We found 350002 price guide item(s) matching your search

Sue HALLIDAY (XX-XXI) For Margarite (2010) Oil on panel, inscribed verso, 20 x 15 cm, 24cm x 19.5cm framed.

Philip Maurice HILL (1892-1952) The Market - Toulon Oil on panel, signed, further signed verso, together with address and 'RA 1942 - No.3', 33cm x 40cm, 52cm x 58.5cm framed.

A brass lamp base, another in the form of a column, a set of six wine glasses, a cut glass bowl and assorted glassware, a Chinese blue and white vase, with four character mark to base, converted to a lamp, 30 cm high, a Chinese embroidered panel, decorated a scene from the Hundred Boys, 56 x 62 cm (qty)Blue and white vase - old repair and a large loss

A painted Moroccan four panel screen, each panel 186 x 45 cm

A painted Moroccan four panel screen, each panel 187 x 45 cm

A George III silver coloured metal snuff box, the lid with engraved decoration and inset an agate panel, apparently unmarked, 7 cm wide

A pair of Japanese screens, each panel 171 x 93 cmIn need of restoration

A S panel bracelet

An embroidered panel, decorated foliate forms, 60 x 56 cm Provenance:  A single owner collection, from the studio of a seamstress

A Regency silk embroidered panel, decorated figures and an angel, 28 x 40 cm

An Indian embroidered panel, decorated stylised boteh forms, inset into a firescreen, 80 x 59 cm

A Japanese embroidered panel, decorated flowers and a cart, 60 x 58 cm, and an embroidered panel decorated a peacock, 53 x 38 cm (2)

A 19th century embroidered oval panel, decorated a lady, 22 x 16 cmgenerally good, strong colours, cannot see any tears, frame re painted/gilded

An embroidered panel, decorated peacock, 160 x 124 cm

A FINE PAIR OF CHINESE CANTON FAMILLE ROSE PORCELAIN PLATES with gilded metal foliate mounts with bird finials, each plate painted with a circular panel of figures, 28cm wide.

A FINE LARGE 19TH CENTURY SOUTH INDIAN CARVED WOODEN PANEL, carved with rows of dancers. 97.5cm x 28cm.

A VERY LARGE CHINESE CANTON ENAMELLED BOWL, raised on curving tripod legs with shaped beast head handles, painted with central panel of a royal figure and attendants, with further panels of various scenes and decorated with flora and fauna, the base with character mark, (faults), bowl 38cm diameter.

A CHINESE YELLOW GROUND ENAMELLED VASE, painted with a panel depicting an exotic bird and flora, further decorated with floral motifs, 37cm high.

A FINE LARGE 17TH CENTURY OTTOMAN DAMASCUS GLAZED POTTERY TILE, with central floral panel, 27.5cm x 20cm.

A VERY FINE CHINESE CANTON ISLAMIC MARKET PORCELAIN CHARGER, beautifully decorated with central calligraphic panel, emanating with further painted panels of figures and flora with birds and butterflies, on a blue ground with finely enamel painted lotus flower motifs and heightened with gilded highlights, 40.5cm diameter. Provenance: Geneve, Vente Aux Encheres Publiques, Salons de l'Hotel President, 24th April 1983, lot 38 (catalogue included with this lot).

A 19TH CENTURY PERSIAN QAJAR PAINTED AND LACQUERED PAPIER MACHE PANEL, depicting the story of Khosru and Shirin, framed and glazed, 46cm x 31cm overall.

A Jean Varon wool prairie style full length dress, labelled, size 12,  v shape cut away panel, Aztec style woven fabric, c.1970

Interior Design  - an early 20th century painted metal fairground panel depicting an Indian tiger surrounded with bold acanthus scrolls picked out in gilt, dark teal painted wooden door panel with red pinstriped details, 92cm x 58cm

GILT FRAMED SEWING SILK JAPANESE PANEL

LEADED COLOURED GLASS PANEL

BOX CONTAINING VARIOUS JOHN GALSWORTHY LEATHER BOUND NOVELS, APPROX 20, PART QUEEN ANNE TEA SET, CHINESE STYLE FRAMED WALL PANEL

Ca. 100 BC - AD 100. A mosaic glass revetment plaque with a rectangular, flat surface featuring slightly faceted sides and rounded corners. The design includes a red background with orange patches and black dots. A revetment plaque is a decorative or protective panel used as a facing on walls, columns, or other architectural surfaces. For similar see: The Metropolitan Museum of Art, Accession Number: 26.7.1254. Size: 26mm x 19mm; Weight: 7.6g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

AD. 1807 (1222AH). An exceptional illuminated Qur'an, Kashmir, North India, dated 1222AH (1807)Arabic manuscript on paper, xxff. plus one flyleaf, each folio with 14ll. of black naskh script, the pre-text bifolio with gold circles to the folio, each containing pre-recitation prayers within scrolling flowerheads, the left hand circle dated 1222AH (1807), subsequent folio with library stamp dated 1223, the opening, the final, and six further bifolios at chapter headings with elaborate gold and polychrome illumination in eight-pointed stars enveloping the text, the rest within floral scrolling borders and horizontal gold bands, red vocalisation marks, black diacritic marks, gold circular verse markers, the word Allah in red, catchwords, marginal notes in Persian nasta’liq script, other marginal marks in gold and polychromes, red edges, in Kashmiri lacquer binding, the exteriors with a profusion of flowers and foliage, the interiors each with a flowering tree in the ‘mille fleurs’ style against oxblood ground, the folio 18.7cm x 11.7cm, the text panel 12.5cm x 7.2cm.

Ca. 18th - 19th century AD. A group of metalwork comprising a silver Ottoman pen holder of typical form with an attached inkwell, decorated with embossed and incised motifs, featuring two silver stamps above and below, with hinged lids. Included is a Mamluk Revival brass casket with silver inlay, of coffered shape, with a lid inlaid with silver calligraphy surrounded by six calligraphic panels; three sides adorned with geometric and floral designs, and the front panel inlaid in silver with five fantastical winged animals. Also in the group is a small steel hexagonal box, decorated with applied gold floral designs on each of the six sides, equipped with two rotating handles, hinged on one side and latched on the opposite side. Completing the set is a Toledo steel cane or umbrella handle with gold inlay, featuring three lozenges with depictions of fantasy birds amidst foliage, framed by matching panels on either side and three gold bands below.two rotating handles, hinged on one side and latched on the opposite side. Iran, Timurid period. Provenance: Henri René d’Allemagne Collection. 1979. Acquired by Ahuan U.K Ltd. from M. Roderick d’Allemagne, grandson of Henri René d’Allemagne. (1836 - 1950).Toledo Steel Cane or Umbrella Handle with Gold Inlay. The handle decorated with three lozenges containing fantasy birds in foliage with matching panels to either side, with three gold stripes below. Spain, 19th Century. Size: 9.3 cm x 10 cm. Size: 50mm-240mm, 20mm-80mm; Weight: 932g Provenance: Previous property of an Islamic art professional. Previosuly acquired by Ahuan U.K. Ltd. 19 February 1981 from E. Van Vleedenburgh. Provenance: Henri René d’Allemagne Collection. 1979. Acquired by Ahuan U.K Ltd.from M. Roderick d’Allemagne, grandson of Henri René d’Allemagne (1836 - 1950).

Ca. AD 200 - 300. A schist relief panel with the seated Buddha attended by Brahma and Indra, as well as two Bodhisattvas. It is an exquisite ensemble of sculptures that emanates an aura of spiritual significance and artistic brilliance. The central figure of the triad portrays the Buddha Shakyamuni, the historical Buddha who attained enlightenment. Sitting in the meditative lotus position, Shakyamuni Buddha exudes an aura of tranquility. The facial features are expertly sculpted, with almond-shaped eyes that convey a profound sense of compassion and wisdom. The finely chiseled nose, gently curved lips, and hair pulled up into a topknot further add to the figure's harmonious countenance. Flanking the central Buddha is Brahma and Indra and two attendant Bodhisattvas, emanating an aura of reverence and devotion. All of these figures are embodying the compassionate ideal of Buddhism, and stand in a poised posture. Adorned in ornate robes that drape gracefully over their bodies, the Buddha figures in the triad are resplendent with richly detailed patterns and textures. The folds and drapery of the garments are skillfully rendered, capturing the subtle movements and fluidity of the fabric. This Triad panel exemplifies the spiritual devotion and artistic mastery of its creator. The harmonious composition and the delicate balance of forms evoke a sense of awe and reverence, inviting contemplation and deepening one's connection to the Buddhist teachings. This triad stands as a testament to the enduring influence of Buddhism and the remarkable artistic legacy it has left behind. Size: 580mm x 540mm; Weight: 78.35kg Provenance: From the collection of a London gentleman; formerly acquired in early 2000s in Japan; previously in 1970s Japanese collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 18th century AD . An Arabic manuscript on paper, xxff., each folio with 14ll. of black thuluth script, plus five flyleaves, the opening bifolio with fine and elaborate gold and polychrome illumination, the subsequent folio heading with gold and polychrome illumination, the text within cloud bands reserved against gold, in gold and black rules, chapter headings, vocalisation and marginal marks in red, catchwords, in gold and black rules, blue and gold stellar marginal markers, library stamp marked 1011, blue ink marginal note dated 1298AH (1881), in more recent maroon blind-tooled binding, the folio 21.5m x 12cm., the text panel 16.5cm x 8.5cm. Size: 220mm x 130mm; Weight: 1.03kg Provenance: Previous property of a UK Islamic art professional. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 19th - 20th century AD . A fragment of a hanging panel of the inner kiswa with an inscribed weave in cream colour over a light green silk ground. Embellished with a prominent inscription within a broad border in the thuluth script. Size: 920mm x 725mm; Weight: 2.2kg Provenance: Previous property of a UK Islamic art professional. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

. A geometric earthenware tile panel of square form, consisting of an interlocking star-shaped geometric design carved in deep relief with a central eight-pointed star-shape medallion containing a shell-like motif within a geometric interlace enclosing stylised leaves and flower heads, set within a wooden frame. Size: 530mm x 530mm; Weight: 10.09kg Provenance: Previous property of an Islamic art professional. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. Early 14th century AD .A wall panel of rectangular form painted with cobalt-blue and turquoise, the surface moulded with floral relief detailing, containing six central stellar cobalt-blue glazed sections for each formed square, surrounded by bands of glazed cobalt-blue as well as other greenish turquoise geometric shapes, all framed within an outer border of scrolling vine stucco with cusped foliage and cobalt background.Size: 1223mm x 870mm; Weight: 40.03kgProvenance: Previous property of a UK Islamic art professional. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 13th - 14th century AD. A globular bronze bowl with a lid engraved with a frieze of calligraphic cartouches inscribed in Arabic thuluth with medallions of interlocking floral motifs below. Around the body, several decorative friezes of various crosses, lambrequins and foliage sit beneath the main calligraphic panel. Size: 220mm x 190mm; Weight: 700gProvenance: Previous property of a UK Islamic art professional.

Ca. Late 15th century AD . A manuscript - sura al a'araf. Arabic manuscript on paper, 24ff., each folio with 9ll. of black thuluth script, chapter heading in gold, catchwords, black diacritic marks, red vocalisation marks, gold rosette verse markers, fine gold interlinear rules, laid on later wove paper, within green, red, blue, gold, and black rules, in plain margins, green endpapers, in later dark brown calf binding, each folio 45cm x 31cm, the text panel 29 cm x 19.5cm. Size: 450mm x 310mm; Weight: 1.01kg Provenance: Previous property of a UK Islamic art professional. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

1:24 scale four-storey dolls house, with glazed four panel windows and porch, grey tiled roof, brick effect exterior and stone effect facade, with decorated interior and wired lamps, H42cm, W35cm, D32cm

N gauge model railway rolling stock, predominantly Atlas examples, including Atlas no. 38804 Double Door Box Car, Atlas no/. 32791 90 Ton Hopper and Micro Trains Steel Side 14 Panel Fixed End Gondola with Rock Load, mostly in original boxes

Early 20th century Coalport three handled pot pourri and cover, of squat bulbous form, a central panel decorated with an exotic bird upon a cobalt blue ground, printed mark, and registration number 482703, together with a pair of twin handled vases with floral decoration

CD - Nirvana – In Utero, DGC – 5517850, 5 CD 30th anniversary deluxe edition box set with 44 page hardbound book, In Utero logo mobile, fanzine, tour poster litho, gig flyer #1 (5517821 NS04), 3 gig flyers, all access laminate, 4 backstage passes, 2 concert tickets, 2-sided album size artwork for live shows and acrylic angel art panel. Sealed

An Arts & Crafts Mahogany Writing Desk, the three-quarter gallery with heart shaped decoration, fall front with crossbanded panel to fitted interior, with undershelf, 102cm high, 61cm wide.

A XVII Century and Later Oak Cabinet on Stand, with carved frieze, central panel, twin panelled cupboard doors on a later base with square supports, 90cm high, 123cm wide.

A Royal Worcester Cabinet Plate, painted by J. Reed, signed, with a central shaped panel painted with ripening fruit on a mossy woodland bank within an elaborate tooled gilt border, gilt mark, 27cm diameter.OVERALL GOOD CONDITION

A Hallmarked Silver Ladies Cigarette Case, inset with an oval panel painted with a dog, London 1881, monogrammed, 8.5cm long; a white metal shield shaped pendant inset with a portrait of a gentleman, 3cm long, a porcelain plaque painted with a child in yellow metal pendant mount, 4cm long. (3)1, cigarette case does not close correctly, silver is very scratched. 2, oval plaque - chip to top, wear to face. 3, shield pendant scratches

ARR BYRON WARMBY (Sheffield Artist, 1902-1978) *ARRCottages in a Winter Landscape, oil on panel, signed lower right,49 x 59cm.Another, by the same hand, 'Cottages in a Spring Landscape', oil on panel, signed lower right,49 x 59cm. (2)

A XIX Century Mahogany Bed, the headboard with an arched top and applied oval panel, barleytwist and block supports, the footboard similar with applied 'C' scroll panel, 152cm wide.

H. WILSON (English, Mid XIX Century)River Scene with Figure and Cattle, oil on panel, signed and dated 1869 lower right,19 x 35cm.

An Early XX Century Mahogany Specimen Cabinet, the top with moulded edge over cupboard door with inlaid panel, internal drawers with glass tops, on a plinth base, 100cm high, 52cm wide.

A Mid XIX Century Swiss Rosewood Cased Musical Box, with inlaid and painted decoration, playing twelve airs, pinned brass cylinder (30cm long) with steel comb and striking on six bells, the lid with printed and handwritten tune sheets, inscribed 'Lith Picard-Lion Genéve Depose', with key, 66 x 30.5 x 38cm.Several alrge and deep scratches to top and border, scratches to front and wear to panel, wear to feet, tune card badly foxed, wear to rim inside, does play when wound - no guarntee given, steel comb rusty.

A Pancotti Vickers Italian Rosewood Concertina, with fretwork panel and mother of pearl keys, leather strap, 27.5cm wide.

An Icon, painted with the Madonna and Child flanked at both sides by a Saint, on panel, 27 x 22cm.

ARR JOY CLUCAS (1931-2006) *ARRA Mid XX Century Embroidered Panel, of a pink, orange and yellow stylised flower, signed,66cm x 42cm.*Joy Clucas was the founder of the 1962 group and author of 'Your Machine for Embroidery', examples of her work can be found in the V & A museum.

A Pair of William IV Mahogany Hall Chairs, with scroll and foliate decoration, panel back and solid seats on turned forefront legs. (2)

THE QUEEN'S SILVER JUBILEE - THE GLASGOW F.A. SELECT VS. THE FOOTBALL LEAGUE, SILVER MEDAL, 17TH MAY 1977 engraved to one side with coat of arms inscribed The Glasgow Football Association, the other inscribed The Queen's Silver Jubilee Hampden 17th May 1977, on chain, in sterling silver 5.2cm diameter Qty: 59g gross Note: This medal was given to Les Michie, who was assistant secretary of the Scottish Football League during the period.'The Glasgow FA Select v The Football League match was played at Hampden on Tuesday 17 May 1977, with a 3pm kick-off and with a crowd of 28,380, including the Queen. The Glasgow side won the game by 2-1 with Kenny Dalglish scoring the winner.The Glasgow shirt has the colours of all the Glasgow sides, Celtic, Queens Park, Partick Thistle, Clyde and Rangers.The shorts being red with a yellow side panel and black and white socks.The Glasgow FA team was: Alan Rough (Partick Thistle), Danny McGrain (Celtic), Brian Whittaker (Partick Thistle), Jardine (Rangers), Roddy McDonald (Celtic), Forsyth (Rangers), McLean (Rangers) – sub McNaughton (Queen’s Park), Kenny Dalglish (Celtic), Joe Craig (Celtic), MacDonald (Rangers) and Johnstone (Rangers). The substitute was Somner (Partick Thistle).The Football League squad was as follows: Corrigan (Manchester City), Clements (Manchester City), Peach (Southampton), Stanley (Chelsea), Watson (Manchester City), Wilkins (Chelsea), Francis (Birmingham), Channon (Southampton), Royle (Manchester City), Barnes (Manchester City), Owen (Man City) and Tueart (Manchester City). There were so many Manchester City players due to that club being one of the few to have fulfilled all their fixtures.The sides were managed by the managers of the England and Scotland at the time – Don Revie for The Football League and Willie Ormond for Glasgow FA. This game was Ormond’s last duty as manager prior to Ally Macleod assuming control of the national team. Wonder how that went?Tueart scored the opening goal for the visitors, with Jardine equalising before King Kenny [Dalglish] got the winner for Glasgow.'

Interior of taverna with musketeerOil on panel40x30 cm

An exquisite antique silk panel, from the Daoguang period, beautifully embroidered with two phoenix birds in intricate Pekinese stitch, surrounded by peonies and adorned with a floral and avian border. Housed in a wooden frame with a slight metallic sheen. Silk panel size: 14.25"L x 17.25"H. Frame dimensions: 16"L x 1.5"W x 19"H. Issued: 19th centuryDimensions: See DescriptionCountry of Origin: ChinaCondition: Age related wear.

Eugene Fassy (Mid 20th century): Swiss Landscape with Chickens, oil on panel signed, inscribed signed and dated 1968 verso 26cm x 34cm

D Vincente (Continental 20th Century): Naval Engagement, oil on panel signed 18cm x 39cm

Leoni (Continental 20th Century): Sunrise on the Boats, oil on panel signed, indistinctly inscribed verso 21cm x 27cm

LARGE CHINESE HARDWOOD PANEL, LATE 19TH / EARLY 20TH CENTURY set with various cloisonné items, including a vase, twin handled vase and furtherThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference ZLDBNLTT. 121cm high Overall, this lot is in good condition, but shows some signs of age and wear. The details show some signs of use, but very few loses are present. In particular, and due to the detailed nature of the piece, a specialist detailed cleaning would be of benefit. Additional images are now available.