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The patch was used by a ZSU soldier actively involved in the fighting on the frontlines in Ukraine and was passed on to volunteers delivering humanitarian aid to the front. Chernivtsi is a city located in the Chernivtsi region of Ukraine. The patch is meant to boost morale and warn enemies that the people of Chernivtsi are as dangerous as God himself, with the skull in the center symbolizing death.Useful links:Overall condition as shown in the photos.Dimensions: 6.5 x 8.5 cm

Single red "Poland" patch. Worn by all units of the Polish Armed Forces in the West. Good condition as shown in the pictures.Dimensions: 1.5 cm x 5 cm.Condition as shown in the pictures.

"12th Special Operations Brigade 'Azov,' formerly known as the 'Azov Battalion' and 'Azov Regiment,' is a tactical unit of the Ukrainian National Guard. During the battles for Mariupol in 2022, the formation was known as the 'Separate Special Purpose Unit "Azov" within military unit 3057 (12th Brigade of Operational Targets of the NSU)' under the Eastern Operational Territorial Association of the National Guard of Ukraine.This patch was acquired in Lviv from a collector at a market. It features the symbols 'Idea of the Nation' and 'Black Sun.' This emblem is no longer officially used by the regiment.Useful link:Wikipedia - Azov BrigadeThe overall condition is visible in the photos.Dimensions: 6.5 x 8.5 cm"

Identification patch of the 2nd Warsaw Armored Division in the form of an armored arm with a sword, embroidered in bullion thread on a khaki background. Made in Italy.Dimensions: 55 mm x 55 mm.Overall condition as shown in the pictures.

The design of this patch is highly symbolic and is frequently used by both soldiers and civilians to boost morale and commemorate two significant events that took place during the full-scale war in Ukraine. It tells the story of two separate incidents that occurred in 2022.On the patch, we can see the Russian flagship “Moskva” sinking in the spring of 2022, a major event for the Russian Black Sea Fleet. The design is associated with the phrase “Русскій карабль – іди нахуй” (Russian ship – go f**k yourself). This phrase originated from an event on February 24, 2022, when a Ukrainian border guard said this in response to a Russian warship's demand for surrender. The incident occurred during the attack on Snake Island amid the Russian invasion of Ukraine.The image of the “Moskva” and the phrase “go f**k yourself” has been widely used on patches, mugs, t-shirts, bags, and wherever possible, becoming extremely popular not only in Ukraine.Useful links:Business Insider – The Attack on MoskvaWikipedia – Russkij wojennyj korabl, idi nachujOverall condition as shown in the photos.Dimensions: 8 cm in diameter

Polish WW2 Photograph of a Corporal from the 2nd Polish Corps. A photograph taken between 1945 and 1946, featuring a corporal from the 2nd Polish Corps. The rank insignia, 8th Army patch, eagle badge, and collar patches are clearly visible.This is an early and rare example of a color photograph from that era.Dimensions: 8.2 cm x 6 cmThe general condition is visible in the photos.

"The patch was given by soldiers actively participating in the combat on the front lines in Ukraine. Worn on military uniforms, it serves as a reminder to enemies of the inevitable and swift death, referencing the well-known phrase 'Memento mori.' The two plus signs represent a soldier's mark of being 'in agreement,' signaling to the enemy that they can be certain of their imminent death.Useful links:The overall condition is visible in the photos.Dimensions: diameter 7.5 cm"

Collection of dolls, including Cabbage Patch dolls, troll doll, other similar dolls and dolls clothes

WHEATSTONE, 56-BUTTON CONCERTINA, serial number 25723, with fretted metal ends, in carry case14cm (when not expanded)Condition good to fair. All buttons appear to work. No rips to bellows, though evidence of patch repairs. Wear to silvering, and worn through to one area of fretted end. Please see additional images.

English School, early 19th century A view of a Flemish village, with soldiers in Scottish military uniformoil on panel42 x 52.5cmProvenance: Purchased in 1917 from the sale of the contents of Myshall Lodge in County Carlow, Ireland, owned by the Weld family; thence by descent.Condition ReportOverall: 54.5 x 65.5cmThe is a 6cm split to the panel in the centre of the left edge. The panel has a small loss to the upper right corner and is slightly bowed in the centre. Surface dirt and discolouration. There are two brighter areas where the painting has been selectively cleaned in the upper left corner and to the left edge, lower centre. There is a patch of overpaint to the centre of the right edge. Under UV light much of the surface is obscured by a thick layer of varnish, however some areas of overpainting are visible to the background and sky. The paint has been faced and consolidated in the lower centre.

G. Price (British, late 19th century) Portrait of a Jack Russell terrier oil on board, signed and dated (18)87 lower right 8¾ x 12 in (22.2 x 30.5 cm), oak frame with gilt slip (31.5 x 39.5 cm) * Surface dirt and nicotine staining to the paint surface - will respond well to cleaning. The board has warped a little, creating a slight bulge to the lower centre below the dog. A few small scattered retouches visible under UV and a small retouched patch below the signature. 

W. V. Long (British, late 19th century) Portrait of a red setter in a landscape oil on board, signed and dated 1891 lower right 8¾ x 12½ in (22.2 x 31.75 cm), bird's eye maple frame (30.5 x 39.5 cm) * Surface dirt across surface and discolouration to varnish. Retouched paint flake to upper right margin, another just behind the dog's head (which has a paler patch to the varnish surrounding it, from cleaning before the retouch was carried out), and a smaller paint flake to lower right margin. Evidence of old cleaning and restoration under UV, with scattered retouches. Some 'pooling' of varnish visible under UV and to the naked eye above the dog's back, where it was heavily applied. 

Ten 19th century English porcelain tea cups and coffee cans in the Imari palette - each with its matching saucer, including examples by Spode, Derby and Derby, Stevenson & Hancock, plus a single Spode 1409 pattern Bute coffee can.* The Spode 2693 coffee cup has a tiny rim chip. The small Derby, Stevenson & Hancock teacup has a glued break to the rim, with a small piece missing. The Derby coffee can and saucer has glaze crazing throughout, with a consequent patch of glaze discolouration to the underside of the saucer. The other pieces in good condition, with no chips or cracks, a little gilt wear.

Persian Heriz red ground carpet, large stylised pole medallion surrounded by Pitrak motifs, indigo ground border decorated with stylised flower heads and trailing leafy branches, within floral pattern guard stripesDimensions: Length/Width: 414cm  Depth/Diameter: 320cmCondition Report:Patch of wear to one corner.

TWO 20TH CENTURY CHINESE EMBROIDERED SILK SKIRTS AND A JACKET. The first skirt in black silk embroidered with pheasants perched on rockwork above waves and flowers, with pink cotton waistband, a red skirt embroidered in silver thread with birds and flowers, with silvered tassels at hem, the black silk jacket embroidered in silver thread with birds perched on flowering branches, edged in scrollwork, with red silk toggles and pink lining (3) The black jacket with some tearing to pink lining and small area of tearing to red seam at back of hem, some small area of pulled threads, with a more noticeable patch of losses and pulling to one shoulder. The red skirt with wear, holes and tearing to white waistband and further holes, probably moth damage to red silk, including several tears, some separating at the seam.The black skirt with pink waistband with some minor loose threads, minor wear.

Star Wars - Boxed Master Replicas SW-400 Star Wars Collectors Society 2005 Episode I - The Phantom Menace Darth Maul Lightsaber Scaled Replica, complete with lightsaber, Collectors Society 2005 patch and COA, ex

Robinson (William Heath).- Carse (Roland) All the Monarchs of Merry England (William I to Edward VII), 40 colour plates and black and white illustrations by W. Heath Robinson, ink gift inscription to front endpaper, light foxing at beginning and end, pictorial endpapers lightly browned, original decorative crimson morocco, gilt, wear to spine ends and corners, very lightly rubbed elsewhere, lower joint starting, [c.1907] § Shakespeare (William) A Midsummer-Night's Dream, first trade edition, 12 tipped-in colour plates and black and white illustrations by W. Heath Robinson, ink gift inscription to pastedown, front endpaper with later school prize bookplate and inscription, occasional cracking at gutter, one plate with creasing to lower margin, the odd patch of soiling, endpapers toned, original pictorial cloth, gilt, a few marks, spine slightly faded and with small residue-mark to foot, spine ends and corners rubbed and a little bumped, some light rubbing to covers, 1914; and 3 others illustrated by the same, 8vo & 4to (5)*** The first a scarce, single-volume alternative to Carse's four volume "Monarchs of Merry England", each published with 10 plates by Heath-Robinson. Not recorded in WorldCat.

Clarke (Arthur C.) 2001: A Space Odyssey, first edition, patch of browning to half-title and title, original boards, slight toning to head, dust-jacket, price-clipped, spine tips and corners a little chipped, vertical crease to spine, a few short nicks or tears to head and foot with neat tape repairs to verso, an excellent example overall, 8vo, New York, 1968.

Kosmetiktasche, Yves Saint Laurent. Schwarzes, gestepptes Lammleder. Bronzefarbene Hardware, gem. "Saint Laurent Paris", Reißverschluss. Innenmaterial schwarzer Baumwollcanvas. Innen je ein Haupt- bzw. seitliches Einsteckfach mit Leder-Patch, gem."SAINT LAURENT PARIS MADE IN ITALY". Neuwertig. Ca. 13x 26x 7 cm.

Pair: Lance-Corporal C. R. J. Avison, Royal Signals Operational Service Medal 2000, for Afghanistan, 1 clasp, Afghanistan (25216417 Sig C R J Avison R Signals) in case of issue; Jubilee 2012, unnamed as issued, in card box of issue; together with a Signal Officer in Chief (Army) Commendation Medallion, silver, hallmarks for London 2011, the reverse engraved ‘LCpl C Avison 2011’, in Bigbury Mint case, the lid embossed ‘Royal Corps of Signals’, extremely fine (3) £200-£240 --- Sold with a British Army cloth identification patch ‘AV6417 O+’; and three photographic images.

An outstanding Second War Coastal Command Immediate D.F.M. group of four awarded to Flight Sergeant J. S. ‘Jack’ Garnett, Royal Air Force Volunteer Reserve As Second Pilot to Flying Officer J. A. Cruickshank in a Catalina of 210 Squadron on 17 July 1944, Garnett’s name is indelibly linked to one of the finest Victoria Cross actions of the war: but for his own stoicism in facing off his wounds and taking over the controls, none of his crew would have reached safety Distinguished Flying Medal, G.VI.R. (1390283 F/Sgt. J. S. Garnett. R.A.F.); 1939-45 Star; Atlantic Star; War Medal 1939-45, mounted for wearing, nearly extremely fine (4) £14,000-£18,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- D.F.M. London Gazette 29 September 1944. The original recommendation states: ‘This N.C.O. was the Second Pilot of a Catalina aircraft which sighted and attacked a fully surfaced U-boat on the 19 July 1944. The attack was pressed home at a very low altitude by the Captain in the face of heavy and intense flak which killed the navigator/bomb aimer outright, severely wounded the Captain and front gunner as well as slightly wounding Flight Sergeant Garnett. Immediately after the attack the Captain collapsed in his seat. Flight Sergeant Garnett, promptly took over the controls, righted the aircraft and climbed into a fog patch ahead of him. From then on Flight Sergeant Garnett assumed the captaincy of the damaged aircraft and organised the crew for the homeward journey of five hours. Although not qualified as a First Pilot on Catalinas he brought the damaged aircraft safely back to base and successfully landed it in difficult water conditions (glassy calm) in the half light of early morning. Owing to the damage sustained to the hull, it was necessary to effect an immediate beaching, which operation he conducted with conspicuous success and beach it finally in an extremely well chosen spot. From the moment he took charge he handled the situation in the manner of an experienced First Pilot. By his prompt action immediately after the attack, his skill in flying the aircraft back to base without a navigator, his successful landing and well-judged beaching he undoubtedly saved the lives of his crew and was responsible for the safe return of his aircraft.’ John Stanley Garnett was born in Barnet, Hertfordshire on 4 November 1911. Joining the Royal Air Force Volunteer Reserve, he was selected for pilot training and qualified for his ‘Wings’ in Canada, in addition to attending a navigation course at Pensacola, Florida. He subsequently joined the strength of Coastal Command’s 210 Squadron in early 1944 and, by the time of the above related action, had completed about 100 hours of operational flying. And that action is best summarised in Chaz Bowyer’s For Valour – The Air VCs: ‘ … At 1.45 p.m. Cruickshank got airborne from the Sollom Voe base to start a patrol calculated to last at least 14 hours. For the next eight hours the Catalina swept its patrol area, seeing little of importance, and its crew were reaching the point of thinking ahead to the return to base at the end of yet another monotonous sortie. Then, at 9.45 p.m. the radar showed a contact at 6821N, 0556E, - a surface vessel some 43 miles ahead. The flying boat at that moment was flying at 2000 feet above the ocean and Cruickshank’s immediate reaction to the sighting report was to approach the unidentified ‘contact’. Further on he suddenly saw the vessel - a submarine, doing approximately 14 knots on the surface. At first the crew thought it must be a ‘friendly’ sub, but Cruickshank ordered a recognition cartridge to be fired and the code letter of the day to be flashed to the submarine to ensure identification. His answer was an immediate heavy box barrage of flak - it was a German U-boat. Cruickshank’s response was to pull the Catalina into a complete circuit around the U-boat and begin his first run-in, descending from 1,000 feet to 50 feet as he nosed towards his target. At 1,000 yards’ range the Catalina’s front gunner commenced firing to make the German gunners take cover, and his tracers splashed around the submarine’s conning tower and ricocheted away in crazy parabolas; then the waist blister guns joined in the attack. Roaring over the U-boat the Catalina’s depth charges failed to release, so Cruickshank turned to port, climbing to 800 feet and continuing his turn to begin a second attack. Shouting to his crew “Everybody ready?” Cruickshank paused to hear the responses and then yelled, “In we go again.” The U-boat was now nearly stationary, giving its gunners a more stable platform as they prepared for the Catalina’s second attack. Flak shells began to slash along the flanks of the flying boat as it bore in; then as the U-boat came directly under Cruickshank’s vision, one shell exploded inside the Catalina, creating havoc. The navigator, Dickson, was killed instantly, Appleton [an Air Guner] was hit in the head by shrapnel, and Harbison [the Flight Engineer] wounded in both legs. In front of Garnett’s second pilot seat the windscreen shattered, and further inside a fire broke out. Cruickshank received wounds in both legs and his chest, but gave no indication of his injuries, intent as he was on completing his attack. From 50 feet above the U-boat Cruickshank personally released a stick of six depth charges in a perfect straddle of the submarine, then pulled up into the clouds of sea fog ahead of him. The aircraft crew saw no more of their target, but behind them the U-347, commanded by Oberleutnant zur See Johnann de Bugr, was rapidly sinking - Cruickshank’s aim had been true. U-347 had been one of an Arctic flotilla, and this was only her second patrol. In the Catalina, the crew took stock of the damage and crew injuries. The hull was riddled with flak damage, with a foot-long gash along the waterline. The aircraft radar set was out of commission, and one of the main petrol lines was leaking fuel steadily. The latter was particularly worrying; in their immediate location, 190-degrees west of the Lofoten Isles, north-west of Norway, the crew realised that it was at least five hours’ flying back to base at Sullum Voe. The various holes in the main hull were stuffed with various canvas engine covers and ‘Mae West’ preserver life jackets by various crew members; while up front Garnett took over the controls from Cruickshank and told Appleton to come and tend to the skipper’s wounds. Appleton began to cut away the legs of Cruickshank’s uniform trousers to staunch the obvious flow of blood, and then Cruickshank’s face went white and he fainted. Garnett and Appleton managed to lower the unconscious pilot from his seat and carried him aft to the only remaining unburned rest bunk; then Garnett returned to his forward seat. Appleton began to dress Cruickshank’s leg wounds and only then discovered the several chest wounds suffered by his captain - Cruickshank had not said anything about these. As the pilot regained consciousness soon after, he immediately made a move to go forward to his seat at the controls, being anxious about the fuel state, but Appleton restrained him gently, explaining that Garnett had everything under control there. Cruickshank’s next thought was for his navigator, but from the look on Appleton’s face, realised that Dickson must be dead already; indeed, he must have unconsciously known this after the explosion in the aircraft during the second ...

Two large Bilston enamel patch boxes, circa 1800, each of oval form, painted with animals in pastoral landscapes, including dog and hare with hunting emblems, on an engine turned type blue ground with relief moulded floral sprigs, the other with pink ground, 5.5cm wide (2)

A Bilston enamel patch box, circa 1780, oval form, the lid painted with wheat sheaf and doves below motto Peace and Plenty, within triangular gilt and jewelled border, blue ground, 4.5cm wide

Two Bilston enamel patch boxes, circa 1790, oval form, one with a colour transfer lid of a milkmaid, the other with two women fishing by a river, blue grounds, 5cm (2)

A Bilston enamel patch box, circa 1790, circular with lobed body, puce painted with a pastoral scene of figures and sheep, 4cm diameter

A Bilston enamel patch box, circa 1790, the oval top painted with a recumbent sheep in pasture within jewelled and gilt border, on pink ground, mirror interior, 4.5cm wide

A Bilston enamel patch box, circa 1790, oval form, painted with a short horned cow, within jewelled border, green ground, 4.5cm wide

A Bilston enamel patch box, circa 1790, oval form with lobed foot, the lid decorated with a beehive and inscribed A Present from Warrington, 4.5cm wide

Two Bilston enamel patch boxes, circa 1800, oval form, each painted with farm animals, including sheep and lamb, and a goat, with jewelled and gilt borders, blue and pink grounds, 4.5cm wide (2)

A large Bilston enamel patch box, circa 1780, oval form, the lid with a poetic verse and roundel of courting shepherd and shepherdess, within gilt and jewelled border, green ground, 5.5cm wide

Three Bilston enamel patch boxes, circa 1790, each with inscriptions to the oval lids, A Trifle from Salisbury, A Trifle from Soho and A Present from Southampton, pink and green bodies, 4.5cm wide (3)

A Bilston enamel patch box, circa 1780, oval, decorated with a harbour scene with figures, purple ground, 4.5cm wide

Two Bilston enamel patch boxes, circa 1780, each with a motto, Keep this for my Sake, and Have Communion with few, Be familiar with one, Deal justly with all, Speak evil of none, within green saw tooth and berried border, blue and pink grounds, 4cm wide (2)

A relief modelled Bilston enamel patch box, circa 1780, circular form, the lid with a ginger marmalade cat within raisted gilt Rococo scroll border, on a pale blue ground, polished steel convex mirror to the interior, 4.5cm diameter

Two Bilston enamel patch boxes, circa 1790, oval form with lobed bodies, each transfer printed with dove roundels, within vine borders and mottos Love is the Noblest Passion of the Human Soul and Bind me Fast or Set me Free, Give me Love or Liberty, pink and blue grounds, 4cm wide (2)

A Bilston enamel patch box, circa 1790, oval form, the lid with a polychrome image of Brighton Pavillion and inscribed banner, pale blue ground, 5cm wide

A Bilston enamel patch box, circa 1790, oval form, painted with a sheep shearer at work in a pastural landscape, within jewelled border, blue ground, 5cm wide

Two Bilston enamel patch boxes, circa 1790, cushion topped plinth form, one lid inscribed Alas by You Im Wounded Through, around an image of Cupid, the other with Health Peace and Competence, Industry(s) Best Recompence [sic], blue and pink bodies, 4cm and 4.5cm (2)

Two Bilston enamel patch boxes, circa 1790, oval form, one with a temple in landscape within motto Virtue is the greatest Ornament of the Fair, the other with motto Should I ever inconsistent prove, Despise me more than I now Love, blue and yellow grounds, 4.5cm wide (2)

[DEFOE, Daniel ([?]1661-1731)]. The Fortunate Mistress, London, 1724, 8vo, fine engraved frontispiece captioned "The Famous Roxana" (some spotting and staining), contemporary calf. THE VERY RARE FIRST EDITION of Defoe's last novel, published anonymously.[DEFOE, Daniel ([?]1661-1731)].  The Fortunate Mistress: Or, A History of the Life and Vast Variety of Fortunes of Mademoiselle de Beleau, Afterwards Call'd The Countess de Wintselheim, in Germany. Being the Person known by the Name of the Lady Roxana, in the Time of King Charles II. London: "Printed for T. Warner at the Black-Boy in Peter-Noster Row; W. Meadows ... W. Pepper ... S. Harding ... and T. Edlin," 1724. 8vo (192 x 118mm). Fine engraved frontispiece captioned "The Famous Roxana", title within double-rule border, woodcut headpieces, initials and ornaments to the Preface and the opening of the novel, woodcut ornament at the foot of the recto of the final leaf ([Dd4] (i.e. p.407) (some usual seepage of woodcut ornaments to their rectos or versos not affecting legibility, printer's crease to one leaf affecting a few letters [see illustration of p.399], occasional light spotting, staining and browning, more pronounced to the lower margins of the second half of the novel, a few darker spots, mainly at gutters, but the text generally crisp and clean). Contemporary polished panelled calf, the spine with five raised bands and red morocco lettering-piece (the left part of the lettering piece torn away with the loss of two letters, a small patch of abrasion to the upper cover with the loss of one blind-stamped fleuron, possibly re-backed at some point preserving the old spine and lettering-piece, but, if so, barely discernibly, some ink staining to the spine, some light rubbing to the extremities, some staining to the endpapers). FIRST EDITION of Defoe's last novel, a proto-feminist work which features one of "... the strongest and most important women characters in the history of literature" (DNB). It was first published anonymously, probably because of its scandalous nature, and was not widely attributed to Defoe until 1775; the present, first, edition was the only one published in the author's lifetime. "This purports to be the autobiography of Mlle. Beleau, the beautiful daughter of French Protestant refugees, brought up in England and married to a London brewer, who, having squandered his property, deserts her and her five children. She enters upon a career of prosperous wickedness, passing from one protector to another in England, France and Holland, amassing much wealth, and receiving the name Roxana by accident, in consequence of a dance she performs. She is accompanied in her adventures by a faithful maid, Amy, a very human figure. She finally marries a Dutch merchant and lives as a person of consequence in Holland, until he discovers her deceit. He shortly afterwards dies, leaving her only a small sum of money. She is imprisoned for debt, and dies in a state of penitence" (The Oxford Companion to English Literature, ed. Drabble, 1985). Furbank & Owens A Critical Bibliography of Daniel Defoe 218; Rothschild 780. ESTC lists only three copies in UK institutions. RARE.

Derek Middleton (1928-2002)Abstract, 1966signed and dated (lower left)oil on canvas65 x 46cm. One small patch repair to canvas. Canvas looks very thin. Canvas visable in places from the front of the painting.

Lawson Rudge (b.1936)Model of a cow standingrakusigned27cm high x 26cm wide. Updated 2:15pm 2nd December Crazing throughout – no ding to cow. Small circular patch circa 2mm diameter of glaze loss to back. Chip to backside top of tail.  Chip 1cm in length.  Restoration to back leg, leg may have broken off before. No signature noticed. Photos added.

Stella Rebecca Crofts (1898-1964)Penguinspottery modelsigned17cm high. Two tiny chips to base edge both circa 2mm-3mm, one to front, one to back. V shaped crack between one of the penguins’ feet (right penguin). Left penguin has circular patch/crack to front body/tummy 3mm diameter with crazing fanning out from it. Crack to base section to the reverse – a line crack about 5cm near lower edge. Hairline crack to left penguins face.Crazing. Not examined under UV.  

A NORTH ITALIAN CLOSE HELMET, FIRST QUARTER OF THE 17TH CENTURY ‡ with rounded one-piece skull rising to a low medial ridge (with internal patch towards the rear of its apex), peak, upper bevor and bevor attached to the skull by common pivots of rosette form (replaced), the peak rounded at its front, the upper bevor formed at its upper edge with a centrally-divided vision-slit and pierced at its right side with ten vertical ventilation slits, the bevor shaped to the chin, cut with a U-shaped face-opening, pierced for the attachment of a lining and fitted at the right cheek with a swivel-hook to secure a pierced stud projecting from the upper bevor, the lower edge of the skull and bevor each flanged outwards to receive a single deep gorget-plate, the main edges of the helmet formed with plain inward turns, the whole decorated throughout with incised lines, the surface bearing a light mottled patina overall, 29.2 cm high ProvenanceRobert Brooker Collection

Britains and other Farm People and animals with some accessories, Blacksmiths and a vegetable patch (Condition Good-Fair, a few damaged, some people and animals repainted) (132 approx.)

A Caughley porcelain 'Three Flowers and Butterfly' sparrow beak milk jug, circa 1785, transfer-printed in underglaze blue, C with serif mark, 9cm highCondition:It is in good condition with no damages or repairs, although the underglaze blueprint has run/blurred to the subsidiary florals and a small patch on the rim.

A 17th century small oak coffer, South YorkshireThe chip-carved and channel moulded top above a geometric frieze and twin diamond lozenges, the sides with star flower motifs, raised on extended stiles.82cm wide x 34cm deep x 45cm highCondition:Structurally sound and solid, no movement to joints.  Good colour and figuring.  Signs of age and use throughout including: Hinges lacking from the top; losses to the top of the back board where hinges were attached; replacement lock, hasp and escutcheon with some associated interior patches; small patch to front bottom edge.

A medal of the Duke of Clarence 1827, 155 g and 65 mm in diameter in gilt white metal, thought to be by Henning. The obverse is the bust with the legend HRH WILLIAM HENRY DUKE OF CLARENCE LORD HIGH ADMIRAL OF GREAT BRITAIN AND IRELAND. GEOR IV REX MDCCCXXVII. The reverse legend is HER MARCH IS OER THE MOUNTAIN WAVE, HER HOME IS ON THE DEEP, with Britannia in the foreground, ships behind. The edge has a scraped patch, otherwise in excellent condition with minor handling marks. With this piece is a France 5 franc silver coin 1848 in about good fine condition.

Group of nine ceramics, including patch boxes and a crested ware hat. Not available for in-house P&P

Glossy porcelain. Features a cat with a hat standing over a patch of grass. Beswick Beatrix Potter backstamp. This item has its original box, dimensions: 3"L x 3"W x 4.25"H. Issued: 1997Dimensions: 2.25"L X 2"W x 3.75"HManufacturer: BeswickCountry of Origin: EnglandCondition: Age related wear.

Robert 'Mouseman' Thompson of Kilburn, an oak panelled double bed, dated 1941, the head and foot boards with halfpenny moulding, with block ends terminating in octagonal finials, raised on casters, the headboard top rail carved '19 G 41', the foot board top rail carved with signature mouse, with bed base, width 144cm, length 206cm, height of head board 141cm.Qty: 1Provenance:Purchased 27th November 1941 for £8Condition report:There are no evident splits to any of wood. There are side rails which simply have cast iron fittings that bolt into the upright posts of the headboard and footboard. Assembled in the saleroom, with the bed base in place, it remains a very sturdy bed. The posts are 3inch thick posts, the boards are 1 inch thick, the rails are 1 1/4inch thick. There are surface splash/water marks randomly across the surface, most noticeably on the left-hand side rail (as you standing looking at the bed). The headboard has one large great patch to the right, and a smaller grease patch to the left-hand half. Some slight colour bleaching with the lefthand side of the bed is slightly paler than the right. The footboard has a white surface mark on the back - some sort of dried paste? The mouse remains well defined on the footboard.

A GEORGE II MAHOGANY CLOTHES PRESS IRISH, MID 18TH CENTURY Of compact proportions 169cm high, 131cm wide, 64cm deep Provenance: The Guinness Family, Phoenix Park, Dublin, Ireland Purchased from Stow Antiques, Stow-on-the-Wold (£12,530). A copy of the original invoice is available with this lot Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.There are some losses and restorations: there is some small use of coloured filler; there is a join to the central upper section of cornice; the doors slightly mis-align; some patch repairs; the locks, escutcheons and handles are later, there are three keys; the interior drawer does not fit snugly and has different drawer lining suggesting that it could be later.Some cracks including to the sides and panelled fronts along the grain of the timber.One of the locks with interior monogram IB.There is some evidence of old worm. The back has not been fully inspected.An cupboard of unusual size with appealing flame veneers and Irish carving to the central apron.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer

WW1 French Alpine (Chasseurs Alpins) Beret, fine example of the large dark blue wool beret with bullion embroidered flaming grenade insignia to the front. Cloth circular patch to the inside of the beret. Complete with its original and scarce cloth cover with brass fixing hook. Some staining and wear to the cover but generally good condition.

British Special Forces Badges, Parachute Regiment wings, Glider Pilot Regiment and SAS metal cap badges, cloth beret badges (one in original pack) and shoulder titles. A pinned Long Range Desert Group copy badge in white metal (32mm diameter, with a silver test mark to the reverse), possibly a sweetheart. Combined Ops sweetheart, Pegasus woven patch and pair uncut ‘Gt. Britain’ commandos training in Canada S/T. This lot includes restrikes. (17 items)

WW2 British Home Guard Arm Brassard for Skinning Grove Iron Company, North Yorkshire, interesting locally made printed arm brassard patch to be sewn on uniform. Black wording ‘HOME GUARD’ with ‘SICo’ to the bottom corner. Attribution provided by vendor.

A walnut cabinet on chest, early 18th century and later, with a cavetto cornice above a pair of doors enclosing a fitted interior, the base with two short and two long drawers, terminating in bun feet, alterations, 112cm wide60cm deep183cm highProvenance: The Collection of the late Rosemary and Theo Cutting.Condition ReportKnocks, wear, scratches and small losses to veneer and mouldings. Some splits and patch repairs. Evidence of later mouldings and the configuration of the central section where top and base meet, indicate that there has likely been some degree of alteration, even that the top and base did not start life together. Bun feet replaced. Joints sound and solid. Drawers and doors functional. The piece presents with an attractive colour. Overall in fairly good structural and cosmetic condition and perfectly usable in its current condition.

A PAINTED OCTAGONAL CASKETthe ogee profiled sides with swags of roses, and the domed top painted en grisaille with a landscape , the interior lined with birds-eye maple and the base weighted with lead 26 x 18.5 x 11cm, with a Regency patch box with engraving under (broken) glass, and another box (3)

A Christian Louboutin shoulder bag. Having a removable chrome chain and adjustable black and red leather strap, the bag constructed of black suede decorated on both sides with chrome studs and coloured beads. The zip locked interior lined in red fabric and having a single patch pocket bearing the company tag. L31cm Condition Report: Overall in good-very good condition. No apparent tears, repairs or loose threads. The zip opens and closes smoothly, all beads and studs are present. No obvious cracks or damage to the leather strap. Zip opens and closes smoothly, some very small and light spots of discolouration to the suede exterior. The interior has no tears or repairs however is dusty around the seams with some marks consistent with items being place within it.

A Nicca Tower Type-3S 35mm Rangefinder Camera Body, silver, serial number 50712, body VG, only very light marks to bottom plate, shutter needs attention, operates very slowly, rangefinder patch visible and moves, with metal body cap.

A Pair of Minolta Hi-Matic 7s Rangefinder Cameras, comprising 836449, silver, body G, shutter not opening, advances and tries to fire, rangefinder patch visible and moves, also 770781, silver, body F, has annotations scratched on, shutter working, rangefinder patch visible and moves, neither battery tested, and a Minolta SR-2 SLR, silver, body G, shutter cycle not completing, with a Auto-Rokkor-PF f/2 55mm lens, barrell F, mounting ring loose, optics F-G.