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RICHARD BEAVIS (BRITISH 1824 - 1896) A MARE AND FOAL IN A FIELD Oil on canvas Signed and dated '1865' (lower right) 58.5 x 74.5cm (23 x 29¼ in.)Provenance: Richard Green London Gerald Panchaud, Amhuinnsuidhe Castle The collection from Trethill House, Cornwall Condition Report: The canvas has been lined. Craquelure throughout, however the paint surface appears secure. Rubbing and abrasions to the framing edges. Some superficial surface scratching and dirt throughout the canvas. Stretcher marks visible. Inspection under UV light reveals some very minor scattered retouching, largely confined to the sky, together with a green cloudy varnish. The canvas has come loose from the frame in the lower left corner but this should be easily fixed.Condition Report Disclaimer

Y &nbspA GEORGE IV ROSEWOOD TEA CADDY CIRCA 1825 Incorporating earlier silver mounts, with ebonised stringing, red velvet and wood lining, lock plate with sterling mark and maker's mark WT 18cm high, 33cm wide, 16cm deep Provenance: Gerald Panchaud, Amhuinnsiudhe Castle The collection from Trethill House, Cornwall Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Generally in fairly good condition- typical minor wear and surface dirt from handling and use. Some lifting to applied mounts- interior with concealed space to inside of lid. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer

ABEL PANCHAUD, OXFORD STREET, (LONDON). A FINE GEORGE III GILT WOOD AND ORMOLU MOUNTED MUSICAL TRIPLE FUSEE VERGE BRACKET CLOCK with painted flower spray decoration and mirrored fret-cut spandrels beneath a caddy top with pineapple finials, side carrying handles and caryatid floral draped corner mounts; standing on scrolled leaf cast feet. The foliate engraved brass sheet dial with Roman chapter ring and Arabic minute markings enclosing a signed centre and mock pendulum aperature beneath subsidiary dials for strike/silent, month calendar and days of the week fronting a substantial brass plated movement with finned baluster pillars, verge escapement and eight-day triple fusee repeating movement with fully engraved backplate and matching decoration to the pendulum cock, hour strike on a bell and 8cm pin barrel musical train with 10 hammers playing on a series of 8 graduated bells.60cm high 39cm across 28cm deepThe dial would have been silvered originally, if the post fixing bothers you it really needs sanding out and re-engraving which a good restorer could do, the case is in excellent original condition with all the original ormolu mounts, and there would have been two triangular ormolu frets to the top of the case flanking the top finial, the movement is original to case and is in good working condition chiming and Stiking on the hour and ticking away but may need a service. The clock has come from a deceased estate.

Bracket clock. ABEL PANCHAUD (active 1764-1784). London, 18th century.Gilt lacquered case.Gilt dial, engraved, signed, visible pendulum, month calendar dials and strike cancel.Eight-day winding machine, square plate, engraved back, quarter strike on eight bells and hour strike on one.Measurements: 51 x 27.5 x 18 cm.Desk clock of bracket type, work of the watchmaker Abel Panchaud, with lacquered case with representation of garlands and festoons. Gilt-bronze appliqués flank the architectural structure with its round-arched façade. The bronze spandrels feature vegetal designs in the form of tracery. The signed dial has Roman numerals for the hours and Arabic numerals for the seconds, engraved in black on gilt. Three smaller dials serve as chime and calendar functions. Decorative acorns crown the case, whose dome takes the form of a slope with rounded corners. The bronze feet are Baroque in style, curling into sensuous scrolls.Bracket clocks of English origin are notable mainly for their mechanism, but also for their decoration. This type of clock originated in the 1960s, when the pendulum was applied to the clock, replacing the previous "foliot" regulator or balance. This change made it necessary to provide the mechanism with a case to protect it from shocks that could alter its movement. This was the origin of the watches known in England as brackets, i.e. portable watches. These were short cases which housed a mechanism held between two thick plates and contained, as the driving force for each train, a combination of a hub and a snail. These clocks were originally intended to be placed on a bracket, hence their English name. This bracket was a separate piece that was usually made at the same time, with decoration to match the clock. Later, however, the base and clock began to be made separately.

A GEORGE III EBONISED BRACKET CLOCK, signed Abel Panchaud, London, the silvered dial with 3 inch chapter ring and subsidiary seconds dial on an 8 day fusée movement, the domed case on ball feet, 22cm high (excluding handle)

A George III mahogany fusee dial wall timepieceAbel Panchaud, London, late 18th centuryThe four pillar single fusee movement with verge escapement regulated by lenticular bob pendulum and tapered plates, the 12 inch circular brass Roman numeral dial signed Abel Panchaud, Oxford Street to centre, Arabic five minutes to outer track and pinned feet to rear for securing the movement into the case, with blued steel hands set behind hinged cast ogee-profile glazed bezel, the case with ogee-moulded surround fronting dovetail jointed mahogany box incorporating door to right hand side and pendulum access flap to underside with shaped extension to the backboard behind, diameter 38.5cm (15.25ins) approx. Abel Panchaud is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1764-84. He was a fine maker with known surviving examples of his work following in the style of Thomas Mudge and William Dutton.Condition Report: Movement appears all-original with the exception of the pendulum which has been converted from a fixed-rod with short bob to one with a lenticular-bob with suspension spring driven by a crutch. The pallets appear original but have been re-faced. The dial has lost its silvering and is generally somewhat rubbed through years of polishing however all engraving is still visible. The hands are in good condition.The case appears original to the movement and dial and is generally in sound condition. The bezel is a good heavy casting which retains its hinge. The bezel is now secured via a pinned post (secured to a copper plate) passing through a hole drilled in the frame -there is evidence to both the bezel and the wooden surround of previous lock/clasp being fitted. The wooden surround has a small indent repair at 6 o'clock. The side and bottom doors appear to retain original hinges however the veneer ovelap borders (shut faces to reduce dust ingress) appear to be replacements. Case structure is otherwise in good sound condition with a few light bumps, scuffs and shrinkage commensurate with age. At some point the finish has been cleaned back and given a light re-polish hence is now lacking original colour/patination and has some domestic paint splattering.Timepiece has a pendulum but no winding key. Condition Report Disclaimer

After Simone Panchaud de Bottomes PORTRAIT BUST OF IAN FLEMING Cast metal finished with gold-painted plaster, signed 'SPB' on the front of the neck 52cm high Executed c.1966 after Panchaud de Bottomes' original conceived in c.1931. Provenance: Christie's London, 'Fine Printed Books Including Modern First Editions & Miniature Books', 25 October 2007, Lot 226.

A 18th century hunter verge fusee pocket watch, Abel Panchaud, Oxford Street London, cream dial, Roman numerals, front wind aperture, mixed metal case, stamped T.C.C, c.1790

A 19TH CENTURY ENAMEL PENDANT WATCH, the circular white dial with Arabic numerals, to a key wind verge movement signed Piot & Panchaud, numbered 7302, the heart-shaped case decorated with polychrome enamel lake scenes to the interior, and amorous figural scenes to the exterior, signed LP, with further indistinct marks, in fitted box, case length 5.9cm

An 18th century oak longcase clock with earlier 17th century 8 day striking movement by Abel Panchaud, Oxford Street

Seven various silver bowls and dishes including two Swiss silver examples by Jezler, one inscribed 'Panchaud 1967', diameter 13cm, both silver standard 800, a German sterling silver example with similar inscription, a Mexican silver pin dish modelled as a sombrero and a hallmarked silver example by WT & Co, Sheffield 1988, inscribed 'Singles Knock-Out 1988', combined approx 18.6ozt (7).

A small 18th century bracket clock, walnut case, broken arch brass dial enclosing a simple movement with verge escapement, signed Abel Panchaud, Oxford Street, overall height 24cm.

A George III mahogany longcase clock, the arched and silvered dial signed Panchaud, Oxford Street, London, with strike/silent and second dials and date aperture with Roman and Arabic numerals in a dome topped case, 222cm high/see illustration Condition Report: This clock is from the W H Smith archive. There are a few minor scratches to the dial and the hands are on the stiff side, clock at present working. The hood door showing signs of re-gluing to the side pillars together with some staining, case sides good but some veneer splitting to door frame at arch, veneer splitting at base.

A George III brass mounted ebonised table clock. Abel Panchaud, London, circa 1780. The five pillar twin fusee bell striking movement with verge escapement, trip hour repeat and symmetrical foliate scroll engraved backplate, the 7 inch brass break-arch dial with calendar aperture and signed Abel Panchaud, Oxford Street to the silvered centre within applied Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrels to angles beneath arch with subsidiary Strike/Silent selection dial flanked by conforming mounts, the triple pad top break-arch case with hinged carrying handle and brass fillet mouldings to top above arched fishscale sound frets to sides and moulded brass inserts to front angles flanking the fillet inset aperture of the front door, on cavetto moulded base incorporating further brass strung moulding and on cast ogee bracket feet, 41cm (16ins) high excluding handle. Abel Panchaud is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in London 1764-84.

DOUBLE FUSEE BRACKET CLOCK, the back plate engraved with Prince Wales feathers and foliate scrolls, the 7” silvered dial signed Abel Panchaud, Oxford Street, with strike-silent dial to the arch and calendar aperture, the ebonsied case surmounted by a bell top, 19.5” high, together with an ebonised wall bracket (illustrated inside front cover)

An 18th century ebonised bracket clock, the caddy top with brass carrying handle above pierced sides on bracket base, the 17 cms arched brass dial with silvered chapter ring, strike silent dial and calendar aperture, inscribed 'Abel Panchaud, Oxford Street', with twin fusee movement, striking on a bell, 50 cms high.