Attributed to Nicolás Enríquez (Mexico, 1704 - 1790)"Veil of Veronica"Oil on canvas.It has a patch on the back.80 x 71 cm.From the image engraved by Julián Mas (Alcora, Castellón, 1770 - Valencia, 1837) one of them is kept in the Calcografía Nacional in Madrid, (Inv. No. AC-01783): https://www.academiacolecciones.com/estampas/ inventory.php?id=AC-01783
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A Group of 35mm Cameras, comprising a Pentax Spotmatic F, silver, body G, shutter works, with a Meyer-Optik Domiplan f/2.8 50mm lens, barrel G, optics F-G with a light fungus patch, a Pentax MG, silver, body G, shutter jammed, mirror is up, with a smc-Pentax-M f/2 50mm lens, barrel G, optics F-G with haze, a Pentax ME Super, silver, body G, shutter jammed, mirror is up, with a smc-Pentax-M f/1.7 50mm lens, barrel G, optics F-G with haze, a Chinon CM-4, black, body G, shutter works, with an auto-Chinon f/1.9 50mm lens, barrel G, optics F-G with haze, and a Minolta Vectis S-1, grey, body G, untested, with two lenses, a Minolta 22-80mm zoom, and a Minolta 25-150mm zoom, barrels G, optics G.
A Pentax K1000 35mm SLR Camera Outfit, comprising a K1000, silver, serial number 6458878, body G, minor rub to the rear of top plate, shutter works well, with a smc-Pentax-M f/2 50mm lens, barrel VG, optics F-G with light haze and peripheral fungus patch, a Takumar f/2.5 135mm lens, barrel G, optics G with light dust, a Tamron MC f/2.8 28mm lens, barrel G, optics G, a Sun Tele-Auto f/2.8 200mm lens, barrel VG, optics VG, and a Toshiba flash, battery corrosion evident.
size 40 (fits a standard 36-38 European), virgin wool, silk, alpaca, mohair, polyamide. sleeveless tailored tweed dress with a round neckline. Zipper closure at the back, two patch pockets at the front, fringes at the hem. Fully lined. labelled Dolce & Gabbana R, hand tag Dolce & Gabbana, labelled Dolce & Gabbana / made in Hungary Excellent condition
Mick Rooney RA (b.1944) Oil on board "The Prodigy", Fosse Gallery label dated 2000, 26cm x 20cm Original Fosse Gallery receipt dated '9th December 2000 Provenance: artist's studio'. From the collection of the late Maurice CostleyCondition ReportThere is a linear patch of wear running along the top of the painting, having a matt appearance, perhaps where it was framed previously, there appear to be some small patches of retouching to the dark brown ground to the background and possibly to the arms and edges of the figures, although it is possible that this is part of the original paintwork. The panel is sealed at the back and has not been inspected out of the frame.
Campbell Archibald Mellon (1878-1955) Oil on board “Gorleston Beach - Summer's Day”, figures on beach with sailing vessels in background, with Mandell's Gallery receipt dated 1979, 49.5cm x 60cm (small newspaper cutting found on the reverse when purchased) From the collection of the late Maurice Costley Campbell Mellon was born in Berkshire and began his artist’s career in 1903. Moving to Norfolk he was taken under the wing of Sir John Arnesby Brown. He is known for his coastal scenes which are impressionistic, light and breezy, usually including busy little figures enjoying the beach. He was a member of the Royal Society of Oil Painters and exhibited at the Royal Academy. Condition ReportIn good order overall. There is a rectangular patch of discolouring to the reverse, which is presumably where the newspaper clipping was attached, there are some very small areas of cracking, very minor surface wear, with a small patch just below signature. The giltwood and gesso frame has been cracked and restored and regilt to some areas. Uninspected out of the frame.
A collection of enamel pill and patch boxes 18th century and later, to include Bilston examples, including examples inscribed 'Love for Love', 'Long May You Live and Be Happy', and 'A Trifle from Harwich', 'A Lover's Gift', and 'A Friend's Gift', the largest 5..5cm wide (11)Provenance: The property of the late Baron John Mauger Langin Condition ReportTwo examples with detached lids. Cracks and scratches to the enamel throughout. Three examples with cracked internal mirrors.
A collection of pill and patch boxes 20th century, to include Staffordshire and Bilston examples, two silver mounted Wedgwood Jasperware examples, celebrating the Bicentennial of American Independance, limited edition 463 and 245/500, a Chinese cloisonne example, in the form of a panda, a mother of pearl and a hardstone example, the largest 6.5cm wide (20)Provenance: The property of the late Baron John Mauger Langin Condition ReportOne example with a damaged hinge. One Bilston example with losses to the lid.
A Gordon Russell Arts & Crafts oak 'Enstone' trestle dining table, the rectangular top on octagonal column legs and sledge feet united by a stretcher75 x 198 x 75cmProvenance: Formerly removed from The Walden School, Saffron Walden and subsequently sold through these rooms in 2018Table surface has well lived and patinated condition of numerous surface scratches abrasions, staples, glitter, glue, graffitti (to include "I hate my life" "W W woz here" "check out fake tits on porn hub") Please see further images. Structurally sound. Patch of chewing gum to stretcher.
λ DENIS BOWEN (BRITISH 1926-2006) EXPLODED STRUCTURE Acrylic, sand and Ripolin on canvas 71 x 91.5cm (27 x 35 in.)Painted in 1958. Provenance: Redfern Gallery, London Private Collection, P. Dallas Smith (acquired from the above in July 1958) Condition Report: There is some cracking to certain areas of black pigment, notably the patch at the centre of the right edge. Some 'spotting' to the paint surface which appears to be consistent with the artist's intention (see lower right corner). Ultraviolet light reveals one small patch of retouching just off the lower edge in the lower right quadrant. Some surface dirt, but otherwise, in generally good original condition.Condition Report Disclaimer
A Barr twin-handled, boat-shaped sugar bowl, wrythen fluted with puce, green and gilt sprigs, a Flight wrythen oval example with purple and gilt sprigs, a small Chamberlain's example similar and a small London shape example with purple and gilt flowers, late 18th - early 19th Century and three porcelain plates painted with flowers, late 18th/early 19th Century, comprising a Derby plate painted with a specimen 'Ladies slipper', a Tournai plate with a small bouquet and an English example painted with roses and oak leavesThe small Chamberlains sugar bowl has a patch of flaked gilding to the finial. All are without damage or repair.Of the plates: the yellow border Derby plate had a riveted hairline crack from 10o'clock to the centre. Light wear to the Tournai plate and the plate with the floral wreath has some flaking to the thickest pink enamel.
A Queen Anne wingback armchair in distressed velvet and embroidered foliate upholstery, on carved scrolling gilded legs and stretchers, 74cm wide, 130cm highVery distressed condition. The side wing frames are a little wobbly. The squab cushion is present but very soft. The rear legs are chamfered. The front stretcher has a centre scroll section missing and a strengthening patch to the rear surface. A small leafy section is also missing adjacent to the left hand scroll. The gliding is missing or has been scraped back in many places revealing the pink and white under-surfaces.
A PAIR OF LATE 19TH CENTURY BOHEMIAN GARNET EARRINGS The articulated trefoil pediments above pear shaped drop panels pavé set throughout with rose cut bohemian garnets, unmarked Size/dimensions: 5.2cm long Gross weight: 8.8 grams Condition Report: The settings are base metal but the hooks are testing as gold. One garnet is missing from one of the drops, there is some old glue visible behind some garnets, the pediment of the other earring has got some glue visible . A patch of Verdigris to the reverse of one drop, some general wear commensurate with age and use Condition Report Disclaimer
A PAIR OF DIAMOND AND EMERALD EARRINGS, AND A FURTHER PAIR OF EARRINGS The scrolled earrings with a central row of four brilliant cut diamonds suspending a pear shaped emerald drop, with stud and clip fittings, stamped 14KT with CEI maker's mark; together with a pair of gilt metal floral earrings with simulated pearl drops, stud fittings Size/dimensions: first earrings 2.6cm long Gross weight: 12.3 grams Condition Report: The emerald and diamond earrings 7.2 grams, there is some light wear commensurate with age and use, the diamonds are all present and correct, bright and lively. The stud and clip fittings are in good working order. The second pair have some light wear, there is a very small patch to the reverse where the earrings have been scraped and acid tested. Condition Report Disclaimer
A large Royal Worcester twin handled vase and cover - shape no. 2225, printed factory mark with date code for 1903, of urn form with gilt swagged, foliate scroll handles, gilt foliate borders, gilt waisted neck with shell ornament and gilt flared pedestal base with husk swags and lappet and beaded border, the foliate cover with bud finial, 38.5cm high, cover restored, retouches to gilt to borders and patch of retouching to base.
A 19th century Sèvres-style porcelain and gilt-metal box - rectangular with domed hinged lid, with painted with floral sprigs and gilt on a celeste blue lattice ground, blue painted interlaced L mark, 5.5 cm long; together with a small English enamel circular patch box, the lid with the motto 'Virtue prize and Vice Despise', 2.7 cm diameter, cracks to enamel. (2)
Ten 19th century English porcelain tea cups and coffee cans in the Imari palette - each with its matching saucer, including examples by Spode, Derby and Derby, Stevenson & Hancock, plus a single Spode 1409 pattern Bute coffee can.* The Spode 2693 coffee cup has a tiny rim chip. The small Derby, Stevenson & Hancock teacup has a glued break to the rim, with a small piece missing. The Derby coffee can and saucer has glaze crazing throughout, with a consequent patch of glaze discolouration to the underside of the saucer. The other pieces in good condition, with no chips or cracks, a little gilt wear.
Y A PAIR OF FRENCH LATE 18TH CENTURY CLASP SLIDES WITH MINIATURES OF COURTING COUPLES The slides each with an oval miniature of a couple in a pastoral scene, one with a with a dog at their feet, painted on ivory, beneath a glazed panel within a gold surround with etches decoration, to a silver setting, stamped with French Paris 1774-1780 poinçon Size/dimensions: 4.5cm high Gross weight: 20.5 gramsPlease note: Dreweatts have applied for a de minimis exemption for this lot. Ref: ZLBB5TAW, XDLNQFL7 Condition Report: The glass has been replaced in the slide without the dog in attendance, it is flat glazing rather than domed, the frame has been pressed down in places. The miniature painting of the couple with the dog has flaking to the paint and a patch where it appears that paint has been restored, just in front of the dog on the left hand side of the miniature. Both clasps have some general overall wear commensurate with age and use. The clasps in good working order. Condition Report Disclaimer
A GEORGE III MAHOGANY BREAKFRONT SERVING TABLE CIRCA 1780 Of D-shaped outline, the top banded and line-inlaid, formerly with a brass gallery, the fluted frieze with two mahogany-lined drawers between oval sunflower paterae, on fluted square tapering legs with block feet 86cm high, 230cm wide, 91cm Provenance: Claude. J. YorkeIllustrated: The Connoisseur, May 1965, p.3Literature: The Connoisseur, May 1965, p.4 Condition Report: Good, structurally secure with dents marks and scratches and shrinkage cracks due to age and use. The catalogue illustration is accurate. There are repairs to back edge of the top where the brass gallery was fitted. There is a 6.5 x 4cm patch to back right of top. Edge chips to the top, notably to front left of the break front. The drawers lined with green baize. Chips and minor repairs to the edges of legs, the block feet replaced.Condition Report Disclaimer
TWO PAIRS OF CRESTED SILVER-PLATED MEAT COVERS Each of oval domed form, scrolling foliate grape and vine handles, engraved armorial for Walter Matthews Paul (1797-1861) and Elizabeth Hawker The larger 27cm high, 46cm wide, smaller 19cm high, 36.5cm We believe that Walter Matthews PAUL (1797-1861) and Elizabeth HAWKER (1802-1881) were the owners of the arms and that they would have likely been used in the period from 1819 (their marriage date) to 1881 (the death of Elizabeth as a widow). The quartered arms in dexter indicate that the owner of these arms is a descendant of John PAUL (1772-1828) of Highgrove Gloucestershire and Mary MATTHEWS (1770-1843) who was born at Clapham Surrey. They were married at Battersea in 1793. John PAUL was the son and heir of John PAUL (1772-1828) by Mary CLARK (1754-1814). The family name was originally TIPPETTS. Condition Report: 36cm long - Engraving crisp, handle tight to the body, one end of handle slightly upturned, wear to the plating, bruised patch at one end, stands well37cm long - Engraving crisp, handle tight to the body, heavy dent approx. 4cm long, wear to the plating, stands well46.5cm long - Engraving crisp, handle tight to the body, several minor dents, wear to the plating, stands well46cm long - Engraving crisp, handle tight to the body, several minor dents, heavier crease approx. 4cm long, wear to the plating, wobblesAll with light to heavy scratches and wear commensurate with age and useCondition Report Disclaimer
A GEORGE III MAHOGANY HALL TABLE LATE 18TH CENTURY The moulded rectangular top above plain frieze and cluster column legs 76cm high, 183cm wide, 79cm deepFor a design of 'Sideboard Table' by Thomas Chippendale incorporating a related cluster column leg, see Thomas Chippendale's, The Gentleman and Cabinet Maker's Director, The Third Edition (1762), printed John Tiranti ltd, London, 1939, pl. NoLX. The collection from Trethill House, Cornwall Condition Report: Good, structurally secure with wear and tear consistent with age and use. There are the inevitable minor dents marks and scratches and shrinkage racks, the top with a patch of dark staining to back left corner and a small shrinkage split in the same area. Otherwise the colour on the top and friezes is very good. Legs and particularly thge feet with scuffing, some old repairs to the feet. Small loss to the ovolo moulding to the middle block of back left leg (see images). The underside of the top with multiple old glue blocks ( a few replaced) but looks generally undisturbed.Condition Report Disclaimer
19TH CENTURY CHINESE SCHOOL "Woman and child in an interior, she smoking a pipe, a garden unfolding in the background", oil on canvas, signed middle upper left, 60 cm x 45.5 cm CONDITION REPORTS Has been re-lined, clearly been cleaned etc. See images under UV. Otherwise some crazing throughout. There is a slightly strange patch to the varnish on the child's arm holding the feather and another area of damage to the varnish above her outstretched hand. Otherwise general wear and tear conducive with age and use. See images for more details
DRESDEN: a porcelain lidded tankard decorated in enamels with courting couple, height 15cm; a pair of scale blue ground inkwells and 2 other pieces Condition report:The tankard is in good condition, a minor horizontal patch of wear to gilt noted in the top band.WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION.
A Studiomaster Mixdown Gold 16:8:16 mixing desk with phantom power and MIDI, in original packing box with instruction manual and cables. Purchased from new by the vendor in 1993.Together with a Sound Lab PB 16x2 16 channel patch bay with cables, and a wall mounting studio/stage box with XLR and jack inputs.
A COLLECTION OF TWENTY-FOUR LILLIPUT LANE SCULPTURES, comprising of, Collectors Club, Woodmans Retreat, (some rubbing to the front), Teapot Cottage, L2993, Candy Floss, L2933, (rubbing on the roof and the tree at the front of the roof), The Toy Menders, L2665, (the roof looks a little dirty), The Pottery, L2123, (damage to the tree's at each side of the house, damage on the base at the back), Beekeeper's Cottage L2316, Old Scrumpy Farm, L2394, 21st Birthday collectors club, Happy 21st Birthday L2587, Collectors Fair, Caesar's Tower & The Barbican, L2888, Visitor's Centre Special, Moot Hall-Keswick, L2504, Exclusive to Penrith retail outlet, Penrith Town Clock, Anniversary Cottage collection, April Cottage, L3020, (rubbing on the roof), Club Symbol of Membership, Cabbage Patch Corner L2831, (rubbing to the corner of the roof), Little Scumpy, L2395, Parsley Cottage, L3406, Fresh Today, L2256,(some chips around the bottom edge), Fruits of the Sea, L3174, Kiln Cottage, L2124, Petticoat Cottage, Sugar Mouse L2932, The Spinney, The World of Beatrix Potter collection Tabitha Twitchit's, L2271, (chips in the roof and a broken chimney), Hill Top, L2273, (rubbing to the tree up the side of the house and roof edge), Ginger & Pickles shop, L2268, (Condition Report: all sculptures have signs of rubbing and lightly dusty, all have boxes and deeds with them which show age wear, see main description for specific damage and more severe rubbing), (24)
A collection of 1971, 1972, two 1973, and 1974 San Francisco Mint Eisenhower Silver Proof Dollars. The obverse side features a profile portrait of the 34th US President, Dwight D. Eisenhower. The reverse side features a bald eagle landing on the moon surface, clutching an olive branch. The reverse side is based on Michael Collins' Apollo 11 Mission Patch design. Each coin is in a protective case. A protective case approximately measures: 3.25"L x 0.5"W x 5.25"H. One of the 1973 silver dollar is in an original box: 5.25"L x 0.75"W x 7.25"H. Artist: Frank Gasparro, Michael Collins & James CooperIssued: 1971 - 1974Dimensions: See DescriptionManufacturer: United States MintCountry of Origin: United StatesCondition: Age related wear.
West Point Mint. The obverse side features an Allied Forces storming the beaches of Normandy. The reverse side has a quote by General Dwight D. Eisenhower and a flaming sword patch. The coin is in a protective case and displayed in an original US Mint box. The box is approximately: 6"L x 3.5"W x 0.75"H. Artist: Thomas D. Rogers, Sr. Issued: 1995Dimensions: See DescriptionManufacturer: United States MintCountry of Origin: United StatesCondition: Age related wear.
A quantity of mainly Crummles enamel Patch Boxes, to comprise animal scenes, winter scenes, flora, etc. together with a quantity of other enamel Patch Boxes and other boxes including Halcyon Days, Staffordshire Enamels, two miniature Coalport Shoes, two Royal Crown Derby paperweights etc. 35 pieces approximately (a lot)
A Royal Worcester Porcelain Tea Cup, Saucer, and Side Plate, painted with fruit, signed Price and Ayrton, printed puce marks (3)No chips, cracks or repair. No crazing. Gilding slighty worn and scratched. Side plate with a short scratch in the left side of the border. Saucer with a wear patch at the same spot.
A Victorian Silver Teapot, by Charles Gordon, London, 1837, compressed circular and with ivory-insulated handle, the hinged cover with melon and foliage finial, 21cm wide over handle, gross weight 10oz 13dwt, 331grWith non-transferable standard ivory exemption declaration number VDDHR6LG. Fully marked underneath. Further part marked on handle and inside cover with conforming marks. There is some wear to the marks but each is generally legible. There is some overall surface scratching and wear, consistent with age and use. There is a repair/patch around the top handle junction and a small split in this area. There is some cracking and discolouration to the ivory, though there is no sign that the ivory has been added or altered in any way.
SEVEN VARIOUS ENGLISH ENAMELS OVAL PILL OR PATCH BOXES FOR THE BATH SOUVENIR TRADE CIRCA 1800 Including printed views of the Guildhall; Prior Park; North Parade; General Hospital; New Rooms, The Abbey and a blue 'Trinket from Bath' exampleProvenance: The Leonard Fuller Collection Condition Report: Some old damage and restoration generally. Please see additional images for clarification. These are available from the Dept. upon request.Condition Report Disclaimer
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