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A Chinese Famille Rose porcelain melon form jar and cover, bearing an indistinct zhuanshu mark, probably Guangxu, painted with insect and flowering peony, the flush cover with root form handle, 14 cm diameter, x 12 cm high, together with three Chinese Famille Rose pedestal pickle dishes of lobed form one with a panel of poetry both with indistinct Zhuanshu seal marks probably Tongzhi/Guangxu. 13 cm and 10 cm diameter respectively.Qty: 4Some rubbing to the enamels of the jar.Generally Good Order.
A George IV mahogany two-pedestal sideboard with a break, bow front and end cupboards, supported by bold lion's paw feet. 213 cm wide x 78 cm deep x 94 cm overall height.Formerly of Donnington Castle House, near Newbury, Berkshire Formerly of Donnington Castle House, near Newbury, Berkshire Generally in good order.The splashback is missing.The pedestals are free from splits or cracks, both pedestals have missing locks but the doors stay closed without the central drawer is working as expected.
A pair of Napoleon III marble-topped mahogany pedestal night cupboards with brass inlaid decoration each fitted with one frieze drawer supported by turned columns above a single panel cupboard door and turned feet, 41 cm wide x 41 cm deep x 89 cm high. A private estate One stand is faded and shows perhaps some old repairs to natural fault lines in the marble top.Some of the brass infills on the fluted columns are a little loose but are all present.The faded cupboard has two veneer bubbles to the door panelGenerally good structural order but may need some cosmetic work to rectify the fading.Please see the extra images taken
Ronald Stennett-Willson (1915-2009) a collection of Wedgwood glass, c.1970, comprising two 'Snowflake' vases, 25.5 and 11cm high, a 'Snowflake' dish, 13cm diameter, a similar bowl, 12.5cm diameter, an amber glass vase, 15.3cm high, a similar sleeve form vase, 19.5cm high, a pedestal bowl, 13cm high, three matched smaller examples, 10cm high, a pair of moulded vase or candleholders, 10.7cm high, a glass mug, 10.7cm high, a footed glass, 9.4cm high, three stylised birds, 10cm high, and a posy bowl, with a wide rim, 15.8cm diameter (18)Condition ReportSmall 'Snowflake' vase with chips to the top of the rim. General surface wear and marks.
Two Baccarat glass decanters 20th century, comprising an example with a bullseye stopper, and another of tapering form, acid marks,33.5cm and 36cm hightogether with a glass pedestal bowl,late 19th to early 20th century, with an enamelled border and pearlescent ground,12.5cm high (3)Condition ReportNibbles and scuffs.
A pair of terracotta garden pots, 20th century,50cm hightogether with two further garden pots,of urn form,47cm higha pair of doves,45cm widean amphora,75cm higha pedestal urn25cm highand a reconstituted boss,50cm wideCondition ReportPedestal urn) Large loss to the top.Amphora) Cracked.Doves) One example with a detached head.Wear and weathering throughout commensurate with being stored outside. Please see the additional images.
An early Victorian rosewood breakfast table, the circular figured snap top with moulded edge, on a baluster turned pedestal to moulded cabriole tripod base, scroll feet and castors, 133 cm diameter x 73 cm high CONDITION REPORTS Has a crack running down the top just about centre approx. 45 cm. There are a couple of scratches to the top. The pedestal base has several splits including one that has been filled and has iron supports to the underneath. There are signs of old worm to the pedestal support beneath. Otherwise general wear and tear to include knocks, bumps etc - see images for more details
§ Edward Barnsley CBE (1900-1987) and The Barnsley Workshop, a walnut breakfast table, the circular top on an octagonal column support raised on four splayed legs, stamped to underside of base73 x 136cmThere is much peeling to the varnish on the tabletop, with many water, oil and paint stains, scratches and tape. However, it is structurally sound, with no evidence of splits and top appears level. Splash stains (in both black and white) to the legs and pedestal. Water damage to the feet where touching the floor. Please refer to the additional images for further detail. Lacking fixing screws for top to the base, as well 14 of the 16 wooden fixing paddles are missing (2 are remaining).
An Aesthetic period oak pedestal desk by Gillow & Co., of breakfront outline, the leather inset top with brass gallery back, central long frieze drawer and four further short graduated drawers to either side, all with horizontally reeded fronts, stamped to top of drawer76 x 121 x 57cmIn generally good and structually sound condition for age. Noting some scuffs and scratechs to leather inset top. Brass gallery has lifted to one side, with a resultant partial split to timber on one edge. There are a number of small veneer chips and losses to top surface on right hand side. Vacant recesses where there may have previously been a footrest, general scuffs and wear commensurate with age and use but more noticeablly so to either side of the well.
A collection of six ink and watercolour Art Nouveau furniture designs for the Owen Jones Furniture Competition, circa 1900, to include: Design for Dining Room Furniture for Country House, 52.5 x 74.5cm; Wardrobe, 48.5 x 66cm; Dressing Table and Washstand, 71 x 49cm; Details in Copper, 74.5 x 50.5cm; Pedestal Cupboard and Chair, 47.5 x 71.5cm; and Design for Fumed Oak Bedroom Suite, 51.5 x 68cmeach sheet unframed and stamped 'ESK (Examined South Kensington)Each sheet stuck down to cardboard support, all cardboard supports with varying degrees of edge damage and knocks. All sheets with discolouration and scattered foxing throughout. Please refer to images.
DANIEL GARDNER (1750-1805) A portrait of Mrs Ann Barnston, nee Egerton circa 1778, depicted full-length, wearing a white dress with fur-trimmed blue long wrap, standing by an urn on a pedestal, in a classical interior, with crimson drapery, pastel and bodycolour, 84cm x 59cmProvenance: The Grey-Egerton Family, formerly of Oulton Hall.Note: Ann was the daughter of John Egerton of Broxton, Cheshire (d. 1770). She married the Rev. Roger Barnston, Prebend of Chester. Literature: Sir Philip de Malpas, The descriptive catalogue of the pictures and other works of art at Oulton Park, Cheshire', published 1864, page 48.
A LATE VICTORIAN WALNUT PARTNER'S DESK BY MAPLE & CO. stamped to the top of the central drawer lining, the rectangular top with gilt tooled leather inset writing surface over three frieze drawers to each side, each pedestal with three drawers to one side and a cupboard the other, on plinth bases, 77cm high x 152cm wide x 90cm deepProvenance: Property formerly in the collection at West Hall, Long Burton.
A PAIR OF BRONZED METAL MODELS AFTER THE WARWICK VASE 19th/20th century, modelled traditionally with applied masks and vines, on square pedestal bases, 13cm high x 18cm wide (2)Note: The 'Warwick Vase' is a Roman marble vase that was discovered by Gavin Hamilton in the grounds of Hadrian's Villa, Tivoli, in around 1771. The vase gains its name as it was originally displayed at Warwick Castle, then owned by George Greville, 2nd Earl of Warwick and Hamilton's nephew. It now resides in The Burrell Collection, Glasgow, Scotland.
A VICTORIAN MAHOGANY PEDESTAL DESKthe rectangular top inset with a gilt tooled leather writing surface, with three frieze drawers to one side and conforming faux drawers the other, on twin pedestals with panelled cupboard doors enclosing drawers to one side, on castors, 81cm high x 151cm wide x 99cm deep
WILLIAM BARNES (1801-1886): HIS VICTORIAN MAHOGANY BOOKCASE FROM OLD CAME RECTORY, DORSET late 19th century, with an arrangement of short and long shelves, some with gilt tooled leather fronts, on pedestal bases, 218cm high x 266cm wide x 35cm deepProvenance: The Old Came Rectory, Winterborne Came, Dorset.Acquired by the Lock Family of Lock, Reed and Lock Solicitors, and thence by descent.Note: Lock, Reed and Lock were solicitors of Dorchester from 1757-1999, they were responsible for handling the estate of Thomas Hardy (1840-1928), who was in turn a close friend of Barnes and regular visitor of Old Came Rectory.Literature: Figure 4 shows an image of the bookcase behind Barnes' bed as it was located shortly after his death.
A Maple & Co. Art Deco walnut pedestal desk, c.1925, the inverted breakfront top with an inset brown leather writing surface, with three frieze drawers over a pair of three-drawer pedestals, locks stamped 'Maple & Co.',152cm wide86cm deep79.5cm highCondition ReportMinor losses to the veneer in places. General scuffs and wear commensurate with age. Back feet missing. Otherwise, good order.
Mythically inspired 'White Hart' and glazed pedestal coffee table, rectangular glass top with rounded corners, raised on a figural pedestal in the form of a recumbent white and parcel-gilt painted stag, the upraised head and gold antlers supporting the top, with gilt mane and hoovesDimensions: Height: 46cm Length/Width: 130cm Depth/Diameter: 72cm
Victorian figured walnut breakfast or centre table, circular tilt-top with carved edge and quarter-matched veneers, turned pedestal with foliate carved baluster on three out splayed supports decorated with floral carvings and scrolled terminals, on brass castors Dimensions: Height: 72cm Depth/Diameter: 137cm
Pair of Venetian 18th century design figural polychrome painted console or torchère tables, green marbled demi-lune top with moulded scalloped edge, over a carved frieze in the form of white swags, the figural pedestal bearing a cornucopia, and dressed in a white turban and ostrich feather skirt over a down-scrolling acanthus support, standing upon a naturalistic rock carved baseDimensions: Height: 75cm Length/Width: 54cm Depth/Diameter: 24cm
Pair of late 19th century Austrian silver and enamel vases by Hermann Böhm, of baluster form, overall decorated the top depicting musical scenes and oratory with reclining figures in togas, the ovoid bodies painted with Dithyramb scenes portraying Dionysiac worshippers playing the cymbals, pan pipes and lyre, with a dancing Maenad bearing a Thyrsus beside, and surrounding figures consuming wine, the domed pedestal feet depicting the Greek gods observing from the clouds with Putti, and recovering a lost statue from ploughed fields, within foliate silver mounts, marked A for Vienna and maker's mark HB, H21cm (2)
Late 19th century Bohemian white overlaid cranberry glass pedestal bowl, with fancy scalloped rim and cut with oval and fleur de lis shaped panels, each enamelled with 'Reynard the Fox' anthropomorphic animals, after the illustrations by Wiilhem Von Kaulbach, within gold borders with gilt scrolling decoration, supported by a slice cut circular spreading foot with further gilt decoration, H28.5cm x W22.5cm
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158221 item(s)/page