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STERLING SILVER CARD CASE WITH GUILLOCHE ENAMEL PANELLING

19th century painted pine kitchen cabinet, moulded cornice above double panelled doors with distressed finish panelling, enclosing three marble-effect lined shelves, lower section fitted with two short over two long drawersDimensions: Height: 196cm  Length/Width: 97cm  Depth/Diameter: 49cm

Mouseman - oak 4' 6" double headboard, penny moulded cresting rail over panelling, carved with mouse signature, by the workshop of Robert Thompson, KilburnProvenance - this lot comes to us for sale from direct descent of Robert Thompson. Thompson is the great grandfather of the vendor.Dimensions: Height: 98cm  Length/Width: 137cm 

Robert 'Mouseman' Thompson of Kilburn, an oak double wardrobe, 1941, all over adzed panelling, halfpenny moulded top, the interior fitted with hanging rail and a three-shelf unit on the right half, raised on block feet, the wrought iron hinges and latch with allen key head screws, carved recessed mouse to the right hand side, width 121cm, depth 58cm, height 186cm.Provenance:Purchased 27th November 1941 for £23.Condition report:In very good overall condition. The rich colour is very even throughout. Some light spotting to the right hand side panelling. The left hand door has one panel (fourth row from the bottom) with a dark stain on the surface. The lower hinges are each missing one screw head. Other screw heads show slight wear. The interior has some dark staining to the base plank. The interior of the right hand cupboard has two screw holes about mid-way up where presumably an additional hanging rail/ chord has been added (for ties, for example).

A LARGE 1920s TIMBER-FRAMED DOLL'S HOUSE; 'THE HALL' home-built, the interior with panelling, moulded ceiling, fireplaces etc, with detachable garden and separate annexe, 95cm high, 46 x 49cm, plus garden and annexe

A tall porcelain table lamp with ornate metal head and pale pink lampshade. The porcelain body is decorated in a faux-19th century style with blue and gold panelling and pink and purple flowers. Includes a pale pink rectangular lampshade with braided trim.85cm height approx.

Early 20th Century Art Deco Oak & Glass Display Cabinet with Peacock Fan Pattern Panelling. Internal glass shelves. Height: 116cmHeight - 116cm

Four sections of antique oak panelling, the two largest 190 cm x 60 cm with later rear bracing frames. NOTE: the panels were incorporated into a small wardrobe hence the rear framework.

A REGENCY MAHOGANY BOWED SIDEBOARD, early 19th century, the eared top with central shallow drawer over an arched recessed deep napery drawer flanked on either side by a door with outline cut corner panelling and lion mask ring handles and enclosing a cupboard and a lead lined cellarette, spaced by engaged columns carved with ribbon tied vine pendants and extending to ring and wrythen turned tapering legs, 78" x 26" x 36 3/4" (Est. plus 24% premium inc. VAT)Condition Report: Generally good condition consistent with use and age. All locks and possibly original handles present as are locks.

VERNER PANTON FÜR LOUIS POULSEN, Tischlampe „Panthella 500“, Entwurf 1971, Ausführung Louis Poulsen, Kunststoffverkleidung, am Boden originales Klebeetikett. HxD: 70/50 cm. Alters- und Gebrauchsspuren, Schraube zur Schirmbefestigung ergänzt, funktionstüchtig. | VERNER PANTON FOR LOUIS POULSEN, ‘Panthella 500’ table lamp, Design 1971, Louis Poulsen version, plastic panelling, original adhesive label on the base. HxD: 70/50 cm. Signs of age and wear, screw for shade attachment replaced, in working order.

A Jacobean 18th century oak estate cupboard / bookcase cabinet on stand. The cabinet having a twin door estate cupboard atop with double geometrically shaped panelling to each door opening to reveal a shelved interior. All raised on single twin handled drawer stand with matching panelling to front. Turned supports united by peripheral stretchers.Measures approx. 160cm x 80cm x 32cm.

A French 19th century Louis XV style kingwood mirror front armoire wardrobe. The wardrobe having a carved foliate embellishment atop over a domed top with relief worked panelling. Twin doors below with central bevelled edge mirror plates. Shaped apron below and all raised on scrolled legs.Measures approx. 246cm x 116cm x 49cm.

Contemporary marble effect dining table, rectangular marble top with rounded corners, supported by a central rectangular pedestal base with mirrored panelling; set of four grey faux leather upholstered high back chairsDimensions: Height: 77cm  Length/Width: 165cm  Depth/Diameter: 95cm

A George III revival mahogany writing table desk / console table. Featuring two drawers with brass, round handles. Raised on sabre legs and a later glass panelling to the top. Measuring approx. 78cm x 85cm x 41cm.

Vintage steamer trunk with applied metal panelling

Beulah (modern), ARR. parcels stacked against brown panelling, oil on canvas, signed lower left and dated '99.   75 x 59.5cms.

JURASSIC PARK (1993) - Distressed Walkie-Talkie - A distressed walkie-talkie from Steven Spielberg's Jurassic Park. Dr. Ellie Sattler (Laura Dern) grabbed two walkie-talkies before attempting to restore the power in Jurassic Park. In a deleted scene, she was grabbed by the escaped velociraptors, damaging a walkie-talkie.Built to resemble a Motorola Saber UHF, this static styrene and resin styrene and resin walkie-talkie is painted grey and black with nonfunctional computer chips on the interior. It is intentionally distressed by production with broken panelling and various cracks and scratches to appear damaged. Following production, the walkie-talkie underwent sympathetic restoration to return it to its original 1993-era look. It exhibits some missing broken pieces and an exposed interior. Dimensions: (largest) 16.5 cm x 7.75 cm x 3.25 cm (6.5" x 3" x 1.25")Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £1,200 - 2,400 Ω Bidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.

STAR TREK: DEEP SPACE NINE - THE DIE IS CAST (1995), MESSAGE IN A BOTTLE (1998) - Romulan Disruptor Rifle - A Romulan disruptor rifle from the television series Star Trek: Deep Space Nine and Star Trek: Voyager. Romulan soldiers carried their signature rifles throughout the series, including Deep Space Nine's Season 3 Episode 21 "The Die Is Cast," and Voyager's Season 4 Episode 14 "Message in a Bottle."This resin rifle is painted metallic grey with a matte black textured grip, static blue panelling with Romulan characters etched into them, and copper-colour detailing on the body and barrel. This lot exhibits chipped paint along the corners exposing the resin beneath, and some cracking along the side. Dimensions: 47 cm x 23 cm x 7.75 cm (18.5" x 9" x 3")Estimate: £1,200 - 2,400 Ω Bidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.

JAMES BOND: DIE ANOTHER DAY (2002) - SFX Aston Martin V12 Vanquish Front End, Numberplate and Front Seats - The SFX front end, numberplate and front seats of an Aston Martin V12 Vanquish from Lee Tamahori's Bond film Die Another Day. This segment of the vehicle was created for the scene where Bond (Pierce Brosnan) used it to smash into the flooded ice palace room to save Jinx (Halle Berry). The front end is painted tungsten silver and features an Aston Martin badge; a grille; a bumper; a bonnet; fenders; dual headlights with electrical wiring; dual fog lights; and the numberplate KE02 EWW. Holes are present in the numberplate where spikes assisted the wall breach. Also included in the lot are two black leather seats with lavender-coloured diamond-stitch upholstery and an Aston Martin label at the base. "8/3/1616 AN + MDR" and "BD 99/161" are handwritten inside the front end. Discarded at the end of production, the components have been re-assembled on a custom-made metal frame. The lot exhibits signs of wear from production use, including scratches and dents in the panelling, and damage to the numberplate. The seats exhibit creases, stains, scuff marks and minor damage. Dimensions: 172 cm x 111 cm x 103 cm (68" x 43.75" x 40.5")Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £8,000 - 16,000 † ΔBidding for this lot will end on Thursday, November 14th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 15th, Saturday, November 16th or Sunday, November 17th.

TROY (2004) - Achilles' (Brad Pitt) Shield - Achilles' (Brad Pitt) shield from Wolfgang Petersen's Troy. Achilles wielded his signature shield throughout the film, notably using it alongside his sword during the beach battle sequence in which he slaughtered many Trojan soldiers and during his vicious duel with Hector (Eric Bana).This round shield features two semi-circular cut-outs on opposing sides and features metal panels on the front finished in matte gold-coloured paint to simulate bronze and black decorative plastic panelling around the whole shield designed to resemble hammered metal. The face of the shield features intricate figures at war around the centre, with eight discs situated above them. A strip of thick black leather binds four faux-gold rings attached to the inverse side of the shield. Additionally, the back of the shield exhibits screw holes and square-markings. Also included are two colour-printed photographs, one a screenshot from the film and the other from behind-the-scenes. This lot exhibits discoloration, scuffed paint, chipped and flaked paint, lifted adhesive. Dimensions: 80 cm x 77.5 cm x 10.25 cm (32" x 32" x 4.25")Estimate: £15,000 - 30,000 Ω Bidding for this lot will end on Thursday, November 14th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 15th, Saturday, November 16th or Sunday, November 17th.

ALIENS (1986) - Set of "Smart Ass" Dropship Model Miniature Landing Gear Components - "Smart Ass" dropship model miniature landing gear components from James Cameron's Aliens. Bishop (Lance Henriksen) remotely operated a second dropship known as "Smart Ass" to rescue the survivors of the Bug Stomper dropship's crash-landing on LV-426, but its landing gear malfunctioned, allowing the xenomorph Queen to board it. These 16 components were created for close-up inserts of Smart Ass' landing gear. It consists of panelling, joints, and structural elements made of resin, wood, and metal and primarily painted grey with one yellow component. Following production, the components underwent sympathetic restoration. They exhibit cracking, chipping, paint flaking, and small elements broken off throughout. Dimensions: (largest) 81.5 cm x 45.75 cm x 15.25 cm (32" x 18" x 6")Estimate: £3,000 - 6,000 US Bidding for this lot will end on Saturday, November 16th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th or Sunday, November 17th.

Fairfax & Favor Windsor Ocean Bag Donated by: Fairfax & Favor Individually handmade in Europe, 100% leather-mark certified, with sustainably sourced materials, the Windsor Ocean Bag is the perfect Christmas present for someone special or to treat yourself. Founded just over a decade ago, Fairfax & Favor has grown into a multi-award-winning brand at the very forefront of British Luxury Fashion & Rural Vogue. Their elegant designs are handmade, with both town and country in mind, creating timeless investments for anyone with a passion for style and adventure. The Windsor is not only stunningly stylish, but also incredibly functional with: One large compartment: all the room required for the day’s essentials, even a laptop Suede and leather exterior: luxurious suede meets pebbled leather side panelling Microfibre lining: practical and easy to clean Detachable handbag tassel: a nod to Fairfax & Favor’s iconic boot tassels Gold studded base: protects the bottom when you put it down Internal pockets: keep things tidy with zipped and smartphone pockets Detachable shoulder strap: another way to wear the Windsor https://www.fairfaxandfavor.com/ We are hosting this auction on behalf of The Country Trust - please contact Victoria Cable if you require further information about the individual lots.

S. Marti et Cie, Paris, a French slate and marble mantel clock the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate numbered 3737 and stamped with the trademark of the movement maker Samuel Marti et Cie, the round white enamel dial having black Roman numerals, blued-steel moon hands set within a gilt-metal cast case of classical form, standing on a rectangular black marble base with variegated green marble panelling and moulding with a gilt-metal cast figure of a scholar/explorer sat to the side, height 44cm.

An Edwardian Oak Bookcase with Blind Carved Panelling and Turned Supports, 38cms Square and 69cms High

Five reclaimed sections of carved panelling, various sizes and designs

Mid 19th century mahogany desk, of small size, with original tooled leather inset writing surface and nine drawers about the cupboard kneehole, on plinth base, finished with panelling to the rear, 116cm wide x 57cm deep x 78cm high

A section of linen fold panelling mounted as a sideboard back, width 165cm, height 65cm. Condition - good

Make & Model:Morris , Minor Traveller Date of Reg:BRU675A Colour:Green cc:1098 Fuel Type:Petrol Mileage:06571 Transmission:manual Summary:This Morris Minor Traveller (with extra wood panelling giving a ‘woody’ effect) has come to us direct from a film company, where it was used on the set of Grantchester Series 9. The vendor describes it as running well and tidy, with a good wooden frame and clean interior. The Minor was registered in July 1963 and is showing 06571 miles on its odometer. Its last MoT expired in March 2023 after being tested the year before at an indicated 6529 miles. However, as an historic vehicle, the Minor no longer requires annual testing. The only paperwork with the Minor is the V5C. 

Aluisetti (Giulio) Opere dei Grandi Concorsi premiate dall'I. R. Academia delle Belle Arti in Milano, 67 engraved plates (numbering erratic, plates XII & XVI-XVIII never issued), with an additional double-page plate (numbered III but unrelated) bound in after plate II, with 28ff. text (of apparently 30ff.), contemporary half sheep, a little worn and stained, rebacked preserving part of old spine, corners repaired, [BAL 18; Berlin Kat. 604, also 1847 but with different imprint], large folio, Milan, 1847; sold not subject to return*** Record of the winning drawings in most of the annual "Concorso d’Ornamenti” competitions of the Accademia delle Belle Arti in Milan between 1806 and 1841, featuring fountains, monuments, secular and religious metalwork, fireplaces, doors, panelling etc., all executed in the neoclassical style then fashionable. The present volume is a reissue dated 1847 (more or less corresponding in its collation to that of the British Library copy of the edition of 1843 as described in the BAL Catalogue). This copy contains the correct plate XXIV, but not the two text leaves describing the winning drawings for the years 1817 & 1818, or two added plates at the end, numbered LXX and LXXI, illustrating the winning drawings for  the year 1843.  

Curios. A collection of 19th century Victorian and 20th century Edwardian collectables. The lot comprising The Atlas Continuous Spray in orig. box, a small automaton music box, a US Eveready Electric Flashlight Serial No. 267625, a Swiss made travelling desk clock in green morocco case, The Wonderscope by A. H. Baird pord. Scientific Novelities Ltd., a pair of opera glasses in white metal & mother of pearl panelling complete with handle presented in recent velvet pouch, a Kodak film reel tin, a Pathe tin similar & another.Wonderscope box measures approx. 6cm x 21cm x 11cm.

Moderne - - Bauwerk I. Das Äussere des Hauses. - Bauwerk II. Das Innere des Hauses. 2 Bde. Mit insgesamt 60 Tafeln. Nürnberg, Ulrich & Co. Architektur-Verlag, um 1927. 1 Titelbl., Tafeln. Quer-Folio. Lose Bll. in HLwd.-Mappen mit Marmordeckeln (etwas berieben und bestoßen). Äußerst selten. - Bd. II erschien wohl ohne Titelblatt, für uns kein Exemplar mit Titelbl. nachweisbar. - Bd. I mit Vorlagen für Haustüren, Haustore, Ladentüren, Ladeneingänge und Schaufenster, Schaukasten, Fenster und Fensterladen, Balkontüren und Balkonbrüstungen, Gartentore und -zäune. Bd. II mit Vorlagen für Zimmertüren, Glastüren, Nebentüren, Schiebetüren, Windfang- und Pendeltüren, Wandvertäfelungen, Heizkörperverkleidungen, Schalterwände, Trennwände, Abschlusswände, Glasabschlüsse, Treppenpfosten und Geländer, Holzdecken, Schaufensterrückwände und Balustraden. Verso des Titelblattes mit Anfertigungspreisen errechnet von der Schreiner-Genossenschaft für modernen Innenausbau GmbH Nürnberg. - Papierbedingt etwas gebräunt, vereinzelt leicht stockfleckig. Insgesamt sehr gut. Architecture - 2 vols. With a total of 60 plates. Landscape folio. Very rare. Loose leaves in half cloth portfolios (somewhat rubbed and bumped). Very rare. - Vol. II was probably published without title page, no copy with title page can be traced. - Vol. I with designs for front doors, front gates, shop doors, shop entrances and shop windows, showcases, windows and window shutters, balcony doors and balcony balustrades, garden gates and fences. Vol. II with designs for room doors, glass doors, side doors, sliding doors, vestibule and swing doors, wall panelling, radiator cladding, counter walls, partition walls, end walls, glass ends, staircase posts and balustrades, wooden ceilings, shop window rear walls and balustrades. - Some browning due to paper, occasional light foxing. Very good overall.

A probable pine trunk with later studded edges and decorative panelling

AN ENGLISH OAK BED19th century, the headboard with arcaded and geometric moulded panelling, 174cm high, the footboard with short turned posts, 54cm high, overall 137cm wide and approximately 207cm long

A CHARLES II OAK AND WALNUT CHEST OF DRAWERS the four long cushion front drawers with moulded panelling and brass drop handles, on short tapered square legs, 101.5cm high x 100.5cm wide x 65.5cm wideProvenance: The Les Watts Collection.

ATTRIBUTED TO JOHN FREDERICK HERRING II (1815-1907) A grey horse and three chickens in a farmyardsigned to the panelling middle right, oil on canvas, 40cm x 50cm

AN ENGLISH OAK CUSHION FRONT CHEST OF DRAWERS17th century and later, the four long drawers with geometric moulded panelling, on turned bun feet, 92cm high x 98cm wide x 62cm deep

A PAIR OF GEORGE III SATINWOOD DEMI-LUNE CARD TABLES the hinged top banded with kingwood and edged with ebony and boxwood stringing opening to a green baize lined interior, the plain frieze similarly inlaid to simulate rectangular panelling, on square tapered legs terminating in spade feet, 75cm high x 94.5cm wide x 46cm deep (2)Provenance: The Grey-Egerton Family, formerly of Oulton Hall.

AN ENGLISH OAK COFFER 17th century, the hinged lid opening to a vacant interior, the front with moulded panelling and remaining old iron escutcheon, on block feet, 62cm high x 175cm wide x 54cm deepProvenance: Retaining an old plaque to the interior inscribed James Reeve, Antique Dealers, Birmingham.

A pair of elegant Victorian kingwood Cabinets, each with moulded Sienna marble tops of serpentine form over a frieze with double ornate ormolu mount panelling with single drawer, the base with marquetry panelled doors and decorative brass border on conforming plinth bases, approx. 89cms high x 49cms deep x 86cms wide (35" x 19 1/2" x 34"). (2) Provenance: Killough Castle, Co. Tipperary.

A Heal's limed oak wardrobe, 1930s, with a raised central section, the two doors with octagonal panelling and opening to a top shelf and hanging rail, flanked by two further doors, one enclosing a shelf and hanging rails, the other containing shelves, slides and drawers, all raised on a moulded platform and ball feet, 186cm wide 50cm deep184cm highCondition ReportWith one key. Fair overall. Used condition. The handle to the left centre door is loose and requires resetting. All doors and locks function correctly, with some movement in the handles. Present well with minor signs of old wood worm. Please see the additional images.

Two hardwood doors with glass panelling, painted white, 55 cm wide x 200 cm high and two new hardwood doors with six panels for glass, 84 cm wide x 200 cm high

A 19th Century French walnut commode, the Sienna marble top over three long drawers with parquetry work panelling and brass ring handles, flanked by inlaid turned pilasters on turned tapering legs, 110 cm wide x 50.5 cm deep x 93 cm high

CHARLES RENNIE MACKINTOSH (1968-1928) FOR MISS CRANSTON'S ARGYLE STREET TEA ROOMS STOOL, 1898 stained oak 44.5cm wide, 38.5cm high, 38cm deep Provenance: Private Collection, Glasgow Literature: Billcliffe R. Charles Rennie Mackintosh: The Complete Furniture, Furniture Drawings & Interior Designs, Cameron & Hollis, 2009, pp. 10-12, 55, 56 and 59., 1898.H where the stools are illustrated in situ, and 1898.34 where this example is illustratedHowarth T. Charles Rennie Mackintosh and The Modern Movement. Routledge and Kegan Paul 1952, pl. 49BNote: In 1898, early in Mackintosh’s career entrepreneur Catherine Cranston - known as Miss Cranston - commissioned him to furnish her new rooms at her tearooms on Argyle Street, Glasgow. Miss Cranston was to be an important patron for the young architect, who came to rely on a relatively small number of patrons throughout his career. The commission afforded Mackintosh a new freedom to experiment, whilst leading to further projects, including the Ingram Street Tea Rooms (1900) and the Willow Tea Rooms (1903)The work at Argyle Street followed on from his previous work at Miss Cranston's new Buchannan Street Tea Rooms, which had been conceived two years earlier in 1896. mackintosh was commissioned to decorate the walls with designer George Walton the furnishings. In this new undertaking, however, Mackintosh found himself in a role reversal, being fully in charge of the furnishings whilst Walton was preoccupied with designing the interiors.The furniture Mackintosh designed for these new rooms exhibit a new, more robust evolution of his repertoire and established a style for much of his work up to 1900. The bold and simple aesthetic of the designs marked him out from his contemporaries, and for the first time the distinctive furniture he produced was also employed to define and separate the rooms as designed by Walton.This rare stool, one of five seen in contemporary photographs, was part of a group of furniture he designed for the Billiards and Smoking Rooms, which occupied the building's top two floors above the tea and luncheon rooms. The tearooms were a haven from the city for both men and women, however the Smoking and Billiards Rooms were purely a masculine domain and the design and construction of the furniture is a reflection of that fact.Combining English Arts & Crafts and Scottish vernacular design, Mackintosh produced three types of sturdy and generous seating for these rooms; a ladderback armchair, its long, rectangular back rail adorned with ascending wooden slats; a cube shaped armchair, a version of the previous chair without the tall back; and a stool, only seen in the Smoking Room from contemporary photographs. All of the furniture was either clear-varnished or dark-stained and waxed. The construction of the stools is traditional, although the panelling and distinctively shaped cut-out handles to each side certainly not. The shaped seat is reflected in the other seating in these rooms.The Argyle Street Tea Rooms closed in 1920, and much of the furniture was dispersed. The robust construction of the furniture has helped them withstand many years of use, however it is their beautiful and functional design which has stood the test of time.

A collection of 18th century and later oak panelling, the largest panel 239cm x 138cm, applied with moulded muntins, further panels and rails (Qty)

Ca. AD 1000 - 1200.A Seljuk bronze ewer with a pear-shaped body rising toward a tapered neck and curved spout, the lower part of the body is inlaid with floral panelling and rests atop a trumpet-shaped base. The rear of the ewer is adorned with a decorative handle with a stylised protruding thumb rest in the shape of a small bird, complete with a hinged lid. The exterior features incised roundels and panels of intricate motifs. For similar see: MET Museum 33.96.Size: 220mm x 80mm; Weight: 390gProvenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.

A quantity of Victorian oak panelling, removed from an East Yorkshire property. Buyer to arrange collection through Spicers. PLEASE NOTE THESE ARE NOT AT OUR SALEROOM IN GOOLE.

Ceramics - a Chinese Guangxu period famille rose wash bowl, painted throughout with exotic birds and insects among blossoming prunus, the central well with a Greek key border, panelling to rim, picked out in gilt, 41cm diameter, Qing Dynasty, a/f

Registration No: GF 5087Chassis No: 46163MOT: ExemptSupplied new by Col. Sorrel to 'Montmorensie' and subsequently the property of J.M. Carrick, J. Montgomerie, A.R. Gooda, R.J. Rickards, D.E. Crowther and the vendorOriginal chassis, engine and transaxle. Front axle understood to be of Molsheim manufacture but no number discernedDecidedly elegant Weymann coachworkThere is no doubt ‘La Petite Royale’ succeeded where ‘(La Grande) Royale’ failed in terms of cementing Bugatti’s status as a luxury motorcar manufacturer; little wonder then that the model was reputedly among Ettore’s favourites. Le Patron would surely have approved of this particular example – chassis 46163 – too on the basis that it sports a scaled-down version of the magnificent semi-panelled Weymann Coach body which adorned his personal Type 41 ‘Royale’ when it won the 1929 Grand Prix d'Honneur Concours d'Elegance complete with ‘letterbox’ windscreen, kick-forward A-pillar, D-back and asymmetric rear windows. Invoiced to UK concessionaire Colonel Sorrel on 7th January 1930 for the princely sum of FF63,000 (including FF2,570 of extra fittings), the two-door Fixed Head was delivered a month later. Issued with the London number plate ‘GF 5087’ on April 2nd 1930, the Type 46’s first owner is simply recorded as ‘Montmorensie’ who we presume to have been the artist Sir Miles Fletcher de Montmorency, 17th Baronet Morres of Knockagh. Deriving an income from his Irish estates but residing in the English Capital, de Montmorency seemingly kept the four-seater until 1939/1940 when it was bought by Rodney Clarke Esq. for a mere £30! The co-founder of renowned Bugatti and Maserati specialists Continental Cars (and later Connaught), Clarke believed chassis 46163 to have been the Type 46 that he loaned to Cecil Clutton and Laurence Pomeroy for a test drive which was subsequently written-up in the April 1942 issue of Motor Sport magazine. Hand- and typewritten correspondence on file also reveals that ‘GF 5087’ was the car in which Pamela Clarke ‘missed being born by five minutes’ during 1943.Migrating to Scotland thereafter, the close-coupled four-seater belonged to J.M. Carrick Esq. of Coldstream, Berwick and then John Montgomerie Esq of Castle Douglas. The latter acquired it in 1954 and as the proprietor of James Gordon (Engineers) Ltd set about a ‘chassis up, body off’ restoration. Amazingly, much of the work is chronicled via a series of accompanying black and white photographs. Done on a piecemeal basis, the project had yet to be completed when Robert Prosser (acting on behalf of Robert Gooda Esq.) tracked the Bugatti to Castle Douglas during 1973. In two minds about selling, Montgomerie asked what he felt was an overly ambitious £4,000 for chassis 46163 and was somewhat taken aback to be pretty much handed a deposit there and then. Custodian for less than a year, Mr Gooda had the Type 46 re-registered as ‘GF 5087’ but apparently did little else prior to his premature demise. Advertised for £6,500 in the Thursday February 21st 1974 issue of Exchange & Mart, the Bugatti had in fact changed hands earlier that month being bought by R.J. Rickards Esq. Entering into correspondence with Mr Montgomerie, Mr Rickards received a wealth of information about the mechanical overhaul and was even sent the water pump. The engine is the original factory-fitted unit and is clearly stamped with the numbers ‘79’ and ‘195’. The former is the actual engine number, while the latter is the assembly number (and not that of a correct-type replacement, as had been previously posited). Mr Rickards would own the Bugatti for no less than thirty years during which time he repaired the ash frame, had the fabric panelling renewed in Blue by coachbuilder I. Wilkinson & Son of Derby and retrimmed the interior etc but, like his predecessors, did not finish it. Sold to its previous keeper Douglas Crowther Esq via the agency of Gavin McGuire Fine Automobiles in 2004, the Type 46 was further improved with all six of its alloy wheels being expensively refurbished before entering the current ownership a decade later.An automotive engineer by profession whose career took him all over the globe on various troubleshooting and project management missions, the vendor has had a lifelong passion for motorcars. Inspired by a petrolhead stepfather and racing driver mother, he has undertaken numerous restorations over the years and still has a 1932 Alvis which has been in his family since new. As well as completely rewiring the Weymann Coach including rejuvenating the ignition system (no mean feat given the lack of available information on the twin-plug set-up), he has had the instruments restored and the interior trim completed. Thought to have begun life with Marchal lighting, ‘GF 5087’ switched over to Scintilla components early in its life (the fuse box and horn are marked Scintilla too). More original than many surviving Bugattis, chassis 46163 has recently been inspected by the marque historian and Honorary Registrar of the Bugatti Owners’ Club, Mark Morris. Keen to be as authentic as possible in his endeavours, the seller has persisted with the Smith-Bariquand carburettor and reinstated the full-length running boards (a task made easier by the presence of the factory mounting holes). The ‘Metro Fully Flush Sliding Roof’ remains in situ and operational. Although a going concern, ‘GF 5087’ has yet to be run-in and / or de-bugged since the completion of its protracted, seven-decade, refurbishment. Housed within an engine-turned aluminium panel, the Jaegar instruments encompass a 150kmh speedometer and zeroed odometer.Aesthetics are subjective but we consider chassis 46163 to be among the most attractive Type 46s to have survived. Our sentiments being presaged by Cecil Clutton in Motor Sport eighty-two years ago: ‘This particular car is undoubtedly one of the most handsome ever, as is universally agreed by all beholders . . . The body is a two-door, four-light Weymann, with a large travelling trunk behind. The wheels are of the aluminium type. Some 5-litres are rather “lumps” in appearance, but this one is essentially “sleek.” An overall height of only 5’ 3”, as against a wheelbase of no less than 11’ 6”, largely contributes to the exceptionally fine appearance’. The potential jewel in many a collection and a fabulous opportunity for Bugattistes everywhere, this glorious ‘Petite Royale’ is offered for sale with V5C Registration Document, history file, Mark Morris report and spare block (which was purchased from marque specialist ‘Ivan Dutton’ on a ‘just in case / you never know’ basis).For more information, please contact:Damian Jonesdamian.jones@handh.co.uk07855 493737

Victorian oak and pine tavern-style hall settle with stained canopy back and hinged seat, scroll armrests and panelled front, 197cm high, 116cm wide and 51cm deep.The floor to seat height is approximately 48cm.  The measurement of the top panels is approximately 184cm high.  There are gaps to the panelling of the canopy back.  Prominent staining all over.  Splits to the join on the seat.  Left arm rest is loose.  Prominent age-related staining and surface marks all over.

A 17th century and later oak full tester bedstead with moulded cornice and stop fluted acanthus carved columns, head and foot boards inset with foliate scroll carved panels within guilloche borders, on turned front feet and squared back stile feet, 160cm wide, 212cm long, 204cm high This bed looks to have been reconstructed using some old panelling, but is predominantly 20th century, overall of a rich polished dark blackish brown tone, frame is solid but some attention to the join bolts is required.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

HOFLIEFERENT-JOSEF CARL KLINKOSCH "Standspiegel" Ende 19.Jh. Wiener Werkstattbetrieb 1869 - 1953, Silber, rückseitig originale Holzverkleidung (Klappfuß fehlt) mehrpassige, an den Seiten leicht eingezogene Form, bänderförmige Umrandung, als Bekrönung, Monogram im Hochoval mit Blumenranken, gemarkt: Wiener Dianakopfpunze, Meistermarke "J.C.KLINKOSCH", Hoflieferantenzeichen, HxB: 58/50 cm. Alters-und Gebrauchsspuren.| HOFLIEFERENT-JOSEF CARL KLINKOSCH "Standing mirror" late 19th cent.Viennese workshop 1869 - 1953, silver, original wooden panelling to the reverse (hinged foot missing), multi-pass form, slightly recessed at the sides, ribbon-shaped border, crowned with a monogram in a high oval with floral tendrils, marked: Viennese Diana head mark, master's mark "J.C.KLINKOSCH", court supplier's mark, HxW: 58/50 cm. Signs of age and use.

A pair of wrought iron and gold oak bar stools with coloured glass panelling, width 37cm, height 104cm. Condition - fair

[DIANA]: (1961-1997) Princess of Wales, the first wife of King Charles III (when Prince of Wales). SPENCER CHARLES (1964- ) 9th Earl Spencer, Viscount Althorp. British peer and author, the younger brother of Diana, Princess of Wales. Book signed, being a hardback edition of Earl Spencer´s Tribute to Diana, Princess of Wales, privately published, Althorp, 1997. The handsome edition features the full text of the eulogy the Earl gave at the funeral of his sister, Princess Diana, at Westminster Abbey on 8th September 1997. Signed (´Charles Spencer´) by the Earl in blue ink to the first page. Attractively bound in silk boards with gilt stamped title to the spine and a printed label to the front cover within gilt panelling and with marbled endpapers. Contained within the original blue card presentation box with the Althorp device printed in silver to the lid. Some very light, extremely minor age wear, VG

A pair of antique oak linen-fold paneled cupboard doors Each door with six panels, of pegged construction, and with iron strapwork hinges. The linen-fold panelling reputedly originally in a church.Each door 64cm wide x 139cm highQty: 2Signs of re-use. In as found condition.

Sid Pollard (ex. Mouseman) - Yorkshire oak blanket chest, all over panelling, enclosed by hinged lid, on octagonal feet, interior plaque inscribed 'S. Pollard, Bagby, Thirsk, Yorks' Dimensions: Height: 58cm  Length/Width: 108cm  Depth/Diameter: 40cm

A two-tone mink and leather coat, featuring brown leather panelling, front button fastening, waist belt and two exterior pockets, chest measures approximately 34 inches- Overall good condition- No obvious fur wear or damage- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Osborne at sophie@kinghamsauctioneers.com

A late Victorian bedside table with carved panelling and aesthetic influences, 87cm (h) x 39cm (w) x 36cm (d) / Please bring equipment and labour to assist with removal of all lots. All lots are located at St. Marys Cottage, Old Lane, Dockenfield, Farnham, Surrey, GU104HG. Viewing and collections are via appointment only, please see our important sale information for more info. Collections must be completed by Thursday 26th September due to premisis move. Regretfully Wellers are unable to offer any type of packing or shipping.

A trailer, 1980,with ball hitch coupling, jockey wheel, hand brake and whinch, metal frame with box panelling, straight sided with flat bed fitted with anchor points, drop tail-gate with ramps, built in lighting, adjustable side supports, constructed by the vendor in 1980 to his own specifications to transport 2 stationary engines (see previous lots) riding on Morris 100 wheels on Indespension fittings, with 2 tyres dated 2006, front fitted with matching spare wheel and tyre; Load bed: 196.5 long x 118.5 wide x 42cm sides, overall trailer : 265 long x 167 wide x 82cm high, unused since 2018, close inspection and a recommissioning/service is recommended. Lot to be sold without reserve.This lot is subject to the following lot symbols: ◊◊◊◊◊◊ Requires specialist shipping and storage at the buyer's expenseFor further information on this lot please visit Bonhams.com

A FINE AND RARE CHARLES II OLIVEWOOD OYSTER VENEERED SMALL LONGCASE CLOCK OF ONE MONTH DURATION THOMAS TOMPION, LONDON, NO. 136 CIRCA 1688/89The substantial six finned and latched pillar movement with five-wheel trains and plates measuring 8 by 5.5 inches, the going train with bolt-and-shutter maintaining power and anchor escapement regulated by seconds pendulum with long crutch, the strike train with external countwheel set on a pivot-post driven by a pinion-of-report applied to the second wheel arbor and sounding the hours on a bell mounted above the plates, the 'type 1' latched 10.25 inch square gilt brass dial with shuttered winding holes, subsidiary seconds dial and calendar aperture to the finely matted centre within applied silvered Roman numeral chapter ring with cruciform half hour markers and small Arabic five minutes beyond the outer minute track, with sculpted scroll pierced steel hands and applied winged cherub mask spandrels to angles within a 'double herringbone' engraved outer interrupted by the engraved signature Tho: Tompion Londini Fecit to lower margin, in an oyster olive wood veneered case with rising hood incorporating architectural ogee moulded cornice and oyster veneered frieze over glazed dial aperture flanked opposing Solomonic twist columns, the sides with rectangular windows and conforming quarter columns set against bargeboards at the rear, the trunk with convex throat moulding over 40 inch rectangular door veneered with three linked boxwood outlined architectural break-arch panels populated by oyster cut veneers incorporating geometric radial design to the central panel, with half-round cross grain edge mouldings and crossbanded surround, the sides veneered with repeating oysters with a conforming crossbanded border, the base with stepped ogee top moulding over conforming architectural panel veneered crossbanded front and moulded skirt.186.5cm (73.5ins) high, 43cm (17ins) wide, 25cm (9.75ins) deep. Provenance:The Leonard Fuller Collection, purchased from G.H. Bell, Winchester, 6th September 1966 for £6,170. Purchased by G.H. Bell from Sotheby's, London, sale of FINE ENGLISH AND CONTINENTAL FURNITURE, RUGS AND CARPETS, TAPESTRIES AND CLOCKS 21st May 1965 (Lot 55) 'The Property of a Gentleman' for £1,600 hammer. Thomas Tompion has often been referred to as the 'father of English clock and watchmaking'. When considering the legacy of his work and influence on subsequent generations, such a compliment is justly deserved. Born in Ickwell, Suffolk in 1639 Thomas Tompion appears to have developed an affinity for metalworking from his father, also named Thomas, who worked as a blacksmith. By 1670 Tompion had moved to London and was working in the clock and watchmaking trade. Although there is no record of his apprenticeship or whether he received any formal training prior to moving to London, he quickly became established and obtained his freedom of the Clockmaker's Company in late 1671. His early clocks demonstrate a close working relationship with the Fromanteel, East and Knibb workshops. Around this time Tompion became friendly with eminent mathematicians and scientists such as Robert Hooke and Jonas Moore - perhaps the most progressive and inventive minds of the day. Such associations lead to Royal commissions, firstly from Charles II for whom Tompion is known to have made one of the earliest balance-spring watches in 1676 and later William III who ordered numerous clocks to furnish his various palaces throughout his reign. As well as being an extremely talented artisan Tompion was also commercially minded, cleverly introducing serial numbering for his watches and clocks from around 1681/2. This, as well as maintaining a high degree of refinement in both the design and construction of his clocks and watches, ensured the highest level of exclusivity for clients purchasing from him. In around 1701 Thomas Tompion took a former apprentice, Edward Banger, into partnership. Banger was originally apprenticed to Thomas Ashby in 1687 but was transferred over to Tompion and gained his freedom of the Clockmaker's Company in 1695. He was clearly a talented maker (when considering the few examples signed by Banger alone) however a serious problem between him and his former master caused the partnership to come to an abrupt end in 1707-8 for reasons unknown. On Banger's departure Tompion reverted to working alone until he found confidence in George Graham who had been engaged as a journeyman for Tompion since 1696. Graham's character had already been given the seal of approval by Tompion who allowed him to marry his niece, Elizabeth, in 1704; however it still would be a few years before Tompion would take Graham into partnership which he eventually did in 1711.Thomas Tompion died in November 1713 leaving the business to George Graham who maintained the same exacting standards and became famous in his own right with notable achievements including the development of the deadbeat escapement for pendulum clocks and the cylinder escapement for watches. Edward Banger outlived Tompion by six years, his abilities as a highly skilled watchmaker are demonstrated within a fine jewelled movement dating to around 1715 by him illustrated by him in Evans, Jeremy THOMAS TOMPION at the Dial and Three Crowns page 54, Fig. 97. The movement and dial of the present lot conform to the 'type 1' phase of Tompion longcase clock development as set-out in Evans, Jeremy; Carter, Jonathan and Wright, Ben THOMAS TOMPION, 300 YEARS pages 197-217. The dial is indeed a 'textbook' example of its type and can be directly compared to that of another month longcase (number 14) with double wheat-ear border by Tompion, illustrated in Symonds, R.W. THOMAS TOMPION on page 78 (Figure 54). The movement conforms to Tompion's standard layout for a month duration longcase clock with another of near identical design (number 223) illustrated by Evans, Carter and Wright on page 204. Indeed, the only real variances between these movements are that the present lot has taller plates and no pallet-shaped cut-out to the backplate; both of these features are due to current movement being an earlier example. Tompion's work is characterised by an exceptional approach to the finishing of his movements; the present lot does not disappoint with finely cut graded wheelwork and superb shaping to the steelwork most notably to the hammer spring tail, bell stand foot and barrel click springs.Although the case is not original to the movement and dial it is 'of the period' and a comfortable match benefitting from not having a lenticle (Tompion's preference) and pleasing detailing on the panelling of the veneers. Indeed, the case fulfils the list of criteria listed by Evans, Carter and Wright, with regards to features expected in a 'Type 1', case on page 197.  

A REGENCY MAHOGANY CLOTHES PRESS CIRCA 1815 The doors opening to five sliding trays, the pressed brass handles to the drawers decorated with a portrait roundel of Admiral Lord Nelson above 'TRAFALGAR, VICTORY' 208cm high, 126cm wide, 60cm deep Condition Report: Marks, scratches and abrasions comensurate with age and use. Minor old chips and splits comensurate with age. The press looks to have been highly sympathetically restored previously so any old marks do not stand out. The press is in very good presentable condition overall with a very good depth of colour and patina. It is in good original condition throughout. The locks and handles are all original. A key is present to lock the cupboard doors. There is no key to lock the drawers currently. The lower corners of some of the drawer locks of the top two drawers are secured with small old hand clobbered nails rather than screws, the screws to the two lower corners of the next drawer down are lacking. The slides to the cupboard section are all present and originalThe feet are original and a sophisticated tapering shape. Other features such as very fine stringing to the panelling of the doors and the cornice further demonstrate the overall high quality of craftsmanship and quality The top two drawers are solid cedar lined, the longer drawer linings have oak floor sand the remainder is cedar. This is a sign of a sophisticated and high quality item made to a very high standard. Very interestingly and a rare feature, the original handles have embossed/ pressed decoration depicting a central profile portrait of Admiral Lord Nelson, flanked to the left by trophy emblems and to the right by a ship. These handles would have been made and purchased by the buyer to show their admiration of Nelson's naval accomplishments.Please refer to all additional images available via email for visual reference to condition. Condition Report Disclaimer