signed Payne, 165 New Bond Street, London, the figured walnut case with pediment top, canted corners and inset panels, height 45cm.

20th Century mahogany Chippendale style bookcase, the moulded cornice with swan neck pediment above a pair of astragal glazed doors and two panel doors below, raised on cabriole claw and ball supports, 122cm wide x 36cm deep x 230cm high

Heal & Son, London, large Victorian pine wardrobe, the shaped swan neck pediment above an arrangement of various doors, drawers and alcoves, 232 x 202cm, together with a pair of bedroom chairs

An Edwardian mahogany display cabinet with glazed front and three inner shelves, raised on tapering supports. Featuring swag and bow decoration to the top of the door and pediment and lower shelf. Height: 153cm, Width: 65cm, Depth: 32cm. Lock in working order. Clean, good condition.

A GEORGE II STYLE PARCEL GILT WALNUT WALL MIRRORWith cartouche crest and broken arch pediment, 81cm wide; 153cm high

A CHIPPENDALE STYLE BOOKCASE ON STAND, with a pierced broken arch pediment, the double glazed doors enclosing three adjustable shelves, atop a base with pierced geometric designs, width 113cm x depth 34cm x height 230cm (condition report: one key, the bookcase itself appears Georgian, the pediment and base are Edwardian, some marks, repairs, alterations, crack to one pane of glass to the left door, other wear and usage)

A GEOGIAN MAHOGANY, OAK AND MAPLE EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment, and bobbin turned pillars, the painted dial with Arabic numerals, signed Thomas Button of Wakefield, missing weights, pendulum and winding key, height 206cm (condition report: dial board does not fit between hood, missing glass door to hood)

An early 19th Century mahogany cased barometer, by D.Fagioli & Sons, the case surmounted with a swan's neck pediment above a silvered dial, a thermometer temperature gauge, and manufacturer's plaque to the bottom, measuring 100cm high

An Arts and Crafts copper wall Mirror, in the manner of Newlyn, embossed pediment depicting ship, W 33 cm x H 39.5 cm, together with an Arts and crafts carved oak wall Mirror, border with carved stylised flowers, note with some small losses, W 45 cm x H 54 cm(2)

An early 20th century German Vienna style wall Clock, the pediment in the form of a carved horse, with pendulum and key, W 40 cm x H 105 cm x D 18.5 cm.

19th Century J Reed of Brampton longcase clock having a hand painted classical scene depicting a harp player with a painted round face with roman numeral dial, broken swan neck pediment, oak case with domed top door.

Late 18th / early 19th century oak cased eight day longcase clock, the pediment with three brass finials, the brass chapter ring marked with maker's name ' Hewett Marlboro ' and Roman numerals, with chains, weights and pendulum, approx 230cm high overall

Large continental oak glazed dresser cabinet having a domed pediment to top, glazed panel doors above two drawers and twin cupboard doors to base. Measures 247 x 151 x 53cm.

Late 19th century black marble two train mantel clock, the dial with pierced gilt metal central panel surrounded by Arabic numerals, shaped pediment above twin columns and plinth base, movement marked 'medaille d'argent' 781852, 37cm high

A Victorian cheval mirror set in a mahogany barley twist frame with outswept legs with paw feet, 162cm high - NOTE: Pediment detached

A large Japanese Shodana black stained cabinet with pierced pediment over a body with various doors, shelves and recesses, decorated with panels of birds amongst foliage in gilt and ivory, the base with small drawers and curved legs, late 19th or early 20th Century,Several loose/detached doors and defects. Requires some restoration.Ivory certificate number - HGVXNLGK140cm wide, 220cm high, 40cm deep

EARLY 19TH C. WELSH OAK & MAHOGANY 8-DAY LONGCASE CLOCK, B. Rice (Neath), painted Roman dial with subsidiary seconds and calendar aperture, signed dial with moon phase in the arch, swan neck pediment between real moulded columns, reeded quarter column trunk and box base raised bracket feet, dial 11.5in (dia.), 215cms (h)Provenance: private collection SwanseaComments: dial with original craquelure and paint, case missing back legs, loose moulding to trunk, generally good condition

19TH C. MAHOGANY BANJO BAROMETER. L.Casartelli (Liverpool), swan neck pediment with brass finial, tapering mahogany case, silvered dials, nicely engraved main dial, 100cms (h)NB Ivory licence ERFQNKPZ.Provenance: private collection CardiffComments: untested, very good cosmetic condition, the spirit level, glass and frame are loose but appear to be undamaged

LATE 17TH CENTURY JOINED OAK COFFER, hinged two-plank top above fielded panelled front and side, stile feet, 85 (h) x 144 (w) x 63cms (d), partial fading to sides, old cracks, plank top not fixed to case, inspection advised, together with, LATE 18TH CENTURY WELSH OAK 30-HOUR LONGCASE CLOCK, Richard Watkin (Merthyr Tydfil), 10in polished brass dial with Roman & Arabic numerals, the hood with swan neck pediment, plain narrow trunk and box base, 210cms (h), alterations, adaptions, restorations (2)Provenance: private collection Vale of Glamorgan